Today I listened to the Rent cast album for the first time in… a number of years, and it sure does hit differently now that I’m an adult and not an extremely sheltered suburban tween.
(the first time I heard any of the songs was at Jewish sleepaway camp in the Poconos. yes, really. we sang it on hikes. the girl who actually owned the cast album was in a different bunk, so I exclusively heard the ‘as sung by 12-14 year old girls’ version until I got home. yes, the lyrics were bowdlerized)
Mark’s mom is still very funny and her voicemail is, perhaps, the most realistic thing in this musical.
I was definitely well into my 20s before I noticed that a Tom Collins is also a cocktail? whoops
wow but Benny looks different to me that he did when I was younger. like. the things his friends are mad at him for are Very Different from the things he does that are actually bad?
actually let me break this down.
Things Benny’s Friends Are Mad At Him For:
leaving them behind to marry a bougie lady
‘stealing’ Mimi from Roger
Things Benny Does That Are Genuinely Bad:
cheats on his wife with a 19-year-old HIV+ heroin addict
okay, yeah, gentrification, I’ll grant you that
Things Benny Does That Are Good, Actually:
lets his friends live in the building he owns rent-free for a year
left what must have been an absolute nightmare of a living situation, to marry a bougie lady
seriously can you imagine what that apartment was like
an unheated squat occupied by Benny, Mark, Roger, Collins, and Maureen? nope, no thank you
also Roger has only been clean for six months at the start of the musical, so he was still a full-blown heroin addict when Benny left
actually I would bet that the sequence of events went: April kills herself (IN THEIR BATHROOM) -> Roger spirals even further -> Benny gets the fuck out of there
I don’t love that they make the same “Maureen is a lesbian now, lol” joke twice in the space of like five minutes
the timeline of “Maureen dumps Mark, keeps him as her production manager for a month, then replaces him two days before her show” is… bad. Mark, you have a noodle for a spine.
Joanne’s parents’ voicemail: also still funny. “and wear a bra!” is perfect.
btw Joanne and Mark are both clearly slumming so idk why it’s only bad when Benny does it
hey it’s actually very fucked up that Angel killed Benny’s dog???
not sure when I first noticed this, but Mark, Roger and Collins all use he/him pronouns for Angel, and Mimi, Joanne and Maureen use she/her. huh.
“I’ll Cover You” is still extremely good.
Collins and Joanne are the only adults in this musical.
“Over the Moon” is a perfect parody of bad performance art, so props for that
oh good, “La Vie Boheme” still slaps
I have a lot more sympathy for the Life Cafe waitstaff than I used to, though
btw please envision 13-year-old me, on a hike in the Pennsylvania woods, with 20 other 13-year-olds who are all word-perfect on “La Vie Boheme” but definitely don’t know what a dildo is and kind of mumble their way through the swears.
god I loved “Take Me Or Leave Me” so much as a kid but WOW Maureen would be a nightmare to date IRL
tbh everyone except Collins and Angel should just like. be single for a while. take some time to work on themselves.
you know what, my decision to skip “Contact” on most play-throughs was both correct and, in retrospect, a Big Ace Mood
unsurprisingly, the reprise of “I’ll Cover You” still makes me tear up.
“What You Own” isn’t bad, as such, but it does make me roll my eyes at both Mark and Roger. Especially Mark. my dude, you have by far the fewest problems of any of your friends, and you need to take it down a notch.
the little moment where Mark corrects “Muffy” to “Alison” is really interesting to me? the implication is that they know her well enough now to feel bad about the nickname. I choose to believe that Alison is actually way too good for Benny and his friends all come to recognize that.
aw, Roger. “Your Eyes” is very heartfelt. it’s not good, but it’s heartfelt.
I still like the finale a lot, but boy, these kids have a LOT of problems, huh.
hm apparently I have extensive opinions about what would happen to the characters over the next 25 years.
okay just right off the bat: I doubt that Mimi lives more than a year. sorry! but her odds are Not Good
I would like to think that Roger makes it a little longer than Mimi – at least long enough to record an album
does Benny bankroll the album and get him a record deal, out of guilt? probably.
does Roger, when he dies, leave the IP and royalties to Mark anyway? also probably
his album reaches a Jeff Buckleyesque level of posthumous cult fame, which is nice for him
sometimes he is featured in listicles about 12 Artists Who Recorded Their Last Albums As They Died
assuming Alison doesn’t leave his dumb ass, I would like to think that Benny chills the fuck out and learns some empathy once they have kids
regrettably, he probably does manage to become a dot-com billionaire
Joanne is 100% married and living in DC by today, and she and her wife both work on the Hill. I can guarantee that they send their kids to either Sidwell Friends or the Maret School. maybe Duke Ellington for high school
Maureen has joined a cult at least once and has almost no contact with her friends from her New York days
I bet she’s the only one who actually lives in the Southwest now
she goes to Burning Man every year without fail
Mark has never made a commercially successful film
he still lives in New York, though
mostly because the royalties from Roger’s lone album let him buy into a co-op before he could get priced out of Manhattan
some of his old footage has made its way into various documentaries, most recently on Netflix
in his free time he volunteers at an after-school program where he teaches filmmaking to at-risk youth
they keep trying to get him on tik-tok but he doesn’t understand what that is
Collins is happy, healthy, gainfully employed in meaningful work, and in love.