SCIENCE!

The best reblog engine you're not following! 34 Years of studying Humanity. I am a real person. Much in the way that Walmart in Rural America at 4 am is a real place.

[parawyrm]

More from that one post

[parawyrm]

[parawyrm]

[dingdongyouarewrong]

i'm getting the sense some of you are not actually forklift certified.

[averagejoey2000]

[dingdongyouarewrong]

well damn . egg on my face

[dingdongyouarewrong]

THE PLOT THICKENS @averagejoey2000 explain yourself

[averagejoey2000]

I can't believe this is how I'm finding out that I got a scam forklift cert.

I took the cargo ops class at school but my teacher explained that it doesn't give a certification and I'd only be okay for ship's crane and the school forklifts. she said I could take an online exam and get my cert. I paid 60 bucks.

I'm googling and I'm seeing a lot of resources saying that the online programs cover the classroom part of the exam but not the in person practical aspect.

29 CFR 1910.178 (l)(2)(ii)

but I did the in person practical shit at school.

[averagejoey2000]

the back of the card even had fancy numbers on it. I couldn't have known that this isn't the one. this website sounded more official than certifyme.net, and there wasn't one with a .gov address.

[averagejoey2000]

so, I emailed OSHA, and they said that so long as I live and work in California, there's no such thing as forklift certification. I have to be told how to do it every time I get the job.

[averagejoey2000]

Update: I took a certification class in shipboard Material Handling Equipment at my federal job. *now* I'm forklift certified, but only on ships and piers and only for this company, but also rated to forklift explosives and hazardous materials. Also I'm a woman now.

[dasloddl]

op disabled reblogs but I think the point still stands

[a-mel0n]

reblog if you’ve had an online friendship that’s lasted more than 2 years

[charl0ttan]

to be honest i do have beef with some microbes

[yoshspace]

shoulda cooked it longer that gets rid ofem

[catfancyceo]

Let's kill this guy with mama.

[linddzz]

Actual image of me fighting for my fucking life on discord

[linddzz]

Them: WHAT ELSE

Me, crying, broken: the suckers can leave hickies also they taste with their suckers 😭😭😭😭

[linddzz]

[astonarts]

beh

[iwilleatyourenglish]

sorry what was that

oh okay

[mls-classics]

[theshitpostcalligrapher]

a little warm up for the day

ink: diamine oxblood

[atrusovaartist]

I always thought Reddit was a place where people could share things they created.A few days ago I posted one of my original paintings. People loved it. We had wonderful conversations about art, emotions, and how everyone saw something different in the same sunset.

About two hours later I was permanently banned from r/MadeMeSmile for “self-promotion.”

I accepted that different communities have different rules.But then something even stranger happened.Soon afterward, a moderator from r/pics started going through my account. Not just the new post—many of my older painting posts disappeared as well. One after another. Then I was permanently banned there too.

Maybe it was the same moderator. Maybe it wasn’t. I honestly don’t know.

What surprised me wasn’t even the ban itself. It was realizing how much power individual moderators have over what millions of people are allowed to see. One decision can erase years of posts from a community and instantly cut off your ability to participate, even if those posts had been happily sitting there for months or years.I’m not saying moderators shouldn’t have rules. Communities need moderation.But it does make you wonder where the line is between protecting a community and allowing a single interpretation of the rules to completely reshape what people can share.

The funny part?

I wasn’t advertising anything in those posts. I wasn’t posting prices or asking anyone to buy anything. I was simply sharing my original paintings because I enjoy discussing art with strangers from around the world.

Anyway…

Here’s the painting that apparently caused all the trouble. 🎨

[monsieurenjlolras]

you've heard of "quiet quitting," now I'd like to introduce you to the next level, The French Work Ethic:

Do exactly what you're paid for and nothing more

Absolutely refuse to be available to contact when you're off the clock

Never prioritize work over your own health, wellbeing, or family because that would be insane, it's just a job.

Have a little glass of wine

Take as long as you feel like for lunch

Deeply understand that work doesn't matter

Make sure your boss your boss knows they're always your second priority ❤️

[lerayon]

🗣️ Hey, young Americans:

Old Millennial American speaking here. I need you to adopt this mentality as early as possible and hold to it. The older you get, the harder it is to begin this practice and claw back the extremely unhealthy effects of a workaholic lifestyle. I am speaking from 20 years of experience.

This does not mean having a shitty attitude at work, or not doing your job, or relying on co-workers to carry your water.

This means you do what it says above. It also means not making work and productively your entire personality; not tying your productivity to your value; and not becoming so emotionally enmeshed in your work and workplace so that you are living and dying by what happens there.

Good luck out there. American workplace culture is mostly designed to work you to death. Moving against that tide can be challenging, so having a healthy mindset is important to living a life not consumed by your paid labor.

[cerleansky]

The legacies people leave behind in you.

My handwriting is the same style as the teacher’s who I had when I was nine. I’m now twenty one and he’s been dead eight years but my i’s still curve the same way as his.

I watched the last season of a TV show recently but I started it with my friend in high school. We haven’t spoken in four years.

I make lentil soup through the recipe my gran gave me.

I curl my hair the way my best friend showed me.

I learned to love books because my father loved them first.

How terrifying, how excruciatingly painful to acknowledge this. That I am a jigsaw puzzle of everyone I have briefly known and loved. I carry them on with me even if I don’t know it. How beautiful.

[speaklavenderthoughts-deactivat]

absolutely obsessed with these tags

[i-do-anything-but-write]

Humanity is mimicking our loved ones to wove it into our lives forevermore.

Isn’t it sweet how we love people through such small daily gestures? Isn’t it sad that they will never know?

[desertherm1t]

Something something to love is to be changed, and I am a patchwork of all that I have cherished

[hometoursandotherstuff]

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[ivy-michaels]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

[amygdalae]

When I die I wanna be resurrected as the crab in the bucket of crabs that pulls the other crabs back into the bucket. And I'll love doing it

[evilscientist3]

if i could die i would wanna be resurrected as a crab strong enough to pull your crabsona out of the bucket. and then where would you be

[amygdalae]

...

[dyllpiccle]

Adult life tip.

Do not buy a cabbage unless you have one of the following:

1. A recipe that uses a whole cabbage

2. 200 recipes that use some cabbage

3. A desire to waste an entire half cabbage

[sufficientlylargen]

4. A desire to aid your local cabbage merchant who's struggling financially because so much of their crop was destroyed in a series of bizarre incidents involving a twelve-year-old martial artist.

[default-cube]

pro cabbage tip: whenever I have leftover cabbage (which is practically whenever I buy some, you should take the original tip seriously), I turn the rest into kimchi! It's delicious, and it stays good a good deal longer than raw cabbage