I’m a they, born in 97, I'm European, and I’m a simp for @ashintheairlikesnow’s Kauri. Tags you might want to know are #nsfwhump, #the eroticism of violence, #it speaks, #meta, and #srb.
I feel like not enough people fully understand that when I say “elden ring is horny in ways you can’t even comprehend as horny without being on miyazaki’s wavelength” I really do mean it
the animation where the lobster stabs you to death is one of the horniest things ever animated. it literally feels like an eroguro animation
I bet it feels so good to use all the allotted time for an assignment (of whatever kind in life and work and school) to chip away at it in healthy, manageable portions day by day and finish it comfortably and confidently with time to spare
Strictly speaking, "ultimate" means "last", not "best". It's often figuratively employed in the latter sense to suggest that the thing so described is the final word on the subject, after which nothing more need be said, but if we're being real technical, describing a game or movie that was so bad it killed its entire franchise as the "ultimate" is in fact correct.
Now I'm thinking about the prefix "pen," which as far as I can think I may have only ever seen in "penultimate"
It's Latin for "nearly" or "almost", and it does pop up in a few other English words. "Penultimate", "penumbra" and "peninsula" are the only ones I can think of that you'd even remotely expect to encounter in everyday speech, though; the rest are all medical or mathematical jargon.
CW: Langdon is 15. CWs include slavery, referenced collars, referenced abuse, and dreams of murder most foul
Langdon is fifteen years old when they take the inhaler out of his hand and put a gun in it instead.
"It's okay," Brewster says, with a slight, friendly smile, patting him on the back. Brewster's older than he is by more than a decade, if only just. They look sort of the same, most of the staff does, with curly dark hair and eyes a little too big for their face.
Plus, the black leather collars, white button-ups, and plain black pants all staff wears for every waking hour. He got his first work uniform, all three pieces, at four, like everybody does.
Not all the staff looks exactly alike, though. Some of them, like Vander, have almost unsettlingly bright blue eyes, too. Runs in the master's family, which means it runs in the staff family, even though no one talks about it. Langdon's are blue. Brewster's are a color like a stormcloud in some lights. Something about both your parents having blue eye genes, but since Langdon's never been to school, all he knows about genes is what he's seen on TV when it's his night to pick a show.
Greg, his sister's husband, came to live with them from another house when he was three years old. His eyes are brown. His hair is stick-straight, lighter in color. His smile doesn't have the same sort of lilt to it.
Greg doesn't have Marcoset blood poisoning him, not like Vander - whose nerves are broken and don't feel pain, leaving him scarred and forcing Brewster to be his shadow all the time to keep him from hurting himself. Not like Langdon himself, who can barely work outside for half an hour without his inhaler close at hand. Not like Rita, who hardly ever leaves the bed, or Henry, who was born deaf and is probably going blind, too. Too much toxic blood in just about everybody.
The medic thinks he and Brewster are both the master's. Anyone who said that out loud where the master might hear would be whipped.
Personally, Langdon thinks Brewster is too happy to be Isaac Marcoset's son. Isaac Marcoset has a library of scowls and glares for any occasion, and only one or two smiles.
Brewster turns him to face the targets, breaking him from his thoughts. They're just wooden cutouts in vaguely human shapes that have had crude faces with horrible Os of surprise painted under their little dot-eyes. "We're just testing you out. Take the shots, see if you hit the targets. These two guys here, and if you hit those, those bottles I lined up on the tree trunks over there."
"I don't want to do this," Langdon says, voice low, a little airy. Even with his inhaler, his lungs fight whenever he's scared, or if he works too hard. The inhaler just holds off the worst of it. He hates the heavy weight of the handgun he's holding. Hates how good it feels. "Brewster, I-I don't want-"
"I know." Brewster keeps a hand on his shoulder, his bright smile dimming a little with sympathy. "I know, Lan. But we don't have much of a fucking choice, yeah? Boss says you learn to shoot, you learn to shoot. Van and I learned when we were like... ten or eleven. We started going on jobs around your age, so... You got a few years to wait that we didn't, right? That's some luck. Kept you safe as long as we could."
"Right." His chest hitches as he stares at the targets. Big black circle-eyes, bigger black circle-mouth. "Lucky."
His breath is thin. His lungs protest every movement he makes, but Brewster's right - there's no choice. If Isaac Marcoset wants another trigger on hand, Langdon is fifteen and that's as old as Van and Brewster were the first time they killed someone.
He aims. Brewster slides something like a heavy headphone set over his head, the noise of the birds suddenly silent. Langdon bites his lower lip.
Just like Brewster taught him. Safety off only when you're ready. No finger on the trigger til it's time.
If he thinks of Isaac Marcoset instead of the wooden target when he fires, that's his own business.
He hears, dimly, the sound of Brewster yelling but ignores it as he fires at the next target - Miss Delia and all her cruelties the image he holds this time. Then the bottles, one by one by one. The gun kicks a little but it feels good, too.
At the end, he missed more than half the bottles.
But the targets, Isaac and Delia Marcoset in his mind, have been shot right through the center.
Brewster takes the headphones off and hugs him, but Langdon can't take his eyes off the holes he just shot through the wood.
Leaving the estate for the first time in his life, taking off his collar and wearing other clothes, making choices for himself... It could all be as easy as two shots, aimed right.
"... Can I keep practicing?" His voice is hoarse. His lungs catch but he ignores the way his head goes light.
"I knew you'd like it once you tried," Brewster says cheerfully. "Let me reload for you, show you how to do it. You did fucking awesome, little man. You're going to be as good a shot as me one day, I can already tell."
Langdon thinks of red spreading over Miss Delia's stupid pristine tablecloth, she and her husband slumped over the table while Langdon walks away. Gets in a car, maybe. Goes somewhere, anywhere else.
"I hope so," He says softly, and gives Brewster a smile. "Show me how to reload."
But I feel like an asteroid. I feel like the asteroid that wiped out the dinosaurs. I was very, very guilty for years. I had to go to extensive therapy because I was like, “oh my god, I, Lochlan O'Neil, single-handedly destroyed fandom culture?”
She didn't she didn't she didn't. That wasn't it. She wasn't an asteroid.
She was the first skater that fell through the ice of Web 2.0.
I was also a teenager who found an amazing world, and My People, and friends I'd still talk to every day, on the internet. I spent years getting my mother to let me go to conventions and meet friends in distant cities. I started ambitious internet communities I didn't have the experience or skills to bring to fruition. I don't think there was a lot of difference between us, in a lot of ways. It's not that I was somehow smart or skilled or suave and she wasn't. She didn't have some awful planet-killing stink or velocity that she brought to the show.
The difference was this:
In 1994, when the Endless September began and the Internet felt perpetually full of stupid newbies, there were 20 million people online.
In 2001, when I got my first LiveJournal account, there were 500 million.
In 2012, when she joined Tumblr, there were 2.43 billion.
When I started out, and you joined a new messageboard or chatroom or mailing list, you had to introduce yourself to the community. Except in the biggest of websites, people expected to log onto the internet, read through all the new things that had been posted to their local bit of it, and then log off again. Older members took it upon themselves to greet the newbies and answer any questions they might have, directing them to the relevant community FAQs. People would say things like, "Oh yes, I remember you. This is only your second Thursday with us, right? I hope you have fun!"
I joined an Internet full of adults who got online through their jobs or their universities, one of the first wave of kids allowed to roam free. And the proportion of adults to kids kept steadily changing, but until DashCon, I don't think people understood how much. I remember a discussion that happened in early 2000s slash fandom, where the very true observation was made that in particular artistic ways, we had all agreed to suspend shame, which created a unique kind of space. As a community we could all admit that we were there to be embarrassingly enthusiastic in unusual ways about absolute nerd shit, and we understood that it wasn't life or death, it wasn't rocket surgery, but it also wasn't going to get broadcast onto the clouds and our bosses didn't know who we were. Everyone was (willing to act like) an adult, and we could hold the circle and create safety there.
That felt like a lot of geek spaces, then. Anime conventions, science fiction conventions, furry conventions, videogame stores, D&D meetups. Images were bulky and pixelated, video incredibly hard to move. When you got to a con, it was like a brief oasis of Weird that sheltered you and screened you from view, and you ended up volunteering because the weary, cynical, intelligent, kind people in the con ops office looked like you were throwing yourself in front of a bullet just for offering to run a clipboard down to the other end of the hotel for them.
The ice was thick enough to skate on. The circle was strong enough to let you be brave and funny and silly and free, and you could buckle down with some friends and clean all the trash out of the ballroom by 11am on Sunday, and you'd see everyone next year.
The bubble was going to burst, but nobody seemed to worry about it.
Things were changing fast for fans, all kinds of fans, in the early 2010s. Conventions that used to get news coverage like "Local Freaks Weird Out Hotel Employees: This Weekend Only" to "#Cosplay: The Hottest New Trend" and from Geocities sites that shut down if you exceeded your page visits for the month to AO3 getting 10 million pageviews a week.
It was great. We could conquer the world together. We could stay safe and together and the circle would hold.
And then the ice broke open and Lochlan fell through. Right through the bottom of that goddamn ballpit into freezing arctic sea. Right into years of people sorting through the churned ice of the wreck, taking years to come to the realization that there really had not been ANY goddamn adults in the room making sure things were okay. The community had not actually failed so much as never been formed in the first place.
Because as it turns out, group-bonding techniques that work for 100 or 1000 people do not work for 10,000. Or 100,000. Or one million. Or one billion.
That line about agreement to suspend shame sticks with me all these years after because the defining feature of post-Dashcon Tumblr has been shame. And scorn, contempt, derision, and hatred. Cringe, in short, and kys. Exactly the kind of bullshit I saw every day in junior high school, and ran to the Internet and fan conventions to get away from.
I got the kind of community and mentorship and support that have made fandom a refuge and a resource my whole life. Lochlan O'Neill didn't. Not because there was anything worse or dumber or less experienced about her.
Because a system built in the 1990s was incapable of bearing the stress of a load fifty times bigger than what was already "way too full."
Just because I'm from one generation, and she's from another.