Firmly of the opinion that Elrond iconography is a mainstay of Middle-earth's art history/visual culture. Greco-roman style Numenorian statues of the Immortal Brother, pietá of him and Elros with Elrond as the Mother Mary figure cradling his dead twin's body, paintings of him as an ugly medieval-esque baby, one hundred million depictions of the abduction by Maglor and Maedhros, rough stone/wood figurines from Mannish villages where Elrond passed by a couple hundred years ago and cured the plague and has now become a folkloric god.
All this to say, the biggest collector of all this Elrond memorabilia is, in fact, Maglor, and once Elrond sails its value shoots up and he rakes in a fortune re-selling pieces to collectors and antique dealers. Arwen figures out pretty quickly who this mysterious beach-bum bard with an enormous collection of her father's merch is and she's seething. She thinks it's so crass and distasteful but she can't do anything about it because unfortunately, Maglor's biggest buyer is none other than Aragorn himself.
















