These staves he spoke, yet he laughed as he said them. For once more lust of battle was on him; and he was still unscathed, and he was young, and he was king: the lord of a fell people.
part 2, lotr quotes
YOU ARE THE REASON

⁂
Sweet Seals For You, Always
AnasAbdin
NASA
Today's Document

Origami Around
Show & Tell

PR's Tumblrdome
Cosmic Funnies
Stranger Things

Kaledo Art

blake kathryn

tannertan36
🪼
Sade Olutola
will byers stan first human second

if i look back, i am lost
hello vonnie
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@aknightowl
These staves he spoke, yet he laughed as he said them. For once more lust of battle was on him; and he was still unscathed, and he was young, and he was king: the lord of a fell people.
part 2, lotr quotes
Balrog: Why do I hear boss music
Based on this post
Life is really fucking hard si sometimes you just gotta make a leather clutch bag inspired by Elven Lembas bread from Lord of the Rings because if you're gonna suffer you may as well suffer with a little bag to put your trinkets in the little compartment that looks like a pie
thinking about edvard munch's "The Sun" (1911)
like yeah thats how it feels. thats what it feels like to exist sometimes. he gets it
Also very big! Takes up two stories!
This very striking sculpture of a barn owl (Tyto alba) comes from Egypt. The piece, OIM E17972, is not currently on display at the Oriental Institute - University of Chicago, but has been exhibited at a past Oriental Institute special exhibition: “Between Heaven and Earth: Birds in Ancient Egypt.”
The barn owl was carved from limestone and some of the original paint can still be seen. It is clear that it was carefully decorated in an attempt to make it as realistic as possible.
common origins of suffering, euphoria, and ferret
substack
Knuckle tattoos that say SING, MUSE
Describing Terry Pratchett’s books is difficult. Someone asked me what the book I was reading was about, and I had to tell them it was about banking and the gold standard, but like in a cool way with golems and action.
I don’t think they believed me.
welcome to the club
It is so, so difficult to explain to people that your favorite book is about transgender feminist dwarves, Nazi werewolves, and the mystery of a missing piece of really old ritual bread. And Opera saves the day.
yes, give us those sweet, sweet, terrible descriptions
A tortoise who’s really a god, finds an allegory for Jesus and they go on adventures in an ancient greece like place and then a desert
The chief of police averts a rerun of an ancient war, partially despite and partially because of being possessed by a dying dwarf’s graffiti
It’s like Les Miserables but Javert is the good guy and also there’s time travel.
Macbeth but it’s about the witches
Chapter one, the protagonist is hanged. Then he’s put in charge of the post office. Yes, in that order.
it’s like mulan if there were way more mulans in mulan and also pratchett is extra irritated that too many people missed the point of jingo
The bureaucrats of the universe get annoyed at the paperwork humanity causes so they decide to steal Christmas. Replacement Christmas is done by Death and replacement Death is done by goth Mary Poppins, who is also in charge of the investigation.
these are all nice and accurate reasons to read discworld if you haven’t yet
Romeo and Juliet football AU but the other team is wizards
Hollywood????
An entire clan of tattooed, hairy, kleptomaniac, alcoholic Scotsmen decide a little girl is their new best friend whether she wants to be or not and she rescues her absolutely worthless brother by discovering the power of selfishness.
@cosmictwobyfour
Someone is dying, journalism is being invented, and part of Pulp Fiction is going on in the background.
The universes burocrats want to measure everything so they pay a man to imprison time so everything will stop and they can measure things in peace. Goth mary Poppins saves the day, the fifth horseman of the apocalypse is the best Milkman in the world, and chocolate saves the day. Also someone was born twice.
Classic dynastic machinations are happening in fantasy China, to be completely overturned by a gang of elderly barbarian heroes and the world’s worst wizard and best sprinter
Death incarnate battles a shopping cart for the fate of the world.
@grifalinas
Phantom of the Opera au, except there’s witches, a cookbook that is thinly-veiled pornography, and Christine is played by a fledgeling witch with multiple personalities who can’t stop being sensible long enough to enjoy herself
Hidden heir to the throne decides an cynical, alcoholic cop is the best role model in the world.
Atlantis provides an excuse for a xenophobia-inspired war between Britain and the Middle East but it’s fine because the armies are arrested for conspiracy to cause public nuisance.
the jfk assassination is parodied in the above.
Rain is brought to australia by a lousy wizzard who runs from dropbears, steals a sheep, and invents vegamite
(sigh)(smile) All of the above.
You can defeat Vampire Fascism with the powers of violence, your debilitating anxiety disorder, and a nice cup of tea
the pied piper is a racket being run by some talking mice and a cat but they accidentally invent socialism. then of course there are also the rat horrors
there’s a camel
a wizard who knows only one spell is menaced by some luggage. there’s a tourist.
And while the aforementioned terrible wizard is having an awful time in Fantasy Australia, his colleagues try to find him and accidentally invent sex and the platypus along the way.
Have you ever wondered about the poor people whose sole role in the narrative is to rush into the room when summoned and be slaughtered by the hero? THIS is their story. Also, it’s a million to one chance that they hit the voonerables.
Fairy Godmothers fight fairytale endings with the power of Logic. There is also a very sexy cat.
Fantasy Hollywood is secretly an Eldritch Horror
Clay loom weight decorated with an owl, Greek, 5th Century BCE
From the Acropolis Museum
Because I am coping with current world events in a completely normal manner I've been thinking a lot about how one of the tensions that underpins the whole of Wheel of Time is Robert Jordan as 'person who likes history' vs Robert Jordan as 'person who had to live through the Cold War.'
Something that can be really hard for people born after the Cold War (like myself) to grasp is that for a long time history was the ultimate reassurance against existential dread. Civilizations could rise and fall, empires could crumble, disasters could wipe out a hell of a lot of people, but human beings as a species, where never in any real danger of dying out. New countries would eventually rise out of the ashes of old ones, societies would change to be unrecognizable but they would still be there, religions, cultures ideologies etc might all die out but the people would still be around. History provided the ultimate comfort: whatever happened in our brief finite lives human beings as an group would eventually be fine.
But that changed after World War 2 and the invention of a little something called the atomic bomb. Suddenly human beings had the potential to destroy not just ourselves but all life on earth if things went wrong enough. For the first time in history their was no real guarantee that human beings as a species would make it, and in fact their was a whole lot of reason to believe based on the patterns of history that eventually that power would get used and human kind would destroy itself. That was the Cold War- two nuclear states who really really wanted to start blasting each other to pieces but couldn't without risking the end of life as we know it.
The tension between these two realities- the assurance of history that life will go on and the reality that human beings could in theory actually end the fucking world, is built into the core of Wheel of Time. The first lines assure us: time is cyclical. It's all happened before. It's all going to happen again. Human being will live out the same stories in endless variation, the same patterns will always reemerge. And the world has already survived one apocalyptic event: the Breaking, and come out the other side not doing fantastically, but still around. The world has been reshaped forever and whole eras of progress have been undone, but humanity remains.
But at the same time doomsday weapons with the potential to wipe out the species are everywhere. The Choden Kal can crack the planet open like an egg. Balefire burns apart time itself. A plague of madness is waiting for any old schmo to wander into it's den and carry it back outside so it can infect and destroy everyone. Their are all kinds of different big glowing red 'destroy humanity' buttons laying around in WoT just begging to get pressed. And in a way the Dark One is the ultimate version of that because that button has already been pressed. The Bore has been opened. Left alone humanity is fucked and everyone knows it. It can be delayed and pushed back, but never truly stopped, except by the intervention of destiny- the intervention of the Dragon. That's the core conflict of the series. Rand is struggling to stop a missile that's already been launched, prevent an end everyone can see coming. It's not just 'I need to defeat the big bad evil overlord or everything will be bad forever', it's 'I need to stop the Dark One or that's the end of human beings as an idea'.
What's especially interesting is that Jordan isn't even framing the Wheel/Pattern as uniformly good, because it's history and history is messy and complicated and full of contradictions and no easy answers. The Wheel, the Pattern, is not some force for righteousness. It's a neutral fact of existence. Not what's best or what's ideal- those are subjective and grounded in human understanding of the world- but what's necessary and what's true. To want to break free from history, to break the Wheel, is to want to break free of being human. That's what the Forsaken all truly want (as I have talked about before): to leave behind humanity, and their willing to sacrifice whatever it takes to do it. What that looks like and what motivates that desire is different for each of them but their united in that common goal, and they all either disregard the consequences of what it will mean or don't understand them.
The story of history is one of incredible suffering and amazing triumph: it's full of heartache and joy in equal measure. It's not fair or just or simple to understand, but it is a reflection of who we all are collectively. The fight to preserve the Wheel isn't a fight to preserve what is good or ideal, it is a fight to preserve what is human. Because as long as the story can keep going, we can have hope for tomorrow.
And Jordan promises right from the offing that their will always be a tomorrow. No beginnings. No endings. Just whatever comes next.
As we enter a period of history that is the most uncertain it's ever been in my lifetime, I can't help but I think of the incredible courage and strength it must have taken be staring down the barrel of nuclear armageddon and stubbornly insist that would be a tomorrow. The man wrote eleven of the best books ever made exploring this exact struggle- about never giving in to despair or pain, never buying into the belief that things are hopeless, that humanity sucks and we're all doomed.
And remembering that...I don't know. It makes a little easier to breath and keeping walking towards tomorrow myself.
hello OOTS fandom on tumblr (all three of you)
I pulled up the sketchy online Old English version of Beowulf and yeah it has 3,182 lines. If you took 5 seconds per line you’d need four and a half hours to recite it (or specifically to recite the one version that got both written down and preserved for a thousand years) (only a little charred). But I mean 5 seconds per line is for chumps who don’t want to unlock the Beowulf speedrun.
Also ok for SCIENCE I timed myself and quickly reciting the first 5 lines took 16 seconds, let’s call that fifteen because I mispronounced meodosetla. At that pace (if you could keep it up consistently and I mean never cough never take a drink) you’d be looking at 2.65 hours, or 2 hours and 39 minutes (or 159 minutes). This is actually 20 minutes shorter than the theatrical run-time of Peter Jackson’s Two Towers (179 minutes).
Now, the original post was about reciting Beowulf in an hour, so 2 hours and 39 minutes is not gonna cut it, and is so far over time that even doubling your pace can’t save you. You’re gonna lose this speedrun and Æthelflæd’s new scop poet is going to laugh at you. However, there’s a cheat to exploit here. In the period when Old English (language of Beowulf) was spoken, people often just said there were 12 hours in a day and 12 hours in a night, no longer how long or short daylight actually was. This made the concept of a daylight hour stretch in summer, when daylight lasts way longer than 12 hours. There’s a good article on this I’ll find it if anyone wants it. I don’t actually expect anyone to have read this far.
ANYWAY, the longest day in Jarrow (furthest north Old English speaking town I could think of) in 2024 (sorry this data is not calibrated for the 10th century) was of course midsummer: June 20th, at 17 modern hours 22 modern minutes and 1 modern second. This means each early medieval hour that day actually lasted 1 hour and 26 minutes. Still not nearly enough lads, but this is when it becomes a skill game. Because I wasn’t going ALL that fast. We need to squeeze 159 minutes of Beowulf (aka basically Two Towers) into 86 minutes. If you could half my pace-per-five-lines from 15 seconds to 7.5 seconds, you’d be able to do it, one day of the year, in Jarrow. Iceland is cheating. Good luck.
According to some websites i found on google and probably not actually the most reliable, in Gozilla Eminem raps an average of 7.5 words per second. The maths you've done above is per line so i dont know how that would translate.
I guess my question is, could Eminem do it and do we think it's worth persuading him to learn old english?
Best question possible. So Old English poetry has a fairly standard (though not set) number of syllables per line, which would be a better number to use to compare with the fastest known rappers (I checked around after seeing this and inevitably found a Reddit thread debating this question, but Eminem and Twista seem to be at the top).
In 2012 the Chicago Tribune was still reporting Twista as the holder of the world record (set in 1992), and I get the impression Eminem broke it, but I’m not entering the Eminem vs Twista debate here. What I need is a comparable rate, and Twista’s record is counted by syllable, not word, so his is easier to calculate. (Thank you Twista).
I can’t access the Tribune article, but it’s cited on Wikipedia, so I’m hoping the wiki text isn’t bullshitting:
So not looking at his peak burst as this is a marathon, he’s doing uhhh is this math right? He’s doing 10.87 syllables a second, holy shit.
So Old English poetry is structured in such a way where, while a poet didn’t have to count syllables, they did tend to end up with a fairly standard number of syllables per line (and a lot of alliteration). The beginning of Beowulf looks like this, for example:
You can see how the lines are pretty equal (the gaps in the middle of each line are added by editors because half-lines are important, you don’t have to worry about that) (Actually the lines are also decided by editors and no one agrees but that’s not a scop’s problem 💜).
The first line, for example, is 10 syllables : hwæt we Gardena in geardagum
*a lot of Gs are pronounced like y in OE, so that final word is more like yeh-ar-day-um.
The second has 9, the third 11. I should say I’m not sure about syllable counting in some lines, because vowel pronunciation rules vs stressed syllables rules are beyond me, having literally never been relevant to me until I needed to know how fast Twista (or Eminem) could rap Beowulf. Scops would be ashamed to be seen with me.
But for science’s sake let’s say there’s a range of of 9-13 syllables per line. Some paper I just found that I’m not totally sold on as a source but nevertheless seems to have done some math says the average is 9 syllables a line, roughly, though the range is from 6-18 and the most common single number is 10. Let’s go with that for now.
So, Twista can rap 10.87 syllables a second: more than an average line of Beowulf per second. But the copy of Beowulf we have is, as established, 3,182 lines long. Even just assuming an average of 9 syllables a line, that puts you at approximately 28,638 syllables. However, Twista can go at a rate of 652.36 syllables a minute.
Conclusion: if my math is right (please check my math) and if he could keep that pace up, Twista could rap the entirety of Beowulf in 43 minutes and 54 seconds. Presumably Eminem could do similar.
Thanks great question 👍
@kalikatze the only slightly open source version I can find is on Academia (so will demand an email address or your data etc), but it’s Roy Liuzza, “The Sense of Time in Anglo-Saxon England” (2013). (Feel free to just DM me to ask for a pdf!).
Day 13 is the paladin as a mourning dove! Only 2 dnd birds left after this! You can find both of them on my ig if you can’t wait though :)
what do you hope to find most in the Herculaneum library scrolls (simplified poll)?
greek epic
greek tragedy
greek comedy
greek lyric
latin epic
philosophy
epistolary works
oratory
mythography/history
latin tragedy
latin comedy
latin lyric
name specific works within the genres/other in the tags!
The 2000-year-old scroll discusses music, food, and how to enjoy life’s pleasures.
THEY FUCKING DID IT!!!!!!!!!!!!
hwaet! memory-mother, in meadhall sing the hatred, from heartlocks broken, of achilles peleusson, cursed by his people, wreaker of woes unending. often his spear made the mighty drink to dogs, food for the feathered, strong souls banished to breathe in the dark.
deep it was driven, the doom of zeus, since they stood sundered, bitter in boasting, atreusson the people-king, and sun-bright achilles. but who in heaven struck up their strife? the son of leto, livid at the king, spelled sickness, and the people perished, for atreusson harmed his holy priest, chryses.
spear-greeks he sought by the swift sea-steeds, daring, undaunted, his daughter to ransom, bearing garlands of the arrow-guiding god on a golden staff. he sank before spear-greeks, saying to them and the sons of atreus, people-guides: “sons of atreus, and strong-scaled spear-greeks, may the mighty gods in their mountain-helming halls give you priam’s gore-gold, and glorious homecoming. only unchain my child, in exchange for this ringhoard, with honor for him, the arrow-hailing son of zeus.”
The completed Ring Verses illuminated calligraphy scroll. Romanesque style vesica illumination of Sauron as "Annatar", the Lord of Gifts, as he appeared to the Elves in the 2nd Age.