TUMBLR PLEASE I WAS TRYING TO SHOW THIS
Two things: 1.) I'm actually crying. 2.) this is what it feels like getting hash browns at McDonald's
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$LAYYYTER
Stranger Things
will byers stan first human second
Claire Keane
noise dept.
Monterey Bay Aquarium
Misplaced Lens Cap

@theartofmadeline
Xuebing Du

if i look back, i am lost
I'd rather be in outer space đž
cherry valley forever
YOU ARE THE REASON

ç„æ„ / Permanent Vacation
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"I'm Dorothy Gale from Kansas"

Kiana Khansmith

PR's Tumblrdome
Sade Olutola

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@livefromtheloam
TUMBLR PLEASE I WAS TRYING TO SHOW THIS
Two things: 1.) I'm actually crying. 2.) this is what it feels like getting hash browns at McDonald's
idiot:Â Luigi fucking sucks
luigi:Â
idiot:Â sweet jesus
The FBI cut the phone lines during the 1977 disability rights sit-in. Then they turned off the hot water.
They locked the doors from the outside. One hundred and fifty people were trapped on the fourth floor. Half of them used wheelchairs. The government assumed they would leave.
Kitty Cone was thirty-three. She had muscular dystrophy. Her muscles were failing, but her logistics were flawless. She knew how to organize people.
The federal government had promised to sign regulations protecting disabled Americans from discrimination. The policy was known as Section 504. They printed the promise on paper. Then they stalled. Without a signature, it was just typography.
The protesters entered the regional Health, Education, and Welfare building in San Francisco on a Tuesday morning. They took the elevators to the director's office. They brought sleeping bags and catheters. They informed the staff they were not leaving until the law was signed.
By sunset, the police surrounded the exits. Kitty sat near the windows. She organized the floor plan. She assigned committees for security and sanitation. She kept her medication in a small cooler.
According to federal memorandums released decades later, the strategy to end the occupation relied on medical attrition. The building was not equipped for long-term habitation. The FBI calculated that a population requiring ventilators, specialized diets, and daily medical aides would voluntarily evacuate if the environment became sufficiently hostile. They instituted a blockade.
The blockade went into effect immediately. No food deliveries allowed. No medical supplies permitted through the lobby. Guards stood at the main doors checking identification.
Kitty's muscles deteriorated faster under the physical strain. She couldn't walk. When the phone lines went dead, the fourth floor lost contact with the press. The government waited for the quiet.
Kitty dropped to the floor. She realized the barricades were designed for standing adults. The police had blocked the hallways at waist height. They hadn't blocked the linoleum.
The floors were covered in cigarette ash and spilled coffee. She dragged her body through it. She crawled under the barricades to reach the restricted elevator shafts and unguarded offices.
She carried notes in her pockets. She found a single working payphone the FBI missed. She called the local news desks. She called the mayor's office.
She crawled back. When her arms failed, someone pulled her by her ankles. The Black Panthers heard the news reports. They crossed the police lines with hot meals. The FBI could not stop them without a riot.
They shut off the elevators, so she crawled.
The occupation lasted twenty-five days. It remains the longest non-violent occupation of a federal building in American history. On April 28, the Secretary of HEW signed the regulations without a single alteration.
The protesters left the building the next morning. They went back to their apartments. The Rehabilitation Act regulations laid the groundwork for every accessibility law that followed. The HEW building still stands on United Nations Plaza. The elevators run on a schedule. The doors are heavy glass.
Kitty Cone: the woman who crawled under the barricades.
Source: Kitty Cone's oral history, Bancroft Library.
Verified via: National Museum of American History.
(Some details summarized for brevity.)
Kitty Cone crawling for change
the place I work at remodeled these split gendered restrooms into âinclusive restroomsâ and never told us what they meant while construction was ongoing. I need you to know every atom of potential criticism or whining that couldâve happened disappeared when people found out this meant we got 10 fully separate private bathrooms with sinks inside. Iâve not heard a single person crack a joke about the inclusive signage. this is the world TERFs are trying to steal from you
This is called a "superloo" and terfs are actively trying to steal this from you, in the UK they changed bathroom regulations to mean new buildings have to prioritise gendered toilets rather than build superloos.
This also upset a lot of architects and designers who like the superloos. They're also typically more like small rooms rather than having doors you can look under.
I have a friend who was strongly against inclusive bathrooms because he felt that âbathroom stalls are already really exposed due to how theyâre constructed, so no wonder women donât want men in the same bathrooms as themâ and when I pointed out that we could just⊠build better bathrooms⊠with less exposed stalls, he got really quiet and then said âhonestly that sounds so much better, but there must be some problem with building them like that, because otherwise wouldnât we already be doing it?â BESTIE we are. WE ARE. Old-style bathrooms are cheaply made, poorly designed, and all around bad. Havenât you noticed that menâs restrooms rooms get weirdly sticky? Havenât you noticed that womenâs restrooms end up with giant lines? This is because these rooms are architecturally awful. And we can do better now, because we know more! And we are!!! People are actively designing better bathrooms that address known problems, and guess what: those bathrooms are âinclusiveâ in the same way that curb-cuts are inclusive. It doesnât matter if the ramp was built for a wheelchair or a stroller; it doesnât matter if the bathrooms were designed specifically for gender inclusivity or just because fall-apart-if-you-sneeze-on-them metal stall dividers with giant ass peek gaps suck. We can in fact improve our built environment to better meet our needs. Stop cutting off your nose to spite your face; stop settling for less just because someone else might also enjoy it.
From the Nashville Zooâs fb page! Hereâs the petition, please please please take a moment to add your name (even if youâre not from Nashville!). If you are from Tennessee, contact your representatives and make it clear that the people do not want this data center. This is an AZA accredited zoo which is home to several species of critically endangered animals, we NEED to protect it. Make your voice heard!
Because people will pay attention to cute animals, here are some of the critically endangered/endangered species housed at the Nashville Zoo!
The Amur Leopard and Clouded Leopard (which recently celebrated its 50th cub born at the zoo!)
The Sumatran Tiger
The Red Ruffed Lemur and Ring-Tailed Lemur
The Cotton-Top Tamarin and White-Cheeked Gibbon
The Colobus Monkey and De Brazzaâs Monkey
And the Mexican Spider Monkey!
Look at them!!!! Look at them and fight like hell to save them!!!!
I think that Xena, for all of its ridiculousness and cheesiness, did a better job of conveying the allure of evil than just about any other series I've ever seen. Like it understands that violence, no matter how justifiably it starts out, is addictive, and that hatred poisons you until you can't feel real joy anymore, and it's strange to me that I've never seen it laid out so simply elsewhere.
...so THAT'S what sleeper cell activation feels like. Because yes, YES, LET'S TALK ABOUT THIS, because Xena is such an interesting lightning-in-a-bottle-case study! While I would never discount the work done by the writers, Xena as a show is almost perfectly positioned both historically and structurally to consistently explore that theme.
The first puzzle piece is that Xena was a syndicated show at the tail end of syndication's total dominance of a distribution model. For those too young to remember a time when ongoing plots and prestige dramas weren't the norm, syndication is big part of why older television shows almost entirely kept plots contained to one or two episodes rather than having them span seasons. See, when a show is syndicated, it is licensed out to individual television stations/affiliates to be aired as reruns. The individual station chooses when to air them and in what order, and whether to just skip episodes they don't like in favor of the ones most likely to draw eyeballs, etc etc. The more a show is licensed, the more money you make on it, so there is an incentive to make each episode standalone to make them appealing to each station by enabling them to toss on whatever episodes they like without it being a problem for the casual viewer. Also, before streaming, easy access to dvds and episode recording, and the like, a show could not assume that even its fans would have necessarily have seen every episode. "Catching up" was not an easy thing, and reserved for the most dedicated, doing shit like physically mailing bootleg tapes! Therefore, shows needed to have a consistent formula that didn't lock out the person who couldn't watch last week for whatever reason. Characters remained within more of a status quo. Xena is a "monster of the week" style show, like X-Files. I mention X-Files intentionally, because it was one of the first to really break that no-ongoing-plots structure, and that shift affected its contemporaries, like Xena, who also started to follow suit.
That alone doesn't account for Xena being so primed to explore those themes, of course. Even staying within the same fictional universe, Hercules (which Xena is a spin-off of) and Young Hercules don't even come close to Xena's complexity on the subject. But that's because Xena's premise is perfectly positioned to interact with those practical constraints for this outcome in a way those shows aren't. The status quo that syndication demands remain mostly in intact is that 1) Xena was evil and really good at it, 2) she is trying to do good in the world now as penance but can never undo what she has done. Every episode is about Xena trying to save people while dealing with the consequences of her actions as a warlord. The fact that she was evil cannot be changed or diluted nor can the fact that she must continue trying to redeem herself, otherwise the show is over or is unrecognizable to the casual viewer. But this is also an action show, sometimes cartoonishly so, so she must also be fighting consistently! The core spectacle is violence and the core story is why violence is often evil. There is an inherent tension there that the writers either needed to interrogate earnestly or ignore, and they chose the honest, interesting route. They gave Xena a costar who is innocent and principled but loves Xena, and had her always asking why and trying to understand how Xena could be that person, while being put under similar pressures herself. They had Xena continue to use the tools she has, including violence, for good ends, and wrestled with the answers as to why that was ok, why the violence she did then and the violence she did now were differentâand sometimes decided they weren't. They showed Xena struggling with falling back into those old habits because they are seductive and easy.
If someone asked "are there so many episodes of Xena where you find out someone tried to get her to change her ways many years ago and failed because that is a really great standalone premise, or because violence as a tool and power and vengeance as motivators are corruptive and hard to stop using once you start," the answer is yes. The show is cyclical because violence is. But also because it is syndicated.
It's fucking rad and interesting.
posting this on twitter will get you put into witness protection
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
Damn, Rome really looks great in all four seasons
Winter
Spring
Summer
Fall
oh my GOD
As long as Iâve been on this site, I honestly should have seen this coming a mile away and yetâŠ
Ummm she's literally sensitive :/
#google translate does not capture the tone switch so i have to say. first two sentences are like. normal maybe kind of feminine posting tone #& the last is like. shounen manga protagonist. action movie hero. jojo's bizarre adventure character. #the tone you would use if you were holding a gun with the safety off (â @chadlesbianjasontodd)
Basically, a translation could be:
I just think it's so interesting that people end up falling in love with their friends' boyfriends! I absolutely despise every single one of them. give me my fucking homie back you goddamn bastard
translation tags by @minothtime because they are so so good
Every tumblr girl from 2014 wouldâve gone insane for this. (Available HERE)
girls who used tumblr during 2014-18 were highly fashionable ones and had so many cool ideas đ©
this is what happens when society denies women functional pockets for too long
Never a dull day in Japanifornia courtrooms with these two
Honestly, Tvyek is pretty miraculous. Itâs permeable to water vapor but not to water, itâs nearly impossible to tear, but can be easily cut. Itâs cheap and made entirely without binding chemicals. In addition to being used for wristbands, itâs used to wrap construction sites to keep out water during construction, for tear-resistant envelopes at Fed-Ex, coveralls for mechanics, and my wallet, actually.
Fun tip, though it looks like paper, Tyvek is plastic, and cannot be recycled with paper.
holy fuc
I didnât even know it had a name
Turn your life into a temple devoted to yourself.
We are limited creatures committed to the doomed but defining task of self perfection.