I write music, usually for the Worm fandom but for other things too! https://open.spotify.com/playlist/5ussUlE3kGbpS24ipgwi2g?si=abb829edbbae498c
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Claire Keane
let's talk about Bridgerton tea, my ask is open

blake kathryn

shark vs the universe
noise dept.
Monterey Bay Aquarium
🩵 avery cochrane 🩵

#extradirty
Sweet Seals For You, Always
taylor price
Lint Roller? I Barely Know Her
No title available

Product Placement

izzy's playlists!
trying on a metaphor

Kiana Khansmith
TVSTRANGERTHINGS

No title available
Show & Tell

Andulka
seen from Netherlands
seen from Netherlands
seen from Brazil
seen from Portugal
seen from Bangladesh
seen from United Kingdom
seen from Argentina
seen from United States

seen from Malaysia

seen from Guatemala

seen from Russia
seen from Cambodia

seen from United States
seen from Venezuela
seen from China

seen from France

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seen from Türkiye
@thepapercandle
I write music, usually for the Worm fandom but for other things too! https://open.spotify.com/playlist/5ussUlE3kGbpS24ipgwi2g?si=abb829edbbae498c
Support PaperCandle
art by https://x.com/MellyConfetti
girl who is days away from a master/thinker trigger: yeah i’d definitely be a brute. if i was actually going outside i’d probably be out in danger hiking or climbing or something. but all my ex friends are out there so it’s just hard you know. but yeah i’m definitely like a brute/shaker. yeah
Art commission for my never ending mission to bring more Worm fan art to the world Art by Stanbl
SHES YOLKED
If there’s one thing I learned since I signed up on 1/15/16, 10:11:12 AM, it’s that #disability takes up too much of my time.
Yet another new study debunked the basis for the anti-trans sports bans. It was never about sports but for creating legal avenues for exclusion and abjection. This is one of the largest analyses ever conducted, involving 52 studies and 6,485 trans people. Read the study here.
post so nice had to reblog it twice and force it down everyone's throats
At minimum about 4.5 thousand people liked this without reblogging it.
We gotta fix that.
haha, hey you're a pretty cool person *picks up your speech patterns and non-verbal habits*
let me put this in terms you can fucking understand. our toddler, Falco Mewtwo Martinez, “wavedashed” straight into a “stage hazard” because you weren’t fucking watching him.
art by @information-syrup
ok so i quick reblogged this but ive been listening to it for a bit now and decided to delete the og so i can gush about it a bit !!
i really really love how well amy and victorias themes mesh while also feeling *slightly* out of sync in a VERY GOOD WAY
the mood shifting from pleasant (which i interpreted to be representative of their childhood relationship) to feeling warped, intense and just *wrong* is evoking such strong imagery in my head omg...
I absolutely adore when people analyse my work.
so the way I wrote this track was by literally writing both themes at the same time, on the same file, side by side. So what I would do was mute one half of the tracks at a time and listen to it and then listen to the other half to see if they sounded right.
there's all sorts of automation stuff going on here but Victoria and Amy's basslines work together to form a full bassline which can be heard at the start of the song. Amy's is far more unsteady and reedy, its light and uses a lot of string and wind section in order to feel untethered to represent amy's lack of faith in herself while victoria's is strong, bold and repetitive to represent her overconfidence yet repeated mistakes.
Then the bank heist happens and everything gets shaken up, victoria can largely pull herself together but amy struggles, the motifs of heroes and villains echo through that section while bakuda goes off. Victoria is where she shines the most but amy is collapsing under the responsibility.
leviathan hits, everything changes, victoria tries to hold onto what she had before but its thin and empty, an imitation of her previous life. Amy is fully going off the deep end, bonesaw's motif starts playing (quietly at first) while the heartbeat present throughout the song gets louder and louder and the other instruments fade away. Victoria's motif gets more and more distorted until amy's motif takes over and the heartbeat is in full. Everything falls away, its quiet, uneventful because they're both almost in stasis. The birdcage is represented with the dragon motif, while victoria's still hears a bit of amy. Amy's is still uneventful but the pace is picking up, timeskip but victoria has lived all of it, shes been trapped against her own will (ticking clock in tandem with the beat). Scion starts to become obvious, the simurgh scream pierces through and the scion motif is replaced with taylors but played through Tattletale's synth. The difference is negligable. But it ends. and it ends with victoria's motif, amy still obsessed and victoria with a new start.
art by @information-syrupinformationsyrup
ok im ngl i was kinda apprehensive abt this song at first bc i came from the guts and glory song and was kinda shocked to hear leviathan portrayed in an energetic electro song but its super grown on me!!
i adore the way that sound effects are used?? like the endbringer sirens?? the thunder striking?? im not good at music terminology but something in there sounds like a choir and it SLAPS
the theme feeling electro works perfectly by emphasising just how alien leviathan really is and how overpowering his presence is, like exceeding expectations on what its like to be near him at all
I had like a bajillion drafts for this one. Initially it was going to be slower with far more emphasis on 'creepiness' but I realised that It didn't really fit him so I wanted to go with a faster paced almost upbeat track because its not the theme for fighting leviathan, its the theme FOR leviathan. I've got the simurgh scream going on near the end while the scion motif plays. I've got the Eidolon motif going on as a countermelody.
As for the thunderclap, I delayed it by a beat to catch the listener off guard and almost jumpscare them in order to recreate that feeling of leviathan being in the distance and then suddenly being within your city
“After thirty years of intensive research, we can now answer many of the questions posed earlier. The recycle rate of a human being is around sixteen hours. After sixteen hours of being awake, the brain begins to fail. Humans need more than seven hours of sleep each night to maintain cognitive performance. After ten days of just seven hours of sleep, the brain is as dysfunctional as it would be after going without sleep for twenty-four hours. Three full nights of recovery sleep (i.e., more nights than a weekend) are insufficient to restore performance back to normal levels after a week of short sleeping. Finally, the human mind cannot accurately sense how sleep-deprived it is when sleep-deprived.”
— Matthew Walker PhD, Why We Sleep: Unlocking the Power of Sleep and Dreams (via themedicalstate)
Jesus christ
Sleep is a super power
That last bit makes a whole lot of sense and it honestly astounds me, that I never once considered it.
But yeah that seems very obvious.
Finally, the human mind cannot accurately sense how sleep-deprived it is when sleep-deprived.
art by @information-syrup
Art by @information-syrup
Art by @information-syrup
Any fem!Clockblocker that isn't called AnnieTime, because when she got asked by cute journalist at the introduction conference what her name is, she said, "You can call me any time," and the whole PR department needed to fix that, is a wasted opportunity.