"The idea made me horny" is a good enough reason to write anything.

blake kathryn
Jules of Nature

roma★

Andulka
The Bowery Presents
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

titsay

oozey mess

if i look back, i am lost
One Nice Bug Per Day
he wasn't even looking at me and he found me
Sweet Seals For You, Always
macklin celebrini has autism
No title available
noise dept.
let's talk about Bridgerton tea, my ask is open
official daine visual archive
Not today Justin
Monterey Bay Aquarium

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@batik96
"The idea made me horny" is a good enough reason to write anything.
Blue jay graffiti artist on one of the park's orienteering posts
How does he manage to be such a fake little SHIT and adorable at the same time?
Happy Pride Month!
Faust is back for the 5th time! If you want to use the flag of your choice as an avatar, they're under the cut. They're free to use as long as it's for personal use only.
I recently filled out an online complaint about a fast-food burger chain.
I gave them a pass about a month ago when the price of my usual order went up by 32 cents, even though no one could tell me why it happened or what got pricier. (This on top of across-the-menu price hikes about a year ago that increased the price of my usual order by more than $2.)
I gave them a pass when they failed to give me my 30 cents worth of cheese on my burger. Because we're all human and mistakes happen.
But when I went back a week later, they didn't prepare my burger correctly (though I did get my cheese), and they failed to give me my dessert and one of my two orders of fries.
Mistakes with such frequency make me wonder if such things are deliberate. Every fifth customer gets something left off their order and we pocket the money.
In the face of that, it strikes me as odd that one of the first questions on the online complaint form is whether the employee used the restaurant's catch phrase when they greeted me.
happy birthday prince and thank you for this iconic line
Tippy tap
since it’s pride month, throwback to this beautiful cover and this wholesome interaction between two icons
Finished stitching my Oversight series.
12 small embroidered poem-objects in wool, linen, cotton, silk, stitched on canvaswork mesh and edged in glass beads.
which one of u was going to tell me that tea tastes different if u put it in hot water?
y- you were putting it in cold water?????
Radish. Answer the question radish.
yeah??? i thought for like. 5 years that ppl just put it in hot water 2 speed up the tea-ification process didn’t realize there was an actual reason
You dont have the patience to microwave water for 3 minutes???
[ID: Tags reading “u think i have the patience to boil water wtf ?????” /End ID]
why are you. putting it in the microwave to boil it
Do you think I have the patience to boil water on the stove
Its takes less than a minute
Bestie is ur stovetop powered by the fucking sun
How long does it take you to boil a cup of water on the stove
Like seven minutes
Just stick the mug on top of the stove on medium heat n it boils in like two minutes… less than that is u use a saucepan…
Crying you’re putting the whole mug on the stove ???? On medium heat???? Ur stove is enchanted
Every single person in this post is a fucking lunatic
Yet another post that reads like four shakespeare characters who come out in the middle of the play to talk about something completely unrelated for comic relief
(Enter RADISHN’T, MOTHMAN MISATO, BOIMG FROG and CATS'N RAINCOATS, stage left. They are having a HEATED DISCUSSION.)
RADISHN’T: Prithee, which one of you had planned to tell
Of diff'rent flavours gained by simple act
Of brewing tea with water hot, not cold?
MOTHMAN: Egad! you poured the water cold? Wherefore?!
FROG: An answer from you, Radish, I must beg.
RADISHN’T: Indeed I did, dear friends - why does this shock?
Without the guide of others I assumed
That heat was merely added for the sake
Of expediting this solution’s brewing!
Half a decade I have spent, or more,
Not questioning this worldview I had made.
In fact, I am myself a bit surprised
That you might think that I, your dearest friend,
Might have a patience of sufficient stock
To wait until a pot of water boils.
FROG: Three minutes overtaxes patience so?
The microwave will beep when it is done!
CATS'N: My friend, this answer vexes me the more!
Can it be true that thou dost boil by nuke?!
FROG: Are you in turn, my friend, so shocked to know
That I have not the patience, like our Root,
To boil upon the stove our favour’d drink?
CATS'N: It takes less than a minute!
FROG: On what plate?
Perhaps your dinner cooks atop the sun?
CATS'N: How long can take your stove to fill the task
Of boiling but a single cup alone?
FROG: In minutes?
CATS'N: Yes!
FROG: I counted seven, once.
CATS'N: Perhaps you ought to have your timepiece checked!
If on a middle heat you place the cup
You soon will have the scalding drink you crave.
Two minutes, in a mug upon the plate
Or even less, if you should have a pot.
FROG: You cause me tears - is this how thou dost live?
You place upon the iron stove a mug?
A mug, ceramic, filled with water cold?
How do these flames, though medium in height,
Not shatter like a glass this fragile thing?
Surely, then, your kitchen is bewitched
With magicks far beyond the mortal ken!
(The FOUR realise they have wandered into the THRONE ROOM. The ROYAL COURT watches with fascination.)
KING: Ev'ry single person in this group must be a fucking lunatic, it seems.
I’m sorry but the THOUGHT that has been put into this, I actually CAN’T—
The fact that nearly every line is so metrically considered- near perfect iambic pentameter witb the occasional trochee for emphasis, but usually retaining a strong sense of rhythm nonetheless. And then the king comes in at the end, so wound in his disbelief that his response is reduced to prose.
And the even better thing about this is how easy it would have been to structure the king’s line into iambic pentameter: it is effectively already said as such because of the way wizardlyghost has phrased it, yet they haven’t!! They did not break the line, rendering what, by all typically of both Shakespearean canon and other periods context should be the character with the most command and authority in the whole play. If there was ever a more effective way to convey a genuine “what the fuck??”, I know of it not.
But it gets better!! Shakespeare regularly uses meter in order to represent class divide; the nobility usually speak in iambic pentameter, save for a few particularly chosen moments (e.g. Lady Macbeth’s descent into madness, Othello’s realisation of Desdemona’s “betrayal”) or just lines where Shakespeare needs to suggest high emotion or when a character is lost in thought. Supernatural characters like the fairies in A Midsummer Night’s Dream and the Witches in Macbeth usually speak in trochaic tetrameter, an inversion of iambic pentameter. Lower class characters, particularly those used for comic relief (usually under the influence of alcohol), speak with no structure at all: their language is plain prose. Therefore, if this is a conversation between these types of characters, as the prompt from silvergirachi suggests, why the hell are the characters speaking so eloquently???
Now, this is Tumblr. It is subsequently logical to assume that this may have merely been a humorous recreation (and a very good one at that) of the Shakespearean style in a way that is widely recognisable to an audience that may or may not have read a great deal of Shakespeare, which is understandable. However, logic is boring so I’m going to probe further into this to the point where future historians will look to this as an example of overanalysing.
The inherent eloquence of the characters here suggests an unusual subversion of the roles typically assumed in Shakespearean comedy. This could be interpreted along two major avenues: firstly, that the rhetoric displayed by the speakers is fundamentally representative of how truth can be expected even from the most seemingly pointless or ludicrous discussions. Furthermore, it could suggest that it matters not how well constructed your speeches are: if you talk bullshit, it’s going to sound that way despite your attempts to hide it.
This is similar but not identical to the second avenue of interpretation: there is the implication that the noblemen in the play are in fact the comic relief characters, therefore implying that the “common people” of the play are the ones whose influence, though not expressed in such a highly spoken manner, makes a lot more sense than whatever the hell this is. If this was a real Shakespeare play, I would call it a subtle exploration into the innate corruption of the rich and powerful. Well done, op.
Now, I doubt any of this is actually grounded analysis in any way, shape or form, but if someone else can take this to the extremes of writing a Shakespearean scene, why can I not analyse it as such? And where else to do so than Tumblr?
im in tears i didnt think anyone would put this much analysis into this‚ thank you so much
i also like that everyone else gets a version of their handle and then tumblr user pidoop is promoted to king
I am in awe of this post.
Happy Pride!
also, the person who was behind the decision to do AMSR jump cuts between Björn having sex and Sascha committing sexy arson, chef's kiss to you.... that was creative as fuck
Episode 6 is my favourite this season.
Achtsam Morden S01E02
Hexagon Quilt
This is the second time I've seen a video of this technique and this explanation is so clear! It does use more fabric than English paper piecing (EPP) but you end up with a double sided hexagon so don't have to source fabric for the backing.
I'm doing EPP at the moment but I have a hole punch to make the papers and just use leaflets and junk mail, so it doesn't feel wasteful. I don't think it's difficult either- in the video she mentions it's not for beginners, but I don't have that much experience with hand sewing or EPP and I've been finding it pretty easy so YMMV
I saw this video yesterday and was seized with the need to try it out immediately. Lookit my cute lil' hexagon baby!!
Here is what the backside looks like. OP notes this takes more fabric than paper piecing, but that excess fabric makes it already triple-layered. Besides not needing backing fabric, I don't think you'd need batting for this quilt at all. It's already thick and soft just from folding all that fabric into a hexagon.
Hexagon quilt tutorial video by tiktok user camelscrafts. Method:
Each hexagon begins as a 6" circle. camelscrafts does this by creating a paper template using a compass. According to the video, a 6" circle will create a hexagon that is 2.5 inches tall.
These hexagons are hand-sewn. Thread the needle.
With the fabric right side facing, find the center of the circle by folding it in half right sides together, then folding it in half again (wrong sides are facing). The top of the triangle shape is the center of the fabric circle.
Make a small stitch into the center of the fabric. The wrong side is still facing.
Unfold the circle. There will be a small stitch in the center.
Now the hexagon is created by folding the circle into itself: Take the needle to one of the edges of the fabric (it doesn't matter which one). Pull the needle through and pull the thread tight. This will fold down the fabric and create an edge of the hexagon. Crease the fold with your finger.
This fold has two corners, one at the top and one at the bottom. Put the needle into one of the corners and pull the thread taut. This will create another fold.
Continue this going around the circle until all of it is folded down, creating the hexagon. camelscrafts notes that the last corner pulled in may be a little bit "wonky" (no precise point in the corner) if the corners were not done precisely. However, that corner is pulled into the back, so is not visible from the front.
The hexagon is now formed. Sew around the folds in the middle of the circle to hold the folds in place. Tie off and cut the thread.
Attach hexagons to each other along the sides. With right sides together, whip stitch the sides together.
You Were Made for This World: Celebrated Indigenous Voices Speak to Young People - Canada
Every young person deserves the chance to feel like they belong, that they are recognized, that they matter. In the spirit of A Velocity of Being: Letters to a Young Reader, You Were Made for This World brings together forty Indigenous writers, artists, activists, athletes, scholars and thinkers with a joint purpose: to celebrate the potential of young people, to share a sense of joy and pride in language, traditional and personal stories and teachings, and shared experiences, and to honor young people for who they are and what they dream of.
Including contributions from activist Autumn Peltier, singer/songwriter Tanya Tagaq, hockey player Ethan Bear, Governor General's Award–winning author David A. Robertson, artists Chief Lady Bird and Christi Belcourt, illustrator Mangeshig Pawis-Steckley, and dozens of others, this beautifully collaborative collection urges readers to think about who they are, where they come from and where they're going, with a warm familiarity that will inspire you to see yourself and your community with proud eyes.
........................... Happy Pride! ...........................
Sherlock + his adorkable expressions.