In the name of the faggot, the dyke, and the holy tranny, I bless you. Go forth my child, and have as much gay sex as possible

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In the name of the faggot, the dyke, and the holy tranny, I bless you. Go forth my child, and have as much gay sex as possible
The tragedy of my life is that I keep acquiring and displaying fetish art and having to be corrected by my friends.
Most recently, a friend came over my house and saw my computer background and went, "Wow, um, I didn't know you were into that." To which I look at the picture of the well drawn muscular female minotaur in historically accurate Greek clothing and I start geeking out about how I love the detail the artist did with the clothing and I point out the period appropriate folds and pins, how the artist even inserted the native plant that was used to dye the clothing this particular shade in the background, and even how the belt has technology AND historically accurate weaving patterns on it.
Then I start explaining how I love the muscular choices of the minotaur, that I was so impressed with the artist's anatomically correct depiction of the muscles converging into the neck. That many people get an upright cow's neck wrong because cow's don't have collarbones, so it can be very difficult to merge the upper arms and a chest of a human with a cow's body. I draw her attention to the beautiful way they've merged the pectoralis major so smoothly while also staying true to how muscular they've depicted the rest of the body.
I finish up with my thoughts on the artist's bold choice to depict the minotaur as a female, and despite the underlying themes of a minotaur being violence, child murder, strength, and muscles. I segue into how unlike bulls, cow are perceived as mothers. That they are the major source of milk in human culture, and that idyllic depictions of them in a field usually depict calves frolicking nearby, yet the minotaur kills and eats children.
I finish and there is a long pause.
"Urban, this is fetish art." and she takes me to the artist's twitter and god dammit it's fetish art, not a bold statement on cultural perceptions of women and violence throughout history. I have been tricked again.
tbh if they put that much thought and research into it and an unaware observer couldn't tell, is it actually fetish art? If it were actually fetish art, does that somehow preclude it from also being a commentary on women and violence?
Some of the boldest political and emotional messages I've ever seen came from straight up no nonsense porn. It's a setting that allows people to approach a major facet of the human experience without shame or obfuscation.
Keep in mind this is coming from an asexual person-- I don't think physical desire is some foundational keystone of life without which one isn't fully human. I think it's as morally neutral as hunger and thirst, and almost as impactful on all of human culture.
So why does the fetish cancel out the art?
Our tendency to dismiss anything associated with sex or the expression of sexual desire as frivelous and meaningless leads a lot of people to forget that pornographic art is still art.
The artist didn't just jerk off on the canvas and a beautiful minotaur appeared. They didn't spend hours researching greek dyemaking and bovine anatomy just because they were horny for muscular women. And their admiration for muscular women doesn't cease to be inherently transgressive of traditional and mainstream views of femininity just because they expressed that admiration in a sexual way.
Francisco Goya's The Nude Maja is a classical masterpiece that took three years to paint and is considered one of the greatest works of art ever made. [^] It's also porn. It was commissioned by a man-- the Prime Minister in fact-- to hang in a private room specifically for his nudes where he "often retired after dinner." It's believed the model depicted may have been his mistress.
In the political climate in which it was made, depicting a fully nude woman was extremely controversial (in fact it's considered one of the earliest western works to depict a woman's pubic hair without obvious negative connotations) especially because Goya painted her looking directly at the viewer, making her an active participant in an exchange of desire, rather than a passive object.
Eight years after it was finished, the Spanish Inquisition raided the Prime Minister's home, stole The Nude Maja and all his other paintings, and put Goya on trial for "moral depravity."
Goya, who had by then been rendered deaf by an unknown illness that may have been cumulative lead poisoning and was already sinking into the deep depression that marked his later years, escaped prosecution only by arguing that The Nude Maja followed in the "respectable" tradition of the classical nude [^^] , despite the fact that the full frontal nudity, pubic hair, direct stare, and the details that established the subject as a modern, living, literal woman, not a mythological figure or allegory-- the very features for which it was considered problematic-- were substantial departures from that tradition.
He could draw enough connections between it and a "respectable" painting in that genre by another lauded Spanish artist, appeasing nationalist egos and satisfying people that he was suitably reverent of the idealized past. Therefore, it wasn't porn. It was valuable, it was a classical nude.
To a modern viewer, it is in fact, more or less indistinguishable from any classical nude, despite the fact that when it was painted, anyone who saw it could have told you it was porn.
Today, The Clothed Maja, an almost identical but less risque painting which he created directly after The Nude Maja [^^^] is one of the paintings included in Animal Crossing: New Leaf.
Another painting included in New Leaf is Beauty Looking Back by Hishikawa Moronobu. It's an arch-typical example of the ukiyo-e genre. While far from all ukiyo-e art was erotic, it's not an exaggeration to say the overwhelming majority of it was, at the very least, intended to titillate.
The very name ukiyo-e associates the genre with hedonism, courtesans, brothels and pleasure districts. Beautiful courtesans were the most common subject. Nearly every ukiyo-e master produced explicitly pornographic work at some point in their careers. [^^^^] Beauty Looking Back is a pin up. It would have been recognized in the time it was created as something inherently sensual and referential towards sex, despite not being explicit.
And yet, it's "artistic value" (I do not like this term. The value of art is not and should not be quantifiable) is so unquestionable that Nintendo included it in arguably one of the most family friendly games in their notoriously, stringently family friendly catalog.
What is a fetish, if not a non-sexual element that inspires sexual desire?
What is fetish art, if not a depiction of these non-sexual elements intended, whether explicit or not, to arouse that same desire in the viewer?
What defines something as being outside the boundaries of "normal" sexual desire? Breasts aren't a reproductive organ, they're not inherently sexual. Neither is the ass. But they do inspire sexual desire, at least in those whose cultural back ground has taught them to associate those body parts with sex.
If feeling sexual desire because of anything that isn't genitalia is a fetish, then all erotic art-- from the most explicit adult films to those Levi's billboard ads where the models are doing their best not to wear the jeans they are advertising-- is fetish art.
So when did The Nude Maja and Beauty Looking Back stop being fetish art, and become art?
When does it stop being shameful to admire the beauty and technical skill of a creative work just because it's sexual in nature?
Is it just time? Or have we let ourselves be led into imagining the past was a land of chastity and virtue, its art inherently more valuable and firmly divorced from physical desire-- where men could paint tits all day and other men pay small fortunes to commission and purchase those tit paintings all without a single impure thought-- compared to which our modern age is debauched, immoral, deviant, degenerate?
If that Minotaur was hanging in a museum with a placard that said it was painted in the 1700's, would you, or your friend, still assume it was fetish art?
If you'd come across it in a context where you knew it was sexual, would you still have stopped to notice and appreciate the skill and the research put into the details?
This was a hell of a tangent, and if OP is the kind of person who notices period accurate historical details at a glance and the particulars of bovine anatomy to the degree of being able to make an educated statement about how well someone has accounted for the musculature whilst attaching a cow head to a human body-- probably none of this art history trivia is news to you.
The point is just this. Maybe you weren't "tricked" into seeing the art before the porn.
Maybe your friend was tricked by our deeply sex negative culture into only seeing the porn and missing the art entirely.
[^]: Though he's better known on tumblr for Saturn Devouring His Son, which I'm always delighted to remind people is not a name he gave it. It wasn't discovered until after his death, so we can't know for certain what he intended to depict. The greek myth of Zeus's father eating his children was a best guess and, imo, a way of sanitizing the disturbing nature of the image by framing it as part of the classical tradition of mythological art, rendering it allegorical and academic instead of horrifying and unexplained. It was not the first time Goya's work would rendered more palatable to conservative audiences by claiming it was part of classical tradition, which brings me back to Maja.
[^^]: Physically fighting the urge to add a rant here about fascism and "degenerate" art. Just go watch Jacob Gellar's "Who's Afraid Of Modern Art." He does a better job of it than I would anyway.
[^^^]: presumably also at the Prime Minister's request, with the intention they be displayed together and not, as urban legend likes to say, because the Inquisition forced him to. The concept of creating a clothed and a naked version of the subject so that the viewer can imagine undressing them is a tradition well preserved in commissioned pornographic art today.
[^^^^]: and I do not mean ~artistic nudes~ here. I mean fully explicit art created with the specific intention of being porn. Like I could not post them on tumblr without them being immediately taken down for violating community guidelines, regardless of their "artistic value" as historical works by globally recognized masters of the genre whose non explicit works are so well known and well loved they ended up in ANIMAL CROSSING.
How to spring-load your bow!
This information is freely given. What you do with it is up to you! 🏹💐🧚🏼
The tragedy of my life is that I keep acquiring and displaying fetish art and having to be corrected by my friends.
Most recently, a friend came over my house and saw my computer background and went, "Wow, um, I didn't know you were into that." To which I look at the picture of the well drawn muscular female minotaur in historically accurate Greek clothing and I start geeking out about how I love the detail the artist did with the clothing and I point out the period appropriate folds and pins, how the artist even inserted the native plant that was used to dye the clothing this particular shade in the background, and even how the belt has technology AND historically accurate weaving patterns on it.
Then I start explaining how I love the muscular choices of the minotaur, that I was so impressed with the artist's anatomically correct depiction of the muscles converging into the neck. That many people get an upright cow's neck wrong because cow's don't have collarbones, so it can be very difficult to merge the upper arms and a chest of a human with a cow's body. I draw her attention to the beautiful way they've merged the pectoralis major so smoothly while also staying true to how muscular they've depicted the rest of the body.
I finish up with my thoughts on the artist's bold choice to depict the minotaur as a female, and despite the underlying themes of a minotaur being violence, child murder, strength, and muscles. I segue into how unlike bulls, cow are perceived as mothers. That they are the major source of milk in human culture, and that idyllic depictions of them in a field usually depict calves frolicking nearby, yet the minotaur kills and eats children.
I finish and there is a long pause.
"Urban, this is fetish art." and she takes me to the artist's twitter and god dammit it's fetish art, not a bold statement on cultural perceptions of women and violence throughout history. I have been tricked again.
tbh if they put that much thought and research into it and an unaware observer couldn't tell, is it actually fetish art? If it were actually fetish art, does that somehow preclude it from also being a commentary on women and violence?
Some of the boldest political and emotional messages I've ever seen came from straight up no nonsense porn. It's a setting that allows people to approach a major facet of the human experience without shame or obfuscation.
Keep in mind this is coming from an asexual person-- I don't think physical desire is some foundational keystone of life without which one isn't fully human. I think it's as morally neutral as hunger and thirst, and almost as impactful on all of human culture.
So why does the fetish cancel out the art?
Our tendency to dismiss anything associated with sex or the expression of sexual desire as frivelous and meaningless leads a lot of people to forget that pornographic art is still art.
The artist didn't just jerk off on the canvas and a beautiful minotaur appeared. They didn't spend hours researching greek dyemaking and bovine anatomy just because they were horny for muscular women. And their admiration for muscular women doesn't cease to be inherently transgressive of traditional and mainstream views of femininity just because they expressed that admiration in a sexual way.
Francisco Goya's The Nude Maja is a classical masterpiece that took three years to paint and is considered one of the greatest works of art ever made. [^] It's also porn. It was commissioned by a man-- the Prime Minister in fact-- to hang in a private room specifically for his nudes where he "often retired after dinner." It's believed the model depicted may have been his mistress.
In the political climate in which it was made, depicting a fully nude woman was extremely controversial (in fact it's considered one of the earliest western works to depict a woman's pubic hair without obvious negative connotations) especially because Goya painted her looking directly at the viewer, making her an active participant in an exchange of desire, rather than a passive object.
Eight years after it was finished, the Spanish Inquisition raided the Prime Minister's home, stole The Nude Maja and all his other paintings, and put Goya on trial for "moral depravity."
Goya, who had by then been rendered deaf by an unknown illness that may have been cumulative lead poisoning and was already sinking into the deep depression that marked his later years, escaped prosecution only by arguing that The Nude Maja followed in the "respectable" tradition of the classical nude [^^] , despite the fact that the full frontal nudity, pubic hair, direct stare, and the details that established the subject as a modern, living, literal woman, not a mythological figure or allegory-- the very features for which it was considered problematic-- were substantial departures from that tradition.
He could draw enough connections between it and a "respectable" painting in that genre by another lauded Spanish artist, appeasing nationalist egos and satisfying people that he was suitably reverent of the idealized past. Therefore, it wasn't porn. It was valuable, it was a classical nude.
To a modern viewer, it is in fact, more or less indistinguishable from any classical nude, despite the fact that when it was painted, anyone who saw it could have told you it was porn.
Today, The Clothed Maja, an almost identical but less risque painting which he created directly after The Nude Maja [^^^] is one of the paintings included in Animal Crossing: New Leaf.
Another painting included in New Leaf is Beauty Looking Back by Hishikawa Moronobu. It's an arch-typical example of the ukiyo-e genre. While far from all ukiyo-e art was erotic, it's not an exaggeration to say the overwhelming majority of it was, at the very least, intended to titillate.
The very name ukiyo-e associates the genre with hedonism, courtesans, brothels and pleasure districts. Beautiful courtesans were the most common subject. Nearly every ukiyo-e master produced explicitly pornographic work at some point in their careers. [^^^^] Beauty Looking Back is a pin up. It would have been recognized in the time it was created as something inherently sensual and referential towards sex, despite not being explicit.
And yet, it's "artistic value" (I do not like this term. The value of art is not and should not be quantifiable) is so unquestionable that Nintendo included it in arguably one of the most family friendly games in their notoriously, stringently family friendly catalog.
What is a fetish, if not a non-sexual element that inspires sexual desire?
What is fetish art, if not a depiction of these non-sexual elements intended, whether explicit or not, to arouse that same desire in the viewer?
What defines something as being outside the boundaries of "normal" sexual desire? Breasts aren't a reproductive organ, they're not inherently sexual. Neither is the ass. But they do inspire sexual desire, at least in those whose cultural back ground has taught them to associate those body parts with sex.
If feeling sexual desire because of anything that isn't genitalia is a fetish, then all erotic art-- from the most explicit adult films to those Levi's billboard ads where the models are doing their best not to wear the jeans they are advertising-- is fetish art.
So when did The Nude Maja and Beauty Looking Back stop being fetish art, and become art?
When does it stop being shameful to admire the beauty and technical skill of a creative work just because it's sexual in nature?
Is it just time? Or have we let ourselves be led into imagining the past was a land of chastity and virtue, its art inherently more valuable and firmly divorced from physical desire-- where men could paint tits all day and other men pay small fortunes to commission and purchase those tit paintings all without a single impure thought-- compared to which our modern age is debauched, immoral, deviant, degenerate?
If that Minotaur was hanging in a museum with a placard that said it was painted in the 1700's, would you, or your friend, still assume it was fetish art?
If you'd come across it in a context where you knew it was sexual, would you still have stopped to notice and appreciate the skill and the research put into the details?
This was a hell of a tangent, and if OP is the kind of person who notices period accurate historical details at a glance and the particulars of bovine anatomy to the degree of being able to make an educated statement about how well someone has accounted for the musculature whilst attaching a cow head to a human body-- probably none of this art history trivia is news to you.
The point is just this. Maybe you weren't "tricked" into seeing the art before the porn.
Maybe your friend was tricked by our deeply sex negative culture into only seeing the porn and missing the art entirely.
[^]: Though he's better known on tumblr for Saturn Devouring His Son, which I'm always delighted to remind people is not a name he gave it. It wasn't discovered until after his death, so we can't know for certain what he intended to depict. The greek myth of Zeus's father eating his children was a best guess and, imo, a way of sanitizing the disturbing nature of the image by framing it as part of the classical tradition of mythological art, rendering it allegorical and academic instead of horrifying and unexplained. It was not the first time Goya's work would rendered more palatable to conservative audiences by claiming it was part of classical tradition, which brings me back to Maja.
[^^]: Physically fighting the urge to add a rant here about fascism and "degenerate" art. Just go watch Jacob Gellar's "Who's Afraid Of Modern Art." He does a better job of it than I would anyway.
[^^^]: presumably also at the Prime Minister's request, with the intention they be displayed together and not, as urban legend likes to say, because the Inquisition forced him to. The concept of creating a clothed and a naked version of the subject so that the viewer can imagine undressing them is a tradition well preserved in commissioned pornographic art today.
[^^^^]: and I do not mean ~artistic nudes~ here. I mean fully explicit art created with the specific intention of being porn. Like I could not post them on tumblr without them being immediately taken down for violating community guidelines, regardless of their "artistic value" as historical works by globally recognized masters of the genre whose non explicit works are so well known and well loved they ended up in ANIMAL CROSSING.
the older i get the more it's terrifying to me how much child surveillance is normalized. scared for your child's mental health? here's more tools that will make them feel even more watched at all times. child is experimenting with their gender identity while away from you? we made it this other adult's job to surveil them for you. kid is "enjoying" their "free time" instead of doing homework? we've put parental controls on the things that they like so that you can monitor their private time. like can we fucking stop
it's still killing me that the doctor and the master are canonically each other's emergency contacts. who gets your will when you think you're about to die oh right it's the guy that's been trying to kill you. for centuries
you do not under any circumstances gotta hand it to the supreme patriarch of the roman catholic church
more leftists should be vegan. veganism and leftism operate on the same beliefs. social justice, no exploitation of labor, autonomy, environmental concern, intersectionality, an equal and just living etc. leftist praxis should include veganism
Indigenously: no.
Animal welfare and animal rights are different things; it is good and normal for humans to be slightly anthropocentric while acknowledging our role within the greater ecosystem. Factory farming should indeed be dismantled- I want all animals harvested for food/leather/fur/bones/organs to have full and rich lives with as little suffering as possible before they're harvested. But it is not anti-leftist to live as a predator within the ecosystem. It is not more wrong for humans to eat salmon than it is for bears and eagles to do so.
Shocking development: in a language and culture where most given names are considered masculine or feminine, some genderqueer and nonbinary people choose given names that seem unusual!
it's still killing me that the doctor and the master are canonically each other's emergency contacts. who gets your will when you think you're about to die oh right it's the guy that's been trying to kill you. for centuries
“whoa” and “woah” is the same but also they are very different… only a select few are capable of understanding this nuanced topic….
#1 crush. vent doodle
[image description: a digital illustration of a hand sticking two fingers into holes in an anatomically correct heart. end description.]
Decisively securing my place as the Queen of banana discourse by going to a collective farm and hacking down some of the darn things myself with a big machete. It fucking ruled
This is a bungkalan, a collective farm, in San Jose Del Monte, less than an hour outside Manila. The farm was created by the Bulacan Farmers Association, which is affiliated to the Kilusung Magbubukid ng Philipinas (Peasant Movement of the Philippines, the main peasant union in the country). A bungkalan is a collective assertion to the peasants' rights to till the land, a demonstration that they are developing and cultivating the land and therefore it should belong to them. The bananas sell for 18 pesos a kilo, and our motley crew of trade unionists helped harvest around 1500kg. They harvest once a month. The proceeds are split 50:50 between the peasants who work the land and inputs for the farm. They also successfully campaigned for a school to be built in the area for their children.
The Association formed in 1995, and in 1997 secured land titles to land belonging formerly to the Araneta family, a huge landowning clan directly descended from Spanish settlers. They own huge tracts of land in Negros, where sugar workers are paid around 200 pesos a day (£2.43) to work their lands. The Aranetas have been trying to get the land back ever since, hiring security guards to destroy their crops. Bananas have deep roots and are hard to pull up - hence their use in the bungkalan. They are also fighting off the Viller and Ayala families, along with Japanese corporations, who want to turn the area into a speculative development and financial hub. The fight of the Bulacan farmers is against some of the largest and most vicious actors in the Philippines semi feudal, semi colonial system.
I was lucky enough to sit down for a long time with the KMP organisers for the area to plan out some solidarity efforts we can do from the UK to support the struggle of the Bulacan farmers. One of the efforts we arrived at is raising money for a solar powered water pump. Their petrol one is too expensive to run due to the runaway cost of fuel resulting from the Iran War. As well as increasing production, irrigation also increases the claim that the peasants have to the land (lands without irrigation are exempted from land reform programmes). I'm waiting for them to send me the exact model and costings, but even the high end ones while unaffordable for peasant farmers on their own are easily within reach of people with access to hard currencies. So watch this space.
To read more about the struggle of farmers in San Jose Del Monte (as well as the extreme political repression they have endured which I'll write about separately tomorrow), see here:
Farming communities in San Jose Del Monte have become vital sources of agricultural products for Metro Manila. They have established their r
this is such a profoundly stupid thing to be mad about but. i periodically think about how banksy made one of my single favorite pieces of art of all time, and everything else he's ever done has sucked. man, how did you nail it once
It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."
and like. i dunno i think that's a really interesting way for a title to recontextualize a piece. it's finding nuance by tearing out the nuance you want to project onto it. it's not the greatest piece of art ever made, but i'd be lying if i said i didn't have a huge soft spot for it
Okay but I have to add to this
what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.
Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.
I dunno I just find this piece very compelling
oh that is actually fascinating. in fact, to add on- a detail I omitted because I just kinda forgot to mention it. The reason there’s two signatures in the corner is because it was a painting in a thrift shop, Banksy adding the Nazi, and then returning it to the shop.
I think there’s something interesting about recognizing the lineage of this type of art and wanting to mess with it, subvert the intent, and explore the topic and legacy. It’s potent. I really like this piece
60s tenrose! i love putting them in little outfits
I like when people tag witch hat atelier stuff with "#wha" because it looks like they're just gently befuddled by fanart or whatever