Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later
TMBGareOK. The Official They Might Be Giants tumblr
Fai_Ryy
untitled

#extradirty

blake kathryn
cherry valley forever

tannertan36
Noah Kahan
No title available
I'd rather be in outer space đ¸
official daine visual archive

Kiana Khansmith

pixel skylines

PR's Tumblrdome

if i look back, i am lost
đ
KIROKAZE
let's talk about Bridgerton tea, my ask is open
Keni
todays bird
seen from United States
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@fomokitty
Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later
A relevant thread
Refound for a friend.
Bothersome beast, comforting friend
when I was in college in the 1990s I took a document design course and we had to go talk to an archivist at the university library
the library had a single page from a gutenberg bible (the bible had been damaged by fire and the remaining undamaged pieces cut apart and sold) and a CD sitting next to each other
we looked at the bible page, marveling at this 500+ year old page with its neatly set type, carefully kept under a sheet of glass to protect it
and then she held up the CD and pointed out that in 500 years, if a CD could even last that long, it was unlikely we'd possess the technology to read it
and we all got very quiet and look at the book page for a long time
and is evidenced by the fact I'm telling you about this almost 30 years later, I have never forgotten that blank-looking shiny piece of plastic sitting next to a beautiful, ancient piece of paper that someone pressed words into with a machine and left for me to read, hundreds of years before I was born.
So true. So poetic, so heartbreaking (to think of how much is being lost by not caring about this)
an interesting thought that occurred to me while thinking about the differences between the CD and the printed page:
in both cases, how useful they are as archive material depends largely on whether we will have the capacity to read them in the future
but for the CD, this capacity will have to include the existence of certain machinery, and the knowledge of how to use it
and for the printed page, it only needs to include human sight, literacy and reading comprehension (with some history and linguistics knowledge as well)
this is, unfortunately, also not a perfectly preservable part of the archive effort.
a page from a Gutenberg bible is a very fitting example, because in the present day we are very aware of the effects of how little of the Bible people can actually understand in its original context.
some parts nobody still has the context to interpret at all--we can only guess.
and with other parts historians are fairly confident they know what was meant-- but the masses of regular people basing their decisions on the Bible would still rather go with their own gut feelings, or what their parents or their pastor told them.
the more written material is preserved, of course, the more people can understand any of it. But the prevalence of understanding (as opposed to misinterpretation) is dependent on people actually taking the trouble to read, a lot.
Which, yes, is more likely when we have printed paper to archive. (Data saved on a CD or other digital format still won't be as sure a thing, because it needs both human comprehension and mechanical decoding means.)
but I still fear the loss of the human comprehension part of things.
honestly? the only part of the present-day world that actually gives me hope, about the possibility that humans can retain the capacity to read a multi-paragraph text and actually pay attention and remember and understand most of it?
Is Tumblr.
We mock this site's reading comprehension. And I know why-- I, too, have seen the small percentage of people who will show up with horribly bad takes on any sufficiently popular post.
But everyplace else-- from Reddit to my boss's email inbox-- is SO much worse.
These three posts reflect central parts of librarianship: access, preservation, and knowledge.
Sometimes, different goals are actively in tension with each other, like in the first post.
We have no idea how long lasting the cloud will be, but online classes (with access to ebooks and digital materials) open up a huge amount of access to those materials and those classrooms. That includes everything from not needing a car to attend classes to being able to use a screen reader to read an ebook. But how long will any of it last?
I go through thousands of dollars to collect new materials. And every time I choose books, I have to decide if the book should be physical or digital. We're a commuter school, so we buy more ebooks than physical books.
But we regularly alternate between the different vendors who sell ebooks in case one of them goes out of business and we lose their books.
Ebooks also cost so much (especially for institutional access), that purchasing a majority of ebooks hamstrings our budget. Which leaves less room (and frankly less time) for purchasing physical books. Our physical stacks are much older than our ebook collection, which makes our physical collection less useful for research.
Physical books are an investment I know can last us 100 years. When I throw out physical books, they're regularly 100 years old. (Important things go to Special Collections, but I cannot stress enough how many ridiculous or awful books were published 100 years ago. We *literally* do not have the space to save everything, and not everything is worth the resources to save, or even should be saved for that matter. A memoir from the '70s about a teen who was "kidnapped" - but not actually - by a group of Hare Krishnas can just be tossed. People get so upset about getting rid of books that I am proactively justifying the need to make space on our shelves for new materials.)
And physical books are so much cheaper than ebooks! But my priority is making sure students have what they need to get through college. For my commuter campus, ebooks are accessible all the time, even after we close at 8pm.
A whole part of my job is deciding between all these factors every time I purchase books.
This weekend I was told a story which, although Iâm kind of ashamed to admit it, because holy shit is it ever obvious, is kind of blowing my mind.
A friend of a friend won a free consultation with Clinton Kelly of What Not To Wear, and she was very excited, because she has a plus-size body, and wanted some tips on how to make the most of her wardrobe in a fashion culture which deliberately puts her body at a disadvantage.
Her first question for him was this: how do celebrities make a plain white t-shirt and a pair of weekend jeans look chic? She always assumed it was because so many celebrities have, by nature or by design, very slender frames, and because they can afford very expensive clothing. But when she watched What Not To Wear, she noticed that women of all sizes ended up in cute clothes that really fit their bodies and looked great. She had tried to apply some guidelines from the show into her own wardrobe, but with only mixed success. So - what gives?
His answer was that everything you will ever see on a celebrityâs body, including their outfits when theyâre out and about and they just get caught by a paparazzo, has been tailored, and the same goes for everything on What Not To Wear. Jeans, blazers, dresses - everything right down to plain t-shirts and camisoles. He pointed out that historically, up until the last few generations, the vast majority of people either made their own clothing or had their clothing made by tailors and seamstresses. You had your clothing made to accommodate the measurements of your individual body, and then you moved the fuck on. Nothing on the show or in People magazine is off the rack and unaltered. He said that what they do is ignore the actual size numbers on the tags, find something that fits an individualâs widest place, and then have it completely altered to fit. Thatâs how celebrities have jeans that magically fit them all over, and the rest of us chumps canât ever find a pair that doesnât gape here or ride up or slouch down or have about four yards of extra fabric here and there.
I knew that having dresses and blazers altered was probably something they were doing, but to me, having alterations done generally means having my jeans hemmed and then simply living with the fact that I will always be adjusting my clothing while Iâm wearing it because I have curves from here to ya-ya, some things donât fit right, and the world is just unfair that way. I didnât think that having everything tailored was something that people did.Â
Itâs so obvious, I canât believe I didnât know this. But no one ever told me. I was told about bikini season and dieting and targeting your âproblem areasâ and avoiding horizontal stripes. No one told me that Jennifer Aniston is out there wearing a bigger size of Ralph Lauren t-shirt and having it altered to fit her.
I sat there after I was told this story, and I really thought about how hard I have worked not to care about the number or the letter on the tag of my clothes, how hard I have tried to just love my body the way it is, and where Iâve succeeded and failed. I thought about all the times Iâve stood in a fitting room and stared up at the lights and bit my lip so hard it bled, just to keep myself from crying about how nothing fits the way itâs supposed to. No one told me that it wasnât supposed to. I guess I just didnât know. I was too busy thinking that I was the one that didnât fit.
I thought about that, and about all the other girls and women out there whose proportions are âwrong,â who canât find a good pair of work trousers, who canât fill a sweater, who feel excluded and freakish and sad and frustrated because they have to go up a size, when really the size doesnât mean anything and it never, ever did, and this is just another bullshit thing thrown in your path to make you feel shitty about yourself.
I thought about all of that, and then I thought that in elementary school, there should be a class for girls where they sit you down and tell you this stuff before you waste years of your life feeling like someone put you together wrong.
So, I have to take that and sit with it for a while. But in the meantime, I thought perhaps I should post this, because maybe my friend, her friend, and I are the only clueless people who did not realise this, but maybe weâre not. Maybe some of you have tried to embrace the arbitrary size you are, but still couldnât find a cute pair of jeans, and didnât know why.
This post is one of those things that I will reblog every time it appears on my dash. This is so important, and no one ever tells you about it.
I almost didnât read this but then I did and Iâm really glad that I did.
Super important
Tldr: The reason clothes never âlooked right on youâ is because models and celebrities always had their clothes tailored to fit them perfectly.
I love this post but it always frustrated me just a little because I canât even afford to buy new clothes let alone get the clothes I have tailored. But then I remembered that a lot of things are easier to do than you think they will be, so hereâs some resources on how to alter your own clothes!
Please read this, itâs an opportunity to learn about yourself, possibly a new skill and why it isnât you, itâs the industry.
For my US American friends, Teen Vogue wrote a good article on what to do before Trump takes office:
From getting birth control to updating your passport.
Try to be as safe as possible!
to my queer and trans friends
i don't want to be caught uttering something as trite as "you will make it through this." i mean, you will make it through this: you've made it through a lot of things.
what i want to say is that you will live a life through this.
you will wake up about once a day. you will see the moon. you will eat good food. you will hear the sound of trees shaking in the wind. you will smile at stupid jokes. even as some things undoubtedly become harder, you will experience countless moments of simple animal joy.
when a Big Thing goes Horribly Wrong, we feel washed away. our future hides from us just out of view. sometimes we worry it might not exist anymore. but the future comes around no matter how much or how little we worry about it. eventually we get there and we find: the future is just a day like any other day, containing exactly one day's worth of problems for us to solve, and one day's worth of animal joy with it. no matter what.
don't lose sight of that, okay?
I woke up and checked things and started to spiral.
And then I took a deep breath.
Okay kids. It's time to listen to your organizer elders.
I don't care if every call is reversed and she wins by 30 electoral points.
Get involved. Do one thing to make the world better: mutual aid, volunteer, join your local political groups, read to kids, go to community groups.
Survival on this blue spinning ball means coalition building. It means accepting you save the world by doing what you are good at and sharing it with others.
It means to stop looking for saviors in your political choices, and also not crucifying them. It means getting away from political purity and ideology and fucking working toward the next one and the next one.
Political change is different than political theater. It takes work. So much work. And if you are tired, tap out, but don't leave the game.
Guess what happened tonight?
The first openly Trans woman was elected to congress.
2 black women are serving together in the senate.
It is ugly and it sucks and we need to take a breath, take a nap, and then get up off the mat.
We can do better.
But we gotta do it together.
Wallow as you need but turn that emotion into fuel. Canada, too.
Iâm not in the US, but we also recently had a shit of an election. I needed this post.
Come together. The more of us there are, the more we can tap someone else in when we need a break.
Find how to help others and build community. We will need our communities more than ever before.
You know Elon probably saw this and was super mad he still can't fire Halli.
I've already had one person in the notes claim dropping the bombs was the "only option" to end the war.
No.
Shaun has a wonderful breakdown of all the nuances surrounding the Japanese surrender.
If you do not have 2 hours to spare (or you can't watch it at 2x speed), I will give you some bullet points.
Several American leaders of the time felt the bombs provided no assistance in ending the war.
Japan was already defeated. They wanted to surrender but were stubborn and wanted conditions.
Their only concern was their god-like emperor stay in power and not be executed.
That was their concern before the bombs. That was their concern after the bombs. Nothing changed in their minds.
They didn't actually care that the bombs killed people. It took them several days to even have a meeting after the first bomb dropped.
The idea that dropping the bomb would save millions of casualties was invented *after* the bomb was dropped and was pulled out of someone's ass to cover said ass.
There was never going to be an invasion.
People think we dropped the bombs and the Japanese leadership was like, "Oh shit! We give up!"
But in reality, we dropped the first bomb and they were like, "I'm busy tomorrow, can we have the bomb meeting on Thursday?"
We dropped the bombs to show the world we had the bombs.
Japan was a convenient and timely excuse to that end.
This.
Anti anxiety.
IâVE BEEN LOOKING FOR THAT CAT ONE FOREVER
So mesmerized
The cat
Hey my followers with anxiety hereâs some things that might help.
She beauty and she grace https://www.instagram.com/p/CpZcJivs4wxzMwJwxSglS21X-A_BlXL6yVyyv80/?igshid=NGJjMDIxMWI=
Love how tumblr has its own folk stories. Yeah the God of Arepo weâve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and itâs revealed she IS the cat after the narrator befriends the cat.
Might I add:
The defeat of the wizard who made people choose how theyâd be to be executed
The woman who raised the changeling alongside her biological child
The human who died of radiation poisoning after repairing the spaceship
The adventures of a space roomba
Cinderella finding Araura (and falling in love)
I donât know a snappy description but the my nemesis cynthia story certainly lives in my head
hilariously, these are almost all in my fic tag. so, a compiled list from the notes (and some extras):
The God of Arepo (graphic novel 1 / 2 / 3) (ebook)
The Monster of Sentan
The Witchâs Cat
Raise Both Children
Stabby the Roomba (honorable mention)
Cinderella Marries the Prince (comic)
My Arch Nemesis Cynthia
Pirates and Mermaid
Eindred and the Witch
The Demon King
The Cornerwitch
Grandmother Beetroot
Apocalypse Daycare Worker
Grandmother Accidentally Summons a Demon
New Year Saga
A Story About Changelings
Ranger in the Kingâs Forest
The Difference Between a Hare and a Rabbit
Goblin Men (Canines)
I am in love with you /p
Adding Faceblind Prince Charming and Cinderella
21. The human who died of radiation poisoning after repairing the spaceship
22. The defeat of the wizard who made people choose how theyâd be to be executed
adding the Doctors Without Borders one
I LOVE tumblr storytime, so hereâs a bunch more your weekend reading. Enjoy!
24. The Queen with Three Cursed Children
25. Tiny Dragon with one coin hoard
26. Haunted house
27. Shark hero was about to go rogue
28. Grandma lives in the woods comic
29. A Different Aftermath comic
30. Battery (microstory but I love it so much)
31. Itâs A Date comic
32. Supervillian kidnaps rivalâs kid and they want to stay
33. Narrative Town
34. I have been hired to clean the wizard tower comic
35. Robot Apocalypse
36. The Statues That Do Not Weather
37. Kushiel
38. Tooth Fairy
39. Alien abduction
40. Felonious wish-granting
41. When humans met actual space orcs
42. Space cousins
WAIT REBLOG THIS VERSION INSTEAD
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
âHope youâre a harvest god,â Arepo said, and set up an altar and burnt two stalks of wheat. âItâd be nice, you know.â He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. âI know itâs not much,â he said, his straw hat in his hands. âBut - Iâll do what I can. Itâd be nice to think thereâs a god looking after me.â
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
âYou should go to a temple in the city,â the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. âA real temple. A good one. Get some real gods to bless you. Iâm no one much myself, but I might be able to put in a good word?â It plucked a leaf from a tree and sighed. âI mean, not to be rude. I like this temple. Itâs cozy enough. The worshipâs been nice. But you canât honestly believe that any of this is going to bring you anything.â
âThis is more than I was expecting when I built it,â Arepo said, laying down his scythe and lowering himself to the ground. âTell me, what sort of god are you anyway?â
âIâm of the fallen leaves,â it said. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. Iâm a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then itâs gone.â
The god heaved another sigh. âThereâs no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. Youâre so tiny in the world. So vulnerable. Best to pray to a greater thing than me.â
Arepo plucked a stalk of wheat and flattened it between his teeth. âI like this sort of worship fine,â he said. âSo if you donât mind, I think Iâll continue.â
âDo what you will,â said the god, and withdrew deeper into the stones. âBut donât say I never warned you otherwise.â
Arepo would say a prayer before the morningâs work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepoâs fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
âUseless work,â the god whispered, but came creeping back inside the temple regardless. âThere wasnât a thing I could do to spare you this.â
âWeâll be fine,â Arepo said. âThe stormâs blown over. Weâll rebuild. Donât have much of an offering for today,â he said, and laid down some ruined wheat, âbut I think Iâll shore up this thingâs foundations tomorrow, how about that?âÂ
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepoâs neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepoâs field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepoâs ribs showing through his chest, his hands still shaking, and murmured out a prayer.Â
âThere is nothing here for you,â said the god, hudding in the dark. âThere is nothing I can do. There is nothing to be done.â It shivered, and spat out its words. âWhat is this temple but another burden to you?â
âWe -â Arepo said, and his voice wavered. âSo itâs a lean year,â he said. âWeâve gone through this before, weâll get through this again. So weâre hungry,â he said. âWeâve still got each other, donât we? And a lot of people prayed to other gods, but it didnât protect them from this. No,â he said, and shook his head, and laid down some shriveled weeds on the altar. âNo, I think I like our arrangement fine.â
âThere will come worse,â said the god, from the hollows of the stone. âAnd there will be nothing I can do to save you.â
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
âI could not save them,â said the god, its voice a low wail. âI am sorry. I am sorry. I am so so sorry.â The leaves fell burning from the trees, a soft slow rain of ash. âI have done nothing! All these years, and I have done nothing for you!â
âShush,â Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. âTell me,â he mumbled. âTell me again. What sort of god are you?â
âI -â said the god, and reached out, cradling Arepoâs head, and closed its eyes and spoke.
âIâm of the fallen leaves,â it said, and conjured up the image of them. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.â Arepoâs lips parted in a smile.
âI am the god of a dozen different nothings,â it said. âThe petals in bloom that lead to rot, the momentary glimpses. A change in the air -â Its voice broke, and it wept. âBefore itâs gone.â
âBeautiful,â Arepo said, his blood staining the stones, seeping into the earth. âAll of them. They were all so beautiful.â
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
âOh, poor god,â she said, âWith no-one to bury your last priest.â Then she paused, because she was from far away. âOr is this how the dead are honored here?â The god roused from its contemplation.
âHis name was Arepo,â it said, âHe was a sower.â
Sora startled, a little, because she had never before heard the voice of a god. âHow can I honor him?â She asked.
âBury him,â the god said, âBeneath my altar.â
âAll right,â Sora said, and went to fetch her shovel.
âWait,â the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. âWait,â the god said, âI cannot do anything for you. I am not a god of anything useful.â
Sora sat back on her heels and looked at the altar to listen to the god.
âWhen the Storm came and destroyed his wheat, I could not save it,â the god said, âWhen the Harvest failed and he was hungry, I could not feed him. When War came,â the godâs voice faltered. âWhen War came, I could not protect him. He came bleeding from the battle to die in my arms.â Sora looked down again at the bones.
âI think you are the god of something very useful,â she said.
âWhat?â the god asked.
Sora carefully lifted the skull onto the cloth. âYou are the god of Arepo.â
Generations passed. The village recovered from its tragediesâhomes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to be empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the godâs work on his dying breath.
âHello, God of Every Humble Beauty in the World,â called a familiar voice.
The squinting corners of the godâs eyes wept down onto curled lips. âArepo,â he whispered, for his voice was hoarse from its hundred-year mutism.
âI am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,â Arepo avowed, soothing the other with every word.
âThatâs wonderful, Arepo,â he responded between tears, âIâm so happy for youâsuch a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? Youâll be adored by all.â
âNo,â Arepo smiled.
âFarther than that, to the capitol, then? Thank you for visiting here before your departure.â
âNo, I will not go there, either,â Arepo shook his head and chuckled.
âFarther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,â the elder god continued.
âActually,â interrupted Arepo, âIâd like to stay here, if youâll have me.â
The other god was struck speechless. ââŚ. Why would you want to live here?â
âI am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.â
Always reblog Arepo and his god
Just cryin on Tumblr on a Monday afternoon. What a beautiful piece of shared art.Â
thereâs been a really bizarre trend in the past couple years of TERFS/radfems getting pissed off about biology posts. posts about the bilateral gyandromorph cardinal (one half male, one half female), posts about older hens beginning to crow and act like roosters, posts about animals being animals. and itâs hilarious because they interpret these posts as some kind of agenda. no! these are animals not choosing any gender identity or sexuality but being born into bodies they have no control over. weird how that happens in nature huh
never tell terfs about white-throated sparrow or they will lose their fucking minds
Do you want to hear about white-throated sparrows?!
Of course you do, theyâre fantastic. They come in two models, one with tan head stripes and one with white head stripes. But the gene that controls stripe color also has a bunch of other effects! Itâs a supergene!
To briefly sum up a grueling amount of fieldwork by people who were probably not getting paid nearly enough, basically the tan-stripes are nurturers and the white-stripes are fighters, across both males and females. White-stripes chase away intruders more, tan-stripes bring more food to the nest. Tan-stripe females bring more bugs to their chicks than white-stripes, white-stripe females are more aggressive and sing more.
There is a reason Jordan Peterson picked lobsters, not sparrows, to get all MRA about, because the sparrow ladies are ALL about the tan-striped males. Sexy nurturing tan-stripe males are immediately grabbed up by the more aggressive white-stripe females (who are also dead sexy if youâre a sparrow.) Then the remaining birds pair off, so you get tan and white couples reproducing in virtually all casesânurturing male with aggressive female, hyper-aggressive male with hyper-nurturing female.*
And this is good!** Because it turns out that they can have a tough time if they donât mate across stripesâwhite x white sparrows often come out undersized if they come out at all. There was some cool recent genetic sequencing and one particular chromosome is way funky, inverted, and scrambled in the white-stripes. So now every white-stripe has a funky chromosome and a normal one, and every tan-stripe has two normal ones.***
This is all really unique and means that white-throated sparrows effectively have four sexes, because they now only reproduce with a member of the opposite stripe and sex chromosome, and their offspring may be any one of the four sexes. The stripes have essentially become a second sex chromosome.
The geneticists involved think the funky chromosome probably showed up as a weird import from somebody gettinâ jiggy with another sparrow species. Presumably this created a hypersexy female whose white head stripes brought all the boys to the yard, and very unusually, that bred true.
Is that cool or what?!
*No word on whether there is a resulting sparrow tradwife media genre.
**Leaving aside the impact on the emotional health of the non-sexy sparrows.
**A population solely of tan-stripes can reproduce safely, theyâre just not that into each other.
please god i have to see so many tags in my notifications about ABO this ABO that solely due to this post. i am going to blow up
When one thinks about âancientâ Native American civilizations and ruins⌠the thing is that⌠most of them, they werenât ancient. The Inca were not fully conquered by the Spanish until 1572⌠for reference, the Mona Lisa was painted in 1502 and Martin Luther made the 95 Theses in 1517.. the âancientâ Aztec Empire was younger than the university of Oxford founded in the 11th century, Montezuma lived at the same time than Leonardo Da Vinci⌠There are castles that are younger than Machu Picchu, those cities were inhabited by millions just a few centuries ago, and some (Cuzco, MĂŠxico), many actually, are still inhabited today. People speak about the Ancient Maya as if it was some mysterious civilization that was lost, and while it was past its prime at the time of European conquest, the Maya still had city-states and were living in the same areas they live today.
There are still millions of people, right now, who speak Quechua, Nahuatl, and Maya in all their dialects, and Iâm just talking about the three most well-known civilizations here⌠there are millions of Native Americans who still speak their languages and practice their culture and beliefs alive, both thriving and struggling today.
Talking about the âAncient Incaâ or âAncient Aztecsâ makes as much sense as talking about the âAncient Dutchâ or the âAncient Swedesâ, and itâs another way of erasing them, saying that they just arenât around anymore just like say the Sumerians, or that they just werenât relevant to world history. They were contemporaries to modernity and theyâre still alive today.
You can talk about the Ancient Olmecs or Ancient ChavĂn though. Because the Inca and the Aztecs are relatively âmodernâ but their cultures were just the latest from a cycle of civilizations stretching millenia before Christ.
Watching this (and fearing broken ankles with each loop) I canât helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.
But no, if you watch closely youâll see she doesnât even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. Iâd be pissing myself and fearing a broken neck if I were in her place. Kudos to her.Â
I canât stop watching this.Â
#I watched this for too long to not reblog
Whoa.
Okay so this is true, but a tiny part of a wider truth.Â
Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached  her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership âshe gave him sex. He gave her classâ ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But⌠JUST focusing on the Astaire moviesâŚ
Not only did she dance âbackwardsâ in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him.Â
Then thereâs the filming complications⌠these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up becauseâŚ
Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras⌠not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too!
Take this routine from Swing Time⌠(it gets going proper at 1:30ish)
This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So itâs heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it.Â
Well it turns out all these factors on this set, this particular day arenât going so well. So youâre doing take after take, hereâs no labour laws, so at 4am after 18 hours youâre still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speedâŚ.
Okay so now back to those high heels. In Gingerâs autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing.
The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spinsâŚÂ
So I say once again. Ginger Rogers was a badass.
She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know.
i would just like to add that the âold quoteâ about Ginger Rogers doing everything Fred Astaire did, but backwards in high heelsâŚis originally (yes, really) from the comic strip Frank and Ernest.
So add it to the list of great sentences from unlikely places.
So add it to the
list of great sentences from
unlikely places.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Concept: A witch cat thatâs too fat to fly
This is legit great because it shows that itâs not the cat thatâs the problem, itâs the broom. The cat just needed someone to make an accommodation so they could fly too.