Erithe's Writing & FanArt @erithe-anethara-writing - Tumblr Blog

A New History of Fandom Purges

On November 24th, 2018, I posted a list of major deletions of sites or of content on sites that stripped fandom of its history. A bunch of pro-shipper blogs had just been deleted, and people were nervous. I suppose I was thinking “All this has happened before…”

On December 3rd, 2018, Tumblr’s Department of Irony announced the NSFW ban. Thanks for providing this salutary lesson to The Youth and a billion reblogs to me, I guess.

Today, we have AO3 for writing. Audio, images, and video are in as much danger as ever, yet fans attack AO3 every donation drive. For those of you who forget our past…

HERE IS WHAT HISTORY HAS TAUGHT US!

1992 - Chelsea Quinn Yarbro forces a zine to be destroyed

1995 - Viacom/Paramount goes after fansites

1995 - Anne Rice gets IWTV fic deleted everywhere

1997 - Fox and Lucasfilm go after fansites

1998 - AOL goes after X-Files fansites

2000 - Warner Brothers goes after Harry Potter fansites

2000 - Anne Rice anne rices again

2001 - Tripod Massacre

2001 - Anne Rice goes after IWTV fic on FFN

2001 - The Bronze shut down as Buffy changes networks

2002 - FFN bans porn

2002 - FFN bans RPF

2003 - Gryffindor Tower implodes

2004 - FFN bans script format

2005 - FFN bans CYOA, Readerfic, 2nd person, Songfic

2005 - Sheezyart bans adult content; y!gallery founded

2005 - Viacom/Paramount goes after fansites again

2006 - Sakura Lemon Archive suddenly closes

2007 - Strikethrough, Boldthrough on Livejournal

2007 - Youtube institutes Content ID, deleting many fanvids

2008 - Slash Cotillion closes, taking much historical m/m with it

2009 - GeoCities shuts down, taking old fannish websites

2009 - Greatestjournal shuts down; RPGs deleted

2009 - Marvel gets scans_daily deleted

2009 - imeem, major vidding hub, closes suddenly

2010 - FFN forums purged for inactivity

2010 - DeviantArt purges adult fanfic

2010 - Literate Union goes after Twilight fandom on FFN

2011 - Delicious destroyed by Yahoo’s incompetence

2011 - China arrests women for writing m/m; destroys danmei.org

2012 - major FFN crackdown on porn

2012 - Megaupload deleted for piracy; also destroys vids, podfic

2013 - Max-Dan-Wiz.com purged of fan-generated content

2014 - Quizilla shuts down

2014 - China purges m/m story websites; arrests female authors

2014 - Blip.tv deletes vids

2014 - Viddler deletes vids

2015 - Journalfen’s servers become fully robust, deleting Fandom Wank

2016 - y!Gallery deleted

2016 - Elfwood goes offline

2016 - Audiofic Archive corrupted; major blow to podfic

2017 - Chinese author jailed after being ratted out over fandom drama

2017 - Parents get queer Warrior Cats fic purged from Wattpad

2018 - Tumblr deletes pro-shipper blogs

2018 - Tumblr announces NSFW ban

2018 - Wattpad deletes accounts/fics without warning

2019 - China purges weibo of m/m; more women jailed

This is only a small taste of the many times that:

Fannish moderators got bored, ran out of money, or had a falling out, deleting a site/list/forum along the way.

Sites got bought out and closed for being unprofitable.

Fandom got hit as governments targeted piracy or political dissidents.

Fans grudge reported each other.

Official forums got deleted when the canon finished.

It’s not always malicious. It’s not always about us. But we lose every time.

Some of these purges hit everyone. Many of them hit m/m content specifically or female gaze-y material in general. This is why antis are dead wrong. This is why anti-fujoshi policies end up being anti-m/m policies. This is why we need clear labeling, not content restrictions.

This is why we need AO3.

And it’s why we need a solution for audio, visuals, and video too.

totallysilvergirl

So grateful for the historical memory and the long view on a phenomenon many of us have come to late, and/or take for granted.

And this is why AO3 generates twice its goal amount in just a few days: they are irreplaceable.

hotpresscopper

Updated for 2019 ^^

olderthannetfic

2019 - Yahoo Groups deletes archives with 6 weeks notice

2019 - 8tracks shuts down with FIVE DAYS NOTICE BETWEEN CHRISTMAS AND NEW YEARS, WTF?!

(There, now it’s really updated for 2019. ;__;)

neutronstarchild

The Fandom Friends That Keep Friending

…all the way into writing originals!

I’ve been thinking about writing a post like this for a while. And I think it’s finally a good opportunity to connect the thread between two sides of my writing journey. You see, your girl Neutron has been writing originals too! So hi, hello, my (pen) name is @kathrynthornwood, nice to meet you!

Welcome to the Thornwood: Author Kathryn Thornwood's Books and Blog

I think I have been around long enough now to call myself a fandom old, and that Inuyasha is well established and well loved, and especially that we here often love our specific ships and don’t stray too far from them. But, if you want to see short stories and originals from me, I would really appreciate your follow either to my Tumblr (or even better, a visit to my website!) I blog and I write originals there.

But that also is not why I am writing this post right now. Nah, that is for a far more exciting reason.

Don’t ever believe someone who says that fandom friendships are fleeting. Because @ruddcatha and I met in 2020. Rudd was actually one of my very first friends in fandom and Inuyasha, and is the reason I wrote as much as I did while we were all locked down. We still talk every single day, and took the journey into writing originals together.

But we also realized that we adored gabbing about writing and fandom, and started to organize those chats enough to turn it into a podcast. So I hope if you have a moment, you’ll check out the @writingafflictionpodcast with Kat & Katze. Because our first episode is about our love of fanfiction, our friendship, and why fanfiction is such a special community for writers, whether they decide to try their hand at originals, or live and breathe new life into the beautiful worlds of fandom.

The Writing Affliction Podcast with Kat Thornwood & R. Katze, where authors Kat Thornwood & Ruby Katze chat bookish things that they love

Please check us out! And from the bottom of my heart, to all my friends and fellow fans in Inuyasha, Yuri on Ice, and beyond, thank you for being the type of place that inspires people to write millions of words……or maybe speak to their amazing fandom friend for a 40min podcast.

With Love, Neutron. aka… Kat.

absolutelybatty

Unethical polyamory not in the sense that the partners aren't consenting to multiple relationships but in the sense that they kill people as a group

publicdomainreview

A step-by-step guide to drawing mice, from a 1913 book entitled What to Draw and How to Draw it. More drawing instruction from this book, plus a 1935 follow-up by the same author, here: https://publicdomainreview.org/collection/what-to-draw-and-how-to-draw-it-1913

derinthescarletpescatarian

First humans ever to leave the solar system suddenly drop out of communications and the ship can't be found with any equipment. After one month of no contact their home countries start reluctantly holding funerals for the space heroes only for them all to turn up, healthy, well fed and extremely disoriented, in the middle of Tokyo, talking about alien abduction. Turns out that aliens found the poor humans straying out of their solar system, presumably lost, and took them to Alien Wildlife Rehabilitation before dumping them back in the middle of their native habitat.

derinthescarletpescatarian

#bonus points if none if the crew are Japanese#aliens just dropped where they thought was best

I literally just googled "city with the highest population"

marlynnofmany

I’ll bet they have cool new tattoos that turn out to be tracking devices too. Just in case these spirited individuals try to make another break for it.

teal-deer

... do the tats make them stupid popular, like that time scientists gave birds tracker anklets and it accidentally made them ultra fuckable

marlynnofmany

Let’s say yes. Those alien scientists are learning so much, and none of it is accurate.

what-even-is-thiss

I hate I when I get an idea for a novel. Like oh no here starts the slow sad slip n’ slide to dissapointment again.

what-even-is-thiss

You ever been 30,000 words and hundreds of research hours into a project when you realize hey wait a minute. I don’t like this. This is bad.

fassina

Ok adding to this though that even though it is extremely relatable, this is a KNOWN thing with professional writing. 10k is often referred to as "having a pot boiling" or "having a stew" - it's the point where you often see an idea coming together and it's exciting! But THEN... 30k-50k is the point where that fun has to start coming together. In theatre, it's usually week 3 of a 5 week rehearsal period where you have to stop talking about the play and really get it all up on its feet and cohesive. In art, it's committing to what are going to be the final visible layers of colour and texture, in sculpture the moment where you're truly at the point of no return with carving out the shape.

It usually feels really bad. Because this is the point it becomes real craft. It's so, so difficult to really be able to identify if it's truly not going to be anything or you're just in the hardest part of the process, and really the only way to know is to... write through it. Write it badly. Or, if you really can't, put it in a drawer and come back to it after a few months of breathing space. Remember, you can fix so much in the edit, but you can't fix nothing!

(I say, fully looking at my latest draft of my book and considering throwing it in the bin. But my editor said exactly this to me, so I'm passing it along.)

tjalexandernyc

this is 100% true. I've written 6 complete novels at this point and every single time around the 40k mark I feel lost in the woods. Nothing seems to be working. I feel awful; I can't sleep. I keep going even though I'm convinced I'm going to fail. And then... It's like leaving a tunnel and getting back out in the sunshine. Stuff starts coalescing. Things that weren't working have obvious fixes. I "can write" again, except I was writing the whole time. It just felt hopeless in the moment. It's not. You just gotta get out of the woods.

ariaste

Ah yes the Slough of Desponds. Professional author with 13 books, and this is normal for me as well. (Checking for tension issues usually helps!)

sainamoonshine

Lmao I literally wrote a whole blog post abt it once.

https://www.patreon.com/posts/writing-advice-1-82451675

Get more from Marie Blanchet on Patreon

prismatic-bell

Crocheter here and I feel this way every time I get about 40% and 60% through a blanket. At 40% you're like "wow this looks like shit" because it hasn't quite taken form (this is even worse if you're using a multirow stitch pattern), and at 60% you're like "it's fine but this is taking FOREVER I suck this is so bad" while forgetting that blankets take 100-200 hours because they're big.

This is A Thing.

inkskinned

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

animentality

beautifulterriblequeen

A sign to tap

willgrahamscock

I think we are focusing on the wrong thing when talking about mainstream romantasy adult books, instead of shaming straight cis women for reading kinky books, we should tralk about how most of the newer books aimed at that demographic are just conservative propoganda, rebranding patriarchy as a kink.

willgrahamscock

There's nothing inherently wrong about liking the types of kinks that are present, control, power imbalance, dark themes, but when you really look at the top performing novels (which they are mass prodicing at questionable speeds) it's hard to ignore the ever present morally grey man, who's posessive over the heroine who starts off as otherworldly different from the 'regular woman' aka damsel in distress), is cruel to everyone except her, and the fantasy world revolves around the control of women, especially when it comes to forced pregnancy.

willgrahamscock

I'm seeing a lot of responses to this saying "this is why I read queer stories" but you're missing the point! You can relate to queer media because you're queer, cis straight women should also have material that aren't turning their opression into kinks in almost every. single. book. If they want to choose to read those stories, that's absolutely fine, again nothing wrong with exploring those dynamics, but the concerning part is how fast they're being made with the rise of booktok, and the looming threat to women's autonomy.

Remember when all mlm stories were borderine assault stories in the early 90s-2000s? and how long it took for other queer stories to be made? we all used our voices to make a change, it didn't magically stop we fought for it to not be the only type of story.

lyricwritesprose

And the solution to this, for people who are wondering, isn't to try to suppress romantasy books because they're not "good for women." That's an old, old game and never goes anywhere good. The solution is not less kink and less porn. The solution is more kink and more porn.

Because when you think about it, the problem isn't that you can go to your chosen bookseller and find a story where Sparklia Special gets semi-forced to have babies for Broody McDarkenfay (it's okay, she's into it). The problem is that it is unnecessarily difficult to look a little further down the shelf and find a vampire princess domming the hell out of the hunter who knows he shouldn't love her. Reducing people's choices always serves the reactionary agenda one way or another. Expanding choices. That's where it's at.

(If this sounds like I am making a pitch that we should write porn to defeat fascism, that's…not entirely a mischaracterization. I mean, of course it won't defeat fascism, but I do feel that while we work to defeat fascism, we should at least have diverse and satisfying porn.)

tokkibean

i do not “delete sentences” when they start “hindering the plot” i COPY PASTE THEM into a SEPARATE DOC made just for keeping all my USELESS LINES that i will also NEVER USE so therefore i should JUST DELETE THEM but i DONT because id FEEL BAD if i did

harpyharpyharpy

You don't actually have to kill your darlings. You can just put them in the oubliette #myoubliette

dwellordream

“...A lone woman could, if she spun in almost every spare minute of her day, on her own keep a small family clothed in minimum comfort (and we know they did that). Adding a second spinner – even if they were less efficient (like a young girl just learning the craft or an older woman who has lost some dexterity in her hands) could push the household further into the ‘comfort’ margin, and we have to imagine that most of that added textile production would be consumed by the family (because people like having nice clothes!).

At the same time, that rate of production is high enough that a household which found itself bereft of (male) farmers (for instance due to a draft or military mortality) might well be able to patch the temporary hole in the family finances by dropping its textile consumption down to that minimum and selling or trading away the excess, for which there seems to have always been demand. ...Consequently, the line between women spinning for their own household and women spinning for the market often must have been merely a function of the financial situation of the family and the balance of clothing requirements to spinners in the household unit (much the same way agricultural surplus functioned).

Moreover, spinning absolutely dominates production time (again, around 85% of all of the labor-time, a ratio that the spinning wheel and the horizontal loom together don’t really change). This is actually quite handy, in a way, as we’ll see, because spinning (at least with a distaff) could be a mobile activity; a spinner could carry their spindle and distaff with them and set up almost anywhere, making use of small scraps of time here or there.

On the flip side, the labor demands here are high enough prior to the advent of better spinning and weaving technology in the Late Middle Ages (read: the spinning wheel, which is the truly revolutionary labor-saving device here) that most women would be spinning functionally all of the time, a constant background activity begun and carried out whenever they weren’t required to be actively moving around in order to fulfill a very real subsistence need for clothing in climates that humans are not particularly well adapted to naturally. The work of the spinner was every bit as important for maintaining the household as the work of the farmer and frankly students of history ought to see the two jobs as necessary and equal mirrors of each other.

At the same time, just as all farmers were not free, so all spinners were not free. It is abundantly clear that among the many tasks assigned to enslaved women within ancient households. Xenophon lists training the enslaved women of the household in wool-working as one of the duties of a good wife (Xen. Oik. 7.41). ...Columella also emphasizes that the vilica ought to be continually rotating between the spinners, weavers, cooks, cowsheds, pens and sickrooms, making use of the mobility that the distaff offered while her enslaved husband was out in the fields supervising the agricultural labor (of course, as with the bit of Xenophon above, the same sort of behavior would have been expected of the free wife as mistress of her own household).

...Consequently spinning and weaving were tasks that might be shared between both relatively elite women and far poorer and even enslaved women, though we should be sure not to take this too far. Doubtless it was a rather more pleasant experience to be the wealthy woman supervising enslaved or hired hands working wool in a large household than it was to be one of those enslaved women, or the wife of a very poor farmer desperately spinning to keep the farm afloat and the family fed. The poor woman spinner – who spins because she lacks a male wage-earner to support her – is a fixture of late medieval and early modern European society and (as J.S. Lee’s wage data makes clear; spinners were not paid well) must have also had quite a rough time of things.

It is difficult to overstate the importance of household textile production in the shaping of pre-modern gender roles. It infiltrates our language even today; a matrilineal line in a family is sometimes called a ‘distaff line,’ the female half of a male-female gendered pair is sometimes the ‘distaff counterpart’ for the same reason. Women who do not marry are sometimes still called ‘spinsters’ on the assumption that an unmarried woman would have to support herself by spinning and selling yarn (I’m not endorsing these usages, merely noting they exist).

E.W. Barber (Women’s Work, 29-41) suggests that this division of labor, which holds across a wide variety of societies was a product of the demands of the one necessarily gendered task in pre-modern societies: child-rearing. Barber notes that tasks compatible with the demands of keeping track of small children are those which do not require total attention (at least when full proficiency is reached; spinning is not exactly an easy task, but a skilled spinner can very easily spin while watching someone else and talking to a third person), can easily be interrupted, is not dangerous, can be easily moved, but do not require travel far from home; as Barber is quick to note, producing textiles (and spinning in particular) fill all of these requirements perfectly and that “the only other occupation that fits the criteria even half so well is that of preparing the daily food” which of course was also a female-gendered activity in most ancient societies. Barber thus essentially argues that it was the close coincidence of the demands of textile-production and child-rearing which led to the dominant paradigm where this work was ‘women’s work’ as per her title.

(There is some irony that while the men of patriarchal societies of antiquity – which is to say effectively all of the societies of antiquity – tended to see the gendered division of labor as a consequence of male superiority, it is in fact male incapability, particularly the male inability to nurse an infant, which structured the gendered division of labor in pre-modern societies, until the steady march of technology rendered the division itself obsolete. Also, and Barber points this out, citing Judith Brown, we should see this is a question about ability rather than reliance, just as some men did spin, weave and sew (again, often in a commercial capacity), so too did some women farm, gather or hunt. It is only the very rare and quite stupid person who will starve or freeze merely to adhere to gender roles and even then gender roles were often much more plastic in practice than stereotypes make them seem.)

Spinning became a central motif in many societies for ideal womanhood. Of course one foot of the fundament of Greek literature stands on the Odyssey, where Penelope’s defining act of arete is the clever weaving and unweaving of a burial shroud to deceive the suitors, but examples do not stop there. Lucretia, one of the key figures in the Roman legends concerning the foundation of the Republic, is marked out as outstanding among women because, when a group of aristocrats sneak home to try to settle a bet over who has the best wife, she is patiently spinning late into the night (with the enslaved women of her house working around her; often they get translated as ‘maids’ in a bit of bowdlerization. Any time you see ‘maids’ in the translation of a Greek or Roman text referring to household workers, it is usually quite safe to assume they are enslaved women) while the other women are out drinking (Liv. 1.57). This display of virtue causes the prince Sextus Tarquinius to form designs on Lucretia (which, being virtuous, she refuses), setting in motion the chain of crime and vengeance which will overthrow Rome’s monarchy. The purpose of Lucretia’s wool-working in the story is to establish her supreme virtue as the perfect aristocratic wife.

...For myself, I find that students can fairly readily understand the centrality of farming in everyday life in the pre-modern world, but are slower to grasp spinning and weaving (often tacitly assuming that women were effectively idle, or generically ‘homemaking’ in ways that precluded production). And students cannot be faulted for this – they generally aren’t confronted with this reality in classes or in popular culture. ...Even more than farming or blacksmithing, this is an economic and household activity that is rendered invisible in the popular imagination of the past, even as (as you can see from the artwork in this post) it was a dominant visual motif for representing the work of women for centuries.”

- Bret Devereaux, “Clothing, How Did They Make It? Part III: Spin Me Right Round…”

swords-n-spindles

If I may tag onto this: it's really astonishing how much spinning you can get done when you do it in tiny increments. When I'm at a medieval market or music festival (back when that was... a thing), I carry my spindle everywhere and just spin a tiny little bit, constantly. Waiting in line for food. Sitting somewhere waiting for the next band to play, in the early morning when nobody's up yet. I can get through 100 gr of fibre in a day like this without consciously dedicating any extended time periods to it (and I'm not the best with a drop spindle). I would imagine that is roughly the way it worked in pre-modern cultures, too, which means that yes, it was possible to supply the fabric for an entire household this way, if the fabric was also taken care of properly (mended, re-used, recycled ...) and the spinner didn't suffer from illness or had any disabilities (!). It wouldn't be easy, but it also wouldn't be terrifying back-breaking labour.

kshkonskpon

Periodic Table of the Polycules, by u/aprilarcus on Reddit

amythewhore

The unicorn quad must be achieved

weaselknievel

*introducing myself to the guards who caught me* seized to meet you

dragongirlsweetie

it's actually so crazy how much the simpsons would fucking suck if it didn't have any of the simpsons characters. just a bunch of shots of empty houses and streets for half an hour while nothing happens. that would be so badddd lol

auroroboros1

yeah that tends to happen when you remove characters from media. without characters its all just background. i guess movies set in scenic locations would still land as kinda nature docs but even then

dragongirlsweetie

it only happens with the simpsons

auroroboros1

this same criticism could be applied to nearly any media ever.

dragongirlsweetie

it's just the simpsons. are you a troll?

derinthescarletpescatarian

Dragon's right, if you remove all the Simpsons characters from Death Note it hardly changes anything

wildehacked

things in fic I'm used to people kind of faking their way through writing about:

the city of los angeles

the city of new york

sex

how drinking alcohol works

how getting high works

how a child of any age speaks

how nuclear physics work

how [my job] works

how debilitating being shot in the shoulder is

how hypothermia works

things I have never before seen someone fake their way through writing about, until today:

what french toast is

headspace-hotel

read through the notes on this one trust me

kiragecko

Here's some of the notes, starting with the things multiple people brought up:

SHRIMP COCKTAIL:

banahbanah: #flashback to that one fic where Peter Parker frets about drinking shrimp cocktail because of the alcohol

generaldeliciousness: adding: what a prawn/shrimp cocktail is

#why is your character turning it down because they're under 21 #do you think prawn cocktail is a cocktail #this lives in my brain rent-free constantly #the rest of the fic was so normal #and good enough that i'll still re-read it #but bro

And then many, MANY, people wondering if this was actually authour mistake, since Peter really would do this!

POMEGRANATES:

zhajhassa: #haha where's that post that was like someone describing someone eating a pomegranate but they ate it like an apple

thornhands: #once someone wrote persephone biting into a whole Pomegranate #had to stop and stare at a wall for a minute

sungsingsanguine: I once saw someone very confidently write about a character eating slices of pomegranate.

FRUIT TREES:

zagreuses-toast: #given a very endearing glimpse into a writers blindspots by seeing them describe someone sitting under a ''pineapple tree''

salatrash: I remember something about picking watermelons... OF A FUCKING TREE

baander: #cranberry trees

DOUGH/BATTER:

maycelium: #I'm a chef so I'm really used to people not accurately describing how to cook food #But I was surprisingly flabbergasted when someone was writing making a cake and was kneading it. Which uh #Not necessary for cake. It was interesting for sure but just bizarre

livebloggingmydescentintomadness: #the one that drove me nuts was when a character set aside a batch of PASTA DOUGH 'to rise' #pasta doesn't have yeast!! #it does need to REST but it will never RISE #you do not want an airy crumb on your noodles

lovesodeepandwideandwell: #THE ONE WHERE THEY MADE COOKIES BY LADLING BATTER INTO A TRAY

Some other topics:

ao3commentoftheday

user scripts for AO3 relationships

If you're someone who wants to be able to find (or avoid) ships while reading on AO3, odds are good that a fan coder out there has created a user script that could help you out.

User scripts are similar to extensions. You add them to your browser to automatically adjust web pages for you. User scripts allow you the opportunity to personalize them, however, which is wonderful for things like AO3 filters.

Here are a few that might be worth a look:

AO3 multishipper saviour - if you want to read about a particular character in a relationship without specifying any other person. The relationships can be specified to be romantic or platonic or both.

AO3: Reorder Ship Tags - Automatically reorders relationship tags on work blurbs so romantic ships (/) always appear before platonic ships (&).

AO3 Relationship/Character Highlighter - highlights the ship/character you’re looking for if they appear in the first two relationship/character tags.

AO3 romantic relationship savior - hides all romantic relationships in sort & filter page that has "/"

AO3 First Relationship Tag Filter - toggle on the script if you're browsing a relationship tag and all the works that don't have that tag as their first tag will be hidden. Works on both romantic (/) and platonic (&) relationships.

AO3 relationship savior - hides works that have too many relationships in them.

AO3 Only Show Primary Pairing - will hide fics that don't have the designated pairing listed first in the tags.

AO3 Only Show Primary Pairing (Auto) - The difference between this and Neeve's script is that it automatically detects the primary pairing, little to no configuration needed.

AO3 Show every pairing except THAT one - Remove relationship tags from script which you do not want to read.

Feel free to add more in the notes!

scorchroots

I've never loved anyone as much as I love Ursula Le Guin

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