Baby otter first time in the water
kity
Fieri Frames

Jimmy Eat World
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Interview Vampire Daily

❣ Chile in a Photography ❣
macklin celebrini has autism
Mike Driver
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2025 on Tumblr: Trends That Defined the Year
TMBGareOK. The Official They Might Be Giants tumblr
NASA
let's talk about Bridgerton tea, my ask is open
RMH
Not today Justin

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tannertan36
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occasionally subtle

Love Begins

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@the-11th-doctor2
Baby otter first time in the water
kity
I’ve been thinking a lot about compassion in Judaism, and being kind. In that light, I would like everyone to know that my current favorite Jewish supernatural headcanon is that, instead of driving vampires away with crosses or stakes through the heart, we say the Mourner’s Kaddish for them. I mean, that’s just so adorable. You see this threatening undead creature, and instead of yelling murder, you feel bad for them, and you mourn for them. Imagine being a vampire at the receiving end of that, having been chased away for years and years and told you’re a monster when you come across someone who sees you and your existence and accepts that you’re in a pretty bad place and offers help in the best way they can. I’m actually tearing up about this a little. If someone adds to this post I’ll love them forever.
It doesn’t work for zombies.
This is one of the hardest things she learns, in the business. Saying the Mourner’s Kaddish will slow a vampire, to stare at you with wide shocked eyes (and once, memorably, to weep blood-tinged tears), unable or unwilling to lift a hand against you. It will calm a dybbuk, enough to make it stop whatever destruction it’s begun, and almost always enough to start a conversation about why it clings so desperately to the world of the living, what it’s left undone, how it can be freed to move on. You have died, the Kaddish says, and we mourn you as we would mourn our own dead, because someone must.
But there is no soul and no mind left in a zombie, no vestige of the self it once was, nothing left for the Kaddish to speak to.
She says it anyway, with every head-shot, with every flung grenade.
Not because she still hopes one might hear her, but because they are dead, and the dead should be mourned.
Well, I love you forever now.
@prismatic-bell
Wolfgang Beltracchi and his wife Helene sold fake paintings for millions before some inauthentic white paint led to their capture
One of the best things that ever happened to me was during my trip to Venice 5 years ago. I had bought an all-inclusive ticket for all museums and exhibitions in the Piazza, and I was going through an exhibition of statuettes when I entered the next wing with paintings. The styles seemed somewhat familiar, but I couldn’t work out what was happening. Thankfully this incredible lady working at the exhibition saw that I was a bit confused and approached me to ask if I knew what this exhibition was. I said no, just that it had seemed interesting.
She explained that the reason why I might be confused is that I had entered the exhibition of Wolfgang Beltracchi from the end rather than the beginning. She then took me to the start and started explaining about him and his history. He has art forgeries in every style from medieval paintings to modern art and his forgery is not copying existing paintings but creating “lost paintings” that the artist might have painted or talked about painting but never did. He perfectly matched the artist style, composition, ideas, colours and medium. His materials were historically accurate and experts couldn’t determine that they were fakes.
And his wife Helene Beltracchi was incredible. She helped “backdate” paintings and provide evidence of their age. One of the things that stuck with me the most is this black and white photo, created with an old-time camera and medium and the photo itself was aged so carbon-dating couldn’t discover that it was a modern photo. It was of Helene, with her features slightly altered, dressed in an old-time, era appropriate dress with the painting in the background. can you imagine the level of dedication and the immense attention to detail required to so convincingly fake a photo to provide a reliable history of this painting existing for centuries? She helped him create fake history for a lot of his paintings.
I’ll never forget that exhibition. There were so many paintings, all of them in the styles of different artists, most of them verified by experts as genuine until his mistake with the white paint which prompted a much, much deeper examination by experts. I think the lady mentioned that they could still not forensically confirm that some paintings were fakes, but it’s been a while, I might be misremembering. I was just struck with awe at the sheer knowledge they must have of multitude of painters, not just their styles, but their lives and the way their minds worked. He painted scenes “they might have painted” and when you look at them, you could definitely see it. It hits especially hard when you have more than passing familiarity with the artist, their lives and struggles, their choices of mediums and themes. You can look at this painting and think, this is definitely created by []. It makes so much sense, it has that distinct flair and works incredibly well as a parallel to [], their earlier painting. It was indescribable. Can you imagine the skill required to back that knowledge up? To be able to perfectly mimic the styles of so many artists and be able to so accurately forge paints, brushes and canvas that experts verified them as genuine?
And he had his own original paintings as well. One of them struck a chord with me especially. It was a painting of storage rooms, storing thousands and thousands of paintings that the public doesn’t know of, because they’re the unpopular paintings, the paintings that never get exhibited, the forgotten paintings. I thought it was very poignant.
I love these people. They really did do it because they loved art, they loved playing around with art forensics, and they just had a blast. Seeing his gallery brought be such incredible joy and so many interesting things to think about. 10/10, would definitely recommend
you can make nearly any object into a good insult if you put ‘you absolute’ in front of it
example: you absolute coat hanger
as well u can just add ‘ed’ to any object and it’s sounds like you were really drunk
example: i was absolutely coat hangered last night
#i was gazeboed mate #i was absolutely baubled
Meanwhile, “utter” works for the first (e.g., “you utter floorboard”) but somehow “utterly” doesn’t seem to work as well for the second (“I was utterly floorboarded”).
Utterly doesn’t work for drunk because it’s the affix for turning random objects into terms for *shocked*, obviously.
… huh. I thought that might just be the similarity to “floored”, and yet “I was utterly coat hangered” does seem to convey something similar.
I have to tell you, I am utterly sandwiched at this discovery.
Completely makes the phrase mean “super tired”.
“God, it’s been a long week, I am completely coat-hangered.”
Something is
Something is wrong with our language
Is it a glitch or a feature?
Feature
The rest of the thread is here.
tl;dr: Don’t monetize AO3, kids. You won’t like what happens next.
read this thread. this is by far the most concise explanation of a lot of different issues that i’ve seen in fandom spaces in a while. cosigning both the linked thread and the thread about aus/uk/can law that’s linked in-thread.
AHDHXHEBSG TWITTER WRITERS DID WHAT NOW???? AND PEOPLE PAID THEM????
If someone has never taken a class that includes copyright law, they may not know this stuff, so I don’t necessarily blame random people for not knowing what copyright is, but like… maybe just maybe it’s something that should be taught????
Just another reminder, because this always drives me crazy, but even if monetizing your fic was 100% unambiguously legal and protected, AO3 would still not let you do it because AO3 was founded and is supported by people like me who want a fandom community that is completely divested from making money off of fic.
Yes, this. Lots of fanworks on AO3 are unambiguously legal. Fics based on Shakespeare plays and fairy tales and Greek mythology and The Great Gatsby and your original character from your D&D game are not violations of copyright, because no copyright applies to those things.
AO3 still doesn’t let you monetize those things on the site, because we don’t want the site to be commercial! Because that’s not what it’s for!
It’s not there for you (generic you) to make money off the efforts of the people who build and maintain the site for free! We aren’t getting paid for the work we do to give you a nice site to use, just like you aren’t getting paid for the work you do to create whatever art you share there. Because fandom is supposed to be a community where we share with each other, and therefore we all benefit.
The deal is, we give you a free, stable, safe platform to host your works. In exchange, you get a site that isn’t covered in ads and tip jars and links to gofundme and “read the next chapter at my patreon”. You get one goddamn place on the internet that isn’t trying to make money off you. And we will defend that space and keep it non-commercial.
If you want to make money off your fics, you can instead post them somewhere like royal Road. “Oh, but Royal Road’s culture is so much more negative and stressful and lacks the supportive norms of AO3!” Yeah, because people are trying to make money there. Half the userbase is treating it as a storefront and hustling is the natural social consequence of that. AO3’s culture can only exist because it’s not commercial.
Half Goblin, half Hobbit.
Goblit.
God dammit I did this just for a pun but now I’m imagining this whole backstory where a wounded female goblin flees from some battle and winds up on the edges of the Shire and she’s gonna jump some Hobbit dude named Blinko Tumbrush but Blinko’s so unfailingly polite that his first reaction on seeing someone in a rough situation is to invite them in to dinner and gobbo chick is just like “… uh… ‘kay.”
And then she has dinner and it’s the best thing she’s ever eaten and even her little green brain is able to put together “If I knife this guy so I can take his stuff he can’t cook more of this” so when he asks her to stay the night she’s just like “Fuck yeah breakfast”.
And all the other Hobbits in the area are staring at this new arrival who starts begrudgingly working in the garden (she can pull out the weeds they’d normally have to hitch livestock to) and they’re all thinking “Uhhhhh that’s a fucking Goblin there, chief” except if they actually acknowledge that she’s a goblin then it’s a huge to-do and a lot of excitement and possibly there would be adventure involved in chasing her off. So they just sort of silently, collectively decide they’re going to ignore it and all go “Oh, Blinko finally found himself a lady, how nice, she must be one of the Glumbrushes from over the far side of West Farthing, I always did hear they were on the homely side, not much hair on their feet you know.”
And eventually in due time along comes Korbo Tumbrush and decently cute Hobbit baby but the biggest fucking ears you ever saw on a Hobbit and he’s a bit green and everyone is thinking “That’s a fucking half-Goblin you’ve got there, chief, you fucked a fucking Goblin, you made a baby with a damn Goblin my guy” but this would be an immensely rude thing to say to someone so they’re just like “Oh how nice, Blinko, he looks just like you, has those Glumbrush eyes though.”
And Korbo the Goblit grows up a proper little man in his waistcoat and pipe and every so often someone visits from a different part of the shire and sees this plump green dude with massive flappy pointed ears and they start to open their mouth only for a local to leap right in and go “HAHA YES THAT IS KORBO TUMBRUSH A VERY UPRIGHT HOBBIT WE ALL LOVE KORBO HE’S GLUMBRUSH ON HIS MOTHER’S SIDE (WE THINK) THAT EXPLAINS EVERYTHING!!!” and the visitor just starts nodding along emphatically because this is clearly something that is Not Spoken Of.
I fuckin love it
I. I have to know …
Does Korbo know!? Like is the Gobit aware his momma is a goblin? Or does he just grow up like
“yup us Glumbrushes sure do look different”
He leaves home on an adventure and stumbles n a hoard of goblins marches right up like
“how do ya do fellow hobbits? You know I’m half Glumbrush myself”
Alright, so, Korbo got in a fight once.
Once.
The Tumbrushes are, as a family trade, purveyors of fine pieces of wood. Not of large amounts of lumber, for which Hobbits don’t have a particular lot of call save occasionally, but rather of particularly nice pieces suitable for the making of fine window trimmings, floors, or the occasional carved bit of artwork to be given at a fancy event. Obviously for this one doesn’t go cutting down any tree willy-nilly, and Korbo had spent most of the day out and about looking for suitable trees.
(Korbo also personally assisted in cutting them down, being rather well known as on the strong side for a Hobbit, wink wink, nudge nudge.)
Having put in a genuine hard day’s work and rather pleased with himself, Korbo retired to the local bar to have a few beers and a smoke and to partake in good company, all of whom had gotten so used to pretending there was nothing odd about him that it was almost as if there was genuinely nothing odd about him.
Until along comes Humdil Thumbletoe.
Now the Thumbletoes were what was known in the Shire as “experts on genealogy”. This might sound like quite a good thing when you consider how well-versed most Hobbits are in their family lines, until you consider that most Hobbits are already well-versed in their family lines. A Hobbit being thoroughly knowledgeable of their family tree is not much to be remarked upon, so when it is remarked upon it is more to mean that the Hobbits in question are such tremendous mooches that they have had to dive far more deeply into their bloodlines looking for more relatives to leech off of than any Hobbit would generally consider polite.
Humdil was fairly brawny as Hobbits go, which was about all you could say for him. In fact Humdil had realized that was really all that could be said for him and had become a bit of a bully. And so it was he entered the bar that night with a very put-upon third cousin twice removed (by marriage) and caught sight of Korbo for the first time.
“Why, look at that one!” he bellowed, guffawing. “He’s so ugly his mother had to have been a Goblin, ey!”
The whole bar goes quiet. Aside from the obvious abominable rudeness of this, Humdil has said the thing that is never supposed to be said, and is clearly too stupid to realize he’s right. All heads slowly turn to Korbo.
Now, it is well known that Korbo has inherited his father’s tendency to never give a single solitary hairy-toed fuck about anything. He has currently been in the running to be at least the second most chill dude to ever be born in the Shire. And indeed, right now he’s still looking perfectly calm, puffing on his pipe. He sets the pipe aside, finishes off the last of his beer, and stands up.
“Sir, we’ll be needing to step outside.”
Now Hobbits are mostly a peaceable lot, not given to wars or fighting for any old thing, but a bit of fisticuffs outside the bar is hardly unheard of. Mostly everyone is kind of nervous about this because they’re still not sure how Korbo is reacting to this whole Goblin thing. So someone takes Korbo’s jacket and Humdil’s third cousin twice removed (by marriage) grudgingly takes his, and the two square off.
Now, Humdil was a big Hobbit, it was true, but there were a few things that, being a moron who didn’t realize he was right, and who had never been outside the Shire or seen a Goblin anyway, he could not possibly know.
For one, Goblins have long, spindly arms, giving them a surprisingly good reach for their size… not abominably long, certainly not in the case of a half-Goblin, and certainly not above being concealed by the cut of a well-tailored shirt. Second, they are compact, wiry creatures, with dense muscle over their otherwise lanky forms, and given to that a Hobbit’s already greater mass and the anchoring benefit of large, wide feet, well.
The moment Humdil stepped forward and started to swing, Korbo’s fist shot out like one of Gandalf’s better rockets and struck him directly in the nose. His flight was also, for some weeks after, compared to one of Gandalf’s rockets, though not quite as far and the explosion at the end was mostly him laying on the ground cursing wetly due to all the blood streaming from his nose.
Korbo apologizes profusely to all and sundry for the disturbance, collected his jacket, and goes home. Honey is out picking mushrooms (still being of the more nocturnal persuasion after all these years), but Blinko’s sitting by the fire reading a book. Korbo sees that there’s a newspaper (full of lots of extremely important things like how the pipeweed was growing and which barrels of beer were going to be uncasked that month), so picks it up and sits down to read.
“Evening, Da.”
“Evening, son. Pleasant evening out?”
“Oh, fine. Save for I broke Humdil Thumbletoes’s nose for him.”
“Hm, hm, I see. Why did you feel the need to do that?”
“Well, he called Ma a Goblin, you see.”
Blinko slowly lowers his book, and slowly raises his head. Looks at Korbo for long moments. Raises one eyebrow a little.
“Son. You know full well your mother is a Goblin.”
“Well, yes, but he didn’t know that, and he said it as an insult anyway so it being true or not doesn’t really matter that much, does it?“
“Hm, hm. I suppose that’s true at the end of the day, isn’t it?”
Blinko goes back to reading his book. Korbo continues reading the paper.
“You could have stabbed him,” Blinko eventually notes.
“Aye, could have stabbed him,” Korbo agrees easily enough. “But it’s a bit of a mess, isn’t it?”
“True, true, probably would have been a bit of a mess in the road, not very thoughtful to the community,” Blinko allows.
And that was the end of it.
I love all of this so much. Also-
“Sir, we’ll be needing to step outside.”
The power. I set down my drink after that one.
Oddly enough, one might expect Korbo to have trouble finding a lady hobbit. He’s not given to being as plump as his fellows, and his feet are a bit small, and he’s rather, well, tall for a hobbit, isn’t he. And green. Always looks a bit like he’s eaten something that didn’t agree with him.
But he runs into Hilda Greebrook one day in town, and she’s lost her favorite pipe, which is of course a tragedy of the highest order. It’s not unheard of for a lady to smoke, but it isn’t particularly encouraged, either, and so the general reaction is “you poor dear, perhaps it’ll turn up, hadn’t you best be getting home for luncheon?”
Korbo, however, stops to help her look for the pipe, and when it’s nowhere to be found he offers to make her another just like it, if she can tell him what precisely made it so special that it was a favorite, for after all a favorite must be distinguishable by something.
Unfortunately the thing that distinguishes it is that she got it from Gandalf and it’s quite unlike most pipes in the Shire, so recreating it is quite the task. But Korbo sets himself to it anyway, working a bit each night and handing it to Hilda daily to see if it feels quite right, and six months later he’s done it—recreated a pipe that came from the world of men, or perhaps elves, but certainly not that of hobbits.
Hilda for her part discovers Korbo quite likes to read, and though he’s from a reasonably well-to-do family—for hobbits are always in need of new toys and fancy party decorations after all—can’t get his hands on books fast enough to satisfy himself, and, well, her da’s a transcriber, someone’s got to write out the papers after all, and she’s got access to practically every book in the Shire, and ways to make copies besides.
At first people think it’s odd, a hobbit who can’t see asking to borrow books, but then they find out Korbo is involved and asking questions could lead to excitement and so they absolutely do not ask and simply offer up their histories and books of poetry and hobbit folklore (for even without want for excitement there are things it’s good to remember, and things every hobbit child should know so they, too, can grow up properly plump and staying well away from adventure), and resign themselves to never seeing their books again.
And then they find that far from their books quite disappearing, they return in fine form—albeit usually in a timeframe rather too long to be polite—but oddly quite a lot seem to have tiny bits of wood shavings in, although one wouldn’t expect it in a hobbit home? And THEN Hoptus Redbranch finds Korbo one day in his workshop, he’s just stopped by for the wood to repair a door after an unfortunate incident with attempting to remove a colony of bees and rather too much smoke for the moving of bees, and Korbo is simply. Pressing small pieces of hot iron into a very thin piece of wood, making small triangle patterns like no hobbit decoration Hoptus has ever seen, and he’s quite frequently checking into a book on his left that turns out to be one of Hoptus’ own books, and very carefully turning the pages with a cloth so as to not get oil from the hot iron all over the pages—
—and THEN, not long after the news of Korbo’s strange woodburning activities have spread across most of the Shire (and caused no small amount of consternation, because goblins are clever but so often the things they make are cruel and the cause of ever so much unpleasantness), Hilda is seen in her own garden with Korbo with a stack of these thin pieces of wood all carefully hinged together, running her fingers over carefully sanded and varnished pieces and feeling the triangles and reciting a hobbit tale.
For all those months of strangely disappeared books, Korbo has been translating Westron into an alphabet that can be read with one’s fingers, and making Hilda books, and teaching her to read them.
Nobody is entirely surprised, after about three years, when the two of them vanish for a few months, and come back quite married.
Within a few generations, this is absolutely going to be a thing Not Worth Remarking Upon. So when a young hobbit finds themselves accidentally ripping the knobs off doors when they’re cross, their parents will sigh and the elder hobbits in the village will remark that ‘that’ll be the Glumbrush in ‘im coming through, I told you his ears were a little bigger than his siblings, didn’t I?’ much the same as they always did on Bilbo and Frodo’s Took relations and the resulting hankering for adventure.
Were anyone from the outside to visit the Shire, they’d find a small colony of goblins thoroughly intermarried and also avoiding the usual goblin tendencies towards stabbing, so long as no one is so gauche as to insult them for being goblins.
(Sooner or later, one very flustered hobbit is going to accidentally do the same thing with an orc.)
The Tumbrushes, as with all Hobbits, were quite proud of their work, and rightly so. Their works are fine, of the highest quality, and they fetch the appropriate price for their labors, making them quite well-to-do. In the Shire, wealth breeds respect, of course, and so the Tumbrushes are quite well respected.
And yet there’s a difference between “well to do” and “scandalously wealthy.”
So when, when Blinko Tumbrush recieved a letter inviting them to the Baggins residence for tea, he of course brought his wife and son along.
Now, Korbo had crossed paths with Bilbo Baggins a time or two in the market, never for much longer than the time required for Polite Conversation, and so wasn’t expecting much. Sure, everyone knew Bilbo was odd, and were willing to talk about it, since Bilbo made no effort to hide his adventures and had, on numerous occasions, commented on visiting the elves or poking around the mountains, but they were in the Shire, no adventure in sight, and so this should be a normal, proper visit between client and craftsman.
And then Bilbo opened the door, pipe in hand, took the three of them in, and said, quite out of nowhere, “Ah, Shoebiter clan.”
Honey Tumbrush, late of the Shoebiter clan of the Misty Mountains, smiled with all her teeth and replied “Dragon thief!”
Bilbo guffawed and waved them inside, offering them hospitality in the goblin tongue, with the guarantee of safety and threat of violence that implied. They had arrived in time for second breakfast, and didn’t leave until past dinner, having hammered out a contract and shared many a story.
Blinko Tumbrush had only one thing to say as he walked home, arm in arm with his wife and son trailing behind. “He’s an odd fellow, that Bilbo, but nice enough. Yes, nice enough indeed.”
I love them
Gets better and better every time I see it
What was removed?! Which guidelines did it violate? This post was complete last time I saw it.
Here’s my art that apparently was too much for tumblr!
I’d probably have rebageled anyway, but because of the Tumblr content removal, I *HAD* to…
I want this to be a short film, WITH NARRATION
Far in the distant west, near the Halls of Mandos, Nienna weeps a few happy tears for this daughter of the Shoebiter clan and her descendants; that they have found happiness and taken steps toward freedom from the horrors wrought by Morgoth and his followers.
And if Honey Tumbrush’s garden always blooms beautifully after the rain? Well. Perhaps Gandalf got his love of hobbits from his teacher.
"nothing is real atoms never touch each other youve never touched anything in your life" ok. well when i pet my dog he is soft and when he licks my hand it is wet and that is far more real to me than whatevers going on at an atomic level
what my atoms are doing is their fucking business man i'm busy trying to stop my dog from eating tissues directly out of the box
nuclei don't touch, but the nucleus is not the core of reality. reality is made of electrons dancing. reality is made of bonds.
you pet your dog and the atoms that are you brush up against the atoms that are him, and the electrons that are you press into the electrons that are him, and both of them change their movement.
electrons of course are not really particles and do not really move.
you pet your dog and the electron-orbitals of your skin overlap with the electron-orbitals of his fur, and both are changed by the contact. you are not made of little motes floating alone in a void. you are a single unfathomable chord formed of a trillion vibrations, and so is he. and the note you play is changing at every moment by what you touch and how you breathe, and so is his. and atoms do not really have edges, and to touch is to interact, and when you put your hand on your dog the universe does not know that you are separate. the song expands to hold you both.
I think this is strangely beautiful
Im gonna shill for Marie Kondo again but this is why I find her books (yes, books, the TV show is fun but ultimately misses a lot of the core ideas) so good.
A lot of home org advice fully misses this aspect. Kondo not only acknowledges it, but leans into it. And ultimately this helps motivste me to keep my space tidy - it's really hard to me to keep on the nebulous goal of self-care, but much easier to get up and put things away if I envision my salt and pepper grinders as like, retail workers who are now standing in an empty shop (my dining table) and just wanna go home (the spice rack where they live).
Normie tidying process: that heater should be put away for summer! I mean, I'm not gonna need it
Me: well it's just chilling and also I can't be arsed.
Kondo: that heater has done a good job keeping you warm over winter and now it should get to go have a rest in the cupboard
Me: !! Sabbatical for my heater!! Thank you for your service sir and have a very nice break!
just saw a tiktok or something where the person was saying they did this and they were on a hike and they were like "i managed to get myself to go on this hike because i promised my boots we would go" and its like. OH YEAH. THAT.
publishing companies will be like ~ooh this is a hardcover oooh it's so durable that will be $35~ and then you see the actual book and it's like. "perfect"-bound with endbands glued on crooked and a completely plain paper cover under the dust jacket. my dudes this shit is a mass market paperback with delusions of grandeur
now THIS is a hardcover
what does this mean
i can explain in more detail with pictures when i get home from work, but executive summary:
both trade paperbacks and mass market paperbacks are usually constructed via perfect binding, where you take a stack of loose-leaf sheets and dunk the spine edge in, basically, hot-melt glue (low-temp thermoplastic with a little flexibility to it). stick a cover on the outside of that bad bitch and you're done. very easy and cheap to manufacture, but not durable; not only does the soft cover provide no protection, pages can fall out individually if the glue fails for whatever reason. (i don't have a picture handy but just grab any mass market paperback off your bookshelf and look at the spine)
typically, or perhaps traditionally, when binding a hardcover ("case-bound") book you assemble the sheets into signatures, which are sewn to each other to form a text block, like so:
(well, admittedly, using both linen tape and french link stitch is sort of the belt-and-suspenders of textblock construction. in my defense though look at the fucking size of this tome) but the point is that even before you've gotten around to gluing anything, the textblock hangs together and functions as a book, albeit an unusually wobbly one -- so if the cover completely falls off or something, the rest of the book still hangs together.
the other method of construction i see on many mass-manufacture hardcovers and some trade paperbacks is that they've folded the signatures and sewn them individually (one at a time, not to each other) -- this is easy to do on a specialized sewing machine -- and *then* potted the spine in glue, like you do for perfect binding. this is less liable to lose pages if you fuck up the spine, because instead of each page being glued in individually, they're sewn together into signatures which provide more glue surface area apiece. (i can post a picture when i get home...)
uhh oh yeah endbands. endbands are the little decorative bits that get glued onto the textblock before it gets cased in -- this is in itself sort of a cheapo mass-manufacture imitation of more traditional sewn endbands, which actually provide some structural stability; modern glued-on endbands are really just decorative. here's a picture of a sewn endband on an example book from the bookbinding museum in sf (left), and a different textblock with endbands glued on (right). (the latter also has mull glued onto it, which is like... starched cheesecloth, kind of? you can use kozo paper here too; it also helps stabilize the spine for extra durability)
anyway on mass-manufacture hardcovers i often see really half-assed endbands that are glued on crooked or slightly undersized or something and i'm like "are you even TRYING" (they are not)
and also usually on recently manufactured books the entire case (the "hard cover" of a case-bound hardcover) is covered in paper, including the hinges, which is a terrible decision because the hinges are the part of the book that MOST needs the durability, being The Primary Moving Part. at least fucking cover the spine and hinges in bookcloth i beg. please. for me
sorry loser you lost me at this
get a real programming language dork.
thats why im using it as a clamp and not as a book :p
@just-evo-now i am back home! where my books live!! so i can take pictures of the bindings :D
a couple of perfect-bound paperbacks:
the benefit of perfect binding, such as it is, is that all the pages can be aligned with each other and the spine is nice and square. (the other benefit is that it is cheap.) but if you're folding pages into signatures you're always gonna get some creep where the inner pages of the signature extend a little bit further towards the fore-edge [edge opposite the spine] than the outer pages do; you can either leave it like that for a deckled edge or trim it off for a neater finished look. (personally i am not a huge fan of deckled edges but Madame La Guillotine can only handle so much book, you know)
a paperback and a hardcover with the signatures-potted-in-glue style (i wish i knew what it was called):
i quite like the green endband on this hardcover! matches the cover nicely, is an appropriate size, aligned well, etc. (in addition to gluing them on crooked, the other common Endband Sin is to make them too damn short and it looks ridiculous)
the cloth-bound hardcover from the first image in this post, pub date 1978:
as you can see, it has much more flexibility than the potted-in-glue style (which can bend a little bit, but cracks if you open it too far), because the signatures are sewn to each other, with some kind of mystery green paper glued over them for stability (and, deeper in the spine, brown... something. fabric?? some of my other vintage books seem to use thin brown canvas...). no endband, but honestly it doesn't really need one.
and! here is a 1945 pocket handbook for engineers (you know, with useful integrals and trig tables and unit conversions and stuff in it) in norwegian, which was falling apart when i got it (i picked it up on the cheap with the intention of hopefully fixing it someday):
the cover is nonfunctional and the stabilizing paper on the spine has gotten so crumbly as to be useless (i got about halfway through peeling it off), but the textblock itself is in pretty good condition, because the signatures are sewn securely to each other -- if you squint you can kinda tell they used kettle stitches on the ends and chain stitches in the middle and i thiiink the chain stitches are where the loose loops on the top came from. anyway, i can pretty much finish peeling off the old crumbly paper stuff and glue on some new kozo paper (and ensure the loose loops are tucked safely away/glued down) and this bad bitch will be ready for a new cover!
I am really going to have to start paying attention to book binding going forward.
(via @trans-cuchulainn )
hey kiddos lets not dox ourselves like imbeciles on the internetz okay? ^_^
I'm a sad person not because anything is wrong. but because as a child I saw an alligator gar at the aquarium and experienced a joy so profound it permanently blew out my dopamine receptors and I've been incapable of happiness since
Official fish post
when I was around twelve I used to sit at the family computer and send hatemail to a white french dude named Jacques who was a self proclaimed communist on Tumblr. This was back in the day when you didn't need a blog to send anon hate. I had no real beef with him but I just didn't like his tone. used to send him "SHUT UP Jacques" periodically. and he'd answer every single one of my asks like "who is this?? show your face or I'll fucking kill you" and I'd be like "now now, that doesn't make sense, jacques" all haughty and he'd get so fucking mad at me. One time he posted a selfie and I sent him an ask claiming I was a psychologist and that his hair parting suggested that he wasn't a communist at all. and he took it deliriously serious and went off on a 2,000 word rant. I can remember going to stay at my grandparents over that weekend, so I didn't even respond to the rant until I came back. I could've chosen to end it there, but when I returned, I sent him another ask which was like "psychologist here again: if you were a communist your hair parting would be in the middle. evenly distributed. All behavioural signs point to someone who doesn't take their own values seriously." and he went ballistic. really swearing at me. all caps type beat. he never turned the asks off, btw. which always made me wonder if he didn't know how to, or if he didn't want to cause he was convinced he was fighting a war, and this action would ensure he lost it. anyway this went on for weeks until one day I completely forgot about him like he was some kind of childhood imaginary friend I'd conjured up in my loneliness. but yesterday I happened to recall the whole scenario, because my buddy was like "remember when you were twelve and I came over to your house, and you showed me on the computer how you'd been terrorizing this random French guy for days on end. And you were laughing like fucking crazy. and I said it wasn't funny because he probably had problems, and you were like 'oh.' and you looked a bit guilty for a second, but then you went and got a grapefruit from the kitchen and threw it out of the second story window at my kid brother, who was playing in the street, and then you started laughing again?" Well. when she put it like that, needless to say I felt bad. so Jacques if you're out there I'm sorry I was such a little shit. you had totally normal hair, and you only wanted people to share stuff. If it's any consolation I know every day of my life that I'm probably going to hell for the sick things I have done
Reblog to find Jacques
In case a random French dude remembers going ballistic about being analysed about his hairline.
Hey idk who needs this but helpful reminder that "virgin blood" in any witchcraft shit that requires that means "virgin" in the same sense as "virgin hair" means hair that hasn't been dyed or processed in any way, natural in the default sense. So no, "virgin blood" doesn't mean blood from a virgin, just blood that hasn't been used for any other kind of witchy shit earlier.
Whether nor not someone has fucked before is completely irrelevant. Any act of fucking doesn't instantly make someone contaminated or un-magic any of their shit. You're just not supposed to re-use blood for blood magic. That's just not. Just do not. Like that's just weird who does that.
no wait that- no that's not- no.
Unles you've like, poured out ALL OF YOUR BLOOD, used it for a spell, and then somehow SIPHONED THE WHOLE THING BACK IN, that doesn't mean the blood on the inside of you is also used. And even then, if you'd had your sacrifical blood IV'd back into your body-
actually nevermind, I need to draw a graph to illustrate:
I hope this helps.
The blood inside of you is used. Constantly. It's why there is blood there.
If anything, the blood on the outside is unused.
damn they ain't lying, it is like talking to a fucking genie with you people.
Movement nudge!
X
I LOVE THIS GUY.
All those "spend just 35 minutes doing a bunch of really hard exercises and you'll feel great forever!" videos are really discouraging. I usually end up doing like, 2 minutes of some of his while waiting for my shower to heat up, and ykw?
That's 2 minutes more than I would have done otherwise.
oh hey I have a thing like that last one that I like to do sometimes, but I do it lying down in bed. it's a very satisfying pop/shift in my hips/lower back, but doesn't always work. maybe I will try his version and see if it is more effective for me
one of the hardest things to learn as a depressed former Gifted Kid™ is that half-assed is better than nothing. take the 50%, 40%, even 20% job. scrubbing your face is better than not taking a shower at all. picking up your clothes is better than never cleaning. nibbling on some bread is better than starving.
DO THINGS HALFWAY. NOW YOU’RE 100% BETTER OFF THAN YOU WERE BEFORE.
One of my college professors used to say “anything worth doing is worth doing poorly.” I didn’t understand that for years because I didn’t do anything poorly, I couldn’t do anything poorly, I had to Do Everything Perfectly.
But brushing your teeth for 30 seconds is better than not brushing them at all when that 2 minutes seems exhausting. Doing ten minutes of yoga is better than 10 minutes of sitting when 30 minutes of cardio sounds impossible. Changing my clothes is good when a whole shower is impossible. Standing on the porch for a few minutes is worth it after being in the house for three straight days because I don’t have the energy to go anywhere.
Anything worth doing is worth doing poorly… because doing it poorly is better than not doing it.
someone please hit me over the head with this post every day for like the next week thanks. a mention, a reblog with text, a message, something.
You must understand that perfectionism isn’t striving for excellence, it’s a crippling fear of being flawed and therefore worth abandonment or punishment. It’s a kind of psychological avoidance. You’re avoiding fear and failure , not embracing the thing you want to do bc if it was about the thing you want to do you’d be fine with partial victory.
There's this one specific interaction on reddit that I wouldn't call "infamous" but I also know that everyone who knows it knows it by the punchline, so in order to not ruin it for the ones who haven't, I'm just going to talk all of you through it as I'm saying this.
The beauty of it is that you could place that exact same dialogue into any time and place in human history and it would make just as much sense, you could have it as a conversation between sailors in a 1600s ship, a group of bronze-age warriors cleaning their weapons, stone age hunters walking home from a hunt, or a bunch of 21st century redditors on the internet, and it would hit just as splendidly.
There was this conversation about if you could have sex with any specific person from any time through human history, which one would you choose? Famous legendary lovers were brought up, queens, emperors and such were popular, might as well fuck Rasputin just to see what the hype was all about, the kind of answers one would expect.
Then some guy said he would choose his own late wife. He went on to talk about how brutal it is, that you might find the love of your life, but there's no promise that this life couldn't be suddenly cut short. That his body aches for hers and how there isn't much he wouldn't do for one more opportunity to make love to her one last time.
Now, I'd like you to imagine a pause in the conversation. A solemn, contemplative moment of silence, with several of the people present nodding in agreement that this is indeed the finest answer - it wasn't a competition, but there's no doing better than that.
And then someone breaks this solemn silence and says:
"I also choose this guy's dead wife."
For the sake of letting the full story be known: you have to imagine that after another moment of horrified silence, Dead Wife giy bursts out laughing and says, with a bittersweet smile "yeah, that was her sense of humor..."
Oh fuck that's right I neglected the most important part of this.
Spoon in the shape of a fish. Carved from some Sycamore I found just outside Wivenhoe, Essex.
op i love your fish so much i made it a png
they are now a school of fish
Posts that prove that despite about 300 thousand years of technological development, humanity at its core hasn't really changed all that much