Shantanu Patel, a pianist and former student of A. R. Rahman, Dr Adam Grieg and Prof Fali Pavri, shares his life story
Shantanu Patel is an aspiring pianist, based in Ahmedabad. The music came into his life when he was just 7-year-old. First, he learned Harmonium in Hindustani Classical Music. At the age of 17, he was introduced to Piano and then, there was no looking back. Like any other teenager, Shantanu had a day when he was supposed to make a choice; in which direction he wanted his life to head. He had the options: ISRO or Music. And like we can anticipate here, he decided to pursue his career in music.
Shantanu is the former student of the Oscar Winning Music Composer, Dr A. R. Rahman and Dr Adam Grieg. After finishing his school, Shantanu had joined KM College of Music and Technology in Chennai, founded by Dr A. R. Rahman. He completed his 3 years of BA (Hons) Music specializing in Piano performance under his Guru, Dr Adam Grieg.
This musician’s journey is no ordinary. Let’s hear it from him:
Tell us something about yourself and earlier life:
I am Shantanu Patel and I am a professional concert pianist and a conductor. Well, talking about earlier life, I was a science student and a “wanna-be” astronomer. Being raised in Ahmedabad, of course, I have all the traits of an Ahmedabadi and am the biggest foodie!
Music to me is, of course, my bread and butter, my profession, my passion! But more than that, it is a kind of meditation, worship and food for my soul.
How did you start your journey with music?
Well, to begin with, I was forced into this field by my mother. I basically started off with Indian Classical music, learning harmonium under a private tutor, and gradually shifting to Western Classical Music theory and keyboards. I was still forced (hahaha!). Well, to be honest, I was forced until my 10th standard.
Tell us something about your earlier training:
My earlier training was quite weak. I am opening up here because right now it’s of utmost importance to get proper basic training in music such as proper musicianship, sight reading, and ear training along with performing and theory of course. During my time it was just believed that practical knowledge is everything and hence even now, I sometimes face a bit of difficulty in things which do not involve playing/theory but just listening and scanning music through ears or just by looking at the score. Hence it is very important to have training in all aspects of music and not just playing your instrument.
Do you remember the day when you realized that music is the ultimate goal?
Yes, it was right after 12th standard when I had to choose between opting for ISRO and Music career. Though my parents never forced me to choose one or the other, it was my elder brother’s role that kind of persuaded my parents to let me go for a music career. It was decided right after my boards that I will be opting for what I love and what I consider as food for my soul.
Tell us something about being the student of the legend, Mr A. R. Rahman:
It is always a moment of pride to recall studying at KM College of Music and Technology. Those unplanned and surprise visits from Dr Rahman, those inside talks about industry, music business, etc, impromptu Biryani sessions with him made my experience quite enjoyable. But more than that, I finally found my “Guru” there. Dr Adam Grieg from Scotland who not only taught me how to play the piano but also taught the tiniest details in the music, how music is expressed, perceived, thought and passed on. He changed me completely as a human being also. Getting him as my teacher was the best thing KM and my life offered.
Do you remember your first interaction with Mr Rahman?
Of course, that magical moment! Well, the first interaction wasn’t a long one as he appeared out of nowhere in our college and I was printing my assignments. But after few days, we were joined by him during our award ceremony for the first year and it was the best feeling to receive “The Best Performer of the Year” award from his hands which luckily continued for all the 3 years of my study there.
Please share your most memorable experience with your Guru, Mr Rahman:
Well, I do consider him as my teacher, but guru would be Dr Adam Grieg. The best experience with Dr Rahman was receiving awards for all 3 years from his hands and with my guru, Dr Grieg, was when he gave the closing speech at my graduation for me. Adam said, “I can remember this guy, belting and punching the piano as hard as he can without any musical note coming off, but in these 3 years, he has put me in a dilemma of what to teach him more. I guess I have given whatever I can and now it can be the other way around where he teaches me something. Well, every teacher learns from his students but teaching Shantanu shaped me here in India.”
Tell us something about your favourite instrument:
Of course, Piano! Piano! Piano!
Do you remember the first time you performed on the stage? How was it?
Yes, I started learning piano quite late at the age of 17, though I used to play keyboard and harmonium. My first appearance on stage was on harmonium at the age of 4 for a charity concert at Blind Association of Ahmedabad. As a pianist, I played my first concert in front of Dr Rahman at KM annual day 2011.
Tell us about your achievements:
Haha! I kind of feel shy or feel “not to boast” about my achievements. But here it goes! The true journey began at KM and the first achievement was to actually be able to play the piano at an international standard followed by best performer’s awards for all 3 years from the Hands of Dr Rahman. I went on to pursue my BA Music final year in London, and found out to be the best pianist in my batch and was offered to perform my debut concert with The London Firebird Symphony Orchestra, for which I performed Mozart’s Concerto in D minor with my own cadenzas (incorporating Indian classical music as well). This didn’t stop, I went on to audition myself for Masters degree in music at world’s top 4th Music Conservatoire i.e the Royal Conservatoire of Scotland. Of course, didn’t think I would get through but to my surprise, I did and that too with a scholarship which was more than anything for me. Again found my second guru; this time, an Indian in Scotland. He was Professor Fali Pavri who, like Adam, changed me completely. I got many performing opportunities in the UK and participated in many piano festivals which are limited to few pianists only. And now, I am touring this country, performing throughout, and giving master classes. This is more than an achievement for me. Still, many things await. In a couple of years, I will be back at RCS for my PhD in performance.
Tell us something about yourself as a teacher: Your journey from a student to a teacher:
This is a very enjoyable job, with great responsibility, of course. As the movie, Spiderman says, ‘With great power (knowledge) comes a great responsibility’, I strive to be a teacher like Dr Adam Grieg; understanding each student’s mindset, strength, weakness and tackling it according to individuals. I also strive to teach whatever I missed learning in my basic training. Hence, it’s a nice balance between the mandatory things as well as student’s interest. It’s a job of great difficulty as well as you have to yield future generations of musicians in the most correct and fruitful appropriate way.
Which part do you enjoy the most: learning music or teaching one?
I enjoy both equally. First of all, musicians are learners for their whole lives. As Horowitz (legendary classical pianist) said, ‘I love to be a musician as I get to be a student for a lifetime.’ He said this at his last concert at the age of 89. So yes, teaching also teaches me, so perhaps I’ll say I may enjoy learning more.
An artist needs to be inspired and motivated. Which is the element in your life that keeps you going? What inspires you the most?
First of all, competing with me helps me in a healthy way. That keeps me going, no matter how well I did in the past concert, I always raise my bar in the next. Also, watching stories of other pianists and musicians help. Especially my own teacher Fali Pavri, Norman Beedie (conducting teacher) and one of my seniors, Petrica Ciobanu (International Concert Pianist). Also, listening to music helps, connecting with the inner emotion and connecting that with your own incidents in life.
Tell us about the challenges you have faced to reach where you are today: what is your strength?
There were a lot of challenges, rectifying things, learnt here in Ahmedabad, learning basics when your fellow students are learning advanced stuff at your level itself. When I went to Royal Conservatoire of Scotland, though I was in masters, I was rectifying my very basics which put me off sometimes. But again, knowing that will kick your level to a higher standard kept me going. In KM as well, starting piano at the age of 17 is considered very late; usually, people at my level at that time would start playing the piano at the age of 4-7. And that was the biggest challenge; to develop technical side, to gain that many years of experience, etc, was not an easy task. I literally had and still have to practice 6-8 hours a day depending on my timetable. So being a musician is not an easy task. It requires the same, in fact, more amount of work than engineering, or any other field.
How do you see the impact of music, particularly in India, in today’s time? Is there anything you would like to change or improve in today’s music?
Yes, a lot! A huge change is needed especially in Gujarat and further North. Classical forms are dying. Bollywood music is ruling currently. It’s good, no doubt, but just sticking to Arijit Singh and Pritam and not exploring other genres like Jazz, Classical (Indian and Western) electronic music, metal, rock, or any form of instrumental music is sad. Also teaching is of utmost importance. I have seen people in Ahmedabad opening up their academies just after completing, say, 5-6 grades of music examination, which in turn proves bad for their students. Grades are like school, you don’t start teaching engineering or medical science right after the school and thus the same thing goes with music. This needs to be changed, people need to know the correct teaching methods. All the teachers need to update themselves regularly and see what the standards they are competing with. Yes, for the western music, it was a start by trial and error method as western classical is relatively new, but now in Gujarat and mostly all over India, this has become a sort of business, playing with people’s future.
The advice you would like to convey to the next generation of the learners:
Have patience, practice regularly, boredom is bound to come get over it, manage your time.
Explore all forms of genres of art. Being a musician I love to explore sculpture, paintings, acting and I find inspiration from that as well.
Never underestimate yourself or let anyone do that. Always see the positive side. And learn to tackle the negative as well but in a positive way.
Don’t get satisfied with anything (knowledge wise). There should always be a thirst for learning.
Tell us about your future plans and upcoming concerts:
Well, currently I am performing across the country, raising and aiding the standards of live western classical music and providing master classes at different schools of music. After a couple of years, I wish to go back to Scotland for my PhD in performance. I also conduct choirs and small ensembles here.
There are a couple of upcoming concerts; one in Bangalore (21st April at Bangalore School of Music) with two singers: Jonas Olsson (Baritone) and Ankna Arockiam (Mezzo Soprano). Ankna will also join me in Ahmedabad concert which is on 23rd April (Monday) at Ouroboros theatre hub at 8 pm sharp. We will be performing Operatic works and musical works with some contemporary music. Ankna is also providing a vocal master-class on the 22nd evening at 5:30 pm (venue to be confirmed- see my facebook posts for that). Ankna was my colleague studying at the same college in Scotland and now, she is doing her PhD in Music there. Later this year I will also be participating in international piano competitions in Thailand and New Zealand and also the Con Brio national piano competition in Mumbai.
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