Twin Peaks: Fire Walk with Me (David Lynch, 1992)
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@lauramybeloved
Twin Peaks: Fire Walk with Me (David Lynch, 1992)
My favorite form of redemption arc is “I hate that I have morals now”
Like “I realized that I was in the wrong and now I will work hard to atone” is good and all, but “how dare you infect me with morals” will always be so much more entertaining
That moment the former baddie starts to walk away from some bad situation, almost gets out, and then just stops, curses, and turns around to go help?
*chef’s kiss* delicious
This one gets it
GLaDOS finding her conscience terrifying is peak villainous arc IMO
“I’ve heard voices all my life. But now I hear the voice of a conscience, and it’s terrifying. Because for the first time, it’s MY VOICE!” (scandalised) “I’m being serious- I think there’s something really wrong with me”
Your journey made me discover things about me that I’m haunted by
Your journey made me
discover things about me
that I’m haunted by
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Force Remove Copilot, Recall and More in Windows 11 - zoicware/RemoveWindowsAI
How do I... use this? I don't know what to do ;-;
here’s a youtube tutorial by the guy who made it
it’s ok to ask for help the next 946 days
(Batman 1966 s2e37 in which Bruce appreciated Dick's choice of instrument)
This is one of my absolute favorite images of all time.
hi icy! im a writer of multiple subjects including short stories, what i intend to be novels, poetry, fanfiction, and nonfiction including academic essays, and i know this isnt typically the subject of your blog but i want to write about the Black transfeminist subtexts of phillis wheatley's poetry and how she often wrote herself outside of gendered and raced positions while also emphasizing her African and sable (preferred terms) heritage. do you have any suggested readings for this?
Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Mode
The first-ever Black history to center queer voices, this landmark study traces the lives of LGBTQ+ Black Americans from slavery to present
Research Guides: A Map to Black Studies Collection: Black Gender and Sexuality Studies, Black Feminism and Black Trans Studies
Two of these are books I just found and am very interested in reading.
COME ONNN
who is dick grayson
Everyone in this fandom always assumes that because Cass doesn't talk much she must be a good listener, but Cassandra Cain-Wayne is nothing if not living proof that just because somebody's not interrupting you does not mean they find your small talk interesting.
“You wanna know who killed Laura Palmer? You did! We all did.”
battle couples has gotta be one of my favorite tropes though. The “you got me?” “Yeah, I got you.” The kiss for good luck. Fighting alongside each other for so long they know every strength and weakness. The dichotomy of being fucking terrifying to their enemies, but so soft with each other. When one is in danger and the other goes feral, protects them at any cost. When everything is over and done, it’s all “let me see where you’re hurt,” and washing off the dirt and blood.
"humans are space orcs" this and "humans are the jack-of-all-trades race" that and "humans are the ones with a reputation for trying to fuck everything" and etc but you know what I don't see too often?
humans are the moms
compared to other species on earth, humans have a really outsized "protect baby" instinct. you give a human a thing and tell them it's actually a baby thing and many humans will suddenly develop a complete and total aversion to harming it, even if it's like, a writhing mass of slimy tentacles in no way reminiscent of human infants
cats domesticated us by figuring out that they could leave their kittens with us when they went out hunting and come back and probably still have the same number as before they left. there is a decent chance that wolves did the same thing
word gets around the less parenting-inclined species and they're just like, are you doing a long haul space voyage? going to have to lay some eggs in the course of the trip? take a few humans with you. yeah they'll just start training the young and keeping from them climbing into the machinery themselves you don't even have to find specialists. I know a guy who budded unexpectedly on a freight hauler halfway through a four year trip, and not only did the humans not eat his spawn, they set up this thing called "babysitting" where they'd take turns monitoring its survival and helping to teach it basic skills
hazard is that if you're going anywhere with xenofauna, you have higher than normal odds of the humans trying to smuggle some weird creature aboard ship, though. you gotta watch 'em. on their own homeworld their officials have to put up goddamn signs telling them not to feed dangerous wildlife or try to touch the babies. most of 'em do understand the regulations and about potential bio hazards but there always seems to be at least one that loses their goddamn minds because some avian chick got caught in a mudslide or something
"You've got to be exaggerating. Why would they be like that?"
"Easy. You know how most civilized species lay eggs, and even the ones that don't will have young ones able to move around and fend for themselves within the day?"
"Yeah, obviously."
"Human newborns can't even lift their own heads. They require the full-time attention of as many adults as possible to make sure they survive to a self-sufficient age, much less adulthood."
"Whaaaaat. How long does that take?"
"Many years. And their planet has long years."
"What!"
"Yes. So their parenting instincts are overclocked for a reason. And sometimes that spills over onto other species. ...And by 'sometimes,' I mean all the dang time."
"Uh huh."
"So keep them away from the dangerous fauna, especially the little ones, and be prepared for them to get emotionally attached to the occasional inanimate object. Oh! And if you need to get their attention in a loud room, play a recording of one of their young making a distress sound. They hate that, and will want it to stop immediately."
"I am taking notes."
Luke Skywalker in The Mandalorian but it’s Toxic by Britney Spears
I’m gonna propose something: if your combat/ass-kicking sequence can’t fit to a top 40 female-vocalist Banger like “Toxic” or “Mama Mia” or “I Need a Hero” you’re not Doing It Right.
At this point its starting to feel like Editors are using 140-150bpm as a standard for action sequences, and I cant say I hate it.
I agree wholeheartedly with every point above but I watched this first with the sound off because I forgot that was an option and what struck me most is how efficient Luke's lightsaber style is. Almost every flourish he makes and all of what, 2 entire spins?, is defensive to better parry blaster fire while nearly every offensive swing he makes is basically a head or chest level kill shot. If I had to make a guess about his character I'd say this vintage twink has probably Seen Some Shit and maybe comes from a background where resources are scarce and help is far away so if you get in a fight you have to end it before it starts or you're dead meat
deeply want a time travel fic where Luke visits the old republic and the Jedi are like “that’s not a dueling style” and luke is like “yea am not doing much dueling tbh”
Luke would have learned the basics of lightsaber use from Kenobi, who would only have had time to teach him not to cut his own leg off, and from Yoda, who was likely teaching techniques he knew more from observation than personal use -- we've seen his style, it's geared toward being two feet tall and fighting much larger opponents. Not terribly applicable to someone human-sized. I think that, given the overall circumstances, Yoda would have focused on getting Luke ready to fight opponents without lightsabers. Yes, he'll also need to prepare to fight Vader at some point (though I think Yoda and Kenobi were hoping to avoid that) but there simply aren't a lot of Force users left in the galaxy to fight, compared to how many stormtroopers and droids and so forth will be trying to kill him.
Other than that he's basically had to make things up for himself based on trying not to get killed, by a pretty wide variety of opponents, mostly armed with blasters. His closest up-front experience with dueling comes from Darth Vader, who can't be doing with all those fancy flips and spins, being as how he's portrayed by a middle-aged man in a clunky plastic costume. (This works really well later on when we learn it's mostly prosthetic limbs but it originates from the simple physical limitations of the suit.)
Said middle-aged man was the great Bob Anderson, who was also the fight choreographer and sword trainer for the original trilogy. He didn't return for the prequels and the difference in style shows. I think it's a good difference! The highly formalized styles on display make perfect sense for people trained by a large, ancient, and somewhat stagnant religious order, rather than one guy putting together what he can manage on the fly. It's good to see that they resisted the temptation to get fancy here and stuck with a style that makes sense for Luke's experience and resources.
very important for elf characters to freak the fuck out about the aging difference thing and pre-grieve like crazy and scream themself hoarse with denial when they can’t stop death itself and they still look the same as when they met the frail aged body that’s going cold beneath their touch and eventually settle into a numbness that they’ll call acceptance but they never really let anyone get as close as they did in the first century of their life unless they know they’re going to stick around as long as they will
“why are elves so snobby and exclusive and cut-off from everyone else” befriending you means they’ll end up burying you and your children and your grandchildren and they’ll still be young. exactly how many times do you think you could choose to do that. if you live through enough centuries, eventually you run out of days in the year to visit each grave.
idea: scene with two characters eagerly stripping each other clearly about to bone, but they keep getting interrupted by finding carefully concealed weapons in each other’s clothing, so they keep just unholstering, revealing and unstrapping increasingly ludicrous amounts of hidden guns and knives as the clothes come off, and it’s lowkey killing the mood a little
Alternatively: it's not killing the mood at all but it's totally making both of them giggle like they're twelve and possibly get lowkey competitive in a subconscious way about who has the most to drop.
The more that I think of it the more I'm seeing the incredible intimacy of letting someone know where you keep your backup knife.
Like my god, the trust involved in letting someone undress you and learn your secrets instead of popping into the bathroom to change where they can't see and hiding all your weapons under the sink
...Oh
second alternative: you go to hide all your weapons under the sink but there’s already a bunch of weapons hidden underneath the sink.
awkward
It’s not that there’s already a bunch of weapons hidden underneath the sink that makes it awkward so much as that there’s so many weapons hidden underneath the sink that they fall out of the cabinet with the unmistakable sound of a knife-alanche, and then the other person comes in like “I can explain!” and you’re just dead-ass standing there with your own armload of weapons like “I can also explain.”
Married version is shoving your hand in your partner’s clothes when you’re out of weapons because you KNOW where their spare is. Or wearing a weapon in a spot you can’t draw from yourself because its now spare storage for your spouse’s weapons.
Every single one of you is a genius
You are not staying in the tags
Favourite Platonic Duo: Round One Match One of Sixty-Four
Dick Grayson (Nightwing/Robin) & Donna Troy (Wonder Girl/Troia)
Jason Todd (Red Hood/Robin) & Harvey Dent (Two-Face)
“By the first world war, soldiers swore so much that the word “fucking” came to function as no more than “a warning that a noun is coming”. “
Guardian review of Holy Sh*t: A Brief History of Swearing by Melissa Mohr
i would like to take this opportunity to present my headcanon about that infamous “language!” line: steve and the howlies had such dirty mouths that they had to be constantly reminded to clean it up for the reporters that followed them around. so steve heard a swear word over the radio and had a kneejerk stop that we’re being filmed for the folks back home reaction.
in other words, he said “language” not because he never swears, but because if he’s not on guard he swears way too much. :D
“the word ‘fucking’ came to function as no more than “a warning that a noun is coming”
And the interesting thing about actually dealing with people who do swear to that degree, which I have, is that eventually your brain completely tunes the word fucking out.
You basically don’t hear it. It becomes unimportant noise.
I was actually just talking to someone last night about how when I was a kid (the 80s), no one said “fuck” or “shit,” ever, but people casually tossed slurs around like nobody’s business. Now people use “fuck” and “shit” like punctuation, but slurs are increasingly taboo–and that’s exactly how it should fucking be.
You can tell we were kids in the 80s in different places…
OH MY GOD I FOUND THE POST AGAIN!!
When I first saw this post go around, I was traveling, but I had something I wanted to say and I could never find it again.
Okay, so, this post isn’t wrong, but what the original gifset doesn’t take into account (though some of the commentary touches on it) is how incredibly situational swearing was in the 1940s.
So, yes, men swore a lot – around other guys, in certain contexts. But they were very heavily conditioned not to swear around women and kids.
I think this might be one of the big reasons why a lot of people my age and younger got the idea that people didn’t swear during the 1940s. Most of us fell into the “kid” or “female” categories, or both, and guys our grandparents’ age would never, ever say “fuck” around us. And those words weren’t usually used in media of the era for similar reasons, so we got the idea that people that age were very prim and polite, when it’s more that they were prim and polite around us.
I remember as a young woman walking in on groups of old blue-collar guys talking among themselves, with profanity flying freely, and then noticing me in the room and immediately clamming up and apologizing to me for swearing around me.
There’s a bit in the Douglas Bader biography I was reading a month or so ago that demonstrates this in a WWII context. According to the book, the squadron pilots swore freely in their radio chatter to each other in the field, to the amusement of the WAAFs (female service personnel) who were listening to the radio in an ops room as they moved counters around on maps (much like we see Peggy doing in TFA) and the embarrassment of their commander:
After awhile, to the regret of the Beauty Chorus [the WAAFs], Woodhall disconnected the loud-speaker in the Ops Room, feeling that some of the battle comments were too ripe even for the most sophisticated WAAFs. (“They laugh, you know,” he said, “but dammit I get so embarrassed.”)
… so, right, even in the middle of a war, pilots saying “fuck” over the radio was something the female staff had to be insulated from.
Say what you will about the baby boomers, but they largely demolished that wall between “swearing around men” and “swearing around women”. Most guys my dad’s age don’t do it anymore, at least not to that much of an extreme. By the time you get to my generation (I’m 40), people might swear or they might not, and they usually don’t swear around young kids, but swearing around men but not around women is just not a thing anyone does anymore. At least I don’t know anyone who does it specifically and consistently who’s not elderly.
It’s not really an individual-sexism thing, more of a socialization thing – sexist on a societal level, sure, but I don’t think Steve would balk at swearing around women, kids, or in a refined or professional social setting because he’s a sexist or a prude. It’s just something you didn’t do as a polite person. Like blowing your nose on the tablecloth in a fancy restaurant. I think he could and probably would unlearn that, but it’d take time.
So, to me, about half the examples up there work just fine (“now why the fuck would I do that” to Bucky – absolutely! Or “Is everything a fucking joke to you?” to Tony) and several jar horribly, because they’re not the right context (like the “there’s only one God ma'am” bit – noooo, you aren’t going to get “fuck” and “ma'am” in the same sentence! not for a Steve fresh from the 1940s! – or “we have our fucking orders” … in a polite, professional context like that, no). Steve would never. Or, I should say, someone from Steve’s culture – who tries in general to be a polite and respectful person, as Steve does – would never. Maybe after he’s had a few years to acclimatize to the more relaxed social climate surrounding swearing in the 21st century, but I think it’d take him awhile; he would sort of instinctively jerk himself back from doing it in all but the most relaxed sort of “palling around with your teammates” environment.
(Headcanon-wise, I could see Steve very quickly incorporating someone like Natasha into his mental schemata as “one of the guys” – not consciously, but on a subconscious level: like, he doesn’t hold back from swearing around her pretty quickly – but taking a LOT longer with someone like Wanda or Pepper.)
tl;dr disclaimer: not a historian, was not alive in the 1940s, so please correct me if I’m wrong on things here.
I’m so glad someone said this, because this is something I think a lot of the Steve meta about swearing misses. Situational profanity, exactly! He wouldn’t cuss in anything he’d consider ‘polite company’, because you didn’t do that. I’m absolutely sure he’s capable of having a very foul mouth in some circumstances (he was a soldier who grew up in working-class Brooklyn, so… yeah), but in the cultural context where he grew up, you sure as hell didn’t say ‘fuck’ in front of a lady, not if you had any manners to speak of.
/speaking as someone who cusses like breathing, even.
This is the best explanation of Steve’s ‘language’ line I’ve ever seen.