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@homo666
When I get new followers <3
You can make a movie with where the only white character is a man named Ray Cism whose one line of his 16 seconds of screen time is “I seriously hate women and minorities.” and you’ll find fifty bajillion reader x Ray Cism fanfics and renaissance style drawings of him with a halo of golden light
listen to me, this is so so important: you've gotta get used to really giving it your 60% as a default. like don't half-ass it necessarily but try not to go over 70% or so of an ass. you'll feel better and live a happier more fulfilled life, and on the rare occasions where you do need to lock the fuck in you'll be able to pull off bullshit that the sad miserable wretches giving it their 100% can never dream off, because they're busy draining themselves dry and you have energy reserves to spare.
This is actually what I was adviced to do at the work rehabilitation program I went to. Hasn't left my mind since. 10/10 solid advice
my futile wish is for people to understand that "sex scenes in movies/TV don't have to serve the plot and can genuinely just be for pleasure" and "sex-repulsed people are allowed to complain about how rare it is for media made for adults like them to be something they can enjoy completely" are both true statements. unfortunately society hates both sex and people who don't like sex, so everyone gets far too defensive about any sex or lack thereof in fiction to actually have this conversation
as the target audience of sandwiches,
everyone wants masc carpenter trade until his rough calloused handjob sands your thing down small and smooth as a river stone
2,300-Year-Old Saddle Blanket from the Altai Mountains of Siberia: this saddle cover was preserved in the frozen barrows of Pazyryk for more than two millennia
This elaborate saddle blanket dates back to about 400-300 BCE. It was discovered in the Pazyryk barrows, located in the Altai mountains of Siberia, where it had been preserved in the permafrost for more than 2,000 years. It's made of felt, leather, horsehair, and gold foil.
Above: the appliqués at the center of the saddle blanket
The central design features two identical appliqués, each depicting an ibex being pinned down by a griffin.
Above: close-up of the appliqués
The sides of the saddle cover are also decorated with circular pendants made of felt; each of these pendants is trimmed with leather, encircled by tufts of horsehair, and embroidered with a stylized depiction of a ram's-head. A pair of horned tigers can also be seen at the base of each pendant.
Above: the pendants that hang from each side of the saddle cover
This artifact is attributed to the Altaic nomads of Siberia, who formed part of the larger group of cultures that are collectively known as the Scythians (or Scytho-Siberian peoples).
According to the Hermitage Museum:
Saddles used by the ancient Altaic nomads differ from those used today. They had no wooden base and consisted of two leather cushions filled with reindeer and horse hair and sewn together on one side. Felt saddle covers were traditionally decorated with scenes showing a beast of prey tearing to pieces a herbivorous animal.
The Scythians were among the first cultures to begin using horses as mounts, and they invented one of the earliest forms of saddle. They were extremely skilled and accomplished riders, and their early mastery of mounted warfare enabled them to gain control over vast sections of Eurasia. That dynamic led to the development of a very noticeable "horse culture," with horses playing a critical role in many different aspects of Scythian life (and afterlife):
The horse was an essential part of Scythian life and was the most important and multipurpose animal used by the nomads. Initially, the Scythians reared large herds of horses mainly for their milk and hides, but eventually were among the first people to harness the horse as a mount.
By the 7th century BCE, the Scythians were already master horsemen and controlled a vast corridor of land that stretched across southern Siberia, from the Black Sea to the fringes of northern China. This expanse of land was greater than the Achaemenid Persian Empire, which the Scythians outlasted.
The Scythians produced many horse-related artifacts that have been discovered at sites throughout Eurasia, but this saddle cover is one of the most elaborate and most well-preserved examples of that tradition.
Above: the saddle cover from Pazyryk
Two other artifacts from Pazyryk have previously been featured on my blog -- a 2,300-year-old plush bird and an elaborate horse headdress.
Sources & More Info:
Hermitage Museum: Saddle Cover
World Archaeology: Do the Clothes Make the Horse? Roles, Statuses, and Identities in the Pazyryk World
University of Washington: Artifacts from Southern Siberia/Pazyryk
Expedition: The Textiles from Pazyryk (PDF)
Cambridge University Press: The Origins of Saddles and Riding Technology in East Asia
Routledge: Pazyryk Culture Up in the Altai
University of Leicester: At Home, with the Good Horses (PDF) (this is a really great paper)
It’s okay to not want to have sex ever. It’s okay to never even try it.
I was 23 before it even occurred to me that not starting with sex ever was an option. The feeling of relief was so great I actually cried.
You don’t have to if you don’t want to. You can have a fine live without ever having sex, I promise you.
Also, it’s okay to never date anyone ever. It’s okay to never even try it if you don’t want to.
I wrote a master’s thesis on intentionally single people, and the number of them that said in various ways, “I didn’t know not dating people was even an option at first” was absolutely tragic. They honestly thought they had no choice and it never occurred to them that opting out was even a possibility available to them.
People honestly believe these are life experience you are required to have AND THEY ARE NOT.
You can just not have sex. You can just not date people. You can completely by-pass one or both of those things. Neither of those things are required to be healthy, happy, normal, mature, fulfilled, or any of the other bullshit notions that get attached to these things.
Sex positivity is about bodily agency which includes the choice to NOT/NEVER have sex, so inclusion of asexual/celibate/sex repulsed people will always be a pillar of any real discussion of sex positivity and sexual freedom.
The reason why so many of y'all's feminism sucks is because you still believe deep down in your hearts that there are only two kinds of people in the world: precious, ethereal, fragile dollthings called "women", and violent, lustful, rage-fueled apes called "men". Until you throw that idea away, 3rd-grade-tier "girls rule boys drool, girls are princesses and boys are stinky :(" is as feminist as we'll ever get-- and I hope it's obvious that that's lightyears away from the bare minimum of where we need to be.
I don't know how I'm supposed to explain to ostensibly trans-friendly feminists that "women are beautiful soft things made of glass, men are obsessed with violence and sex" is exactly what the patriarchy wants you to believe. Patriarchy wants you to believe that being a woman and/or having a vagina (patriarchy generally believes those two things are synonymous) makes one shatter on impact with reality. It makes you easier to control if you are scared shitless of the other half of the population, and it makes you more compliant with your lot in life if you believe it is in the nature of the other half of the population to rape and kill rather than realise those were choices those individual rapists and murderers made. There is no way to make gender essentialism progressive and feminist, because it is one of patriarchy's tools of subjugation. Stop trying to make it progressive.
And I can scream all of that from the rooftops over and over again, and what I hear in reply is "Trans men really are men because no woman would ever decide to become an inherently evil repugnant rapist ape", and "You're so right. Trans women are women because they too are pretty delicate little objects I can fuck", and "You're non-binary? So are you fucktoy non-binary or sexpest non-binary?", and my patience runs ever thinner.
free use is kind of a funny kink bc it relies on the idea that everybody wants to touch you and have sex with you but what if they don't. what if you tell everybody at the party you're free use but they all ignore you and mind their own business
taking notes
Sobbing ofnfjfkfklg
a lot of people assume psychosis hallucinations are super intense all-consuming horror movie shit like the memes about the hat man or always horrible debilitating things that make you dangerous to be around
but in my experience 95% of my hallucinations are getting spooked by very clearly hearing someone knocking on my door or calling my name from another room or hearing footsteps walking behind me which are "just" my brain recreating the horror of an abusive childhood
i *have* gotten the "bugs crawling all over me" hallucination once or twice though and yeah that one is exactly as terrible horrible as it sounds AUGH
(not trying to put you on blast specifically, you're just a good example to jump off of)
media and pop culture hypes up psychosis a lot as The Worst That Can Happen out of sanism, so even when you try and filter that cultural bias out you still assume it's based on something
when, no, psychosis is actually very simple: it's just hyperactive pattern matching. it's your brain's signal-to-noise ratio being off balance, it's seeing images in random static. it's not always this special uniquely big thing, it's in fact quite mundane a lot of the time.
no one is immune to psychosis, it's not purely the realm of the insane. anyone is one bad night of sleep or one bad case of food poisoning or one bad fever away from being just like me on my worst days.
and this, indeed, is why solidarity with the insane is so important: you, yes you too, are just one bad day from joining us, and no perceptions of being a "temporarily embarrassed sane person" will save you from the oppression of the psychiatric institution.
I don't think Tolkien is a good fantasy writer because he scored the highest at some objective Best Fantasy Book Test that every fantasy writer has to take, I think he's a good fantasy writer because he created a world based on things that he was interested in. I feel like a lot of fantasy writers think that they need to create a whole language for their world because Tolkien did and obviously his books are the best so they have to emulate him, but Tolkien did that because he was a linguistics nerd. I think the lesson to be learned from him is not that you have to include elves and deep history and new languages, but that you have to write endlessly about the things you are a huge nerd about and use those things to create your fantasy world
straight men enduring 24/7 sexual assault each other in order to not be labeled faggots is honestly the best example of how masculinity operates. the other day before work a coworker fr shoved a finger in another coworker's ass (above pants) as one of their little "ha ha you're gay" jokes. fuck is wrong with them. equal parts disgusted and fascinated by their behaviour.
of course these people are fucked up and unable to hold healthy relationships grounded in mutual respect! they're constantly assaulting and being assaulted by their friends just to Not Be Gay/Like A Girl!!!
the biggest reason men refuse to recognize a lot of what they do to women as sexual harassment/assault is bc of their misogyny and wanting to maintain our power over women, 100%. BUT can i just point out that maybe a smaller but not-insignificant reason might also be that they can't even recognize sexual assault when other men do it to them???? i didn't tell that coworker bc he's an asshole, but i have had to tell other guys at work "hey what they're doing to you is terrible and you shouldn't have to put up with it you know" which most of them hadn't ever been told before because """""roughhousing""""" is part of that "boys will be boys" thing that makes everyone ignore our abuse
"boys will be boys" okay well maybe boys should be shot
Chains & leather
Vladimir Archipovich Bondarenko
Vladimir Bondarenko (Russian, 1866–1900), Forest Scene, 1880s, oil on Canvas, 174 × 133 cm; private collection.