Xuebing Du
Sweet Seals For You, Always
tumblr dot com
"I'm Dorothy Gale from Kansas"
NASA
hello vonnie

if i look back, i am lost

Love Begins
EXPECTATIONS

shark vs the universe

Andulka
The Bowery Presents
taylor price

❣ Chile in a Photography ❣

roma★

PR's Tumblrdome
No title available
todays bird
Cookie Run:Kingdom Official!

Game Changer & Make Some Noise
seen from Colombia

seen from Germany

seen from Türkiye

seen from Saudi Arabia
seen from Poland
seen from Malaysia

seen from Türkiye
seen from Netherlands
seen from Türkiye
seen from United States
seen from Indonesia
seen from Bangladesh

seen from United Kingdom

seen from Türkiye

seen from Maldives
seen from United Kingdom
seen from Brazil
seen from United States

seen from Germany

seen from Türkiye
@youarewhatyougeek
What are you
Bitch
Lover
Child
Mother
Sinner
Saint
Do not feel ashamed
Your hell
Your dream
Nothing in between
Beluga whale
What are you a cop?
your dashboard is supposed to be at LEAST halfway full of shit you have no context for and fandoms you're not involved in. it is the natural way of the universe
We all need diverse ecosystems
the platelets in my body when I rip off the fresh scab they just spent hours working on
oh man the painting on this drawing is insa- fuck do you mean #minecraft build
the specific build in question btw
I looked up some of the artist's other builds and they're all just absolutely incredible
wait this stuff was made in minecraft??!! the hELL???
Is there anywhere I can download or access these???
I wanna just walk around and explore these masterpieces like I'm back in Shadow of the Colossus or something.
Oh my god these are incredible!
like the point is eurydice signs the contract so that she can survive. she's hungry and cold. and hades promises food, shelter, safety, even comfort. but she still doesn't get what she's after because it kills her. we submit to the capitalism machine because we need food, we need somewhere to lay our head in order to be people, but it strips away our personhood anyway.
"kung pow penis," a phrase commonly used in reblogs to indicate utter disdain for OP, has twelve letters, each of which (traditionally) must be supplied by a different user. the unanimity of disdain indicated by these twelve unrelated users has strong parallels to the requirement of unanimity for a jury—also traditionally of twelve—to arrive at a verdict. in this essay i will
"I'm not posting S and you can't make me!"
distressing things to say to your friends
Okay so obviously one of the main questions that Severance is asking is "who is a person?" Like, what is a life, what constitutes living? The outies don't consider that when they choose severance, they're creating an entirely new person, someone with a consciousness that exists seperate from their own. Even if they know that's what's happening in some way, they don't really GET that.
Early in season 1, Helena Eagan seems like such a cold monster for telling Helly "You are not a person. I am a person."
And she clearly is cold, no doubt. But she's also being honest about the way most outies genuinely seem to regard their innies. She's just saying it in a way they won't.
Mark says he understands his innie is a person, but the way he talks to him betrays that. Him and Devon are nice and gentle, but at the end of the day neither of them consider what it will mean to take down Lumon or for Mark to quit. Will it be ending innie Marks life? Sure. But he's not *really* a person, he doesnt *really* have a life, not like they have lives. So it's not the same.
Theyre like, genuinely shocked he takes this so poorly.
When Dylan G proposes to Gretchen, he says "i can give you a life." Which struck me as such a specific way to put that, because... he cant, really? Not "a life" the way she would understand it, with all the things people use to "build a life together." Like, a family, a home, time spent together not in one weird waiting room.
What kind of life can you offer when you only exist on one floor of one building? When you can only see each other in one room, possibly for an hour at a time every few days or weeks?
For Gretchen, that wouldn't be a life. But to Dylan G, it's all he knows. So it is a life, a full one. He has nothing else to compare it to.
For Mark and Devon and Helena, it seems so cruel to look at the lives of the innies and see them as less. As not real. To see the innies as not real people.
But i don't think the show is saying that they're wrong. I don't think it's saying that theyre right, either. I think it's just posing questions, difficult ones. It's easy to say "of course the innies are people, with lives and consciousness of their own, and its cruel to discount that."
But even the innies do the same thing. They do it to Ms. Casey, and to every single one of Gemma's other consciousnesses.
25 seperate consciousnesses, who only exist for hours at a time, in one room. Are those lives, are those people?
As Gemma and Mark run for the elevator, Dr. Mauer yells for them to stop. He yells "you're killing them all." At first i didn't get who he meant. I thought maybe he meant all the innies on the severed floor, like Innie Mark said. If they took Lumon down, they all die.
But he meant Gemma. All the Gemma's that exist in those rooms, the ones Innie Mark created.
If innies are people, seperate people with individual consciousness, then both Innie and Outie Mark just committed mass murder.
And he did it to Ms Casey, too. Has been trying to do exactly that all season. To find his outies wife and get her out of there. It was never a question of asking Ms Casey what she wanted or letting her have a life of her own on the severed floor, the way innie Mark and Helly choose. It was always about getting Gemma out, saving her.
The innies complain that their outies don't treat them like people, that they don't give them choices, but when faced with the same question, neither Helly nor Mark hesitate to put Gemma over Ms Casey.
They don't see her as a person the way they see themselves as people. And they REALLY don't see her other 24 consciousnesses as people. But why not? How long do you have to be alive to be considered a person? How many places do you need to be allowed to exist in before you get a choice?
To the outies, it's hard for them to consider that the innies are people in the same way they are. Their lives are too small, too confined.
And its the same for the innies. Gemma was split into 25 people, 24 of which likely only exist in one room, for maybe a few hours at a time. It's an existence even smaller than their half-lives, and they don't give it consideration the same way their outies don't consider them.
Is a life that small really a life? Would each of Gemma's consciousness' fight for their strange existence if they had a choice? If they knew what walking out those doors meant, would they be afraid to do it?
Would Ms Casey have chosen to leave, if Innie Mark had told her what was happening? If he had stopped to consider what he was doing in that moment, do you think he would have done anything different?
Followers' Favorite Horror Movie Countdown 2025 Edition
3. Nope (2022) dir. Jordan Peele This dream you're chasing, where you end up at the top of the mountain, all eyes on you… it's the dream you never wake up from.
I just feel like we're not talking enough about the pro-labor, pro-union, themes in Hadestown. My boy Orpheus is literally wearing a red bandana. He said you simply have to stand up, together, even when it's terrifying and you have never done it before. There are more of us than them. Even if it seems impossible we have hope, because we are standing in solidarity. You can only make demands of gods if you have your union behind you. And then you realise they aren't gods, and you can bargain.
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
a crude summary of one of my favorite musicals
Today is the only day you can summon the energy to reblog this.