Merry December 10th!
DEAR READER
occasionally subtle
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Lint Roller? I Barely Know Her
Mike Driver
wallacepolsom

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Xuebing Du
$LAYYYTER

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cherry valley forever

JBB: An Artblog!
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titsay
Show & Tell
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Peter Solarz
I'd rather be in outer space 🛸
todays bird

Janaina Medeiros

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@cassandra-1313
Merry December 10th!
happy pride
okay so spock (the alien in blue) essentially goes into heat. like literal heat like an animal. Anyway, spock’s in bloodlust in this episode and must go back to vulcan to have sex with his finace (or someone. but its supposed to be his fiance) or he’ll literally die. this is called pon farr and some backstory spock is half human and thought he wouldnt go through pon farr so he abandoned his HOT fiance to fuck around in space except oops pon farr happens so. he and kirk (in yellow getting his tits cut open, he’s also spocks captain and best friend) and their other friend mccoy go to vulcan so he can have sex with his fiance or get married or whatever so he doesn’t die. but then spock’s fiance (t’pring) is like no i dont want to marry spock i want to have him fight someone to death (which she can do) and spock at this point is fully in the ‘blood lust’ and is basically not in his right mind and doesnt get what’s happening. and t’pring picks kirk to be her ‘champion’ in the fight (her logic is that if spock dies in the fight she doesnt have to marry him and if kirk dies, spock will be so upset with her he won’t marry her anymore anyway). anyway kirk doesnt know that its a fight to the death and so he’s like of course i’ll do this fight if it’ll help spock and then he gets told it’s a fight to the death and he goes WHAT and right afterwards spock slices his titties open like in the gif. also eventually spock and kirk roll around in the sand and kirk fakes his death and THIS somehow knocks spock out of his blood lust and he goes back to the ship super sad bc he’s killed his ‘best friend’ only to discover kirk’s alive and we see one of his biggest smiles of the series (a big deal bc spock is vulcan and they dont show emotion). anyway this aired as the season opener in 1967. know your history and all that happy pride
To summarize, star trek invented fuck-or-die and spock attempted to resolve this by giving kirk a boob window and wrestling with him half-naked in the sand
The fact that this is accurate is fucking killing me
One of my biggest frustrations in trying to discuss queer media is how many people seem incapable of separating "this is an important milestone in representation" from "I did or did not enjoy this piece of media." Media analysis goes beyond just "fandom stuff," and queer media in particular deserves analysis and discussion because of how hard it's been stifled.
It doesn't matter if you hate Steven Universe, it's still important to talk about, because it showed the first queer wedding in American children's television. It has been cited by the creators of subsequent queer family animation as a major milestone in allowing their shows to enter production. The Ruby/Sapphire wedding is a historical milestone, and that doesn't stop being true just because you hate the show or think the ending was bad.
It doesn't matter if you think Will & Grace is entertaining or if you have any real interest in watching it, it's still a majorly important entry in televised queer representation. It kicked down the door to allow even more to come after, and deserves credit for what it did even if you don't personally care about the story.
It doesn't matter if you have any personal interest in Rocky Horror Picture Show, it's still got a ton of important history in queer spaces. Understanding why Rocky Horror showings were and still are hubs of queer expression is important even if you despise the movie and the creator.
Giving credit for representation milestones doesn't mean you can't have criticisms of a piece of media, it doesn't mean you have to like the media, and it doesn't mean you can't prefer other media. It doesn't mean it's free from problematic material, it doesn't mean it's god's gift to television, it doesn't mean it's better or worse storytelling than other stories.
It just means it's worth talking about and understanding the context in which it was made.
Reblogging this to mention a couple specific examples people have brought up in the notes, that I thought were really good--
Glee. How many of us fucking hate Glee? I do. You couldn't pay me to watch an episode of Glee today. Damn important at the time, though!
Rent. Fucking goddamn Rent. I hate Rent. But how many people did it introduce to broader queer stories and issues and community?
The Ellen Show. The show was a HUGE deal, and the impact of Ellen DeGeneres coming out was far, far reaching. Ellen as a person, however, is the kind of rich asshole who hangs out with fucking Dubya. And that's something that can (and should!) be talked about in the analysis of the show and its aftermath, without ever saying that "the show is bad and shouldn't exist and Ellen's coming out should never get talked about."
i mean this doesn’t even just apply to “problematic” media
i don’t like heartstopper. that’s fine. it’s not a show aimed at me. i still think it’s important and that it should have been made.
Yes, Rent. Fucking Rent. Rent rent rent re-ent rent. It was the first mainstream Broadway musical to feature a cast of majority LGBT and POC characters. It was one of the biggest pieces of art talking about queer issues, poverty, and the AIDS crisis at the time. It introduced millions of people to normalizing aspects of communities that were at the time heavily marginalized and stigmatized and considered too taboo to present to a mainstream audience. I also fucking hate it and it sucks. These two opinions can and should co-exist.
one of the most important things, perhaps the most important thing I have learned in my life is that nice people can fuck each other up in monstrous ways. people can be bone deep kind and loving and self reflective and still lash out under pressure. people can be earnestly neighbourly and charitable and hospitable and generous and still find themselves in situations where they become selfish. people can be well meaning and easygoing and gregarious and hold deep seated opinions that turn them into vicious little bullies under the right conditions. nobody is just one thing, and nobody stays one way. every person is a kaleidoscope and they will surprise you. you will surprise yourself. it's not a warning and it's not a judgement and it's not an excuse, and it's certainly not a reason to stop trying or to stop trusting. it is just a fact.
I thot Oliver Cromwell died
- Forbidding the Irish people to speak their own language
- Persecuting Catholics, to the point where Catholic children couldn’t inherit, Catholics could not own land or engage in commerce, clergy were forbidden from wearing vestments and Catholics were not allowed to educate their own children
- Forcing the Irish to hand over their crops, except for potato’s.
- Not to mention the war crimes committed by the British in Northern Ireland during the troubles
But no, Ireland wasn’t colonized at all
This is what happens when you make a neat little victim box in your mental scaffolding and reject anyone who doesn't look like they belong in the box out of hand--you end up denying people who suffered centuries long oppression and genocide in a fit of smug, self-righteous, historically inaccurate pique and outing yourself as ignorant to the whole Internet.
I think these people would shit themselves if they learned how many ethnicities Russia/USSR has colonized
Or how many China has colonized
In a strange turn of events, it wasn’t skin color that made some people oppress others; it was access to power and a willingness to use it callously for their own good, with no regard for the suffering of anyone except their own.
It is always, ALWAYS about power and who can access it.
EXU: Calamity said love is the strongest force in the cosmos. That we break and make the world for those we love. That we will ruin ourselves or become our best selves, or both with and through the power of love. That even amidst grief and tragedy there is always a thread of hope pulling everyone through towards that tomorrow. That dreaded, hopeful, destined morning.
I don’t even want to write a review of “Top Gun: Maverick” honestly, I’ve seen 1,500+ movies and I’ve never finished one that left me more depressed about the future of this country. I just want to stop thinking about it
By popular demand:
MISS CONGENIALITY (2000) dir. Donald Petrie
Every urban legend about theatres is true I swear to god-
important factors to take in!
You can only reblog this today.
I missed my chance last year. Not gonna let it happen again
Rick Riordan finally snapped and released emails he sent to The Lightning Thief movie makers….
I can’t stop laughing
http://rickriordan.com/2018/11/memories-from-my-tv-movie-experience/
PLEASE read his whole letter on the link he goes OFF
I looked through the notes to find the link so I could reblog with this version. Please read because it is well worth it.
I would love to get my hands on a copy of the script with his notes
“Please do not ‘sex up’ my children’s story” what a lad
As a nurse, I encourage you to read and repost, and quote at length.
Image ID for reading software:
How can a disease with 1% mortality rate shut down the United States?
Franklin Veaux - updated 6 hours ago, professional writer
There are two problems with this question.
1. It neglects the law of large numbers; and
2. It assumes that one of two things happen: you die or are 100% fine.
The US has a population of 328,200,000. If one percent of the population dies, that’s 3,282,000 people dead.
Three million people dead would monkey wrench the economy no matter what. That more than doubles the number of annual deaths all at once.
The second bit is people keep talking about deaths. Deaths, deaths, deaths. Only one percent die! Just one percent! One is a small number! No big deal, right?
What about the people who survive?
For every one person who dies:
19 more require hospitalization.
18 of those will have permanent heart damage for the rest of their lives.
10 will have permanent lung damage.
3 will have strokes.
2 will have neurological damage that leads to chronic weakness and loss of coordination.
2 will have neurological damage that leads to loss of cognitive function.
So now all of a sudden, that “but it’s only 1% fatal!” becomes:
3,282,000 people dead.
62,385,000 hospitalized.
59,076,000 people with permanent heart damage.
32,820,000 people with permanent lung damage.
9,846,000 people with strokes.
6,564,000 people with muscle weakness.
6,564,000 people with loss of cognitive function.
That’s the thing that folks who keep going on about “only 1% dead, what’s the big deal?” don’t get.
The choice is not “ruin the economy to save 1%.” If we reopen the economy, it will be destroyed anyway. The US economy cannot survive everyone getting COVID-19.
THIS THIS THIS
And that’s not even talking about how many widows, orphans, and single parent families a 1% death rate will create.
How many more people are dying of non-covid illness because they’re either choosing not to get treatment or there aren’t any beds?
How many households are going to lose their primary breadwinner?
How many disabled people are going to lose their caretaker?
How many couples are going to divorce after losing a child?
How many senior citizens are going to have to move to a nursing home after losing their spouse, or their adult child?
And that’s just personal dynamics. Consider the social.
How many kids are going to drop out of high school rather than repeat a year?
How many kids won’t be going to college because they don’t feel safe on campus?
How many students are deciding against nursing school because they figured out long ago that no amount of clapping is worth getting assaulted by a maskless patent’s family demanding horse dewormer?
How many teachers saw parents spitting on their colleagues at PTA meetings and decided this was their last year in the classroom?
This isn’t something we bounce back from like a recession or a bank failure. This is an atom bomb: this is going to be felt for GENERATIONS.
"The US economy cannot survive everyone getting COVID-19" and yet the attitude with omicron is 100% "everyone's going to get it."
I hope im not just a blog you follow but also the only person with 100% correct opinions about the little mermaid
Dish those opinions, let's hear it
My biggest issue is the absolute ice cold take of "Ariel gave up her life/voice for a boy" when the film repeatedly shows Ariel was preyed upon by Ursula. She was exploited and stalked by the literal antagonist of the film into making a really bad decision, especially when Ursula knew Ariel was at her most emotional and the least unable to reach out to her support network.
And the deal Ariel made was meant to be an impossible task that she was tricked into taking AND STILL Ariel was smart enough to almost achieve it if Ursula wasn't playing dirty and directly interfering in with it all.
Ariel was absolutely a victim of manipulation and circumstance, and people who use this as an irredeemable flaw in her character act like they got big brain energy when their brains are smooth as fuck.
(not to mention she was 16)
Also?
URSULA is the one who says Ariel’s doing it all for the guy.
According to Ariel herself, what she wants is:
—to be where the people are
—to see dancing and walking
—to ask her questions about the human world and get answers
—to not live in the ocean
—to be part of the human world
—to explore the human world
WHERE DOES ERIC COME INTO ANY OF THIS?!
She wants to see a world she isn’t able to see! She wants to have adventures, not a boyfriend! What the hell!
I would argue that she was totally fine with the boyfriend, but Ursula was the one who forced it to be a priority.
AND ANOTHER THING
Her first impression of him is a dude who is both attractive, capable, and willing to jump back on to a burning ship to save his dog.
Later, dude climbs aboard a SHIPWRECK that's caught in a WHIRLPOOL so that he can RAM IT into a 150-foot-tall MAGIC SEA MONSTER in order to save her.
It's not like girl was settling.
Ariel is a field anthropologist. That she happened to fall in love with a member of the culture she was studying isn't exactly a problem.
#Do people give Milo Thatch a hard time for giving up everything for a girl?#no because not enough people have watched Disney's Atlantis#but that's a secondary problem via @thebestworstidea
Leaving gold in the tags agin, I see.
Im not sorry for the person I will become on the 28th
this show will kill me
The Legend of Vox Machina Red Band Trailer
Gifset Part One