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Cosimo Galluzzi
Today's Document
noise dept.
Mike Driver
JVL
tannertan36
$LAYYYTER
we're not kids anymore.
almost home
Jules of Nature
Product Placement
Not today Justin
art blog(derogatory)
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gracie abrams
cherry valley forever
he wasn't even looking at me and he found me
PR's Tumblrdome
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@theyurimustflow
My name is Yurimandias, writer of lesbians: Look on my works, ye Sapphic, and despair!
The Current Thing:
You Wouldnât Believe Me If I Told You â Stranger Things, Ronance, ao3
Completed:
Sunlight, Please Save Me â Stranger Things, Ronance, ao3 đ
Random Bullshit:
I Just Work Here â Stranger Things, Platonic Stobin, ao3
It Tastes Like You â Stranger Things, Joyren, ao3
Cloudbusting â Stranger Things, Ronance, tumblr
Fight or Flight â Supergirl, x reader, tumblr đ
kara's first scene in man of tomorrow should be of clark calling her and smashcut to her in a gay bar making out with a hot lesbian while minimum of a dozen other lesbians look on with barely concealed horniness while she's ignoring her phone ringing in her pocket
I love the idea of Nancy slowly falling in love with Robin during their friendship and, with it, slowly realizing sheâs attracted to women and then taking some time to figure out her sexuality before she confesses.
But I ALSO love the idea of Nancy being completely clueless about her sexuality for months of their friendship until she sees Robin in a baseball cap and a baggy tee shirt with the sleeves cut off on a random Tuesday and gets smacked with her sexual awakening so violently that she nearly passes out
so I get that she's ready to start integrating into life on earth somewhat now, and I know basically nothing about Supergirl except for what's in this movie, but I don't think she should have to work
this Kara at least doesn't need a job, be so for real, do you see her clocking in and listening to a manager tell her that she needs to improve her KPIs
at most she'd do like, two days a week somewhere that she enjoyed and the management wasn't too annoying just to socialize, I dunno maybe she could bartend part time or something
no, what she needs, what she deserves, is a rich lesbian power bottom benefactor to fund being Supergirl full time and otherwise just enjoying life until the sexual tension finally boils over and they go at it crazy style and it's Lena isn't it I'm describing Lena what I'm saying is put Lena in the DCU and just let Kara be her live in girlfriend
ah fuck I'm gonna write supercorp smut aren't I
so I get that she's ready to start integrating into life on earth somewhat now, and I know basically nothing about Supergirl except for what's in this movie, but I don't think she should have to work
this Kara at least doesn't need a job, be so for real, do you see her clocking in and listening to a manager tell her that she needs to improve her KPIs
at most she'd do like, two days a week somewhere that she enjoyed and the management wasn't too annoying just to socialize, I dunno maybe she could bartend part time or something
no, what she needs, what she deserves, is a rich lesbian power bottom benefactor to fund being Supergirl full time and otherwise just enjoying life until the sexual tension finally boils over and they go at it crazy style and it's Lena isn't it I'm describing Lena what I'm saying is put Lena in the DCU and just let Kara be her live in girlfriend
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where yâall lose me is like. I saw some asshole on a post about Sinners complaining it was âhetslopââthis person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually donât think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post thatâs been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that theyâd need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldnât have to be like you in order for you to care about our narratives and experiences. and I think some of yâall are using this disdain for heterosexuality as a cover for your unexamined racial biases. itâs not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of yâall NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think thatâs actually something you need to work on within yourself because at that point I think youâre no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldnât kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
The ÂŤfuck it, we ballÂť energy of supergirl is so important to me
There seem to be a lot of people who donât understand why Lobo was in the movie, so Iâm just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, heâs passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Karaâs future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
Itâs why they both get Ruthyeâs spiel, itâs why Loboâs whole introduction mirrors what Kara was just doing demanding to know about the Brigands, itâs why theyâre both âthe ditz from the barâ, itâs why they both have the gag with the space suit collar.
Itâs why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. Itâs why Lobo says âlet Ruthye have her revengeâ, uncaring of how the violence might haunt Ruthye for the rest of her life. Heâs a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didnât want her to be.
Lobo is Karaâs foil and shadow.
I donât think the movie always executed this well, it could have been done better, but I donât think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Loboâs presence off.
(feminist) thoughts on kara and ruthye's back-and-forth on the 'ruination' of spirits, souls, and hearts. ruthye and kara are resting in a room, and unbeknownst to them, the couple downstairs is ready to trade them to traffickers (two girls for one). kara shares her past, telling ruthye that clark, he's not 'like them'--- he's not ruined, not broken or tainted like she is, like how ruthye is. and ruthye's reaction to that is visible; she comes from a place of safety, only recently torn away from her by traffickers that exploit girls and women. she is new to this notion of taintedness, of brokenness. it's hard not to frame that as a metaphor for virginity, in some way: clark is hopeful, he is safe, he is a man. kara and ruthye have both been torn away from something, and with that, something has been torn from them, as young girls.
i love how this theme recurs throughout the film, with ruthye begging kara to let her kill krem: "i'm ruined anyways". and in that moment, kara realises what she's, unknowingly, dropped onto ruthye; the thought that ruthye, in having something (her family, in this case) torn from her without her consent, is forever adulterated, tarnished. the way that when women are sexually assaulted, they are adulterated by society. so kara is quick to fight that, realizing the weight of her words. i think the power in this sort of feminist narrative is kara's understanding that she is unintentionally treating ruthye as she treated herself, and finally seeing the flaws in those self-destructive modes of thought. similar to how all women must unlearn misogyny in order to love ourselves.
in the end, the two of them are not ruined. their bodies have seen pain and violence, and they themselves have enacted pain and violence, but that doesn't mean that either of them are sullied or irredeemable, or have some kind of permanent darkness within them. neither are women who have been assaulted or trafficked. supergirl 2026 discerns these concepts in a gentle but wonderfully nuanced way, and i absolutely adored it.
I remember right after the Superman movie come out everyone was making the âClark saved Lexâs life by saving Krypto before Kara ever found outâ jokes and its absolutely fantastic to me how supergirl 100% confirmed that to be true. Lex doesnât even KNOW how lucky he is that he got the emotionally stable super
Clark yelling âWHERES THE DOG, LEX?â Knowing damn well Kara would beat BOTH their asses
I just know that at some point between s4 and s5 Robin jokingly says âhappy wife, happy lifeâ to Steve, whoâs annoyed that Robin takes Nancyâs side again during their bickering, and Nancy keeps spiralling over it for MONTHS
nancy and steve talking while they wait for robin to show up to like movie night or something. nancy casually drops "yeah i wish robin was a boy so we could date lol" and before steve has time to unpack that, robin arrives
i love Millie Alcockâs Kara. sheâs messy, sheâs an alcoholic, sheâs rude, she doesnât have a love interest, she beats the shit out of pedophiles and dismantles their sex trafficking ring in the process. she carries the grief of an entire planet because she doesnât think Clark, whose heart is so optimistic and so desperate to see goodness in people, can handle it. she gets her hands dirty so that a child doesnât have to live with the guilt of murder. sheâs not ditzy, or just some sexy hero girl for misogynists to objectify and drool over. sheâs strong, sheâs smart, sheâs confident, and sheâs good
i just think that Robin's nature is that of a silly goose
I just think that Nancy, before getting to know Robin, might really like to be a silly goose sometimes but she's too stuck in her Ideal Girl⢠box in the soda pop days, and too occupied with the responsibility of leadership and justice once Events⢠force her to shed soda pop
I just think that once Nancy gets to know Robin and gets comfortable around her, and sees Robin so free in being a silly goose, that maybe she might then start to finally feel comfortable letting her own inner silly goose loose, at least around Robin when they're alone together
for the record, Jane is also a silly goose, I think that speaks for itself
Max is NOT a silly goose, Max is a scamp, same genus different animal
I also mentioned once before that I believe in my heart that Max and Kali would have gotten along incredibly well given the chance, and the reason for that is that Kali, deep down, buried under thick layers of calcified trauma, is also a scamp
I think I know what you're going for here but what are the personality traits of a scamp?
I'm so glad you asked
Where the silly goose is simply a creature of joy, innocent and unburdened by cringe's chains, the scamp's joy specifically comes from causing or witnessing harmless chaos
Often found alongside the silly goose, the scamp shares pleasure in the goose's joyful and unshackled nature, seeing it as a form of inward chaos where the scamp's chaos is often external, requiring the presence or witness of others
The silly goose, in kind, may often see the scamp as a facilitator of joy, a creative spirit who can help to free others from their chains where the goose alone cannot
I rewatched Supergirl 2026 and let me tell you, go rewatch it if you can. Just knowing Kara plans on killing the guy herself changes it. You see sheâs not holding back in her fights, sheâs trying to save the girls but sheâs also not holding back against the Brigands, sheâs killing them right alongside Lobo. Thereâs also just a different pain when Ruthye says she doesnât want to be like Kara, because thatâs the point isnât it, Kara is trying to make sure she doesnât end up like her, sheâs doing this for that reason. Sheâs not saying that Krem shouldnât die, just that Ruthye shouldnât be the one to do it because she knows where that will lead, but also that Krem shouldnât be allowed to live so she will carry that burden.
I also love Kara as a character so much. She is the epitome of being in your early 20s and trying to hold everything together and be an adult when everything feels like itâs falling apart. Also that she keeps trying to do good, that no matter what happens, even if it would be so much easier not to intervene or to walk away she never does. She also tries talking first, like to the guy who stole Ruthyeâs sword or when Ruthye was first talking to Lobo, but she also knows that you canât talk to everyone. I love that she shows you donât have to be nice and polite to be good, and that that it can be loud, in your face, and messy. She shows that you donât have to be a paragon of perfectness to be good, and itâs not always easy and there can be consequences, but itâs still important, and possible, to wake up every and choose to be good.
difference between clarkâs parentsâ expectations for him and karaâs parentsâ expectations for her versus how they actually turned out is very funny i think. imagine meeting your son who you sent off to be a god with a huge harem on another planet and heâs like the nicest most helpful innocent man ever and he works a minimum wage job and has his entire identity hidden so he can be a normal guy just like everyone else and he has 1 situationship who heâs lowkey fumbling. so you look over to see how your niece (who was sent to earth with no instructions other than to be good) is doing and turns out sheâs not even on earth sheâs pub crawling from planet to planet ignoring her responsibilities and being an asshole in her free time and instead of helping and working together with your son she just keeps hanging up on him
i just think that Robin's nature is that of a silly goose
I just think that Nancy, before getting to know Robin, might really like to be a silly goose sometimes but she's too stuck in her Ideal Girl⢠box in the soda pop days, and too occupied with the responsibility of leadership and justice once Events⢠force her to shed soda pop
I just think that once Nancy gets to know Robin and gets comfortable around her, and sees Robin so free in being a silly goose, that maybe she might then start to finally feel comfortable letting her own inner silly goose loose, at least around Robin when they're alone together
for the record, Jane is also a silly goose, I think that speaks for itself
Max is NOT a silly goose, Max is a scamp, same genus different animal
I also mentioned once before that I believe in my heart that Max and Kali would have gotten along incredibly well given the chance, and the reason for that is that Kali, deep down, buried under thick layers of calcified trauma, is also a scamp
