Lauren's Look On Life

Hi. I'm Lauren. About me: book and movie fan, vegetarian, animal lover, Disney enthusiast, chocolate addict and above all else, a dreamer. I dream of writing professionally some day, traveling the world, and living happily ever after.

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“Written in My Own Heart’s Blood” -an Outlander episode review by Lauren Avila

WARNING: this review contains spoilers for Outlander’s S7E15 “Written in My Own Heart’s Blood.”

There is a certain nerve that is touched when you mix nostalgia and romance. I don’t believe it has a word but when blended together it is a gift to the heart. It feels warm and familiar yet heartbreaking and mysterious. You’re on edge for what will come next but also don’t want the feeling to end.

The opening of the penultimate episode of “Outlander” brilliantly weaves together clips that spanned seasons of fighting and loss. The creative team got us right where they wanted, vulnerable and emotional, just in time for one of the most poignant episodes of the series.

To begin Claire and Jamie share a beautiful (both visually and written) scene together during the early morning together before battle. Knowing that no one is promised survival in a war, this could be the last time they have together.

The themes of time, separation, life & death, and seeking out to those you love were relevant to all storylines throughout the episode. From Lord John and Ian saving William, Bree and Roger trying to reach each other through time, reminders of Frank, and Fannie telling William that Jane has been arrested, all the characters have a lot to figure out in the finale.

None so much as Jamie and Claire.

While Brianna, Roger, William, Lord John, Ian, and Rachel, along with respective supporting characters all had development in their storylines that propelled them forward and necessitated action, it was Jamie and Claire that carried the strongest part of this episode which is suitably called “Written in My Own Heart’s Blood.”

Between scenes of the pair departing from each other and also fighting their own individual battles, there were flashbacks to a conversation the two shared the night prior to this day. They discuss the danger and unknown future that’s ahead of them. Still, they confirm that no matter what happens, just like the stars above them, they will never burn out.

Oh for that to be true. Even with apparent danger looming over the the entire episode (and foreshadowing in the beginning), to the shock of many the one caught in the crossfire of war was… Claire! Despite Claire’s fear for Jamie the whole episode she was the one who’s life now hangs in the balance as we wait for the season finale!

Catch the Outlander finale on STARZ 1/17!

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“A Hundredweight of Stones” -An Outlander episode review

WARNING: this review contains spoilers for Outlander’s S7E11 “A Hundredweight of Stones.”

The latest episode of Outlander may very well be one of the best yet!

This episode is the third episode back from the droughtlander break that separated the first eight and the last eight. Each episode this half has been bursting with content, saturated in drama, intrigue, tragedy, romance, and many surprises! Episode 11, “A Hundredweight of Stones,” picks up right where the previous episode left viewers with a shocking ending. The last viewers learned was that Jamie was lost at sea. Meanwhile and rather inconveniently, Claire is being accused of being a spy and is due to be arrested as such. As one last devotion to his beloved friend, Lord John Grey offers to marry Claire in order to protect her from a likely date with the gallows. Regardless of her having no qualms with death as a new widow, Lord John informs her that their marriage would also ward off the suspicions her crime puts all of her acquaintances in.

As mentioned, this episode begins with the wedding that no one saw coming. The frenemies that have been jealous of one another for years are now taking vows to love and to cherish each other until death. If you have not read the books, the fact that these two actually go through with this wedding and eventually with a wedding night is quite a shock.

There is MUCH to be said about that but we’ll return to that later. Elsewhere, viewers discover that the title really applies to all our characters. Ian lays a stone in remembrance of the second father he has lost in such a short time. He also fears that with this new revelation his Auntie Claire will return through the stones, leaving him with yet another loss. He also unburdens the truth of his previous marriage and his son to Rachel who he wishes to now marry. This new truth among them brings the two even closer and solidifies the building blocks of their love.

Speaking of stones, Brianna is stunned to find that Rob Cameron did NOT go through the stones with Jeremiah. She is unrelenting in her determination to find her son now that she’s aware he’s in the same time as she is. She will not be ordered about by Rob and knocks him out cold with a pan.

Even so, Roger did go through the stones! He is wondering in what he believes is the wrong time to rescue his son but has found other hardware that may point the way toward his father who went missing when he was a child.

In S7E11, William learns a truth that is crushing to him. The facts he thought he knew- his birthright, his father’s love- are not as rock solid as he thought. After overhearing about his true paternity, he finds the “stones”(rosary beads) that once brought him comfort, he now wants nothing to do with.

So as you can see the hundredweight of stones are relevant to all. None so much as Claire and Lord John who’s grief is unbearable in the wake of Jamie’s death.

It’s important that we return to Claire and Lord John. Just as everything connects to the title, this turn of events connects to the overall story. A common tool to bring a story, be it a series, movie, or book, to an end is to return to the beginning. Thankfully Outlander will have one more season after this, still it is winding down to a conclusion. With that in mind, history has repeated itself. We find our heroine in danger of being in the custody of a redcoat captain. The only way to protection is via marriage to a man she does not love. Copious amounts of alcohol lead to a consummation and a conversation that bridges an understanding between two obligated participants. Sound familiar?

And even more specifically, when we very first meet Lord John in season 2, he tries to protect Claire who he believes is a captive among Scots. Here he is, gallant as ever, trying to protect Claire. We’ve returned to the beginning for both characters, offering them a chance to start over. However, as Claire shares with Ian, everything is different now. She is not looking to return to her time because in her heart THIS is her time. The time she lived in with Jamie.

We see that both Claire and John are summoning the strength to continue living their lives, together as it may. Lord John says it best in my favorite line of the episode: “All we have is each other and if we have each other then we have him.”

Accepting each other as a grazing deer in a field, who brings comfort but does not presume to belong, the new Lord and Lady John Grey venture to move forward in society.

However that proves to be unnecessary, as Jamie returns alive and well! Jamie and Claire’s joyous reunion is abruptly ended with William coming into his discovery (as mentioned previously) and British officers in pursuit of Jamie. In the midst of all this chaos, Claire smiles in relief that despite the trouble they always find themselves in, Jamie has returned to her and their life together is not over.

Catch new episodes of Outlander on Frqidays on STARZ.

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Priscilla- a movie review by Lauren Avila

Curiosity is a strong emotion. As the saying goes, curiosity killed the cat. Who knows what drew the metaphoric cat to its demise, perhaps an irresistible scent, the thrill of the hunt, something shiny… one may never know. For me, it was the new Elvis Presley movie that just hit theaters. Of course, the online world seems to forget that it is in fact not the newest Elvis movie but rather, a movie about his seemingly controversial ex-wife, Pricilla. This movie made headlines long before its Venice Film Festival world premiere. When the news that Jacob Elordi, of “Euphoria” fame, was cast as Elvis Presley the internet was let loose conveniently at the start of the 2022 award season. The production of this film came right on the heels of Baz Luhrmann’s “Elvis,” which skyrocketed its star, Austin Butler. to Hollywood’s A-list status with accompanying award nominations. Even in spite of the inevitable comparison battle, this movie has built-in hostility that it's up against. “Priscilla” is based on Priscilla Presley’s often refuted memoir, “Elvis and Me.” The book, co-written by Sandra Harmon, unveiled many shocking anecdotes pertaining to the person Elvis was behind closed doors. However, Priscilla has retracted or altered stories over the years since its release. It has also recently been revealed that prior to her unexpected passing, Elvis and Priscilla’s daughter, the late Lisa Marie, was adamantly against the making of this film because she anticipated that it would portray her father unfairly. So with all this in mind, how did the film turn out? Read ahead for my honest thoughts.

***SPOILER WARNING- the following review contains spoilers about the book and movie***

“Priscilla” opens with a noticeable reminder that Elvis Presley Enterprises did not allow his catalog of music to be used. Frankie Avalon’s “Venus” is played soon into the film to set the decade. Its instrumental is also reprised later. Other songs used throughout the movie suited the story and era in a sufficient way as to make one forget that one hasn’t heard a single Elvis song in a movie about Elvis. Well, except for one but more on that later. What else is obvious is how the budget of the director, Sofia Coppola, was used. The film, from color schemes to costumes to sets to performances, is understated and utilizes soft tones that remain throughout. I felt like the entire movie came across as a motion picture with the glitzy-Hollywood filter removed. It looked and felt very realistic, coming from a personal standpoint. Cailee Spaeny, who plays the title character, effortlessly conveys Priscilla’s youth and innocence. She is soft-spoken, apprehensive, and obedient to any and all. While based on truth, I believe that the height difference between Jacob and Cailee was really emphasized in the movie to serve as a visual symbol of the relationship. Jacob’s Elvis completely towers over Cailee’s Pricilla, which Coppola highlights often. Only minutes into the film, the audience is introduced to Jacob’s Elvis, an impressive blend of voice and mannerisms very reminiscent of the genuine article. 

The film stays very faithful to the book, bringing to life many key stories that built up and brought down Elvis and Priscilla’s union. As a whole, I felt the movie used a first-person perspective just as the book did. We, as an audience, experience the butterflies and excitement of puppy love, then the intimacy and bliss of real love, and finally the heartbreak and sadness of lost love. The film clearly shifts in acts, using pacing as a tool. The beginning is slow and steady, then the middle heats up in a whirlwind before finally coming to an abrupt end. 

While I think “Priscilla” serves as an entertaining adaptation of “Elvis and Me,” I’m not sure it acts as anything else. It didn’t bring anything new, which perhaps was its goal? If it was only made to tell a story of a girl entering an unsustainable relationship that was always a fantasy, then it did so. Now please don’t misunderstand me. There’s nothing wrong with sharing a cautionary tale of what happens when your “dreams” come true or even an angsty fairy tale. However, I feel that something was missing. This is a unique, once-in-a-lifetime love story that could have been explored a little deeper. Elvis and Priscilla had a very complex relationship that changed both of them in life and death. There’s a reason why the real Priscilla still keeps the memory of her dead ex-husband alive but a “Priscilla” audience is left wondering why. 

Nevertheless, the performances really sold this film! If I’m being honest, I feel that Jacob will be the one people leave this movie talking about. However, Cailee is not to be missed. Priscilla navigated through an unstable, unpredictable, and unbelievable life that no one could have prepared her for. Cailee brings a remarkable blend of strength and vulnerability that makes Priscilla rootable. She faces challenges but continues to be capable of surviving them over and over. 

In some ways, I think Jacob had the easier job because all he had to do was play Elvis Presley.

Not only did Jacob have to take on the role of arguably the most recognized person in history but he had to do it following Austin Butler’s highly praised performance. He had to master the  voice, the looks, and the nuances of an extremely popular yet surprisingly mysterious icon. It should’ve been impossible but I must give credit where it's due: he did it. To be fair, I think it helps that I had never seen Jacob do anything else. You may form a different opinion if you’re used to him as an Australian actor or as his characters in “The Kissing Booth” or “Euphoria.” However, I really believed him as Elvis. His physical profile is very similar which hardly needs help but I have to admit that his voice work was right on point. He’s charming, which makes it so easy to understand why Pricilla falls for him but he’s also a bit dangerous like a ticking time bomb. As the audience, you never know what to expect from him. Jacob’s Elvis is a mix of bad boy and Prince Charming, with a little druggie twist. Elvis’s drug use is highlighted so much that it begs the question: are we seeing the real Elvis or the product of medicinal influence?

Even with Cailee and Jacob succeeding in their roles individually, this movie would’ve failed if they didn’t share chemistry. Anywhere from the kissing to the yelling, these two nailed their chemistry. I believed they were in love through every stage of it. Their standout to me was the sequence when they locked themselves in their bedroom after Priscilla’s high school graduation. Cailee and Jacob sold the sizzling hot chemistry together then brilliantly crashed through the complicated emotions of two emotionally-unstable individuals in the span of less than five minutes. There are several times where emotions run high such as when Elvis throws a chair in frustration after Priscilla dislikes a song he likes, or when Elvis threatens to send Priscilla away after she accuses him of cheating, or when Elvis tries to force himself on her in Las Vegas. He threatens, manipulates, lies, and withdraws so many times that it comes somewhat as a shock when Priscilla finally decides that she’s had enough.

My biggest problem with the movie is the ways in which it did stray from the book. Granted, it was not often but when it did, it was noticeable. There were details that if not spelled out for an audience they would not understand or plot holes that they would have to fill in themselves. Book readers would recognize what happened and why, while an unknowing audience would have to assume. For example, Priscilla explained multiple times how difficult it was to maintain a closeness with Elvis when she was competing with the Memphis Mafia, Colonel Tom Parker, Vernon Presley, Larry Geller, Hollywood and its stars, and his fans for his attention. I don’t think this is stressed enough in the film. Priscilla certainly goes through her lonely times, that comes across plainly, but Elvis appears accessible when they are together. A major part of why Priscilla decides to leave in the book is because they drift too far apart, yet this appears very suddenly in the movie. The movie version of Priscilla hardly shows a concern about Elvis’s decline in physical and emotional well being but the book version noticed the changes over time. I feel these are only a few aspects that would’ve been important to incorporate. 

I also have to note a few surprises I was not expecting. There was an Elvis song featured. They managed to get “Guitar Man,” notably featured in Elvis’ 1968 Comeback Special, into this movie. Jacob “performed” as Elvis a few times in the film, including candidly playing the piano for his friends at a party and wiggling on the Vegas stage. This movie also used Dolly Parton’s “I Will Always Love You” as part of the emotional ending scene. Fans may know that Elvis wanted to record this song but Dolly wouldn’t sell her rights to it. It is massively appropriate that this is the song that is used as Priscilla resumes her independence but takes a lifelong love for Elvis with her as she leaves. The song also has special meaning because in reality, Elvis sang it to Priscilla at the end of their marriage. Most importantly, the lyrics apply in such a way that is truly touching, tragic, and beautiful. It was a perfectly poignant way to end the movie and one of my absolute favorite decisions they made. I was sobbing at that choice. 

With all the weight that this film is carrying around, it is easy to form an opinion before even sitting down to watch it. I truly expected open season on Elvis, his reputation, and his career, but I think the film told a story in a way that did not outrageously force an opinion on its audience. Sure, it leaned a certain direction but ultimately how you choose to analyze the relationship is in your control. As an Elvis fan, I don’t know if I would recommend this film to diehards. I suppose I could best caution you by saying that this film shows the reasons we (and Priscilla) fell in love with him but it also shows why she ultimately left him too. Suffice to say, you must make the decision of watching “Priscilla” with that in mind. Jacob commented in an interview that Luhrmann’s “Elvis” and Coppola’s “Priscilla” would make a good double feature and I must say that I agree with him. Finally, it is important to remember that there is nothing wrong with liking both because they are two very different stories told in two very different ways. 

I almost forgot to mention that I want to give a huge shout out to the props department because there was ample screen time, including literal prop montages, to feature classic Elvis memorabilia such as magazines, records, photographs, etc. The attention to detail was fantastic! Well done, props department!

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Elvis: The Musical- a review by Lauren Avila

It would seem that the public has a renewed Burnin’ Love for Elvis Presley, without an end in sight. Between the recent Netflix premiere of “Agent Elvis,” Baz Luhrmann’s Oscar-nominated film “Elvis,” and ongoing tourism at Graceland, there is an unquenchable thirst for the King of Rock n’ Roll. Now there is a new way to enjoy the legend and his music. Elvis: The Musical made its West Coast premiere this month and has enjoyed a completely sold out run! The bad news is that the curtain will come down in California very soon. However, this same version will be making its Australian debut later this year! 

I managed to get a ticket to a daytime performance where, even in the middle of the day, people flocked to the East Sonora Theater to see Elvis in the building. This show tells the rise of the “kid that changed the world.” Playing the man, the myth, and the legend was Taylor Rodriguez. This was not the first time walking a mile in the blue suede shoes for this performer though. According to his credits, he “has had the honor of performing in many musical productions including the Million Dollar Quartet where he starred as Elvis Presley. In 2017 he was named One of the Top 5 Elvis Tribute Artist in the world. In June of 2019, he was crowned the 2019 Tupelo Elvis Festival Champion. Recently, Taylor Rodriguez was named The 2019 Ultimate Elvis Tribute Artist Champion by Elvis Presley Enterprises (EPE).” As you might expect from an introduction like that, Taylor really captures the voice and the moves of Elvis. 

The story begins with a nervous Elvis, waiting to go onstage for his career-changing, 68’ Comeback Special. He faces his younger self, in the form of an adorable 11-year old actor named Asher Berg. Kid Elvis asks him, “What are you doing?” In the midst of this self-reflection, the audience embarks on a journey throughout the life of both young Elvis and Elvis, the icon. The show was comprised of a very strong supporting cast! Personally, I’ve seen Broadway shows, touring companies, regional productions, and community theater. I have found that many times the supporting cast can make or break a show. In this case, they truly contributed to an entertaining afternoon. Major standouts include Christopher Michael, Elizabeth Harlen, Olivia Marie Jones, Sage Spiker, Taylor Tveten, and Dedrick Weathersby. They had the kind of stage presence that made you pay attention to them. Perhaps it was a million watt smile, the passion of a southern Reverend, the excitement of a radio DJ in the 50’s, the corniness of a tv announcer in the 60’s, or even a lovestruck Priscilla. 

The book comes from Sean Cercone and David Abbinanti who were wise enough to include all the major players in Elvis’ life, the hits you want to hear, and lines that make you think and feel. I really enjoyed the Jersey Boys-like template that many shows tend to follow these days. If it ain’t broke, don’t fix it, right? There were poignant moments of heartbreak, light-hearted points of humor that sparked genuine laughter, and even audience interaction that only an Elvis show could truly justify. 

Spoiler warning: My favorite parts included the build up to “That’s Alright,” the interaction of Elvis with the front row during his appearance on The Frank Sinatra Show, the compilation of Elvis making his movies, and all the scenes of Kid Elvis and Adult Elvis. 

Considering that this show was put on by a local theater company, I was impressed by the visuals. The set was a modest bi-level stage, encompassed by a Vegas-like semi-circle opening. Vinyl records were mounted to the walls on either side of the stage too. The stage’s projection screen added an immersive element, from spinning records to playing background for Elvis’s movies.The band was present onstage throughout, very convenient since they also doubled as Elvis’ actual bandmates. Unfortunately, power outage problems did occur several times but once again I must commend these professionals for not missing a beat. Strange things are, in fact, happening every day!

I must conclude by highlighting Taylor’s performance. Both his speaking and singing voice were very similar to the hip-swinging musician we all know and love. He accompanied himself on guitar. He pulled off all the moves that history has tied to Elvis. He convinced the audience enough of his character that the women were swooning over him by the time he was interacting with (and kissing) them. 

All that said, I will say that the show itself may need to be shook up a bit before hitting the stage again. My biggest problem is that there were hardly any solutions for each storyline and character introduced. If you’re looking for trouble, you may find it in the structure of this show. I came out of it feeling like I was missing something. I believe though, with all the potential that Elvis: The Musical has, it can be a hit. Check out this preview below:

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Ain’t Too Proud- a musical review by Lauren Avila

Get Ready cause here they come! The Temptations have made a mesmerizing return to the stage in the national tour of “Ain’t Too Proud- The Life and Times of the Temptations.” With smooth moves, classy costumes, and voices to bring the house down this show is the one to see when it comes to your area. I was grinning from ear to ear and dancing in my seat the whole time. The show immediately opens with one of The Temptations’ well known songs and it takes off like a Rollin’ Stone after that. This production follows a very similar pattern to another Des McAnuff jukebox musical, Jersey Boys. Obviously, if something works well it would be foolish not to use that magic over and over. The sets are minimal but with modern upgrades in theater design, screens and a creative use of floor movement really get the job done. This wouldn’t be a show about the famous five member group without those beautiful matching costumes. The only thing better than a snazzy dresser is one that can move! I will admit that I found myself blushing a few times watching these fellas. The dancing is brilliantly choreographed by Tony Award-winning choreographer, Sergio Trujillo (very nice and talented man). I’ll tell you though, it was the showmanship that really got me: sliding across the stage, playing with the mic stand, throwing the microphone at least 6ft in the air, etc…. A girl can’t help but swoon! To achieve that Temptations sound is rough [insert dad joke about David Ruffin here] but these gentlemen sang from their souls! It was some of the very best singing I’ve heard live. The performance I saw starred Marcus Paul James as Otis, James T. Lane as Paul, Harrell Holmes Jr. as Melvin, Jalen Harris as Eddie, and Elijah Ahmad Lewis as David. I was also lucky enough to catch the highly talented Treston J. Henderson understudying as Al. With hit after hit, this show flies by faster than you can say “temp is for temporary.” You will laugh, you will cry, you will sing along, and you’ll have an unforgettable night at the theater. Go watch “Ain’t Too Proud” when it comes to a city near you! Check here for tickets! 

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Elvis- a movie review by Lauren Avila

Elvis

The name Elvis is iconic. Few people in history are known by their first name alone but the man behind the name was nothing short of a legend. I would say that you’d have to be from another planet to have never heard of Elvis Presley but I think even aliens have heard of him. As it so happens, one of Elvis’ biggest fans is named Stitch (see the film “Lilo & Stitch” for more details on that). The fact of the matter is, Elvis’ life and legacy shot off like a rocket and has yet to sizzle out. For some, his career and his story has been reignited by Baz Luhrmann’s “Elvis.” 

I’ll confess that I was apprehensive to see the film and thought I’d get around to it on streaming someday down the line. For me, I thought it looked like just another biopic with an impersonation of a beloved artist. Fortunately I caved to the fantastic buzz this movie was shaking up and went to see it in theaters. Boy, am I happy I did! Not only did I see it and had my mind blown, I went back the next week and had my mind blown again. This skeptic was converted less than two minutes into the film. It just felt different. I don’t believe I’ve ever seen a movie quite like this one, and it has been many years since I’ve seen anything close to the fantastic movie-making that built “Elvis.” Baz Luhrmann is known for movies that are opulent and bigger than the big screen, such as “Romeo & Juliet,” “Moulin Rouge,” and “The Great Gatsby,” to name a few. “Elvis,” as noted by the director himself, was made to be seen in the movie theaters. I completely agree and I’m devastated that I don’t have a home theater that can thoroughly appreciate this film when it no longer plays at the theaters anymore. I believe that Luhrmann has not only reinvented what movies are supposed to feel like, but he has also reintroduced the value and importance of seeing a film at the movies. It is a pastime that has sadly declined in the age of streaming. For that alone, I am grateful to Mr. Luhrmann.

He has also rediscovered Elvis, his music, his career, and his life, and told it in an original way. There have been plenty of versions told in the past, however this story is told alongside the King of Rock & Roll’s right-hand man, Colonel Tom Parker. The Snowman is played by Tom Hanks, who transforms himself into an antagonist that audiences are not used to seeing from Hanks. While his performance is wonderful and integral to the story, he cannot hold a candle to the mega breakout performance from Austin Butler, who plays Elvis. Butler gives one of the very best performances I’ve ever seen. His portrayal is captivating, convincing, impressive, and nothing short of triumphant. I feel that Butler as Presley is the type of once-in-a-generation role that people will remember for many years to come. His embodiment of facial expression, accent, and moves are jaw-dropping. I realize that it sounds like an exaggeration but I often forgot I was watching an actor while watching the film. Butler also lends his voice to the movie for certain tracks because the original Elvis recordings were not suited for use. The fact that I made it through the entire film without realizing that should prove how well he accomplished that. I learned that fact after watching the first time, yet still couldn’t tell the difference when watching the second time. 

Luhrmann has described the film as an exploration of America in the 1950’s, 60’s, and 70’s through the presence of Elvis. He captures that time very well and presents it to an audience in a profound way. No stone was left unturned as a part of his efforts. The sets, costumes, and props played a pivotal role in the film. Everything was also incorporated for a reason. Luhrmann told most of this story through the Colonel’s storytelling. He is haunted by what happened with Elvis, through the use of flashbacks. There are undertones of showmanship & snowmanship throughout the movie with carnival and casino settings. The big seller sets included stages (especially The International Hotel), Beale Street, and of course, Graceland. Each was vital to Elvis’ personal and professional life. Costumes and props defined the era and the quintessential Elvis that we all remember. Luhrmann’s film covered every detail, from jumpsuits, glasses, and belts to guitars, cadillacs, and the Lisa Marie plane. Of course, I cannot tell you what was digital and what was real but even the implications in the movie showed every key aspect of who Elvis was. 

In addition to what you see came the importance of what you hear. Luhrmann included many of Elvis’ unforgettable hits, but still couldn’t squeeze Presley’s entire songbook into his nearly three hour film. He was clever with what he did however. He used bits and pieces where he could even if it meant incorporating it in a unique way. For example, he uses “Are You Lonesome Tonight?” to match the storytelling. It is different than what we’re used to but the version used in the movie parallels the tone of what is happening at the time. Luhrmann also added modern artists for the movie soundtrack and blended them seamlessly in. In my opinion, one of the best additions is Doja Cat’s “Vegas.”  If you have not heard the soundtrack yet, go give it a listen now. As mentioned before, Austin Butler sang for some of the movie and completely nailed it. Both Butler’s and Presley’s voices bring to life new excitement for these classic songs as well as lesser known titles. The movie score is creative in the arrangements that it snuck in. Elvis melodies are weaved into the background of the storytelling so perfectly that you only notice it by the way your heart feels rather than your head thinking about it. 

The inventive ideas are endless in the movie. Even at the very start, Luhrmann introduces his audience to the human Elvis was. He had a difficult childhood and therefore had dreams of becoming a superhero. His beginning of life as the only surviving twin was told through comic book illustrations. Then came the detail of young Elvis wearing a superhero symbol just as he was introduced to the music he loved, as a symbol of his eventual superpower. I really loved the “Viva Las Vegas” theme song segment. I thought it was a perfect storytelling tool to incorporate the time, the situation, and again utilize a music opportunity. “Viva Las Vegas” was cleverly blended with Britney Spears’ “Toxic” for this sequence. 

I think one of the best qualities of this movie is its intimacy and subtlety. When telling the story of Elvis, it would be easy to go too far, be too outlandish, or even be self-indulgent in the drama. However, Luhrmann’s “Elvis” felt very close to the heart. It was truthful but respectful. Instead of coming off as a caricature, this film made Elvis real and made the world fall in love with him all over again… because we can’t help falling in love. 

My final thoughts: I don’t normally feel enthusiastic about movie awards but if “Elvis” does not win for “Best Costumes,” “Best Director,” and “Best Film” I believe an injustice has been done. Even more so, if Austin Butler does not win an Oscar for “Best Actor,” it will be a down-right unbelievable robbery. 

I can’t say enough good things about this movie and can’t wait to see it again and again at home. I only wish it could stay in theaters forever. I believe this is the first time Elvis has been on the silver screen since it was actually Presley up there. He may never be back in theaters in our lifetime. If you haven't had the chance to do so, run out to see it before it's gone for good. You won’t regret it! This has to be seen on the big screen, even if it's the only movie you make it to the theaters for this year. Do it! I actually made a seventy mile round-trip drive to a theater that was still showing it in order to see it again. I saw it for the second time on the 45th anniversary of Elvis’ death. The movie was scheduled for 3pm but after previews, it didn’t start until 3:30pm., which was the same time The King of Rock & Roll was pronounced dead on August 16, 1977. May he rest in peace and long may his legacy reign.

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A Passionate Past- an Ethan/Kristina fanfic

This is my idea of what could’ve happened... still crossing my fingers. 

A Passionate Past

He was nervous. He hadn’t seen her since then. He thought about calling but couldn’t. What would he say? What had he hoped she would say? Even now, this was the kind of conversation he wasn’t ready to have. Fortunately she didn’t even know he was in town so maybe he could leave and not have to face it. Yes, that’s what he’ll do. He’ll stay one night and be gone before anyone would know he was there. 

Early the next morning he started to rethink his decision. He was conflicted. Maybe he should say hi. This would be the only chance to before he let himself disappear into the world again. Out of habit, he stopped by Kelly’s to get coffee. He sat, alone and thought of her. Should I or shouldn’t I? He thought. No, it would only complicate both their lives to drop in only to drop out a couple hours later. That was it then. He had made up his mind. He took a final sip, stood to leave and turned. 

There at the door, silent, was a stunned woman. She looked hesitant to speak yet her eyes reflected joy, with vulnerability. After a moment of silence, he whispered her name…

“Hey Krissy.”

“Ethan,” she said as she allowed a smile to slip across her face. His sly, half grin matched in return. Instantly the nerves fell away and it was like old times. She continued, “Wha-what are you doing here?!”

“It’s a long story. I’m actually on my way out.” His hand motioned toward the door. 

She walked right up to him and brought his hand down. “I don’t think so.”

He stared down at her, his charming grin permanently placed. Without thought he kept her hand clasped in his. “What are you going to do about it?”

“Well Ethan I don’t want to hurt you, but I will. So you better sit your butt down and tell me what is going on.” As the reality of his presence was hitting her, she couldn’t stop smiling. Just like old times, they sat at a table and reluctantly let go of hands. 

He let her in on everything. “... So there I was in Monte Carlo with Robert and Olivia and they said they were going home to Port Charles. It was a no-brainer to get out of there so I agreed to come along. I hadn’t planned on staying long though.” 

“I’m so sorry about your mom. That’s awful. I can’t believe you want to leave at a time like this. You need to be around family and friends.”

“I’ll be fine on my own.”

“Maybe so but why would you want to be? Don’t you want to be surrounded by people who love you?” With those words it became silent between them once again. He looked down. This was the very thing he wanted to avoid: awkwardness, uncertainty, the point of no return. She decided to dive right in and break the tension. “Do you ever think about that night?” He looked away again, hands to his head. “Because I’m not ashamed to say that I do.” He let himself make eye contact with her.

In a whisper he said, “I thought we weren’t going to talk about it.”

“But we should talk about it. We never said where we stood after that. In fact, we never said anything at all. Why haven’t you called me?”:

“I didn’t want anything to be different. I was afraid that if I called, whatever happened, we would be different after we hung up.”

“So you decided we were just never going to speak again? Ethan, it’s been a year!”

“I know, okay. But it’s not like you picked up the phone either.”

“I did. Trust me, I did. I dialed your number. I wrote out texts. I thought about contacting you all the time but I was scared. I thought you would push me away and we’d never be friends again. I didn’t want to lose you.”

“So here we are. I guess the joke’s on us. We’re having the very conversation we were both scared to have. Well we’re having it whether we’re ready or not.”

“I guess so. I just really want you to know that I don’t regret it. Any of it. And before you say anything, I don’t want you to think that you somehow messed up and that you have to apologize. I know you, Ethan. You’re going to think that there’s some mistake that needs to be fixed here but there’s not. We didn’t do anything wrong.”

“Look, you are very special to me Krissy. You always have been. But you’re right. I feel guilty. We crossed a line and I didn’t do anything to stop it.”

“Neither did I. We both knew what we were getting ourselves into and we both decided to go through with it.”

“When we agreed to a visit, I honestly didn’t plan on that-”

“These things just happen, Ethan. No one needs to take the ‘blame.’”

In the past, when Ethan had a conversation like this he was used to seeing Kristina as a teenager who needed someone to look out for her. But now, he was staring across the table at a mature woman, fully confident in her life choices. Maybe she was right. Maybe there was nothing to fix here. “You’re right. We’re both adults here. We should just acknowledge that it happened. But I am sorry that I left abruptly like that. I panicked. I couldn’t stay.”

“I understand. There was a lot to figure out. But you know what, we just made it complicated by letting so much time pass by. So let’s forget about that. What would’ve happened if you hadn’t left?”

He was timid to answer. Although he thought about that often, he didn’t really know what he would’ve said or done. 

****************************

She had met him in Australia and they had a great time. He showed her where he grew up and showed her some of his favorite spots. It felt amazing to have her there with him. It all felt right and they had a great time together. It was always effortless with her. They could talk about anything and their time together would always fly by. They laughed, reminisced, adventured all over the place and spent every moment together. 

The night before she was supposed to fly home they sat outside his flat and watched the stars, while drinking wine. “I can’t believe how long it’s been since I’ve seen you. We can’t wait this long again, okay?”

He agreed wholeheartedly. She felt like home to him. She was his soft place to land and he found that he didn’t want her to leave. He put her arm around her and she fell into his chest. “I guess we’ve come a long way from when you hated me.”

He chuckled under his breath, “What? When did I hate you? I never hated you.”

“Oh yes you did, remember? I stupidly lied about you and you hated me for it. Who could blame you?”

“No. But I didn’t hate you.” They snuggled closer. He kissed her forehead. “I could never hate you. Maybe slightly annoyed though.” He joked.

“Shut up.” She playfully slapped his leg. “But now we’re in Australia and that’s all so far away.” She sat up and looked him in the eyes. “Thanks for showing me your past Ethan. It means a lot to me. I always wanted to get to know you better.”

“It’s not something I really share with people but I trust you Krissy.” He took her hand. “I want you to come back anytime. It’s too bad you have to leave already.”

“Do you want me to...stay?” Their eyes locked. The moment seemed to stand still. Stay. Just stay. They were both thinking it. All that seemed to matter now was how to make this night not end. How to stay just like this. How to stay here. How to stay. The gap between them closed as they sought a way to keep this moment paused. 

He kissed her gently. His heart was racing and he felt nervous. Touching her lips made every emotion fall into place. Every need to protect her, cherish her, trust her, care for her, appreciate her, and embrace her all washed over him. His kiss pressed harder as he slipped his hand around her waist and held her face. 

She grasped his neck and clung to his back. She never wanted to let him go again. This moment was everything to her. She felt breathless as their passionate embrace grew stronger. He kissed her neck and touched her with the most trusting hands she ever knew. She couldn’t focus on anything. Not the world around them. Not even the air in her lungs. All there was was Ethan. That’s all that mattered. He kissed her again then abruptly pulled away, her head in his hands. His eyes were never more attractive than now. She worried about what he would say as he stared at her. He seemed like he was thinking. His eyes looked like they were pleading but cautious. Their foreheads touched as he squinted his eyes in quiet contemplation. He seemed tortured over his internal decision-making. She stayed silent. Finally he looked her in the eye and whispered, “Are you sure, Kristina?” 

“Yes.” Without a moment’s hesitation, he kissed her again and again and again….. 

The next morning as she blinked her eyes open she saw Ethan standing in the corner. He looked like he was scurrying to leave. “Are you going somewhere?” She asked.

He couldn’t turn and look at her. “Ye-yeah I got a call. I--I need to go. I want you to have a safe flight home okay? I’m sorry. I--I gotta go.” 

“Wait, Ethan. Where are you going?” She sat up and called out to him. In a flash, he was gone and out the door. She scrambled to get ready. Her flight would be taking off in an hour and there was no time to try to go after him. They would just have to call each other later. That call never happened. 

************************

 “I don’t know what I would’ve said.” Ethan admitted. “I guess there’s no point in looking back.”

“You’re right. That was then. This is now. What are you thinking now?” She looked hopefully at him.

“I’m thinking that I’ve got a plane to catch.” He stumbled out of his chair and she stood quickly in his way.

“Hold on. You can’t leave. Not like this.” As she tried to stop him, her hand landed on his chest as if it belonged there. He stopped dead in his tracks and looked down at her hand. He put his hand on hers and let it rest. 

“I can’t have this conversation Kristina.” He closed his eyes in order to not look at her.

“Why not?” Their voices turned to a whisper. 

“Because once we have it, we can’t go back.”

“Your heart’s beating fast…” She leaned and gently placed her ear to his chest. Her eyes closed. She listened.

Reluctantly he wrapped his arms around her and held her head to him. He thought about what to do. What to say. “I don’t want to mess this up.”

“You couldn’t.”

“You deserve better than me.”

“There is no one better than you.”

“I can’t stay.”

“Take me with you.” At this, they met each other’s gaze. 

“What about your family? Your life here?”

“I want to be with you Ethan.”

“Life with me is unpredictable. You’re safer here.”

“Don’t push me away. Not again.” She squeezed him tighter.

He stared at her for a minute. She was different. There was something about her touch, her eyes, her voice that assured him that this could work. This felt right. Now was the time. They could finally be together. “Are you sure, Kristina?”

“Yes.” She replied confidently. A smile crept across his face and he felt relieved. This must be what he wanted all this time and he didn’t know it until right now. He had her in his arms and he intended to keep her there.

“Okay then.” He leaned down and kissed her tenderly. They left together.. 

[lavila27]

What I Love About Marriage Story- by Lauren Avila

It’s simple. The story is straightforward and yet deeply complex in it’s high and lows. It’s not hiding behind special effects, elaborate costumes or outlandish sets. It boils down to character, emotion, character, emotion, emotion, emotion and no one would ask for more beyond that. 

In a world of superhero franchises, book adaptations and remakes, it’s strikingly unique. I honestly can’t think of any other film quite like it. Certainly not one that makes a single divorce the main character and central plotline. Can you? 

It tells one story yet explores the stories of any divorce you’ve probably heard about.

It doesn’t pretend to be anything other than what it is. We have been conditioned to think that there’s going to be a twist or cliffhanger or open end or perhaps maybe even a surprise happy ending. Despite the fact that none of these happen, you find yourself satisfied and accepting of the end. Except of course that you don’t want it to end because it’s just so good.

It is unapologetically truthful. When you think that a sensitive subject at its most vulnerable state must be handled with gentle hands, Marriage Story dives deeper into raw emotion and natural degression of a person in the meatgrinder of a marital split.

It stars Adam Driver and Scarlett Johansson in one of, if not the best performances of their careers. Both actors have specific tendencies in their respective repertoires yet I didn’t see either one of them in this film. Rather I saw Charlie and Nicole. That is all.

It is written and directed by Noah Baumbach who I now dream of collaborating with. Upon seeing this movie three times* in 72 hours, I still find myself thinking about it all day and wanting to see it again. I pick up new things each time but also still appreciate the brilliance I saw the first time. Only a film genius can create this in a script. 

It has a heartbreaking score by Randy Newman. Yes, the same Randy Newman who has been breaking my heart since Toy Story, 20+ years ago. 

It features an amazing child actor named Azhy Robertson. 

Even the scenes and scenarios you’re supposed to hate like the lawyers, the fighting, the awkward evaluator… all fascinating. Laura Dern, Alan Alda, Ray Liotta anyone?!

It is theatrical in film form. The very basis of jostling between New York and Los Angeles was like a metaphor of Broadway and Hollywood fusing together. 

It features songs from Company including one of my favorite show tunes of all time: Being Alive. Adam Driver sings a confident but poignant rendition. This movie uses the song perfectly by using it backwards. Bobby realizes what he wants in Company. Charlie realizes what he lost in Marriage Story. Heartbreaking.

It escalates but the pacing never changes. Unlike movies where it only gets good at the end or it falls short as it moves on, Marriage Story is engaging in every scene and you even find yourself holding your breath as Charlie and Nicole’s divorce turns from casual to tense.

The Easter egg: banner advertisements in LA for Andrew Lloyd Webber’s musical “Love Never Dies.” Kismet. 

The Star Wars reference.

It has a similar feel to La, La Land (another incredible film) but it’s completely opposite. Instead of watching the couple fall in love, you watch them fall out. The music also helps tell the story in both movies. 

I could feel everything. It was so realistic I couldn’t breathe sometimes. I found myself understanding the characters so viscerally. The frustration, anger, sadness, betrayal, confusion, love and lives of these people. 

The long scenes. 

The details. 

The intimacy of the story. 

They say everything you’re not supposed to and you’re still rooting for them. They’re not bad people. An exploration into one of the worst times in someone’s life and you’re bound to see a person to crack. 

The love that reverberates. It dust the scenes like a tangible reminder that these two were once each other’s whole worlds. I’m obsessed with the beginning and end. 

The lists. The constant themes that you notice because its been pointed out to you. You feel like you know this couple. You know Charlie. You know Nicole. And you know them through each other’s eyes. 

The hate that spills out like an over-packed suitcase of resentment.

It’s imperfect. The little mistakes and minor oversights only make me love it more because it makes it more real.

It has a thread of comedy. The relationship that Charlie has with Nicole’s family brings a bit of levity without being annoying or unnecessary. 

Regardless of what type of genre, I love when a movie has a complete circle. Henry is their middle ground. They find balance and their love for him brings about that full circle. By the end, Charlie takes a residency at UCLA so he could be in LA. He never made the move for Nicole during their marriage but did it for Henry. They spent Halloween together and even shared “Nicole’s” night which is the opposite of where they once were. 

The foreshadowing. Nicole confided in Nora that she felt that she wasn’t alive but only contributed to Charlie’s aliveness. An aliveness he feels he lost at the end of their marriage as he laments in Being Alive.

I LOVE that Henry reads Nicole’s list of what she loves about Charlie. He struggled with reading throughout the whole movie. It took T-ime but he got it and they read it together. Charlie and Henry reading that list is probably my favorite part of the movie. I cry each time. 

Everything.

*At time of publishing, I have now seen Marriage Story four times and have found that I’m memorizing it like a soundtrack. If you haven’t seen it yet, drop everything and go watch it. It’s worth subscribing to Netflix just for this movie.

[lavila27]

Downton Abbey: the movie

“Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot, and auld lang syne!” 

Full of emotion and fan satisfaction, the television show of Downton Abbey came to a beautiful conclusion. With tears of joy and sadness, I watched the final episode one week before seeing the new film. It ended very well (which rarely happens with tv anymore), so naturally I became apprehensive if the movie would live up to the expectacion it had set for itself. Of course, as any fan would know, Downton Abbey is different. It’s a cut above the rest. Rarely does a series go on to make a feature film but this one did. For this reason, I was feeling confidently optimistic.

***SPOILERS AHEAD***

I suppose this is a little off topic but I remember when each new Harry Potter film came out. There was a special feeling each time the iconic “Hedwig’s Theme” would slowly start and we would pick up where we left off as if meeting an old friend again. I cannot explain how happy I was that Downton Abbey began in a similar fashion. The first few notes of the theme song played and I was instantly brought home to Downton. It was really quite a perfect beginning with a mix of subdued familiarity and new excitement. What is this message? Who is from? Who is it for? Of course we all knew where it was going. And just like that, we see Mr. Barrow and the staff of Downton. I’ll be honest, the goosebumps and happy tears weren’t far away.

I appreciate that the film got off to a running start with everyone and everything right where we left them. The characters were living their normal lives joyfully uprooted by the news that the King and Queen would be visiting Downton Abbey! I applaud the talented Mr. Julian Fellowes for coming up with a brilliant premise for this movie. What better way to rejoin our upstairs and downstairs family but to follow them on this journey? Certainly with a royal visit there would be much to do and each character would most definitely be highlighted. There would be the formalities of the Crawley Family: planning, hosting, and attending all the royal events. And all of the staff would have great responsibility that would be of utmost importance during such a time: seeing to every corner of the house for cleanliness, perfecting food and serving, seeing to every task with great detail and efficiency. Everyone would need to be at the top of their game. 

One of the thoughts that passed through my head as each storyline developed was: well, this has to wrap up within two hours!  I enjoy a bit of drama as much as the next person but waiting an entire season or even two or three for an arc to sort itself out can be torturous for emotionally-invested fans. The freedom and justice for Mr. & Mrs. Bates… a happy ending for Edith… Daisy to stop whining… fans waited a long time for all of these things over 6 seasons. So when Tom got mixed with a troublemaker or Daisy made her beau jealous or Anna noticed items were stolen or Edith’s dress turned into a disaster or the Downton staff and royal staff butted heads or Mr. Barrow was arrested or a mysterious maid was in the middle of an heir scandal…..I was relieved to know that all loose ends would be tied sooner rather than later. 

I must say that there was a comfort in the transition from television to movie. It felt as if I was watching another episode, like normal, on my couch at home (partly because of the luxury recliners at my local theater) but on a larger scale. I liked knowing these characters and even the storyteller well enough to know where everything was going. I think it’s refreshing to mostly see the next part coming before it happens. The storytelling is seamless and naturally progressing, it’s so easy to enjoy a movie like this! Often times, shock value comes at a cost of mediocrity in other parts of a project. How many times have you watched a movie that had an awesome ending but you’ll probably never see it again? That’s because the end doesn’t justify the means. Downton Abbey is a guilty pleasure for a reason. Yes, it’s basically a british soap opera but rich in content. It’s self-indulgent to see the love story develop, the underdog prevail, good beat evil, and know an end is never really over. 

I was so glad to see the entire cast come back together for this. Personally I think any one of them would have been noticeably missing. Albeit tiny, I had hope that maybe Matthew or Edith would make an appearance in a dream or flashback. Or a visit from Rose. After seeing the movie though, I’m fine without having that. It was splendid just the way it was. Plus, it was focused mostly on being cheerful during the duration of the film. I was also thrilled to see where their lives picked up at. I suspect around three years had passed. The Bates’ son was a toddler, Mary’s new child had been born, and Daisy and Andrew were talking about getting married. Now with where we’re leaving it, it would be a joy to see what happens if/when we ever meet these characters again. 

Now as for some favorites: The opening segment was among my favorite scenes. I suppose mostly because I was in disbelief that this was actually happening but as I said before I really did love the way it was set up. The music, the escalation of wonder watching the transportation of this letter, the cinematography of “Downton Abbey” aka Highclere Castle, and the introduction reintroduction of old characters! I practically wanted to do intro applause for all of them. I couldn’t stop smiling for a solid five minutes into the movie. 

Did anyone else get a kick out of seeing Maggie Smith and Imelda Staunton at odds again? I’m not sure if it was intentional or maybe I’m just reaching a bit, but was that a Harry Potter reference thrown in there? When Lady Bagshaw and Violet greet each other in front of the house one of them say something like, “I hope this visit will be better than the last time we saw one another.” As we know, the last time the two actresses were on screen together, it was in the middle of a war. 

Speaking of scenes that remind me of Harry Potter, I rather enjoyed the secret meeting of the Downton staff to take back the house. There was something epic about it but in great spirits! Similarly, the scene where Molesley says that it was the Downton staff that were serving. I didn’t know whether to beam in pride for Molesley’s pride, to look away from the poor fellow’s misery, or just as I did… laugh to tears at the awkwardness! Might I add, I also loved seeing the staff’s etiquette at it’s very best. When the women saw the men off to serve the King and Queen for dinner, I nearly wept at the honor shining through. 

Although I was tremendously disappointed to see so little of Matthew Goode, I am grateful that he was featured at all. His scenes were worth the wait though! It seems like such a small detail but I rather liked seeing him run up the stairs to his wife. Seeing them reunite and kiss just shows how much this couple truly love and care for each other. And how could I not mention the ball as one of my favorites? The pomp and circumstance of it all! I got chills watching the dancing and hearing the music. I didn’t think I’d ship Tom with anyone else but I actually really like Lucy. I like her story and the chemistry the two have together. The footage of them dancing was gorgeous! 

Possibly my favorite scene of the whole film was the heart-to-heart conversation between Mary and her beloved granny. The tears were so heartfelt, who could not cry? That whole scene felt so true and real. I thought it was a beautiful way to end along with the final bit between Mr. & Mrs. Carson. Downton will go forward, the Crawley family will remain, and all will be well. 

“Should auld acquaintance be forgot, and never brought to mind?” Surely not! It goes without saying but I highly recommend racing over to your local movie theater to see Downton Abbey while it’s still in cinemas. You have to see this movie on the big screen. It really added to the already exquisite pageantry. Buy tickets here and check out the trailer below!

[peachisty]

friendly advice to not revolve your life around one person, one feeling, one place, one memory, one problem. the complexity of life and the diversity of the world is beautiful and you have the right to explore it. do not settle for less. you deserve better.

[lavila27]

Extra! Extra! Newsies explode off your screen! You heard it here.

Yes, this news is really not new at all but it’s my latest musical OBSESSION. I have followed Newsies very briefly from its beginning stages and have finally seen it! More specifically I just saw the recorded version starring Jeremy Jordan, Kara Lindsay, Ben Fankhauser, Andrew Keenan-Bolger, and Tommy Bracco. Sometimes I feel like recorded versions of anything can lack passion and feel like something’s missing but I honestly feel like I could never see this any other way. I’m so thankful that these Original Broadway Cast members decided to come back to reprise their roles. I can’t imagine better fits for these characters.

Okay so for anyone who doesn’t know, Newsies is based on the true story of the 1899 newsboy strike. Newsies went on strike against Joseph Pulitzer to be heard and to seek work fairness. In the musical, Jack Kelly is the main character who dreams of a better life far away from the harsh streets of New York City in beautiful, warm Santa Fe. I truly believe that timing is everything and personally I felt that this musical came into my life right when I needed it to. Anyone can be a dreamer at any point in their life but fighting your current life while simultaneously pleading for a new one is very challenging. The emotions I felt radiating through the screen through the highs and lows of their battle was riveting. I cried, I laughed, I cheered, I felt like I was with them every step of the way.

I want to explore and really shine a light on the amazing production that this is. I saw it 6 times in 4 days and can’t seem to stop thinking about it. First of all, this is a Disney on Broadway show therefore at a whole other level. This is probably the best filmed musical I’ve ever seen. The cinematography is fantastic, every scene beautifully shot, edited seamlessly, and polished to movie perfection. If it wasn’t for the tastefully added audience applause, I would’ve thought that this entire movie just happened to be filmed on a stage. So behind the scenes, the hard work is showcased right in front of you but it doesn’t end there. Perhaps I’m a technical geek but I cannot NOT give credit where it’s so deservedly due. The creative team behind this musical is absolutely incredible.

Let’s begin with the music composed by the legendary Alan Menken. I will always say that this man is a genius and one of the greatest composers of our time. I hadn’t previously heard too many songs from this musical but they are so catchy and dare I say, epic that they have not left my head since the moment I heard them. Just as so many Disney songs that Mr. Menken has stitched into our lives, this song list feels like it’s always been there. There is a fresh but familiar sound to them. They are perfectly suited to the story that it gives me chills each time I hear them. From anthems and fighting marches to victorious dance numbers and breathtaking melodies, each song really captures the emotions of the characters and explodes right into the audience’s hearts. Partnered beautifully of course is the lyrics written by Jack Feldman, quite brilliantly. As much as I really love the entire songbook of Newsies, my favorites are “Santa Fe,” “Carrying the Banner,” “The World Will Know,” “Seize the Day,” “Something to Believe In,” and “Once and for All.” Why? All of these songs have clever, inspiring, moving, and/or are heavy storytelling lyrics. I also appreciate the consistency of the time and location remaining in the songs. The accent and dialect reflect children growing up on the streets of late 19th century New York City. It never ceases to amaze me when music and lyrics weave together so well. Can you imagine how difficult it must have been to come up with “Watch What Happens?” Currently I have the “Santa Fe (Reprise)” on loop because the lyrics are very relatable and give me goosebumps every single time.

Now for what I believe is the true star of the show: the choreography. I honestly don’t think I have ever seen better dancing! The ensemble of men in this show are unbelievable. Combining ballet, tap, gymnastastics, and good ol’ fashioned Broadway flair, the dancing steals the show and makes you want to dance right along with them. These Newsies have so much energy and joy when they dance too! It is no wonder that Newsies won for Best Choreography at the 2012 Tony Awards. Christopher Gattelli’s steps was another element of masterful storytelling. The ripping and dancing on newspapers routine has become a modern icon in Broadway choreography.

As mentioned before, the stars shine in their roles. Jeremy Jordan leads the show with confidence yet vulnerability, showcasing the layers and complexities of an orphan boy becoming a man. I felt where he was scared, angry, sad, infatuated, determined and hopeful. Besides the fact that his acting and singing intermingle so beautifully together, his powerful voice stands out symbolically as his character’s courage. Kara Lindsay brings a fresh take on a leading woman, she’s defiant with playful strength. Katherine wants to be a serious journalist in a man’s world, following a story surrounded by men, and although slightly intimidated by the challenge, is eager to participate along the way. I had previously met Kara, years ago, when she played Laura Ingalls in Little House On the Prairie- the Musical, and she had a similar energy to her. I was delighted to see her hold her own as one of only five women in the whole production.

Unlike the previous two, I had never seen or heard of Ben Fankhauser prior to Newsies. He is fantastic as Davey! He plays boy to man very well too. I think he has the biggest transformation in the story. He begins as newbie and ends as a newsie. Ben has a smooth, practically angelic voice. Davey is smart, brave, and basically the moral compass of the story. I really felt drawn to his journey throughout the story, participating in this strike, being a friend and brother, and becoming a leader. Other standouts include Steve Blanchard playing a charming villain in Pulitzer, Aisha De Haas as Jack’s comforting friend Medda, Ben Cook as the newsie who stands out, Race and Ethan Steiner as the small but fierce force Les.

I can’t say enough about this show. I feel like everything from Harvey Fierstein’s book to the lighting and sets brought together a masterpiece of theater. I congratulate everyone who worked on this project. Unfortunately as of this writing, Newsies is no longer on Netflix but you can find out more about it as well as download it here. I strongly recommend you do so but be warned, you may want to don a cap and start leaping around streets afterward.

[andy-clutterbuck]

Press Package Featuring a Letter from Andy

[lavila27]

This guy is a class act! I've never even heard about an actor doing this. I'm not going to deny tearing up when I read it. I'll miss Andy so much. He is 1/2 the reason I still watch.

[lavila27]

Miss Saigon- a review by Lauren Avila

Miss Saigon is a world-renowned musical that has been around for nearly 30 years. It is a beloved production with memorable songs such as “The Heat is On in Saigon,” “Why God Why,” “The Last Night of the World,” and “The American Dream.” I’ve personally known of its existence since I was about fifteen but have never seen it until the 2018 National Tour’s opening night in San Francisco...a week ago. I think it was the perfect time, place and cast to see it for the first time. For those unfamiliar, the story follows Kim pre-post fall of Saigon. Spoilers follow from here in, you’ve been warned...

Immediately into the story we see Kim, a Vietnamese orphan and Chris, an American G.I. fall in love after spending one night together. I was completely taken aback by the onstage chemistry that Emily Bautista and Anthony Festa have! I truly believe the love and passion between the two. Keep in mind, I was in row D so literally a couple feet away from the stage but I’m certain you would be able to see this in the last row of the balcony. Anthony Festa showcases a strong, albeit emotionally guarded soldier who is fearless with a tender heart. He has a clear, smooth voice that is equally soft and raw that partners well with his character. His theatrical physicality and impassioned acting makes you empathize with Chris regardless of where he is in the story. I was particularly impressed by him when Chris was separated from Kim. Emily Bautista is a star, simply put. She sings and acts her way into every heart in the theater. As a frequent theater-goer I see it happen often: singers who lose parts of the story because they don’t convey words or emotions clearly. Not one bit was lost with Emily. She plays innocence, hope, strength, fear, sadness, and love so purely that even the idea that she’s acting is as distant as Kim and Chris. 

Red Concepcion as the Engineer practically steals the show. Strangely I found myself rooting for him in spite of the sleazeball he is. As the show progresses, Red does a fantastic job of unveiling different layers of him, especially as we learn about his backstory and his dreams. Red’s stage stamina is very impressive and kept the audience wrapped around his finger. If it wasn’t for the heartbreaking story of Kim, I’d say this is really the Engineer’s show. Two standouts for me were J. Daughtry’s character John and Jinwoo Jung’s character Thuy. John has his own transition from Act I to Act II made obvious by the compassion and concern he displays in the climatic times of Chris and Kim’s journey to a reunion. Also the opening number of Act II is refreshing and unexpectedly needed, sung flawlessly by J. Daughtry. Meanwhile Jinwoo’s heart-wrenching performance as Thuy is part of what plays over and over in my head. Tam’s reveal and Thuy’s death scene shook me beyond words. I was surprised I was crying so much but I suppose it was because of the epic orchestrations, chorus ensemble singing, acting and plot twist of course. 

The entire second Act is laced with emotions of sadness, frustration and even confusion. I sometimes didn’t know what I wanted to happen next. There is one scene however that made me feel nothing and everything at the same time. I’m pretty certain that I didn’t breathe for five minutes. The scene I am talking about is the Fall of Saigon. Not only is a lot happening in the love story, but scenically I was in awe. Some theater people may know that the helicopter is a vital character on its own. It was even better than I thought. At first the helicopter appears as a projection, then a very realistic-looking version emerges to take Chris away and break our hearts. I’m not sure I’ve ever heard an audience applaud for a scene after it concludes when it’s not a song, but this audience did. 

Anyone who has seen this show knows that it is a tragic ending of twists and turns. I found myself on the edge of my seat the entire night especially during intermission because I was anxious to know what happened to Chris. Overall this is a truly beautiful show that I would gladly and quite desperately like to see again. If this tour comes to a city near you, I would highly, highly recommend you get a ticket. Warning: this show is for adult audiences only. I wouldn’t bring the kids or anyone under 18. 

 Buy tickets here: https://www.miss-saigon.com/us-tour/tour-dates and buy the soundtrack while you’re at it. I’ve been listening nonstop since seeing the show, so you’ll need it. 

[lavila27]

An Evening With Aaron Tveit

Aaron Tveit. You may have heard of him. He’s a man whose talent spans stage, television and film. Aaron has also been simultaneously entertaining audiences with concerts that offer a glimpse into his personality. Though his repertoire ranges from rock to country, he never fails to surprise fans with his musical taste. I attended his concert last year and thoroughly enjoyed it. However this set was a slightly better mix of new, old and impressive.

San Francisco is a perfect setting for arts in all forms, including Broadway actors’ concerts. You can’t get an audience anywhere else in the world like San Francisco. They are sharp, open to anything and highly receptive. So it isn’t any surprise that the crowd really lapped up every song and weren’t shy about showing it. Aaron was introduced, came out on stage to thunderous applause (even more so after he said “What’s up San Fran?”) and the show kicked off from there. I was so delighted by every song choice even from the very beginning:”Live in Living Color.” The song list not only intertwined his older and spanking-new Broadway showstoppers but his resume as a whole. He talked about his time on Broadway, his excitement for his recent musical project and his experience on television with Grease Live. I loved his trajectory for this concert. He weaved in and out of storytelling, improvising, audience interaction and revealing that endearing personality of his. Not many performers, in concert setting, show the personal vulnerability similar to a one man show (or 2 men, rather) as much as a polished script. Aaron really has showmanship that he can keep your attention for every minute with humor, tenderness, excitement and natural charisma. 

I saw essentially the same show in Las Vegas a few days later and was surprised of how unparalleled the two concerts were. It was like experiencing this line-up for the first time! Like I said previously, the song list was perfectly suited for audiences of long time fans who would appreciate his “hits.” Additionally the list was built with a spirited and conducive structure to invite people to become a fan of this new and mature Aaron Tveit. That’s not to say that he wasn’t mature before but I can tell you with honesty that I didn’t FEEL nearly as much during his concert last year as I did with this set.

Aaron and his musical director/pianist Brian Perry (who is EXTRAORDINARY) came up with some really great arrangements/mash-ups. I was very impressed with the duets too. Aaron’s voice is on point and sounds really strong. Every song was great but my favorites were “Shut Up and Dance,” “Che Gelida Maninia,” “I Could Be In Love With Someone Like You” “Sandy/Heart&Soul” “Maria” (in Las Vegas) and “Being Alive.” I really appreciate how expressive he is with whatever he sings, not limited to literal facial expressions but telling the story of the song in a few minutes. I don’t think I will ever forget seeing him sing “Being Alive” both in SF and Vegas. Both times moved me not only to tears but sobbing quietly in my seat. I suppose that could be due to a personal struggle that is rarely touched through song. The point is I’ve never had anyone make me feel that kind of heartbreak in a concert setting before. Brava to both Aaron and Brian!!

I’m looking forward to seeing where Aaron goes from here. I would really love to see some of these songs continue into future concerts. Still I know that there are so many songs that would be beautifully matched with his voice. I have a dream list of songs I’d love to hear someday but time will tell. Please come back to San Francisco and/or the Bay Area Aaron and Brian!

[lavila27]

Beauty & the Beast- a movie review by Lauren Avila

I’ve just returned from seeing the live action remake of Beauty & the Beast for the 2nd time within a week. I have so many thoughts about this movie but in a nutshell: I LOVED IT!!

Let me begin by saying that I’m extremely biased because I’ve been a lifelong fan of this movie. I was born in ‘89 and this movie came out in ‘91. We haven’t long existed without each other. As a child, this was the first obsession I ever had. Obviously, I’ve since become obsessed w/ many movies, tv shows, books, places, people, and yes, ships. It all started with B&TB though. I could go into greater detail about all the merchandise, the endless hours of rewatching, the pic of little Lauren w/ the characters, etc. but I think you get it. I love this movie. So I’ll move on. Regardless of my favoritism, I tried to watch this movie with a clear head. I would be lying if I said that I didn’t have high expectations. I’m really not kidding when I say that I’ve had the countdown on my phone for the release of this movie for 900 days or so. In all that time, I’ve had my fair share of ideas and fantasies of how this could turn out. I had high hopes right from the beginning.

While driving to the theater on the night of March 16th, my sister asked me: Are you nervous? And I said “No, I’m excited. Unless they stray 100% from the animation, I know I won’t be disappointed.” I was right. It was basically impossible for me to be disappointed. In fact, even though it turned out quite different than I imagined, I was very pleased with it. Having said that, I would like to discuss the movie in my honest opinion. I could fangirl all over it and say that it was the best thing I’ve ever seen. However, I do have some slightly critical things to say. So let’s start.

***SPOILERS AHEAD***

The moment the movie started with that iconic opening music, I swear I stopped breathing for about a minute and a half. I appreciated that it began with the castle, the rose, and the first few lines that we know from the animated classic. The changes started right away. I didn’t mind this Prologue at all though. It thoroughly explained the Beast’s curse and even gave us the first step into greater detail than the cartoon did by mentioning the memory curse. I love that this version gave so many direct nods to the animation. Just to name a few: scratching out the Prince’s face, the opening of Belle, Belle about to leave after the Wolf scene, the Transformation, etc.

For some reason, there’s something about the village scene that bothers me. I’m not sure if it’s the ensemble that just seems like an under-rehearsed community theater group. Or if it’s that the library has like twelve books inside. Or if it’s because Emma Watson’s voice is dripping w/ autotune. It’s really too bad because I can tell that Emma’s voice is just fine the way it is. But I’ll discuss this more later. Anyway, I really adore all the costumes in the film. Belle’s blue dress looked great to me. It really suited the provincial look and Belle’s simple style.

Now would be a good time to talk about Luke Evans. When I heard the casting as each member came onboard, Luke was one of the few I had never heard of. Oh my goodness though, he really makes Gaston his own in an impressive performance. Plus, his singing is fantastic! He is arguably the best singer in the whole cast. But that is seriously up for debate. Of course I should also mention the perfect casting of Josh Gad as Lefou. I mean, perfect casting. That’s all I can really say. While on the subject of casting though, should we discuss the equal opportunity employing going on with the horse. 90’s kids know that Philippe is famously played by a brown horse and is now played by a white horse. I’m just going to leave it at that.

Back on subject, I want to note some more changes in the movie. They planted the seeds of a deeper back story for Maurice and Belle by bringing up her mother right away. Maurice sings a tender, new song while creating a music box as a tribute to his late wife. I got emotional quickly as this scene began because I didn’t realize how much I wanted to hear about Belle’s mother until this scene was unfolding in front of me. When Belle asks, “Please, just tell me one more thing about her.” It cuts like a knife. You’re reminded that Belle knows as little about her as we, the audience, does. “She was fearless” seems to have a great weight to it in a foreshadowing kind of way.

This version had all the beloved songs from the animation, but sadly no songs from the stage musical. That’s alright though because they added a few really lovely, new songs. I did notice that they hinted at songs from the musical here and there. The first scene between Belle and her father had the exact setup of “No Matter What” but no song. Later, in “Days in the Sun,” Belle sings a line “a change in me.” She also refers to the castle as home when they leave Paris. This, I think, is a shout out to “Home.” I believe there was one other reference in the movie but I can’t recall it right now. I also noticed that a few songs had been altered and musically rearranged as well. “Gaston,” “Be Our Guest,” and “The Mob Song” had lyric changes and additions. I really love the new songs but my favorite is probably “Evermore.” I’ll talk more about it soon.

Kevin Kline as Maurice was excellent. He was funny and endearing. The bond that Kevin and Emma had was very believable. I like the way they changed Belle’s sacrifice. It seemed that the Beast was kind of impressed with her decision to take her father’s place. Quite the opposite however, I did not like that they had Lumiere and Cogsworth give Belle a bedroom. That’s the first bit of kindness the Beast shows Belle in the ‘91 movie. It plants a seed in their relationship. Not only this but they took away another opportunity too. When the Beast gifts Belle his library in the animation, he knows how much it will mean to her. In this version though, it’s so blase. He’s so passive about giving it to her. I don’t know. It takes a little getting use to.

Sidenote: I’m sorry but I couldn’t help but get a few Harry Potter feelings during the movie. Yes, I know Emma is not eternally Hermione but Belle is very similar: smart, strong, and compassionate. The villager who couldn’t remember what he forgot. Gaston’s dark magic reference. And something about that crazy wardrobe makeover in Belle’s room reminded me of a Potter movie. Belle’s parents’ apartment reminded me of the Shrieking Shack. And also of apparating. Emma Thompson working with Emma Watson. I don’t know. An HP fan’s mind can never roam too far away from the movies.

Be Our Guest was quite the number. At first I wasn’t a fan of it. I suppose I was expecting something really big and stunning. I still feel like something is lacking a little but I did enjoy it much more the second time. I expect it will appear better and better every subsequent time. My first impression was that the singing was flat, the set was underwhelming and the mix between real and computer animated objects was distracting. I know it’s hard to live up to a cartoon that has spoons swimming, candlesticks bending in line, and forks doing a kick line but what can I say? I’m a huge fan of this scene. Upon seeing this scene again though, I warmed to it pretty quickly actually. With a new perspective, I decided I really like the new arrangement of the song and some elements of the “show.” I’ll definitely say it’s exciting and doesn’t disappoint in the end. In fact, I’m the one who led the applause on opening night right after the number. The whole theater joined in too! I just wish I could put my finger on what’s missing though. Oh well. C’est la vie.

Let’s talk about another dance number. “Gaston” turned out great. Yes, they changed a bunch of lyrics but overall I was happy with it. You ain’t seen nothing like the stage version but I digress. I thought that the added elements were funny such as the “I just realized I’m illiterate and never had to spell it before” line from Lefou at the end of the song. Luke Evans’ Gaston had a certain charm to him. Even though he was doing horrible things, he was so set in his own convictions, it didn’t seem to bother him. The whole audience I was with at the opening gasped when he punched Maurice and left him for wolf bait in the woods.

The wolves were great by the way. The whole battle with the wolves seemed so real. I also really liked that when Belle went to help the Beast she said, “I need your help. You have to stand.” (Or something like that.) It indicated that they can help each other through teamwork and must literally lean on each other. It was the first time they connected. He saved her life. She tended to him and showed him compassion. It broke down their barriers. I’m so happy they kept their little spat intact. You know the whole, “You should learn to control your temper” talk. This scene also lended itself more toward backstory. We learn that the Beast lost his mother as a child and his father twisted him into a selfish prince. I thoroughly enjoy little details. At the very beginning of “Days in the Sun” we see that the Beast has a tear or two in his eyes after dreaming of his mother. I really like the whole song. Furthermore, I love the side of the Beast we begin to see when he heals. The Shakespeare conversation they have and then the “Some of them are in Greek” joke in the library… so adorable. It’s also really sweet that he wants to sit by her during “Something There.”

The addition of the magic book from the Sorceress was an unexpected but pleasant surprise. It was a heartbreaking scene but I think it was a great investment in Belle’s emotional journey. However, I feel it opened an unnecessary window into a whole chapter we will never know more about. Granted it answered a question that the character of Belle had, it created an added element that felt like a bit of a tease. We only got a few minutes with this magical book and know so little about it. I almost feel like there could be a whole other movie about it. I love the symbolism behind it but I can’t help but feel so curious about it. Can they still use this book now that the curse has been broken? Where would the Beast like to go to? So can it transport in time? If so, did the Beast use it to see his mother? Did Belle ever use it without the Beast? Could she have potentially used it to visit her father? Can the Enchanted Objects use it too?

Moving on. Let’s talk about Belle’s iconic yellow dress. I’ve heard many people say that they’re not a fan of it and I can understand why. Surprisingly, I really love it. Even when I saw the trailers for the movie, I didn’t hate it. I was cautiously optimistic. Then I saw the movie and fell in love with the soft and romantic look of it. It floats gracefully when Belle moves and dances. I love the layers, the glimmers of gold, the simple but beautiful style especially keeping in mind that this is probably the prettiest thing that this poor village girl has ever seen. I adored her hair, her jewelry, and I’m sure her shoes were great too but we didn’t see them. I loved the whole look and would definitely wear it myself. I could practically feel the fabric through the screen. I may be the only person to defend her dress, but I give it my stamp of approval.

The dancing scene was perfect! Both times I’ve seen it, I’ve cried. I’m so thankful for all the moments they kept from the movie especially the camera pan up to the ceiling (loved the instruments playing!) and down to the Beast spinning Belle to the side. I also really enjoyed the bit where he picks her up and spins her amidst twinkling lights. Have I mentioned yet that adding the organ sound of Cadenza to lots of pieces of the score was an awesome decision?! I really loved this ballroom scene and felt the love for the project, the love between the characters, and the love toward the original creation all oozing out of this scene.

Coming out of the movie, I think the part that I can’t stop thinking about is “Evermore.” I am obsessed with the new song and I’m so in love with this scene. It completely gutted me both times. The lyrics and melancholy yet so beautiful. Dan Stevens, ladies and gentlemen. First of all, I am fascinated with his Beast talking voice but his singing voice has captivated my B&TB-loving heart. He sings with such passion, I was surprised to find out that he “learned” to sing for this movie. I would’ve guessed he had a prior career in the West End. But I’ll stop gushing now. Bravo to all involved in the making of that scene including the brilliance of Alan Menken and Tim Rice!

I dare say I loved “The Mob Song” more in this film than I did in the animation. I’ve already mentioned how impressed I was by Luke Evans but it’s worth noting again. There was something about this scene that really felt right. The singing was on point and they added a fantastic new line for Lefou too! He says that there is definitely a beast but the wrong monster has been released. Awesome addition! It’s probably just the Menken Maniac in me but it had an epic parallel to “Savages” from Pocahontas. By the way, did you all catch the Darth Vader theme in the battle scene in the castle? Am I mistaken?

Boy was the finale dramatic! Gaston shot the Beast three times. Three! Belle’s wrestling w/ Gaston’s gun. Everyone’s making risky jumps on the rooftops of the castle. You’re on the edge of your seat the whole time. My favorite part of all this was the line, “I am NOT a beast.” Too bad Gaston couldn’t leave well enough alone. It’s doom and gloom for him. Speaking of gloom, the transformation of all the Enchanted Objects into ordinary objects was the saddest scene in the whole movie. I cried both times. It had such hopeless finality to it. You would have to have a heart of stone to not feel something.

No matter what form I see the end in: animation, stage, live action, I just love Belle and the Beast’s tearful goodbye and new beginning. Emma did a phenomenal performance as she said “No! Please don’t leave me. I love you.” Tears falling out of her eyes and her pleading voice… oh my goodness. I couldn’t handle it. Then the beautiful and goosebump-inducing transformation. It was exactly like the animation and I loved that!! Although I was hoping to hear Belle say “It is you,” this wordless scene still left me completely satisfied. Dan and Emma have wonderful chemistry. Not many couples could pull off a vital scene without dialogue. Fortunately, Dan and Emma conveyed so much with their eyes and expressions… and lips.

I was very happy with the end including the choreography of the dancing, the lovely Audra McDonald singing, the beastly beard joke, and especially with Belle’s white dress. Gorgeous!! The Prince looked quite handsome as well. I even liked the credits. Both times I’ve seen the movie, I’ve stayed for the entire thing. It’s wonderful to hear Celine Dion sing in B&TB credits again. I’m really happy with the way John Legend and Ariana Grande sang the title song too. I’m a longtime fan of Josh Groban so to hear his version of “Evermore” just adds a cherry on the sundae. Though I must say, I think I prefer Dan Stevens’ emotional rendition of the song. Visually the cast credits are well done too.

If you’ve read this far, thank you for your patience. Obviously, I have a lot of thoughts on the movie. I hope to go see it again before it leaves theaters. So I think that goes to show that overall I really loved it. There were a few things I’d tweak a bit but again, I’m generally happy with the whole film. I was pleased to see it at my Cinemark theater that has comfortable reclining loungers. They also had souvenir popcorn tubs and cups. I just had to get those too. And so readers, I would most definitely recommend Disney’s 2017 live action Beauty and the Beast! Now playing in theaters nationwide. And once you get your B&TB movie fix, maybe venture to some chain stores that are currently selling fun movie merchandise. Plus, Disney Parks are promoting the movie pretty heavily these days as well. I might just check it out. Stay tuned for more!

[lavila27]

Eclipsed- a review by Lauren Avila

Last weekend I went into the city to see the matinee performance of Danai Gurira’s play Eclipsed. I spoke with the cast after the show and told them that it’s probably the most powerful and moving piece of theater I’ve ever seen. And I’ve seen a lot of theater. I’ve seen beautiful ballets, exciting symphonies, creative musicals, and unforgettable plays but Eclipsed moved me in a visceral and practically tangible way. I found myself laughing, crying and shaking with emotion throughout the play.

Eclipsed is about five women in Liberia during their civil war in 2003. The audience is first introduced to Wife #1 and Wife #3 who live in a one-roomed shack, who are hiding a young teenage girl from the Commanding Officer (referred to as CO). However it doesn’t take long and a bit of bad timing for The Girl to be found by him anyway. As Act I goes by, the three wives adjust to what life is in these new circumstances. Immediately you get to know these characters’ personalities through their casual talk in spite of the life their leading. We still hear them talk about their hair, age, style, and history. At the heart of it, the first three women you meet are just like you and me. They are people with likes and dislikes, opinions and thoughts, and feelings and fears. They find entertainment in each other and even discover humor in their turmoil.

The creative team behind the play made some really immersive decisions. I felt like I was on the edge of my seat and even inside that shack with those women in Liberia. It was due to the lighting, the cultural music, and the intimidating presence of that CO that the audience was thrown into the ups and downs of the wives’ daily lives.

Later in Act I the audience and The Girl meet Maima, who was formerly Wife #2. She is now fighting as a soldier and tries to convince The Girl that she doesn’t have to settle for a life like the one she’s stuck in. She can fight and defend herself instead. Knowing that Wife #3 is pregnant and getting bigger everyday and Wife #1 is no longer desired by CO, The Girl expects that her circumstances are only going to get worse so she chooses to fight.

In Act II, the audience is submerged into The Girl’s new reality. This time the battle is intense and violent. Armed with a gun, The Girl is fighting for her life and freedom. We find however that this life may be even worse than life as Wife #4. In a heartbreaking monologue, The Girl breaks down while telling the story of how she turned a young girl over to a group of men who brutally raped her and then had her throw the girl in the river while she was still alive. Meanwhile, Wife #1 is finding a new identity as well when Rita, a women’s peace ambassador tries to help her discover her worth and potential.

There’s so much complexity to each of these women. The have layers and unique stories. It’s easy to relate with each one. Even though Rita has a story of her own, I believe she is also the personification of the audience. She wants to help these women and she’s desperate to have them reclaim their names and identities. At the end, you can’t help but wonder who you would be? Would you be the fighter, who only trusts herself to protect and provide for her life? Would you be the Wife, who stays in the life she knows because it’s safe and familiar? Would you be a helper, who takes risks to help others even when you know that the outcome may never help you? Would you be a new beginner, who ventures into an unknown new world with nothing but a little hope that anything will be better than this? Would you be The Girl, who tries to find the balance between being a warrior and a woman? Honestly, I don’t know who I would be. It’s truly a thought-provoking play on a lot of counts. It’s a story of survival, sisterhood, solidarity, and strength. The most impactful moment, however, came after the curtain call. Each performance of Eclipsed is dedicated to real girls who have been kidnapped and/or are missing. The performance I attended was dedicated to Sarah and Karen? (I may be mistaken) who were kidnapped outside of their high school in Kenya. They’ve been missing for three years. They had us say their names out loud and I found when I opened my mouth that my voice was quivering and I was breathless.

Eclipsed is a masterful production with a compelling story, monumental truth, surprising humor, and palpable inner strength. I applaud the entire creative team but especially Danai Gurira. I can really sense the research and passion in this project. I’m so proud of her work as a fellow writer and as a fan. I also really appreciate the incredible cast of women I saw. Their fearless, flawless, and fierce performances were truly astounding. I was left speechless at intermission and again at the curtain call. There was applause at the conclusion of both Acts, including a standing ovation at the end. I don’t understand how these beautiful ladies bring themselves to these very dark places everyday, twice a day sometimes. They are inspiring actresses. Stacey Sargeant, Ayesha Jordan, Joniece Abbott-Pratt, Adeola Role, and Akosua Busia were not only phenomenal but also very gracious. Thank you very much ladies for spending a few minutes with me. Today marks the end of their run in San Francisco. I don’t know what’s next for Eclipsed but if it ever goes to a city near you, I would definitely recommend it. At the performance I went to, I was among a very diverse crowd. There were old and young, men and women, and all ethnicities. I even saw children there. I personally wouldn’t have brought kids with me but to each their own. I hope you get to see this show some day readers. Until that time though, you can buy the book online!

Side note: the Curran theater’s makeover looks amazing! I can’t even recognize it from what it used to be. From old SF to new SF, wow!

[lavila27]

Richonne “Say Yes” Review by Lauren Avila

WARNING: THE FOLLOWING POST CONTAINS SPOILERS TO TWD'S 7.12 "SAY YES"..... AND IT'S ALSO YVETTE NICOLE BROWN'S NOTEBOOK LONG!

I'm the queen of the world! Woo-hoo! I feel like I'm flying at the front of the most magnificent ship on television. Rick and Michonne Grimes are honestly one of the strongest, healthiest, and inspiring couples I've ever seen in any media form. I know it sounds cliche, and they are anything but cliche, but they complete each other. It's remarkable really because independently they are already capable warriors who don't NEED anyone but that's essentially what makes this pair so amazing. Rick and Michonne on their own are survivors, but together they are an unstoppable force. This episode really was a beautiful tribute to each character but a undeniable display of their impressive teamwork. I loved this episode so much I can hardly express why. It was the little things that made me the happiest. I truly appreciate the hardwork that goes into The Walking Dead. The whole cast, crew, writers, and producers are in a caliber quite different from any other tv show out there. It's such a gift to be able to pick up on new things each time you see an episode. As some fans might have noticed. There was a lot more to the episode than just what was at the surface, as often there is in any episode. Okay, so let's dive in. There were parts of the episode that I was swooning over as a fangirl but other parts that I found I was completely fascinated by as a regular viewer. I found there was a lot of symbolism and signs going on especially regarding callbacks to other episodes and possible foreshadowing to the future. Let's first discuss all the callbacks. As a whole, I feel like this episode sort of embodied their journey so far, individually and together. If you look enough into it (as a fangirl), you might even say this was like going down an AISLE of memory lane. ;)

There were Claimed references like Michonne's past, staying put in one safe place for awhile, scavenging, and Michonne's love of cheese. Sitting around a campfire and "You okay?" was an A reference. Even saying "Clear" very distinctly during their dinner felt like a throwback moment. Going after the deer didn't actually make me think of a few episodes prior like they talk about, but rather Carl. He went after the deer just before being shot. Obviously we've now learned that Grimes boys and deers aren't a safe combination. However, I've now heard people talk about a deer being a symbol of fertility... and Rick owes Michonne a deer? Hmm. Time will tell on that one. The roof caving has happened before in Season 4 when Michonne comes back from going after a past villain, the Governor. It's also in that episode that Rick wants her "to stay awhile" just like in this episode. I could go into a lot more detail about the parallels between "Say Yes" and "30 Days Without an Accident" but it might have to be another post. Let's just keep it at: characters struggling with inner demons, establishing a new life for Carl, fighting for a chance, etc. While I'm on the subject of the prison though, I felt like the whole carnival setting was reminiscent of that with the walkers roaming inside gated areas and taking down barriers. I'm sure if you look deep enough you will find all sorts of little things, but the final callback I want to acknowledge is the car from this episode and the tank from the pilot. Rick was once again stuck in a car, surrounded by walkers. Only this time, he didn't have Glenn to navigate him out. :( By the way, I love that Richonne even have chemistry while separated by an entire car backseat.

Speaking of Glenn, I think that Rick's grief over Glenn's death is also a big reason why he doesn't want to lead anymore. Even though Michonne has been encouraging to him with her confidence in his ability to lead, I think he's scared. She has told him before that it's not his fault when people die but I think that every loss is going to weigh on him for a very long time. He can't forgive himself for some things which is why I think it terrifies him to be responsible for anyone. This brings me to the most official unofficial proposal/marriage on tv. It seems that Rick only truly believes in himself because of Michonne's faith in him. He says later "You led me here." That's why he will only consider leading with her beside him. These are the facts as far as I'm concerned: Rick asked her if she would be willing to lead a life with him. She said yeah. They sealed it with a kiss. They are married, folks. They are Chilli and Mac&Cheese together.

Shoutout to @siancore for noticing something I noticed too. I wondered if I was reaching a bit far with it but I guess I'm not totally fangirl crazy because someone else hears it too. They sound different when talking to each other. I'm so in love with this acting decision! I assume that Andy and Danai do this purposely, that is. They have a soft, playfulness in their voices that they really only use with Carl and that's about it. It's like you can hear them letting their emotional guard down. I heard it A LOT in this episode. Whether it was during their comedic relief, their lovey-dovey giddiness, or even in their vulnerable heart-to-hearts. The only time I heard Rick sound like the Rick we're used to was when he was talking about the upcoming war. It was the natural and serious protector coming out in him. I could talk about their subtle voice changes throughout the episode in an entire post like their old-married couple tones, their smitten teenager tones, and their warrior lover tones but I'll leave it at that for now. You get what I'm saying though. The flirting... the love... the softness... it was all on point!!

Let's talk about Michonne's post-traumatic stress. First of all, I wonder if this abandoned school reminded Michonne of the camp she lost Andre to. The way she immediately identified the place as somewhere something serious has happened. It seem to not settle well with her. I also found it interesting how fast she went back to that dark place that Rick and Carl pulled her out of. When she thought Rick was lost to walkers, like Andre, she emptied right before our eyes. She became the shadowy creature she once was because her whole world collapsed in that moment. Yes, she's a strong woman, but Rick gives her life meaning. Without him, she would be lost. She later says, "I can't lose you." We've seen how Rick and Michonne react to extreme grief and trauma, but they both have survived it. Of course, I think that they helped each other find joy and hope again in each other, but they have others who were part of that too. When Rick told her "You can lose me. I can lose you," it surprised me at first. Right away I thought he meant that they were capable of bearing that loss because they've done it before. I thought that he should at least say it more gently like, "Yeah, it would be difficult but we can survive. We're the ones that live." Then I realized, no he's not talking about the ability to lose each other, rather the possibility. He's telling her that it's entirely likely that he can lose her in this war they're about to start and vice versa. He's telling her that there's a chance that they might not come out of this alive but it's still a battle worth fighting because the future is worth fighting for. He wants a life that's worth having for the kids but also for each other. I think it was really important for them to have this talk. I think something that really crushed Rick when it came to Negan was how far he fell. He was basically getting cocky over the world being theirs. This new mentality will probably be a lot more useful to them though. They know what they are fighting for, who they're fighting for, and what they're willing to sacrifice to win. They are both putting the greater good above themselves.

While I'm on the topic of future, let's talk about something a little happier. There seems to be a lot of signs of a potential future pregnancy for Richonne. The baby blanket they found in a drawer, kissing Michonne's belly, and then that whole deer thing that I talked about earlier. Based on Michonne's mood swings from devastation to joy and her growing hunger for those ready-to-eat meals, I might even guess she's already expecting. In all seriousness, I think it's a very real possibility that we'll see a little Richonne baby one day.

That leads me to my fangirl list of episode highlights: - I loved that in a series where the characters rarely get to smile, this episode was nothing but smiles and laughs! Their joy brought me joy. I had a big smile on my face the whole night. - Their epic embrace when Michonne knew Rick was alive and ok. It was emotional and so real. They held each other so tight like they were literally each other's whole world. - Rick's negotiation to keep the cat. I'm thinking that this was the line that Nicotero had in mind as the funniest line of the season. It's hard to figure out because there were a lot of good ones but the idea that Ricky-Dicky Grimes (who has ripped out throats, dissected walkers, survived herds, murdered Terminites and Negan's crew in cold-blood, and has beast-mode against anything to live) is negotiating with a dumpster diva for a cat statue is hilarious. - All their physical contact: kissing, hand-holding, hugging, other stuff ;) - All their non-physical contact: watching/staring at each other - Favorite lines: (also contenders for funniest line)   "We found the only way in, so..."   "It's Chilli and Mac & Cheese... Together. C'mon."   "This is about doing it quiet, with the sword... You can handle 8."   "You got your 8 walkers. I can push."   "Or we could just go." "You wanna go?" "Nah, we can do this." "Yeah, I know we can."

One more thing I want to touch on before wrapping up. Did you guys notice them kissing each other's hands/wrists? Personally I've got a thing for character's holding hands. I sometimes think it's even more sexy than kissing. So them kissing each other like that already had me fangirling but then I thought about the symbolism. Had it been their left hands, I would've freaked out and said that it was a metaphor for them exchanging rings. It would've furthered my argument that they are married now. However it was their right, dominant hands. These are their stronger hands that they rely on to do everything and to survive by. They are each other's right-hand people. "And having one of those is important." Without them you would be left, to an extent, helpless in this world. They are each other's strength. Think about that for a minute...

[Update: Upon further review, I noticed it is actually Michonne’s left hand. Therefore both metaphors apply. Carry on.]

Even though I think I could discuss this episode until the season ends, I've already gone on for awhile. As a proud Richonner, I give this episode a 5 star rating and highly recommend it for constant rewatch. I really enjoyed the Talking Dead episode too! I loved YNB and Denise Huth’s commentary! Congrats to Jill & Brandan on winning the Ultimate Fan Search! I'll post again some day about how I met Brandan and his mom at the S7 premiere in the Hollywood Forever Cemetery. Until then, that's all I have for you.

Sidenote: I really enjoyed Tara and Judith's scene. I'm a fan of both characters so this scene was really cute to me.