#chivalrous

[mauricetheblurst]

these guys show up to the feast, drink your mulled wine, slap your squire's ass and call your liege a knave, wyd ?

[inchidentally]

the real life of them having the subconscious arrangement of Lando being more front and center to cameras/interviewers and the rpf of an alpha or knight who leads his omega or prince but then stands just behind protectively

[shakespearean-love]

𝙰𝚗𝚢𝚝𝚑𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚢𝚘𝚞 ❦

[jilliantheartisttwerp]

I'm about to fill up a whole sketchbook page with these two bc I listened to a song in the shower and imagined split being an ABSOLUTE CHIVALROUS GENTLEMAN LIKE THE ROYAL GUARD CAPTAIN HE IS to Lust bc I THINK LUST GETS TOO MUCH HATE

Sobs violently

[introvertedpedant]

Stephen Dillane as Rupert Keel in Episode 6 of Hunted (2012) - Set One

[lyradancerkane]

Five words to describe our darling Grayson. (or rather- YOUR darling Grayson)

i wouldn’t call him “my darling”, and neither should you. but 5 words? easy.

1. grayson

2. hawthorne

3. is

4. an

5. asshole

happy?

[rosetyler42]

Since @black-ak9 said she wanted more chivalrous charming Drac, some wrist kisses I don't think I posted yet.

@lovelylivelyv @hotelt-resurrection @serial-serializednovelreader @wingingfromthezing @kittyball23 @deathfangirl9 @ebevkisk @f-mhoteltransylvaniacomicseries @heartsong1994 @moraromorita @monstetransylvaniasstuff

[illustratus]

The Two Crowns by Frank Bernard Dicksee

In The Two Crowns Dicksee portrays an English medieval prince returning home in triumph on a white horse decorated with three feathers. Wearing a golden crown, he gazes up at a crucifix, Christ's crown of thorns contrasting starkly with the jewelled headpiece and opulent armour of the prince. Although surrounded by admiring onlookers, the prince is transfixed by the sight of this representation of Christ, a vivid reminder of the lack of importance of temporal power and riches.

The Two Crowns is one of a number of paintings by Dicksee with a medieval theme, including The Redemption of Tannhäuser (1890) and The Passing of Arthur (1899). But in contrast to both these works The Two Crowns does not represent any particular historical event. Dicksee seizes the opportunity to create a scene brimming with pomp and ceremony. The jubilation of the crowds at the Prince's homecoming is represented with flying banners and coloured confetti thrown by the youthful maidens in the foreground and from the balcony above.