irrsal & wirrsal

🦀 E || 25 || they/sie || abteilung für bisexuality🦀

[gelayev]

[dumbdoegirl]

(wanting to get beat up voice) i bet i could beat you up

[fibrefeind]

[thedreamthieves]

i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it like…impossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.

[mossgirl]

[catilinas]

more benches in museums

the benches need to have backs!

[sapierror]

also, I really don't know how to phrase this but to me the finale misses the joke, you know?

it forgets that the christian cosmology was the setting, told through corporate satire, not the villain. even God wasn’t an active tyrant; she was an absent CEO, leaving individual contributors like Aziraphale and Crowley to realize their job descriptions were irrelevant to the company's bottom line anyway, so they coasted by on minimum effort

that corporate satire was what allowed this to be a comedy, a space to tell a beautiful story about choices, humanity, and love. the finale for some reason treats that background seriously, it turns that setting into an omnipotent, dystopian threat, which completely suffocates both the romance and the humor by replacing a petty system you can outwit, outsmart, outmanouver with a bleak, unearned nightmare where "the company controls your every breath, and you can never clock out"

[books-and-omens]

Yessss exactly, I've also been saying this. S2 and S3 have a grand storyline and I absolutely see why people enjoy that dramatic sweeping story arc (plus the cast and crew did absolutely phenomenal work). Personally, though, I don't find this grand storyline compelling or engaging. I suspended rather a lot of disbelief in S2, but now that I've seen where S2 was taking us... Well. I simply don't care about an artificial doomed dystopian world with no free will and the martyrdom needed to break out of it. S1, with its queer joy, felt like a revelation, like the best kind of defiance. The tonal shift in S2 and S3 has been... something.

[quiet-compassion]

It’s hilarious to me that so much of the TVL promo has been like “What if Lestat was the coolest guy in the world?” And then this new teaser is like “I mean, he’s not. But could you imagine?”

[a-peach-in-space]

[littlegirlinvisible]

HAPPY PRIDE! 🌈

Interview with the Vampire (2022 —)

[splrinky]

holy shit

[maybemayii]

Jacob Anderson talking about the icons that shaped his Louis — Grace Jones & Eartha Kitt (Part ll)

[sunnyyfur]

he would have interviewed the fuck out of those vampires

[fruitgravies]

the failure(s); the many loves of the vampire lestat

prints • insta • twt

[eldradmvstlive]

Tom Baker’s thoughts on a female Doctor from a 1983 convention panel ❤️

[faggyangels]

“average Doctor is really really cool” factoid actually just statistical error. average Doctor is very uncool. The ninth doctor who wore a leather jacket 24/7 and told a dalek to kill himself is an outlier and should not have been counted

[mndvx]

Chris Eccleston on that shit let him talk!!!!

[nipuni]

Repairs 🔧