It’s the end of that glorious time of year, fieldwork season (ok, if you’re in the northern hemisphere…), but not everyone who trowelblazes does so in the dirt. This summer we have been working non-stop to get the Raising Horizons project – our collaboration with photographer Leonora Saunders, supported by Prospect Union – ready to go, and we have loads of stuff we can finally share. First, the project itself has developed in a few important ways.
We’ve expanded to multi-media: alongside the originally planned exhibition of photographic portraits of modern trowelblazers referencing historic women, we’ll also now be including oral histories- interviews focusing on the career experiences of the individuals featured in the portraits. This content will hopefully form the beginning of another longer-term TrowelBlazers project, creating an archive of women’s experiences in the geosciences.
Expanding the project means our timetable has shifted, and now have a launch date at the start of February 2017 for our first exhibition showing, which will be hosted by the Geological Society and Society of Antiquaries, at the amazing historic Burlington House, Piccadilly, London. Plus, there will also be an awesome launch party there!
Our list of supporting organisations has grown, and we now have the following wonderful sponsors:
Silver Trowel: Prospect Union
Bronze Trowel: Prehistoric Society, Harris Academy Bermondsey
Titanitum Trowel: Museum of London Archaeology, Arklu Toys, Past Horizons
Schools support: Palaeontological Association
We are still looking for more corporate/organisational sponsors, so please get in touch-there are some exciting rewards to be had! We have also enlisted the support of many other brilliant organisations who will be helping us out in various ways, including the Chartered Institute for Archaeology, the Council for British Archaeology, Lapworth Museum, Palaeontological Association, British Science Association, Historic England, the British Academy, and many venues for the exhibition. Our second major update: the Raising Horizons women! For the portraits, we’ve selected some really inspiring historic individuals, and paired them with a wonderful group of today’s trowelblazers, drawn from different fields, specialisms and career stages. We think they’re super-inspiring and we’re sure you’ll agree.
Christian Maclagan (1811–1901), arguably Scotland’s first female archaeologist, was born at Underwood, near Denny, Stirlingshire, in 1811. She was the daughter of George Maclagan, distiller and chemist, and his wife Janet, herself the daughter of Thomas Colville, printer, of Dundee. Her family’s wealth ensured she had independent means to pursue her own interests and transcend society’s barriers. She spent much of her life engaged in researching and recording the prehistoric archaeology of Scotland. In later life she resided at Ravenscroft, near Denny, and devoted much time and money to the removal of slums in Stirling, providing houses for the working-classes outside the burgh. Her archaeological researches into prehistoric Scotland remain important to this day, although she tended to over-domesticise sites, arguing, for example, that stone circles were robbed out brochs. However, she was amongst the first archaeologists to consider archaeological stratigraphy, with her section drawings of Coldoch broch being published five years before Pitt Rivers – generally credited with the introduction of this field method to British archaeology – began his excavations at Cranborne Chase.
Drawing of Keir Hill, Gargunnock, by Christian around 1870. Maclagan, Miss C, "On the Round Castles and Ancient Dwellings of the Valley of the Forth, and its Tributary the Teith." Proceedings of the Society of Antiquaries of Scotland, 9 (1870-72): 29–44. Available online at AHDS[/caption] She was also amongst the first to argue for a domestic, native origin for brochs. However, her chief claim to fame was to develop new methods for recording sculptured stones. Despite these accomplishments, she failed get due recognition. For example, her role in the excavation of Coldoch broch was ignored and she lamented that:
“He* is chronicled by the Society as the discoverer, while the writer of these notes was completely ignored.” (Maclagan 1884, 22).
Coldoch Broch as it looks today
A better preserved broch from Glenelg
In what seems an incredible act of discrimination, she was denied full membership of the Society of Antiquaries of Scotland and complained with bitter sarcasm that she was:
” … a woman, and therefore unworthy of being a member of any Antiquarian Society…”, (Maclagan 1894, 38).
As a result of being snubbed for her sex by the Scottish archaeological establishment as represented by the Society of Antiquaries of Scotland --she was only allowed in as a Lady Associate-- she sent all her rubbings from stones to the British Museum rather than Edinburgh. This may be, in part, why she is so little known today. However, this is beginning to change and there is a small permanent exhibition to her in the
Stirling Smith Art Gallery and Museum
as well as
plans for a carving dedicated to her in Stirling’s Back Walk sculpture trail
which welcomes any support from the TrowelBlazers audience! It should, of course, be stressed that times are very different now, and much of this is because women like Maclagan pushed for female inclusion in the Society of Antiquaries as full Fellows. Females have been welcome since 1901, sadly the year of Maclagan's death, but her legacy remains: all are currently welcome to join. Christian's personal life is slightly more difficult to unravel. She was a self-taught archaeologist, and a member of the literalist Free Church of Scotland, which seems to have heavily influenced her interpretation of archaeology. She lived with a companion, Jessie Hunter Colvin, another antiquary, until the latter's death; but even at the age of 80 Christian was still touring the United Kingdom lecturing on her findings. *It is not clear whether she means Sir James Young Simpson or John Stuart. Read More about Christian by Therese:
https://christianmaclagan.wordpress.com
https://www.facebook.com/StirlingsLostBroch
Read More:
Elizabeth L. Ewan, Sue Innes, Sian Reynolds, Rose Pipes. 2006. The Biographical Dictionary of Scottish Women. Edinburgh: Edinburgh Unversity Press
Images from:
Maclagan, C. 1875 The Hill Forts, Stone Circles and Other Structural Remains of Ancient Scotland. Edmonston and Douglas, Edinburgh.
Book Review! Agatha: our first graphic novel review
Martinetti, A., Lebeau, G., and Franc, A. 2016. Agatha. London: Self Made Hero. 119 pages, £12.99 (UK).
All images copyright Hachette Livre (Paris) 2014.
So, in an ideal world, how would you bring to light some of the ways women contributed to the Trowel Wielding Sciences in the past?
Add a touch of celebrity.
Make the story accessible - not dumbed down, but easy to grasp.
Make it a life, not an anecdote.
Make it pretty.
Make it a TrowelToon!
Team TrowelBlazers was very excited when a big brown envelope turned up in the post -- wrappings torn off, we revealed a brand new graphic novel from Self Made Hero: Agatha, by Anne Martinetti, Guilaume Lebeua and Alexandre Franc. There has of course been a lot written about the Agatha of the title -- she is Agatha Christie, Queen of the Murdery Mystery, who had a surprising secret life as TrowelBlazer. Christie's life is certainly worthy of recounting, traipsing as it did from an idyllic pre-war England to the edges of crumbling colonial world; her privileged position in this changing world did not fully protect her from either personal tragedy or the those of the wider 20th century world. Agatha recounts the key moments of Christie's life, sketching in a series of bande dessine (think TinTin) style vignettes of the child, woman, and celebrity.
Illustration is a rather different approach to biography, of course; alongside private moments from her early life that are clearly drawn from an emotional interpretation of her character, we see discussions between the lady and her famous fictional detectives, and the characters inner thoughts appear solidly materialised in the traditional thought bubble. While many of the scenes pictured are clearly the work of interpretation by the authors, none ring overly false --each episode from Christie's life, whether a memory of her father, or even our particular favorite, getting stuck in a sandstorm with Hercule Poirot, takes a real event in her life and imagines it distilled into a few set pieces. Each little episode carries a sense of a very human Christie, disappointed in love, complaining to her imaginary friends (and frenemies, in the case of a certain egg-shaped mustachioed detective), and of course a graphic novel is better suited to these flights of fancy than traditional print biographies. That said, there is quite a bit of life packed in -- a timeline in the back gives key dates for the disoriented.
This is not a book for those looking for the exacting details of Christie's life; the what-where-when-how of her trials, tribulations, and triumphs. It is rather a graphic novel for those happy to immerse themselves in the imagined world of a woman who did things, who lived a very full life and created imaginary worlds for millions of people around the world. Her TrowelBlazing activities do not make too much of a splash when set against her literary career, or even the drama of her personal relationships, but that is in its way very fitting; sometimes we have to remind ourselves that the TrowelBlazers we celebrate today were women too, in their time.
Short Version:
Go find someone with a sense of adventure to give this to.
#HappyBirthdayMaryAnning - and Happy Birthday Team TrowelBlazers!
Wow. Three years. THREE. That's longer than most academic contracts these days... (Joke! Kinda. Weep. Move on.) It has been three incredible years for women in the Trowel Wielding sciences. On the home front, your fearless anarchic collective have gotten pretty dang busy with life achievements of their own - several babies, some tenure track, and some super exciting new TV programmes - it's been a whirlwind! But even more impressive are all the things we've had the chance to learn, to do, and to see because of the unwavering awesomeness of the TrowelBlazer community, including kicking it at the US Ambassador's place in London and actually Walking Through Time. Hopefully we're now getting to a point where we're going to be able to really give back to the community, with enormous dream projects in the pipeline AS I TYPE. We're talking bursaries for fieldwork. We're talking funded training days. We're talking the incredible generosity of institutions from all over the place allowing us to reset those imaginations.
So, yeah, we've done amazing stuff this year:
YOU wrote the posts that brought overshadowed lives back into the light!
Posts from 2015 and 2016
YOU inspired us to create #RealFossilHunterLottie - a top ten buy in 2015!
(and a top ten member of Brenna's field team too)
Next up: world domination! We will be at WAC 8 in Kyoto in August/September of 2016, and hopefully in a museum near you with our new exciting collaboration with Prospect Union and the artist Leonora Saunders. There's tons of other cool TrowelBlazing stuff happening too - like the very exciting new fundraising campaign by Lyme Regis Museum to build their new Mary Anning Wing! You could even reserve your place for their gala black tie dinner where Tracey Chevalier will discuss the inspiration for her fossil-hunting heroine in the award winning Remarkable Creatures - just email Margaret of the Museum Friends for details! ([email protected])
The planned Mary Anning Wing for the Lyme Regis Museum
More details to come, but for now, BIG LOVE from your Team - Brenna, Tori, Suzie, and Becky.
The process of fossilization is not kind to the brain. Nor indeed to any soft tissues, the anatomy of which are usually not preserved in the fossil record. How then to go about examining and unravelling the evolutionary history of the vertebrate brain? Nowadays we might first think to tackle this problem using 3D imaging techniques to virtually reconstruct the endocast of a fossil to capture the external features of the brain that have been imprinted on the internal surface of the cranium. But how accurately does a fossil brain endocast reflect the anatomy of the unpreserved tissue, and to what extent can features of an endocast be used to make palaeobiological inferences about its extinct owner? Answers to these and other questions are possible through the pioneering work of the German palaeontologist Tilly Edinger (1897-1967), who founded modern paleoneurology (the study of fossil brains) in the 1920s, tackling for the first time issues that still form the basis of research today.
Much like wax pouring into a mold, sediment can fill fossil crania and become cemented hard over time, preserving the internal features in what is known as a natural endocast. Such specimens are rare, and Edinger’s interest in fossil brains was first sparked by the study of a natural endocast of the Mesozoic marine reptile Nothosaurus as part of her doctoral dissertation at Frankfurt University. Following her graduation in 1921, Edinger later published a description of the endocranial cast of Nothosaurus [1] in what was to be her first research paper. Importantly, she realized that despite a large literature on such fossil specimens, these were mainly considered curiosities and had not been examined in a comparative or geological (temporal) context. She endeavored to collate and synthesize this information into a book (Die fossilen Gehirne, Edinger 1929), it defined a new field and detailed the questions that Edinger set about to answer over the course of her research career [2].
It was, however, far from plain sailing. Although Edinger could continue her research, having secured several unpaid research assistant positions following her graduation, by 1933 her position as curator of fossil vertebrates at the Senckenburg Museum of Natural History in Frankfurt had become increasingly difficult under the restrictive racial laws of the Nazi regime. By 1938, after Kristallnacht, she was unable to return to work and forced to flee.
Following a short spell in London, Edinger landed on American shores in 1940 and took up her first salaried position, at Harvard’s Museum of Comparative Zoology. Within months of her arrival she went on to attend the founding meeting of the Society of Vertebrate Paleontology, at which she was the only woman present [3]. Later she would go on to be the first female president of the society (1963).
During the next years at Harvard, Edinger continued to publish highly detailed, thorough anatomical works. Among the most famous of those was a monograph, ‘Evolution of the Horse Brain’ [4], spurred by a meeting with George Gaylord Simpson. Edinger described a series of horse brains, showing differences in size and external anatomy, using a framework of stratigraphic sequence to reconstruct the pattern of evolutionary change in geological time. She concluded that many features of the brain must have arisen independently and in parallel in different mammalian lineages. Her work illustrated the value of the fossil record in understanding brain evolution, identifying features and trends that would not have been possible by consultation of extant material alone. The importance of paleoneurology was clear, and Edinger was to rewrite her 1929 book in English [5], a task that took many years and many museum trips around the US and Europe, where she was able to re-connect with colleagues, spread her ideas on the fossil brain and challenge earlier theoretical frameworks of brain evolution. Until her death in 1967, Edinger dedicated her time to producing the volume, and its contents remain the essential first step for any researcher embarking on work in the field of paleoneurology today.
Though she had started to lose her hearing as a teenager, and reported that she was entirely deaf without hearing aids, Tilly made her amazing contribution with her brain for rocks (and rocky brains)!
References
[1] Edinger T. 1921. über Nothosaurus. Ein Steinkern der Schädelhöhle. Senckenbergiana 3: 121-129
[2] Edinger T. 1929. Die fossilen Gehirne. Ergebnisse der Anatomie under Entwicklungsgeschichte 28: 1-249
[3] Buchholtz E., Seyfarth E.-A. 1999. The gospel of the fossil brain: Tilly Edinger and the science of paleoneurology. Brain Research Bulletin 48(4): 351-361
[4] Edinger T. 1948. Evolution of the horse brain. Geological Society of America Memoir 25: 1-177
[5] Edinger T. 1975. Paleoneurology 1804-1966. An annotated bibliography. Advances in Anatomy, Embryology, and Cell Biology 49: 1-258
Post submitted by Laura Wilson
Edited by Brenna
Image Permissions granted from the Archives of the Museum of Comparative Zoology, Ernst Mayr Library, Harvard University. The portrait is dated 1948. Published in Tilly Edinger: Leben und Werk einer jüdischen Wissenschaftlerin by Rolf Kohring & Gerald Kreft, Stuttgart 2003.
Image of Maud Cunnington courtesy Wiltshire Museum and reproduced here with permission.
The prehistoric galleries at the Wiltshire Museum in Devizes hold a stunning collection of artefacts including finely crafted pieces of gold, amber and human bone from burials in the area around Stonehenge, including a number from the graves of what the museum display calls ‘Women of Power’. The woman of power behind many of the finest collections in the Museum was Maud Cunnington.
Read more at http://trowelblazers.com/maud-cunnington/
A #PledgeForParity Event at the US Ambassador's Residence in London
It's always and forever International Women's Day here at TrowelBlazer Towers. One of the things we've been trying to do a little bit more of is to use the amazing platform we've got here to push the world more towards the shape we'd like to see it in.* That means talking about the lessons we've picked up from our own experiences, and those that people have shared with us, to make big giant bullet points that we repeat ad nauseum until people stop telling kids what they can and can't be when they grow up based on their biological phenotype.
For #IWD2016 this year, I won the raffle to accompany the fantastic Suw Charman-Anderson of the Finding Ada Project to the official residence of the US Ambassador to the UK.
Suw Charman-Anderson and Brenna chilling with a fern and a portrait of George Washington.
Ambassador Matthew Barzun and his wife Brooke do immense amounts of work to promote women in leadership, in science, and regularly host events at Winfield House, in swank-tastic Regent's Park, that bring together some very impressive people.
Winfield House/ Scenes from Winfield House - of course there is a skateboard ramp #USA /Brenna's personal favorite thing: dress made of 10,000 adamantine dressing pins in the Green Room
Over the course of the day, I met women with a lot of letters before and after their names; women representing their countries, their companies, universities, themselves -- the guest list was a roll call of achievement (and me). Ambassador Barzun led a fascinating dialogue that allowed each of us to reflect our own experiences, before refereeing a wide ranging discussion of how the hell you get to equality from here.
Key Things:
Get a mentor. Be a mentor. Networks matter.
The women we spoke to were pretty unanimous in affirming what we here at TrowelBlazers have said for a long time. It takes support to infiltrate a foreign culture, be it the Academy or a Fortune 500 company; mentors are critical to getting you that internship / training / interview. So start a conversation, ask for a 15 minute coffee, find a mentor. And when that bright eyed undergraduate comes knocking at your door, don't just turn off the overhead lights and hope to god no one saw you come in -- she may not have anyone else to help her out.
Role models reset imaginations.
This is such a TB obsession...for a reason. So many of the women at Winfield House talked about how important it was to see and be seen, just to let the next generation know what can be possible. It's critical to support (read- don't make fun of or generally denigrate the time spent on outreach) staff/employees who are willing to go that extra mile to widen participation because IT AINT HAPPENING OTHERWISE OK? And don't forget you can't just expect someone to want to do outreach, or to make a *deal* about being a woman / minority / under-represented group. Support those who do, but remember that's an extra burden.
In the spirit of advice recounted from President Obama, sometimes you need to 'just listen'; so here's some of the things we heard:
Solidarity is key - bringing together different disadvantaged sectors can make any one group more of an ally of the others.
Hearts and minds can be changed, and the dinosaurs are dying out; it's too shameful to be seen as a misogynist these days...and that's a good thing.
Unconscious bias training is absolutely critical to reshaping attitudes
Finally, the Embassy staff asked participants 'What would you tell your 20 year old self?'.
Apparently my answer? Let your hair grow long ;)
Reportagery by Brenna.
*Essentially, the shape of a woman in a fancy hat wielding a mattock sliding down a pyramid.
International Women’s Day 2016: Superstars in Sepia
It’s March 8th! Which means it’s International Women’s Day. We here at TrowelBlazer Towers have made a point of celebrating women’s achievements EVERY DAY, but sometimes it’s nice to sit back and look at the big picture.
So here’s a big picture:
It’s lovely, isn’t it? As are each and everyone of you. For International Women’s Day we’d like to celebrate the amazing experience of looking out into the void that is the internet and seeing so many dedicated, engaged, and generous people who are willing to take the time and energy to contribute to our little project. So thank you. Thank you to the archivists who find treasure in bad handwriting and worse typography. Thank you to the museums and collections who have gone out of their way and down into the stores to bring forgotten stories back to life. Thank you to the researchers and writers who have uncovered secret histories and mislaid lives. Thank you to the few, the proud, the inspired — the members of the Order of the Blazing Trowel, and everyone who has taken the time to write for us.
Mostly, we just want to thank you. Thank you for being a part of our community. Thank you for caring about equality, about historic inequity, and resetting imaginations. Thank you for providing a better future for the next generation, and giving a voice back to the generations before. It may not seem like much, but, in the words of Margaret Mead:
Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.
Keep on TrowelBlazing!
with much love from @brenna, @suzie, @becky, and @tori
Margaret Hems: Discoverer of Britain’s Best Mammoth
On the 12th of December 1990, the weather forecast threatened high winds and potential flooding along the North Norfolk coast. For many locals this would not be a cause for celebration, but for Margaret and her husband Harold it meant only one thing: an early start for some fossil hunting.
Born and brought up in Derbyshire, Margaret moved to the North Norfolk coast in the early 1960s, where her love of palaeontology began. She has always had a passion for natural history, and in her adult life this translated into knowledge about many groups including birds and fungi, which she was more than happy to share. The move to North Norfolk brought Margaret and Harold close to the coast and the fossil rich West Runton riverbed, and sparked the enjoyment in fossils. The couple would often stroll along the beach near their West Runton home searching for fossils.
On the morning of the 13th of December, Margaret and Harold were up early with tools and heading down to the beach. The storm had exposed more of the fossil riverbed, and when Margaret spotted a bone sticking out of the cliff she knew she had found something special. It took 4 days of secret digging to unearth the pelvis, with the help of the curator of Cromer museum. The presence of an anklebone next to the impressive pelvis hinted to the true extent of the find, but it was not until more bones were unearthed after a further storm eroded the cliff that an explorative excavation was carried out in January 1992. A three-month excavation in 1995 followed this, and after the first six weeks of digging Margaret joined the excavation, eager to learn more about the find.
The excavation revealed the most complete specimen of the largest mammoth species, a steppe mammoth (Mammuthus trogontherii), ever found, with around 85% of the skeleton surviving. This individual was a 40 year old male, standing an impressive 4 metres high and weighing about 10 tonnes. The fate of this animal is told through the bones; an injury to the right femur suggests that the already injured animal fell into the river and could not stand up, leaving it at the mercy of other trampling mammoths and hungry hyenas.
The mammoth was found in the West Runton freshwater bed, a layer of dark mud which was deposited by a river 6-700,000 years ago. The excavation was thorough; with soil samples containing pollen and bones of small animals such as frogs and birds, and coprolites of the hyenas scavenging on the dead mammoth provide a detailed picture of how the landscape would have looked at the time of the mammoth.
Before they retired both Margaret and Harold Hems worked in education, and were passionate about communicating natural history. After the discovery of the mammoth they were eager to share their knowledge of the history of the North Norfolk coast and the story of the West Runton mammoth, talking to locals and tourists visiting the dig site and to school children from the area. The importance of engaging children in the history of their local area is something that drives Margaret to this day, and she still hopes that one day the whole mammoth can be displayed for everyone to enjoy. Currently some of the bones are displayed at Norwich Castle Museum and Cromer Museum, but the majority of the skeleton is still in storage at Gressenhall.
The significance of the mammoth for palaeontologists is easy to see, but for Margaret the most wonderful part of the discovery is its ability to inspire another generation of Natural History enthusiasts. As she said ‘children love dinosaurs, but the children here have their own treasure’.
Written by Hannah Norman, Margaret's granddaughter! (@Norman_Han)
Edited by Tori
---
You can see TrowelBlazers' own Tori Herridge interviewing Margaret Hems about her mammoth discovery in Channel 4's Walking Through Time, Saturday 6th Feb, 8pm.
The full scientific findings on the West Runton Mammoth are published in this special issue of Quaternary International. Sadly most are stuck behind a paywall, but if you have access it's a wonderfully complete study!
Editor's note: A full-sized replica of the West Runton Mammoth is part of the Norfolk Museums 5-year plan, and so - funding permitting- the Britain's best mammoth may soon be on display to be enjoyed by children and adults alike.
Elizabeth Baldwin Garland: Teacher, Digger, Inspiration
Betsy received a B.S. in geology from Wellesley, an M.A. in Anthropology from Radcliffe, and a Ph.D. from Harvard in anthropology in 1967, under Stephen Williams. She was Alfred Romer's assistant at the Museum of Comparative Zoology when it was announced that Australopithecines were bipedal. Betsy's dissertation, The Obion Site: An Early Mississippian Center in Western Tennessee, was one of the first dissertations written by a women base upon original fieldwork and done by Harvard in the early twentieth century. She became the first archaeologist on the faculty of Western Michigan University, founded a chapter of the Michigan Archaeological Society, edited the Michigan Archaeologist from 1970-1975, was president of the Conference on Michigan Archaeology from 1976 - 1980, and was the author of numerous publications. Betsy retired from Western Michigan in 1992 and is currently living in Florida.
I was one of her early students at Western and she was the reason that I, and many others became archaeologists.
Photographs courtesy of West Michigan University Library and Archives.
Post by Bill Mangold
Did you know? Betsy was Betsy was named the second-ever West Michigan University's Outstanding Emiritus Scholar!
Mary Ann Woodhouse Mantell: Iguanayougonna do about it?
Mary Ann Woodhouse, better known as Mrs Gideon Mantell, was born on April 9, 1795. In 1816, she married surgeon-geologist Gideon Mantell.
In the summer of 1822, during a walk while her husband was visiting a patient, Mary found the first Iguanodon tooth. In her book "The Dinosaur Hunters", Deborah Cadbury described Mary's unusual finding:
“As she walked, her eyes were irresistibly drawn to a strange shape in a pile of stones that had been heaped by the side of the road. Picking up the stone, she brushed away the white dust, gently removing any loose rock with her fingers. Gradually a shape emerged never previously seen by human eye. It was very smooth, worn and dark brown, rather like a flattened fragment of a giant tooth.”
Gideon Mantell sent the teeth to Georges Cuvier, who first suggested that the remains were from a rhinoceros, but in a letter from 1824 admitted his mistake and determined that the remains were reptilian and quite possibly belonged to a giant herbivore. A year later, Mantell described them and named them Iguanodon (“iguana tooth”) because their resemblance with those of living iguanas. The tooth turned out to be around 130 million years old and incredible scientific discovery.
Fossil Iguanodon Tooth, maker unknown. Gift of the Mantell Family, 1930. CC BY-NC-ND licence. Te Papa (GH004839)
Mary helped Mantell illustrating his book on The Fossils of the South Downs (1822). She made over 364 fine lithographs from her husband’s drawings. Etheldred Benett commented to Mantell that with a little practice Mary’s sketching would be ‘stronger and bolder . . . all that is wanting to make them a great ornament to your work’. Unfortunately, it seems that Mary didn't contribute to Mantell’s second book of Tilgate Forest fossils.
In 1839, she left her husband and the children remained with their father as was customary at the time.
Gideon Mantell died in 1852 from an opium overdose. Mary died 16 years later.
Sources:
BUREK, C. V. & HIGGS, B. (eds) The Role of Women in the History of Geology. Geological Society, London, Special Publications, 281, 1–8. DOI: 10.1144/SP281.1.
by Holder of the Order of the Blazing Trowel Fernanda Castano
edits by Brenna
Read more on Fernanda's blog about Mary Ann's other TrowelBlazing connections!
D.H Lawrence portrayed Zelia Nuttall as Mrs. Norris in his novel The Plumed Serpent: a great socialite living in a house full of archaeological and painted ceramic figurines in Mexico City, often surrounded by visitors who sat around her listening with admiration to her scholarly stories. This fictional image, somewhat romantic but definitely based on real aspects has been transferred to the academic literature where Zelia Nuttall appears as the “Queen” of Mexican archaeology. But her place in the history of archaeology is still full of silences and ambiguity.
Zelia Nuttall was born in 1857 in San Francisco and died in Mexico City in 1932. She divorced from French linguist Alphonse Pinart and had a daughter Nadine that accompanied her during most of her travels. She visited archives and libraries in Europe, North America and the United States, and presented the results of her archaeological interpretations of pre-Hispanic codices in international conferences. Archaeological material she studied was exhibited at two international fairs of great scientific relevance at that time (Madrid 1892 and Chicago, 1893). Between 1886 and 1932 she published more than forty articles in the most prestigious journals in an emerging context of professionalization of archaeology. Despite her extensive experience and knowledge, Nuttall location in the history of the discipline is somehow poorly understood, probably because she was an “outsider within” and situated always “inbetween.” She was forever caught between Mexico and the United States, between the domestic space she managed as a well known society hostess and the museum where she pursued her scientific interests, and even between a national and an international context of science. In addition, Zelia set a different pattern than other pioneer women archaeologists who travelled to distant places to explore or excavate, but returned to their home countries; she established herself in Mexico in 1904 and made it her country, the land of her research and a place to build a home, and she lived in the Casa Alvarada in Coyoacan, Mexico (now a museum) until her death in 1932.
As a foreign woman in Mexico she was acquainted with the Mexican archaeological community, and was committed with a type of knowledge that talked about and to the nation. Zelia Nuttall was a passionate advocate of the idea that the current inhabitants of Mexico were descendants of the Aztecs, and oriented her archaeological work to contest prevailing evolutionist prejudices that defined the Prehispanic cultures as savages and barbarians. Thus, while some scientists considered sacrifice as a widespread activity among ancient Mexicans, Nuttall said that this overshadowing discourse was harmful for the education of children and youth in Mexico. Instead, Nuttall used archaeological and historical knowledge about ancient Mexicans to promote ideas about a shared humanity among different peoples and communities in the world.
Despite being in a mostly male environment, Zelia Nuttall was able to do archaeology on her own terms. In a moment when archaeologists in Mexico and the United States became associated with institutions and fieldwork came to be seen as the primary method to acquire information about the past, Zelia remained at home. However, this was not a marginalized position for her, from that space she was also able to participate in various scientific communities with national and internationally scope, and she was involved in major archaeological research.
She was even so inspirational she's made the list of 'Disney's Rejected Princesses'!
Zelia Nuttal as imagined as one of 'Disney's Rejected Princesses' by Jason Porath
Apen Ruiz (Universitat de Barcelona, Spain)
edited by Brenna
Read more:
Biography by A. Tozzer
From the Society for American Archaeology's History of Arch Interest Group
"We live in a very comfortable tomb on the side of the cliff with nothing behind us but the desert until you reach the Red Sea."--Olga Tufnell to her mother, in a letter dated 24th Nov 1927, from Qau el-Kebir, Egypt.
Olga Tufnell was one of the many trowelblazers who came to archaeology by a sideways route, but fell in love with fieldwork in the Near East. She was from a very well-off background, and the wide cultural interests of her mother, Blanche, which included travel, music and the arts, may have given her a head start. She had an elite education, including a semi-finishing school experience in Italy, where she took art classes, and in fact her considerable skills as a draftsperson became part of her archaeological career.
Olga's mother also happened to be a close friend of (and related by marriage to) trowelblazer Hilda Petrie. At Hilda’s suggestion, a young Olga was taken on by the Petries - huge figures in Near Eastern and Egyptian archaeology- as the grand-sounding 'Assistant Secretary to the British School of Archaeology in Egypt'. Her main role was fundraising, and helping with the annual exhibition of finds at UCL, but she sometimes also got to work on mending and illustrating pottery. Olga's career-changing moment came in 1927 at the age of twenty two, when she was invited to join the final Petrie excavations at Qau el-Kebir in Egypt. She seems to have bitten by the archaeology bug, and stayed on to dig Tell Fara in Palestine, where she supervised excavations, and then the following two seasons at Tell Ajjul (until 1932), where she found an amazing burial complete with entire horse skeleton.
Equid burial at Tell Ajjul that Olga Tufnell excavated. Image courtesy of UCL Institute of Archaeology Collections (thanks to Rachel Sparks).
These experiences were the seminal years in Olga’s training, and she took pride in being one of the 'Petrie Pups', along with others of her generation, some forming close personal and professional friendships – including the respected Egyptologist Margaret Murray.
Just after working at Tell Ajjul, Olga joined James Starkey (another of the Petrie crew) digging at Tell ed-Duweir, identified as the Biblical city of Lachish. Olga's letters show she was given significant responsibility on site, and was part of the team that over six seasons discovered the famous Lachish Letters, although eventually the project ended just after Starkey was killed.
During WWII, Olga worked in diverse roles including with the BBC. After the war she began to publish on the results from Tell ed-Duweir along with other project members, which she continued for another 20 years. Her contested challenge to the accepted Iron Age chronology of the region was finally proven correct by later excavations.
Olga Tufnell at Tell ed-Duweir (the ancient city of Lachish). Used with the kind permission of the Palestine Exploration Fund, All rights reserved.
Olga continued to work in Near Eastern archaeology, especially pottery, and in the late 1950s she dug at Nimrud, where she likely met yet another trowelblazer, Agatha Christie, who worked there alongside her husband Max Mallowan. She also developed an interest in more recent Near Eastern culture, and collaborated with Violet Barbour in the development of the Palestine Folk Museum. Her interest in ornament seems to have led directly to what became the final major project of her life. From 1962, she undertook an exhaustive and meticulous collaborative study on scarab seals in Palestine, which used her early training in pottery chronology to show how scarab seals could be used for the same purpose.
As with many early trowelblazers, she took an interest in young students and researchers and was much loved and respected by her colleagues. The Tufnell archive is housed at the Palestine Exploration Fund, and the Lachish archive and collection are at the British Museum.
Letter: Ref. PEF-DA-TUF-0093
Written by John MacDermot, Palestine Exploration Fund. All images were provided with permission of the Palestine Exploration Fund.
Editing and additional content by Becky, posted by Suzie.
Maria Antonina Czaplicka: Smashing stereotypes in sub-zero Siberia!
Images courtesy of the Pitt-Rivers Photo Collection.
Special Exhibition on until 2016 at the Pitt Rivers Museum - My Year in Siberia!
While the first battles of World War I were being fought, Maria Czaplicka was travelling the Yenisei Province of Siberia to study ways of life north of the Arctic Circle. Maria spent much of 1914-15 in this little-studied region, recording the lives and languages of the people she met.
Born in 1884 in Russian-dominated Warsaw, Maria was one of the young Poles to study with the “Flying University”, an underground organisation which between 1885 and 1905 secretly provided education for men and women alike. In 1910 she was awarded a Mianowski Fund scholarship. This enabled her to travel to England to study at Bedford Women’s College, London; and then at the University of Oxford as a member of Somerville College. She was awarded the Oxford Diploma in Anthropology in 1912.
In Oxford, where she was a contemporary of O.G.S. Crawford, she studied under Robert Marett, who encouraged her to review the available literature on the indigenous populations of Siberia. This work was published in 1914 as Aboriginal Siberia: a Study in Social Anthropology. In his forward to the book, Marett identified its importance as making accessible for the first time in English the Russian language work on the subject. The book became the major reference work on these communities of Asian Russia.
This region was little understood especially by contemporary British anthropologists who tended to focus their research on parts of the British Empire. Maria’s pioneering expedition to north-west Siberia began in May 1914. Maud Haviland (ornithologist), Dora Curtis (artist), and Henry Usher Hall (University of Pennsylvania Museum of Archaeology and Anthropology) met Maria in Moscow. They travelled by train to Krasnoyarsk, the regional administrative capital. From there, a three week journey by paddle-steamer north up the River Yenisei took them 1,500 miles to Golchika. It was late June, but the boat had to negotiate ice floes on the river. They spent the short Summer above latitude 70ºN in the tundra around the Yenisei estuary, exploring the people and the archaeology of the area. Maria collected objects from the people they met, and from the platform burial sites on the permafrost; took photographs; gathered plant specimens and mammoth bones; and wrote down her experiences.
Maud and Dora left at the end of the Summer. With Michikha, a Tungus (Evenki) woman, Maria and Henry spent Winter 1914/Spring 1915 travelling the mountainous area east of Turukhansk. Although Maria made light of the conditions in her book My Siberian Year, she experienced considerable hardships and illness through the Arctic Winter. Meals were eaten with nomadic reindeer-herding families; “Armed with this [knife] I caught hold of the meat with my teeth, and sliced off a mouthful, which I proceeded to masticate as well as its parboiled condition would permit”. The miles of walking and sledding from tent to tent were exhausting. Frostbite was an ever-present danger despite being “ensconced in a foot-bag made of the winter coat of a reindeer buck, and cased in thick Jaeger stockings worn inside a pair of dog’s-hair stockings and two pairs of hairy skin boots.”
Maria made a special study of shamanism and religion in the region, and also commented on the history and politics of Siberia. She also wrote poetically about the short days in the Winter landscape, “There is a rosy light that was never anywhere else by land or sea, that flushes the mountain peaks of the ‘stony’ tundra to an ineffable glory during the brief twilight days that precede the return of the sun in the spring, while the valleys and the lowlands are filled with a blue sea of unlifting shadow.” After her return to England in 1915, the objects she had collected with Henry were deposited in the Pitt Rivers Museum and the Pennsylvania University Museums, and the botanical specimens in the Fielding-Druce Herbarium (Oxford).
Maria seems to have completed some war work for the British Foreign Office’s War Trade Intelligence Department. In 1916 she became the University of Oxford’s first female lecturer in anthropology. Her three-year appointment came to an end in 1919. She toured the United States to meet leading anthropologists. In 1920 she was awarded the Royal Geographical Society’s Murchison Award, and she obtained a year-long teaching position at the University of Bristol. Sadly this promising career was cut short when Maria committed suicide in May 1921, a few days after her naturalisation certificate was issued. A fund in her memory was established at Somerville College. Her collected works, edited by David Collins, were republished by the Curzon Press in 1999.
post by Katy Whitaker
The Pitt-Rivers Museum, Oxford, has a Showcase display about Maria’s Siberian expedition on until 28 February 2016 (http://www.prm.ox.ac.uk/exhibitions.html)
Collins, D. and Urry, J. (1997) “A flame too intense for mortal body to support” Anthropology Today 13(6): 18-20
Czaplicka, M.A. (1914) Aboriginal Siberia: a Study in Social Anthropology Oxford: Clarendon Press [available at https://archive.org/details/aboriginalsiberi00czap]
Czaplicka, M.A. (1916) My Siberian Year London: Mills and Boon
"A Woman's Travels." Times [London, England] 8 Sept. 1915: 9. The Times Digital Archive. [Web] Accessed 16 October 2014 http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=wiltsttda&tabID=T003&docPage=article&searchType=AdvancedSearchForm&docId=CS152372520&type=multipage&contentSet=LTO&version=1.0
"Death Of Miss M. A. De Czaplicka." Times [London, England] 30 May 1921: 8. The Times Digital Archive. [Web] Accessed 16 October 2014 http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=wiltsttda&tabID=T003&docPage=article&searchType=&docId=CS135467198&type=multipage&contentSet=LTO&version=1.0
Home Office (1921) HO 334/92/8081 Naturalisation Certificate: Marie Anteinette Christine Elizabeth Lubicz de Czaplicka. From Poland. Resident in Bristol. Certificate A8081 issued 24 May 1921 [The National Archives] http://discovery.nationalarchives.gov.uk/details/r/C11938471
At her memorial service in 1992 she was remembered as a redoubtable woman who made archaeology in the Middle East very much her own. And she had to. Veronica Seton-Williams faced considerable prejudice throughout her career.
Dr Veronica Seton-Williams (1910-1992) devoted her life to teaching and excavation. She was born and educated in Australia, choosing to study the closest subject to archaeology that she could at Melbourne University: history and political science. In 1934 she moved to London where she enrolled at the Institute of Archaeology, giving her the opportunity to work under Tessa and Mortimer Wheeler at their famous Maiden Castle dig. It was thanks to Tessa Wheeler and another mentor of Seton-Williams, Margaret Murray, that she was chosen by the British School of Archaeology to join Flinders Petrie on his dig at Sheikh Zuweyed in Sinai (where Hilda Petrie was also working). Many more excavations were to follow: Jericho, Mersin (Turkey), Tell el-Duweir (Palestine) and in Ireland. She completed a PhD on second millennium BC sites in Syria in 1957, but was disappointed not to be able to gain an academic foothold, narrowly missing being appointed to succeed Max Mallowan (husband of Agatha Christie) at the Institute of Archaeology.
At many of the sites Seton-Williams worked at, she took direction from the leading figures of the day, including Petrie, John Garstang, John Starkey and Kathleen Kenyon, and she worked closely with a number of other trowelblazers, including Joan du Plat Taylor and Margaret Munn-Rankin. It was not until the mid-1960s, after considerable petitioning of the Committee by her students and colleagues, that the Egypt Exploration Society (EES) appointed her as a field director in her own right.
Ruins of mudbrick buildings on the northern mound of Buto-Desouk. Image: By Faris knight (Own work) [CC0], via Wikimedia Commons
Between 1964 and 1968 she took charge of the EES excavations at Buto, a site in the Egyptian Delta. Those that joined her during those seasons recall the tensions and personal hardships that she faced in this role. Seton-Williams, however, was committed to seeing the work through because she believed that “as an archaeologist my main interest was in getting on with my job, to finish whatever I was doing, to record it, and, if possible, to publish the results”. She was still toiling over her final excavator’s report for Buto just before her death in 1992, labouring every day despite illness. It has never been published.
Veronica Seton-Williams at Buto, Egypt, sometime between 1965 and 1968. Photo courtesy of Joseph Clarke.
Written by Alice Stevenson, Curator of the Petrie Museum at UCL and on twitter as @alicestevenson
Editing and additional content by Tori and Becky
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Further Reading: this wonderful extended biography of VSW by Barbara Lesko on the Breaking Ground website.
Lucy Allen was born in 1877 and set out to become a librarian when she began her studies at The Ohio State University in 1894, but along the way she became the first woman to serve as a curator at the Ohio History Connection (then the Ohio Archaeological and Historical Society). She took up the post for several months in 1898, while working on her Master's degree in Library Science. She would be the only female curator of archaeology until Martha Potter Otto, who held the post from 1974-2009.
The first curator of archaeology there, Warren K. Moorehead, wrote that he was "particularly indebted to Miss Lucy Allen for her cooperation in the preparation of the state map for publication in this report and for her constant assistance in the museum," and later recommended her for the final review of the map after his resignation in 1897, stating that she knew the data "better than any other person – next to myself."
Moorehead was succeeded for a few short months by Clarence Loveberry. The 1898 Annual Report for the Ohio Archaeological and Historical Society states that following Loveberry's abrupt departure, "Miss Lucy Allen took charge of the Museum and performed the duties of Curator until June 1, 1898, when the Executive Committee elected Mr. W. C. Mills, Curator." The curious phrase "performed the duties of Curator" suggests she was somehow less than a real curator, yet the Annual Reports of the Ohio State University indicate she was the "Curator arch. Museum" and as such she was paid $20 per month from February through June, a five month tenure as compared with her predecessor's four months.
After leaving her position with the museum, she was hired as an Assistant Librarian at a salary of $40 per month – double what she was making as a curator. That gives you an indication of academia's opinion of museum curators – at least in the late 19th century.
Allen served as librarian until 1901 by which time she had earned her Master's degree. She went on to Harvard University where she studied under the noted historian Albert Bushnell Hart, but did not complete her PhD. Instead, she married George Smart, co-founder and editor of the Columbus Citizen.
After her husband died in 1925, Lucy became the Assistant to the Headmaster as well as the librarian at Kew-Forest School in Forest Hill, New York. In 1941, she was appointed Dean. In addition to her other accomplishments, Lucy became a nationally-known performer of living history portraying, among other notable American women, Priscilla Alden, Abigail Smith, Dolly Madison, and Harriet Beecher Stowe. She died at the age of 83 in 1960.
Lucy Allen Smart's contributions to archaeology were not mentioned in her obituaries. And she has not been acknowledged as the Ohio History Connection's third curator of archaeology until quite recently. The limited documentation from the period does not allow us to assess fully the contributions Lucy Allen made to Ohio archaeology, but the state map to which Allen devoted so much of her time as curator would become The Archaeological Atlas of Ohio, published by the Ohio Archaeological and Historical Society in 1914. This landmark catalog of archaeological sites provided the foundation for today's Ohio Archaeological Inventory, which is maintained by the Ohio Historic Preservation Office. William C. Mills is listed as the sole author of the Atlas. In the preface, Mills briefly mentions Moorehead's contribution, but he makes no mention whatsoever of Allen's efforts.
It is clear that Allen did no fieldwork. This may be one of the reasons why she has not been acknowledged as a full-fledged curator. It also may be that she has been regarded merely as an interim curator serving for only five months, but Loveberry was curator for only four months and he has been recognized as the second curator of archaeology for the Ohio History Connection. I think the fundamental reason Allen's contributions have been forgotten is that she was a woman in a field dominated by men. And those men may have found her presence a little embarrassing.
The Annual Report of the Trustees of the Ohio Archaeological and Historical Society stated that following Loveberry's departure, "Mr. Raymond Osborn and Miss Lucy Allen were looking after the interests of the Society in the Museum in the absence of a Curator." In a thorough review of all the correspondence and documentation from this period, I have found several letters from Allen on Ohio Archaeological and Historical Society letterhead. I have found correspondence addressed to "Lucy Allen Dept. Curator." I have not found a single piece of paper referring to Osborn other than this mention in the Report to the Trustees.
Who was Raymond Osborn? He was a Professor of Zoology and Entomology at the Ohio State University. Just what he might have been doing on behalf of the "interests of the Society" is a mystery.
There was, in fact, no "absence of a Curator." Allen was the "Curator arch. Museum." And in the Report of the Curator, just eight pages away from the reference to Osborn in the same Annual Report, states unequivocally that "Miss Lucy Allen took charge of the Museum and performed the duties of Curator." Maybe the Society's trustees felt that they needed to reassure the Society's membership that the interests of the Society were in the capable hands a man, in spite of the fact that a woman was running the shop.
Whatever the reason for history's neglect of Lucy Allen, I hope that this blog post can begin to acknowledge her efforts to add to our knowledge of the past as a scholar and as a woman. She deserves no less.
Written by Brad Lepper
Edited & posted by Suzie
Check out Brad’s blog post about Lucy Allen here.
Sources
1898a Randall, E. O. "Annual Report of the Trustees." Ohio Archaeological and Historical Quarterly 7:284-5.
1898b "Work of the Curator." Ohio Archaeological and Historical Quarterly 7:292-3.
1914. Mills, William C. The Archaeological Atlas of Ohio. Ohio Archaeological and Historical Society, Columbus.
A pioneer in cave archaeology, archaeological theory, the origins of agriculture, and more, Patty Jo Watson almost missed the boat on her own archaeological career-literally. As a young grad student set to embark as part of Robert Braidwood’s famed interdisciplinary Iraq-Jarmo expedition in 1954, she and Vivian Browman arrived at the dock in New York City just in time (due to bad traffic) to see their ship sailing out of the harbor. Hopping aboard a tugboat, they were able to catch up with the departing ship. Never again was her future as an archaeologist in doubt. With her only dig experience a field school in Arizona, she was put in charge of the site of Banahilk in Iraq: “Braidwood took me up there with a sort of caravan, a couple of cars with all the gear we needed...I was turned loose on this site up in North Iraq with just [dig supervisor] Abdullah and some workmen to keep me on the straight and narrow…I probably wouldn’t have survived without them.”
Born in Nebraska, raised in Iowa, and inspired to become an archaeologist by Agatha Agatha Christie's Come, Tell Me How You Live, Pat Watson entered graduate school at the University of Chicago in 1952. She participated in the Oriental Institute's fieldwork in the Near East, including supervising excavations at Banalhilk during her first season in Iraq. She was also an early practitioner of ethnoarchaeology (what she and Maxine Kleindienst called "action archaeology" when they wrote about it in 1956), conducting research in Iran. She earned her Ph.D. from Chicago in 1959 and was a Research Associate at the Oriental Institute 1964-1970.
While continuing to work in Near Eastern archaeology, Watson's focus gradually shifted to North American archaeology. Her interest in the origins of agriculture and interdisciplinary collaboration also carried over to the New World. Beginning in 1963, Pat and her philosopher-speleologist husband, Richard “Red” Watson, began exploring the archaeology of Salts and Mammoth caves in Kentucky. These are not rockshelters with wide openings to the sun; these are dark, narrow, twisting caves — the Mammoth Cave system is the longest known cave system in the world. Watson and her colleagues ventured deep into the caves, following the traces of the Native Americans who had explored these caves thousands of years before. Their finds included evidence of prehistoric mining activity, dessicated human bodies intentionally interred within the caves, textile fragments, and plant remains. At least one archaeologist vowed never to enter another cave again after accompanying Pat on a day-long tour through the pitch-black sinuous confines of the caves. But he did promise to get some funding for Watson to continue her archaeological research there.
The evidence for the early use of cultivated plants preserved in human paleofecal specimens from Salts Cave was the inspiration for the Shell Mound Archaeological Project (SMAP), the long term interdisciplinary study of a series of Archaic sites in the Green River area of Kentucky begun in 1972 and directed by Watson and her student, Bill Marquardt. SMAP brought innovative research techniques to southeastern archaeology, and the SMAP- type flotation machine is still used by many archaeologists to process soil samples for plant remains.
In 1968, Pat was hired to teach anthropology at Washington University in St. Louis (Red was already teaching in the philosophy department), where she would remain for the rest of her career. While conducting fieldwork in Turkey in 1968 she "converted" to New or processual archaeology and in 1971, she, Steven Leblanc (her first grad student at Washington University), and Charles Redman (who had introduced her to random sampling and processual archaeology in Turkey) wrote Explanation in Archeology: An Explicitly Scientific Approach, the first book to synthesize this theoretical approach. Over a decade later, the three would update and expand on this with the follow-up book Archeological Explanation:The Scientific Method in Archeology. Watson would later engage with postprocessual archaeology in a series of articles.
Patty Jo Watson retired from Washington University in 2004 as Edward Mallinckrodt Distinguished University Professor of Anthropology. She and her husband currently live in Montana.
Some of Watson's major publications include:
1971 Explanation in Archeology: An Explicitly Scientific Approach.
1974 Archaeology of the Mammoth Cave Area. Academic Press, NY.
1979 Archaeological Ethnology in Western Iran. Tucson: University of Arizona Press.
1986 Archeological Explanation: The Scientific Method in Archeology.
2005 University of Florida Press, Gainesville. William H. Marquardt and Patty Jo Watson, eds.
Further Reading:
Further Reading and References
SMAP: 1976 In pursuit of prehistoric subsistence: a comparative account of some contemporary flotation techniques. MCJA 1(1):77-100.
1995 Secrets Underground: Archaeology Patty Jo Watson. Discovering Women Series.
1999 From the Hilly Flanks of the Fertile Crescent to the Eastern Woodlands of North America. In Grit-Tempered: Early Women Archaeologists in the Southeastern United States, edited by N.M. White, L.P. Sullivan and R.A. Marrinan. Gainesville: University of Florida Press, pp. 286-297.
2008 Dye, David H., ed. Cave Archaeology of the Eastern Woodlands: Papers in Honor of Patty Jo Watson. University of Tennessee Press.
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Written by T. Cregg Madrigal (@LamokaLedger)
Edited and posted by Suzie (@suzie_birch)
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