h
we're not kids anymore.
❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
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One Nice Bug Per Day
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Love Begins
oozey mess
Three Goblin Art
#extradirty
i don't do bad sauce passes
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Janaina Medeiros
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@appleblondie0397
good things will happen 🧿
things that are meant to be will fall into place 🧿
THIS ONE FUCKING WORKS. REBLOG IT.
this for real fucking works
Apparently this one fuckin works, and who am I to argue with the collective agreement of tumblr. Will report back if good things happen.
I SWEAR I HAVE NOT SEEN A SINGLE PERSON TALK ABOUT THIS SCENE THE WAY I SAW IT AND I’M LOSING MY MIND SO HERE’S MY RANT.
This was THE moment where Valentino’s entire character snapped into focus. NOT because of violence, NOT because of dominance, but because of BOUNDARIES.
Everyone spent the whole first half of the season painting Valentino as “the weak one,” the “scared one,” the one “under Vox’s thumb,” like he was just this pathetic wet cat clinging to his terrifying TV boyfriend, and this episode proved beyond doubt that Valentino was never physically powerless, “too scared to fight back,” or physically beneath Vox. HE COULD HAVE DESTROYED VOX AT ANY TIME. He is terrifying when he wants to be. He rips the man’s HEAD off like he’s removing a stubborn jar lid. This is not someone who is “too weak” to defend himself.
The gag is this: He didn’t. BECAUSE. HE. LOVED. HIM. That was the line he wouldn’t cross. Hurting Vox (seriously) was the one thing he would not do. Until this scene.
Because THIS, AND THIS ALONE, was the thing that finally crossed Valentino’s boundary. Not Vox yelling. Not Vox controlling him. Not Vox being arrogant or cruel or bigoted or insufferably smug. No. Valentino doesn’t freak out over any of that, because that’s just “Vox being Vox.” He’s lived with that for years. He knows that version of Vox. He’s built his life around that version.
What he cannot handle, what cracks him open, is Vox finally admitting, out loud, that he does not care if he lives or dies, essentially saying “I don’t care if I die as long as Alastor goes down with me.”
Do people understand what a HORROR that is for Valentino?
That is the exact moment he realizes: “Oh. You don’t care if YOU survive. You don’t care if WE survive. You would trade your own life—AND MINE, AND VELVETTE’S—just to settle a seven-year grudge.”
THAT is the betrayal. The betrayal is Vox giving up on EXISTENCE. The betrayal is Vox saying “You don’t matter enough to keep me alive.” The betrayal is Vox saying “WE don’t matter enough to keep me alive.”
And THAT is when Valentino stops being gentle. He tries, obviously, he reaches out softly, and it is the softest this man has ever been, and Vox SHOVES HIM AWAY, and that’s it. The moment Vox rejects the olive branch, the moment Vox chooses oblivion over their bond, Valentino flips from heartbroken to survival mode.
Not because he stopped loving him, but because loving him is EXACTLY why he refuses to let Vox kill them all.
So he does the one thing he’s never done before: he hurts him. He yanks his entire head off, violently and decisively, not out of anger, but out of sheer terror that the man he loves is trying to die.
This whole time, he wasn’t restrained because he was weak. He was restrained because he cared.
And the ONLY thing that finally pushed him past that restraint was the realization that Vox would rather annihilate himself—and everyone around him—than let go of the stupid deer vendetta.
This is not “Vox being Vox.” This is Valentino realizing: “Oh. You stopped choosing life. And if you stop choosing life, I have to choose it for you.”
Valentino’s not naïve. He didn’t “miss the red flags.” He walked into the field, collected the flags, waved them around like parade banners, and kissed the man holding them. He knew EXACTLY who Vox was, and he still said yes.
Valentino doesn’t rip Vox’s head off to win. He’s not trying to dominate him. He’s not trying to “put him in his place.” It’s literally the opposite. He takes Vox’s head because he has NO OTHER WAY to keep him alive.
Also let’s talk about the symbolism because YES, IT’S SYMBOLIC.
Vox loses his HEAD. The part he thinks with. The part he plots with. The part he obsesses with. The part that is STUCK on Alastor like a looping broadcast. And Valentino literally rips off the part of Vox that wants to die. Valentino and Velvette are left holding the part of Vox that matters most to them: the part that thinks, schemes, talks, curses, teases, obsessively obsesses over them. The part that defines him as Vox. The body, all the posturing, the brute force, the physical dominance? Not necessary. Gone.
The audacity of this scene is unreal. This is love distilled to pure preservation of the self he cannot lose, and it hits harder than any overtly romantic scene ever could.
That's exactly what he meant when he said "you're not f***ing killing us over that DEER!" because he was going to fly away with just Vel and Vox before he realized he COULDN'T. He didn't care about what happened to the rest of the city until he saw that he couldn't leave the blast zone. He stopped Vox from keeping them (the Vees) there because he cared about his team first and foremost.
"I THINK I MISS MY WIFE" ASS LINE
Gay as FUCK
plz tag me when its done
Through the years 💖
no, it happened in the manga too
Dune: Part Two (2024)
Ohhhh ok ok. I could never figure out why I got confused between the first and second shots here but like. At some point he switches which hand he's using to pull the knife out. Because in the silhouette shot where he pulls it all the way out, he's using his left hand and he's switched his own knife back to his right where it stays for the rest of the scene. Which means there's probably a moment where he realizes he can't physically get it all the way out with his right hand--either the angle's wrong, it hurts too much, or he doesn't have the shoulder strength/mobility to move his arm that way while there is a fuckoff huge knife in there. And idk probably the only thing worse than having to de-impale yourself in front of a crowd of people who will watch but not help is having to make multiple attempts at it.
OH MY GAWWWDD i'm so glad I wasn't the only one feeling this way. All I could think while watching this scene was 'Is ANYONE gonna get this man some medical attention?? Like I think he NEEDS it!!' and then being upset when I realized that they just...weren't gonna do that.
Lucifer didn't sleep with Eve lmao
I had to make this post to make it clear because I've seen a few ppl say the same thing. When Lucifer said "Well your first wife didn't seem to hate what I had to offer" he was clearly talking about Lilith and the fact that they married later, then he says "or the second" implying that he gave her something too. its a play on words because he did give both of them something but what he gave was completely different! for Lilith he gave himself and for Eve he gave the apple! so both of them did like what he had to offer, but it's important to remember what the offer actually was! that's why ep 1 takes the time to explain what happened between the 4 of them. the "bow chika wow wow" was just Lucifer being a little shit to piss Adam off because he doesn't like him and he's rubbing it in Adams face that both his brides chose something he had over Adam. so no they didn't sleep together, viv and the team are just super slick with their jokes lol
Percy Jackson tv spoilers!!!
AHHH IM GONNA CRY SO HARD PERCY MY SON I'm gonna cry so bad, the story she tells him in the 1st ep, about the mom and son who were cast out and only had each other and how eventually Perseus found his way to a happy end, then in ep 2 he feels that not only was he abandoned by Poseidon but that sally was too and how he wouldn't let him ignore her. he already felt that he and his mom only had each other but now he feels that they've been completely abandoned, cast out, and he's trying to find them both a happy ending, Percy doesn't want glory or honor just to have it, just because, he wants it because he wants his father to see him, to see sally he doesn't start his journey to please the gods or for honor or even to prevent war, he does it to get his mom back because at the end of the day he's just a little boy whos only ever wanted them to be okay in that wooden chest they've been floating in
hi I hope ur well, I love your art/fics so much! I was curious to know if you have any art wips/art for the Race You To The End au of lud & gil bc it sounds so interesting and im a sucker for brotherly angst
Hello! I'm doing alright and thank you so much!! I actually do have some old pieces for it, but I decided to redraw them for this ask (A great excuse for me to sit down and have a little drawing day anyway B) I'll include some of the old ones as well, but here!:
The old ones at the end I didn't have time to redraw today, but I might tomorrow!
luke and vader spend the original trilogy, but especially ROTJ, more or less reading each other’s minds every other second, which really fascinates me because the level of psychic ability demonstrated between the two of them is not something we see with any of the other characters. obi-wan and anakin certainly don’t speak into each other’s minds at all throughout the PT, but within minutes of luke knowing the truth, we get the beautiful, son, come with me, and father? scene. when arriving at endor, luke and vader sense each other the length of several ships away, and both of them immediately know that the other is there, and then the entire gestalt of their duel before the emperor is that luke refuses to kill vader because he has magically sensed the good in his father, the “good” being that luke knows, through literal mind-reading, that vader absolutely will not kill him, and wouldn’t have killed him on bespin either. the “don’t make me destroy you” was a bluff.
luke uses vader’s hilariously un-buried feelings about him (smash cut to palpatine saying to vader, “are you sure your feelings on this matter are clear?”) to manipulate him in much the same way vader uses luke’s hilariously un-buried feelings about his friends in ESB, and then leia again in ROTJ, and can i just say, for as much shit as we give vader for being kind of a terrible manipulator, he knows exactly what he’s doing by the duel in ROTJ. he pushes luke closer to the dark side than the emperor manages - by threatening leia, vader unlocks luke’s batshit temper, and luke literally beats him into submission and slices off his hand before luke realizes what he’s almost done. but vader reads luke’s affection for leia, and the truth that leia is his biological daughter, directly out of luke’s brain. no one could read the direct truth out of someone else’s brain like this in the prequels, or else the plot would be literally impossible - the closest we get is maybe yoda sensing anakin’s grief for his mother in AOTC, but that’s nonspecific. this is vader and luke plucking pertinent feelings literally out of each other’s heads. they’re so weird <3
I know exactly what fic you’re talking about lmao you’re right and you should say it.
Okay no spoilers but i just saw The Batman today and it was AMAZING, I knew this movie would be great and I really hope a sequel is made!
That being said, if they DO make a sequel I really want them to let this early batman have dick graysons robin! He would literally be the perfect version for a live action batman and robin in the newer movies!
MLB kuroneko brainwave
if marinette gives the cat miraculous to adrien after cat noir (who she doesnt know is already adrien) gives it up then when cat walker (who is also adrien) shows up and flirts shes gonna like it bc she knows its adrien! meanwhile adrien is gonna be crushed because he’s loved her for so long and she always goes on about how she already has someone she loves but catwalker shows up for five minutes not even being flirty and she looks damn near head over heels, he’s gonna be so confused like where did the “i like someone so no” energy go? or was she just saying that bc she really didnt wanna be with cat noir that much ajhbahsb ANGST ANGST ANGST!!!
why is no one talking about this photo?? he’s giving a heart to some 3 headed creature but based on the outfit he’s a kid, blitzo marks himself out of pictures from CHILDHOOD, no one touch me, im sad right now
rika: You lying, cheating, piece of shit! satoko: Oh yeah? You’re the idiot who thinks you can get away with everything you do. WELCOME TO THE REAL WORLD rika: I’m leaving you, and I’M TAKING RENA WITH ME mion, picking up the monopoly board: I think we’re gonna stop playing now.
incorrect batfam
dick: There is no future. there is no past. do you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every facet. jason: damian: tim: Everyone Else At dick’s Surprise Birthday Party: jason: All I asked was if you wanted to cut your birthday cake first.
Incorrect WMMAP! quotes pt.1
*Athy is cooking* Lucas: Any chance that’s for me? Athy: It’s for Jenny. I’m planning on making some bad choices tonight, and I need them on my side. Kiel: I never realized the forethought that went into being a disappointment.
----
Athy: Is stabbing someone immoral? Lucas: Not if they consent to it. Kiel: Depends who you’re stabbing. Jenny: YES?!?
----
Athy: Have you seen a person named 'Lucas' around here? Kiel: Ugh, yes. They made a horrible mess of the blood fountain. Jenny: It looks fine to me? Kiel: IT USED TO BE WATER!!!
---- Athy: Why is Lucas so sad? Kiel: They took one of those “Which Character Are You?” quizzes Athy: And...? Lucas: They got Jenny.
2022 needs to HURRY tf up!
everyday I wake I remember that we are still so far away from seeing “The Batman - 2022″ on the big screen and I just have to keep on existing with out it, like h u h ?
regarding the last episode of Loki, I truly think the kiss wasn’t a “oh im in love with you” kiss but a “i need to distract you and this is the most shocking thing” kinda kiss, we see loki very emotional and panicked after that but we also know that it’s because he know’s what silvies done (he deadass sounded like he was ready to cry while talking to mobius about the timelines)
