fake it 'til you make it dude

Lauren's writing blog! main fandom blog: combustible-lemons

[tenderwatches]

sometimes you need dialogue tags and don't want to use the same four

[stories-by-hails]

For anyone who needs this

[writing-prompt-s]

!!!!

[albertcamuesli]

no writing workshop can help you improve your writing as much as this screenshot can

[androdragynous]

this is advice I've given friends directly before and I've probably also posted it but I really like giving it so here it is potentially again: do not create something for an imaginary bad faith reader.

there will always be someone who finds fault in your work. there will be people who read the messages on it wrong. there will be people who will take every compelling aspect about your work off of it so they can put in their own.

you cannot make art for these people.

you will never write a story that is free from criticism. you will never draw a piece that everyone finds appealing. you will never compose a song that everyone enjoys hearing. you cannot, fundamentally, set out to create something and only think of how you can avoid someone not liking it.

because, and this is key, there will be someone who sees every angle of your story and feels its intent in their heart and gushes to their friends about it. you will draw someone's favorite art and they will make it their phone wallpaper because they want to see it every day. someone will fall in love with your song and loop it on their way to work because it gets them through the day. and THOSE are the people your work is for. THOSE are the people you have to care about, because they love what you make for what it is - because it's itself.

if you set out to create something and file off every sharp edge, prune every thorn, you will be left with something fragile and weak, and it will be fragile and weak for the sake of someone who does not exist but that you were scared of anyway.

sharing art is complex and tangled and powerful, and anything you care enough to create deserves to flourish as itself. get sillay.

[nyarados]

someone in a fanfic: s-stutters in embarrassment

me, closing the tab: sorry I must go

[hellishues]

Unrealistic Stuttering: “S-sorry I-I d-d-didn’t m-mean t-to…”

Realistic Stuttering: “Sorry, I uh… I didn’t mean- I didn’t mean to do that…”

When people stutter, they usually reword what they’re saying as they speak, and subconsciously insert “filler words” such as “uh, like, you know,” and etc.

[lianabrooks]

*puts on speech therapist hat*

ACTUALLY! It depends on why they are stuttering. 

A Nervous Stutter results in what is called Mazing, or rewording the sentence. That is the classic “I, um… well I… look it’s just that… so we…” that @hellishhues is talking about. When someone is mazing their words you’re seeing a form of Speech Apraxia where the brain is having trouble forming verbal speech. This can be brought on by brain damage, memory loss, anxiety, nerves, and several other things. 

The root cause of a nervous stutter is a disconnect between the mouth and the brain. 

With this you will also sometimes see the classic “S-s-s-sorry…” especially if the person has been training to speak clearly and is now at a point of fatigue or stress where they are not mentally capable of forming the words.

The other kind of stutter is a Physical Stutter, sometimes referred to as slurring, and another facet of Speech Apraxia. This stutter is caused when the muscles of the mouth, tongue, and throat are physically unable to form certain sounds. This is most often seen in the very young and victims of brain trauma. 

Sounds are acquired at different ages, so a 2-year-old will probably not be able to clearly pronounce certain words (which is why toddler sound so off when they’re written with developed dialogue). These mis-pronunciations are sometimes referred to as lisping, but only if the sounds are run together. If the person starts and restarts the sound because they got it wrong, it can also sound like the classic sound stutter. 

But it all depends on why the character is stuttering!

Do they have Speech Apraxia, Audio Processing Disorder, muscle dysfunction, or another medical reason to stutter? (1)

Are they stuttering because of anxiety, stress, or fatigue? (2)

Does the stutter stem from intoxication or blood loss? (3)

All of those will sound different! 

1 - Will have mazing, repeated sound stutters, and be the classic stutter that annoys OP.

2 - This is where you’ll see the repetition stutter, mazing, rephrasing, and filler words.

3 - This is where you are more likely to see starts and stops and slurring of words. 

[officialqueer]

My mum has apraxia and I just wanted to say that’s one of the most concise and clear ways I’ve seen it explained, thank you!

[tedkordisanasshole]

This is like the people always mocking “X let out the breath they didnt know they were holding” as an unrealistic cliche. Just because you dont realize its real doesnt mean its not real

[eclecticmuses]

I have a physical stutter and was in speech therapy for 10 years and @lianabrooks hits the nail on the head with her explanation. There are many different types of stuttering, with different causes. Thank you!

[pomrania]

“This reads like fanfiction (it feels like it was written by a preteen, and most of such things posted publicly are fanfic)” vs “This reads like fanfiction (it has a focus on character and relationships, like the style of a lot of modern fanfic)” vs “This reads like fanfiction (it keeps referencing people and events with the assumption that the audience is already familiar with them, like how fanfic doesn’t need to rehash the source material)”

[pomrania]

Some further suggestions from the notes:

“This reads like fanfiction (it’s a love story for the ages as long as you can overlook that the author keeps misspelling ‘you're’)” vs “This reads like fanfiction (you can tell the author was having a blast writing this and now so do you reading it)” vs “This reads like fanfiction (the author is clearly info-dumping about a very niche hobby of theirs that they’re passionate about)” vs “This reads like fanfiction (the characters keep getting put in increasingly weirder situations which you’d normally only find in fanfic)” vs “This reads like fanfiction (the author felt the need to rehash the characters from when they were first introduced instead of after several years’ worth of character growth)” vs “This reads like fanfiction (it feels like it had no editor)”

[hallownest-archive-deactivated2]

imo the best way to interpret those “real people don’t do x” writing advice posts is “most people don’t do x, so if a character does x, it should be a distinguishing trait.” human behavior is infinitely varied; for any x, there are real people who do x. we can’t make absolute statements. we can, however, make probabilistic ones.

for example, most people don’t address each other by name in the middle of a casual conversation. if all your characters do that, your dialogue will sound stilted and unnatural. but if just one character does that, then it tells us something about that character.

[jauntylittlefrillyboy]

[nostalgicmess]

sometimes i need to remind myself that i'm writing fanfiction for free and i'm allowed to have a shitty sentence or two

[captaingondolin]

so many of my fics have remained buried in my drafts because i wrote the cool scenes first and then didn’t have “connective tissue”. but i’m freeing myself from that and just adding shitty “and then a week passed” or “they got to their destination” connections and just posting them and it’s so! freeing! try it!

[shadowen]

I can't tell you how many times I've agonized over a scene transition, only to fill in the missing space with, like, a sentence.

[sister-dear]

Write the parts you wanna write and then go in and slap scotch tape over the rest of it.

[novlr]

Vary your language with synonyms to use instead of "said"

While there is nothing wrong with the word "said" in and of itself, variety is the key to exciting writing that keeps readers engaged.

Combining action beats with varied synonyms as well as "said" yields the most interesting and varied results.

Here are some examples you can use in your next project to keep you writing varied:

Instead of "said quietly"

whispered

murmured

muttered

croaked

purred

hissed

crooned

breathed

buzzed

Instead of "said affectionately"

admired

gushed

praised

flattered

lauded

beamed

complimented

approved

exalted

Instead of "said sadly"

sobbed

cried

lamented

pleaded

wept

grieved

wailed

sniffled

bawled

Instead of "said angrily"

growled

fumed

demanded

hissed

scolded

mocked

yelled

bellowed

berated

Instead of "said fearfully"

stuttered

gasped

stammered

gulped

cautioned

screamed

wavered

croaked

blanched

Instead of "said excitedly"

cheered

sang

beamed

rejoiced

hailed

exclaimed

celebrated

exulted

blurted

Instead of "said uncertainly"

inquired

hesitated

balked

deferred

speculated

floundered

pondered

wavered

vacillated

Neutral synonyms to use instead of "said"

voiced

expressed

insisted

noted

uttered

continued

replied

went on

began

[play-now-my-lord]

writing tips

cultivate the no-mind, a state of emptiness in which you can easily become a vessel for creative forces outside of your control or understanding. The Buddha nature is the first step to being a writer

cultivate your own style by reading other people who do what you want to do and living eternally in their shadow. Your voice should be a totally unique imitation of people you will never measure up to

you'd be surprised how far a solid pushup bra will get you. how do you think steven king got so big? honkers, baby

anyone who edits your work is a parasite in your perfect body. You should make them roll around in shit like a dog for your approval

they don't all have to be winners. Most writers never write anything good, and I'm told they live just fine; there's a sort of submissive dignity to it

"write drunk, edit sober" is 20th century advice. Best practices in the 2020s include amphetamines. Crank, ice, what have you

Don't write around the dialogue tags "said" and "asked". You will sound like a Hardy Boys novel the entire time. If you're doing a Hardy Boys novel ignore this advice and only this advice, as it would be a disaster to write a Hardy Boys novel without tweaking off your tits

An important principle of ancient Greek drama was hubris - that humans' pride would leave them with no choice but to defy the will of the gods and be destroyed by their own actions. While obviously things have changed a lot in the last 2000 years, hubris is still an indispensable part of the writing process today. If you don't have hubris, cultivate it

You're going to find money very difficult to come across, even in exchange for your best work. According to every expert in the field I've talked to, the solution to this is simple: destroy capitalism

[abalonetea]

my writing fundamentally changed forever ten years ago when i realized you could use sentence structure to control people’s heart rates. is this still forbidden knowledge or does everyone know it now

[dreamtofswallowingcoins]

?????? *raises hand* I’ve been writing for years and don’t know this trick by these words! do tell?

[abalonetea]

Okay, so a few people have asked for me to cite the dark magics at them, and i’m super happy to share because it’s my favorite thing ever. 

so, let’s see if i can explain this the same way that i learned. read a sentence out loud. you come to a full stop when you hit the period, and you take a normal, breath. but, when you hit a comma, you take a slightly longer pause. and when you hit a dash - you take an even longer pause. 

this is a natural rhythm that we pick up when we’re first taught to read; we do it without even thinking. but when you start to think about it, you realize that it can become a tool.

think of your heartbeat. a period is badump. a comma is badump-dump. and a dash is thump badump. one breath. a longer breath. two breaths.

that means what you read automatically affects the rhythm of your breathing and your heartrate. which means that you can control the amount of physical tension your reader feels… by altering your punction and your sentence structure.

for fast paced scenes, you use short sentences. a lot of hard stops. mostly periods, with just a few comma’s thrown in for the full breath. your reader’s heartrate accelerates. their breathing is slightly and unintentionally, on their end, quicker. you hit the dramatic ending of the scene - and your reader’s body phsyically feels the gasp, the breath of fresh air, of these longer sentences.

now, read that paragraph again ant take note of your natural pauses, and how it subtly affects your breathing. 

the same thing can be said of comma’s and dashes. while they can be used as a breath of fresh air, they can also cause a new line of tension as they lead your reader to hold their breath. during this section, you should use longer sentences; breaking up the harshness of the pauses by using variations of punction. read this paragraph out loud from the start and take note of how long you go between pauses and full breaths. 

and then, comes the biggest trick.

the hard stop.

the paragraph.

because while the periods, commas, and dashes are variations on a short stop, the paragraph is a hard stop. you take a full breath. you pause for a moment, then move to the start of the next paragraph.

which means you can create an entirely new sort of dramatic tension. read the sentences that are in bold. see how you take a naturally longer pause at the end of each paragraph?

see how it makes you feel? 

how it makes you breath different? 

how doing it once, twice, or three times creates a different line of tension? 

this little magic trick can be used to cause a reader’s heartrate to speed up during a fight or chase scene. it can be used to cause their breathing to slow down during moments of dramatic tension, sorrow, or softness. and it can be used to create hard breaks that add a new level of physically felt emphasis to your written work.

i hope these examples make sense! it’s my favorite writing trick!

[levi-ish]

saw this on twitter rn, if you ever feel discouraged about writing fanfiction, read this again

[dduane]

...This.

[thewritingumbrellas]

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

[lourdes-archieve]

@Fanfic writers:

My friend send me this link, is a series on a profile on Ao3 (tumblr) that has different tutorials to insert things to fanfics via html code, I thought I would share bc it’s really cool

Lists of tutorials:

How to make images fit in mobile browsers

This is a tutorial/live example on how to make large images fit on mobile browsers but remain normal size on desktop browsers.

How to mimic letters, fliers, and stationery without using images

This is a tutorial/live example on how to mimic the look of letters, fliers, and stationery (as well as other forms of written media) without using images. For all your epistolary fic needs.

How to make a “choose your own adventure” Fic

This is a tutorial/live example on how to create a "Choose Your Own Adventure" fic. While this has been explained before (see here), this particular tutorial shows you how to use a work skin to hide the next parts from the reader until they click through to get to them.

How to make linked footnotes on Ao3

This is a live example of how an author can create linked footnotes in their work with only a little bit of HTML and no workskins required. This is best viewed by clicking "Entire Work". While I've included the actual coding in bold and italic once you click "Hide Creator's Style", there's a more detailed explanation here.

How to change text on Ao3 when the cursor is hovering over it (or clicked on mobile)

This a tutorial/live example on how to have text change or appear once a cursor is hovering over it. Helpful for pop-up spoilers, language translations, quick author's notes, etc.

How to mimic author’s notes and Kudos/Comment buttons

Anonymous on tumblr: do you have a skin that would mimic the author’s notes and review/kudos buttons section from the end of a fic? the desired effect being that the fic could go on after the “end” of the fic, so after the author’s notes and review/kudos buttons

Here's a tutorial/live example to do just that, with some of the buttons actually functioning. I'll explain more inside!

How to wrap text around images

This is a tutorial/live example on how to align images to the left or right of the screen and have text wrap around them.

How to mimic email windows

This is a tutorial/live example on how to mimic email windows on AO3 without the need to use images.

How to make ios text messages on Ao3

This is a tutorial/live example on how to mimic iOS text messages on AO3 without the need to use images. There's also a chapter on how to have emojis displayed on AO3 as well.

How to make Customized page deviders

Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).

How to make invisible text (That can be highlighted)

This is a live example how to make invisible text that can only be seen by highlighting the text. Tutorial is included in text, and you can always leave comments about questions you may have.

MOBILE USERS: Sadly, this probably won't work for you, since highlighting in a mobile browser is different than web. I've tried correcting this, but have yet to find a solution.

How to make a rounded playlist

Original coding and design is from layouttest. I make no claims for it, just tweaked it so it will work on AO3.

How to create notebook lined paper on Ao3

This is a live example of my AO3 skin that allows the author to recreate the look of lined notebook paper in their work. To learn more about it, you can find the tutorial here.

Sticky notes on Ao3 without using images

This is a live example of my AO3 skin that allows the author to recreate the look of sticky notes (aka Post-Its) in their fic. To learn more about it, you can find the tutorial here.

How to make deadpool’s thinking thinking boxes on Ao3

This is a live example of my AO3 skin that allows the author to recreate the look of Deadpool's thinking boxes in their fic. To learn more about it, you can find the tutorial here.

How to make newspaper articles on Ao3

This is a live example of my AO3 skin that allows the author to recreate the look of a newspaper article in their work. To learn more about it, you can find the tutorial here.

[batsutousai]

May I add one I use a lot:

How to Make Customized Page Dividers

Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).

[campaignagainstcliche]

[dduane]

This. :)

[honourablejester]

Random, but a really handy way to make things seem creepy or wrong in horror is to make them incongruously neat or clean:

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

And fun

[overfalls]

IT’S NOT ‘PEEKED’ MY INTEREST

OR ‘PEAKED’

BUT PIQUED

‘PIQUED MY INTEREST’

THIS HAS BEEN A CAPSLOCK PSA

[owlbearcounter]

THIS IS ACTUALLY REALLY USEFUL THANK YOU

[ranetree]

ADDITIONALLY:

YOU ARE NOT ‘PHASED’. YOU ARE ‘FAZED.’

IF IT HAS BEEN A VERY LONG DAY, YOU ARE ‘WEARY’. IF SOMEONE IS ACTING IN A WAY THAT MAKES YOU SUSPICIOUS, YOU ARE ‘WARY’.

ALL IN ‘DUE’ TIME, NOT ‘DO’ TIME

‘PER SE’ NOT ‘PER SAY’

THANK YOU

[tassiekitty]

BREATHE - THE VERB FORM IN PRESENT TENSE

BREATH - THE NOUN FORM

THEY ARE NOT INTERCHANGEABLE

WANDER - TO WALK ABOUT AIMLESSLY

WONDER - TO THINK OF IN A DREAMLIKE AND/OR WISTFUL MANNER

THEY ARE NOT INTERCHANGEABLE (but one’s mind can wander)

[fairywails]

DEFIANT - RESISTANT DEFINITE - CERTAIN

[melancholicmarionette]

WANTON - DELIBERATE AND UNPROVOKED ACTION (ALSO AN ARCHAIC TERM FOR A PROMISCUOUS WOMAN)

WONTON - IT’S A DUMPLING THAT’S ALL IT IS IT’S A FUCKING DUMPLING

[proletariatbitch]

BAWL- TO SOB/CRY

BALL- A FUCKING BALL

YOU CANNOT “BALL” YOUR EYES OUT

[soggywarmpockets]

AND FOR FUCK’S SAKE, IT’S NOT “SIKE”; IT’S “PSYCH”. AS IN “I PSYCHED YOU OUT”; BECAUSE YOU MOMENTARILY MADE SOMEONE BELIEVE SOMETHING THAT WASN’T TRUE.

THANK YOU.

[everylineeverystory]

*slams reblog*

[leonawriter]

IT’S ‘MIGHT AS WELL’. ‘MIND AS WELL’ DOES NOT MAKE GRAMMATICAL SENSE.

[penbrydd]

SLEIGHT - DEXTERITY, ARTIFICE, CRAFT (FROM ‘SLY’) SLIGHT - VERY LITTLE, FRAIL, DELICATE

IT’S ‘SLEIGHT OF HAND’.

[maverlok]

[celynbrum]

DISCRETE - SEPARATE, DISTINCT, PARTED

DISCREET - SUBTLE, STEALTHY, DIPLOMATIC

[othercat2]

BORN= existing as a result of birth

BORNE= carried or transported by

[typesetjez]

LIGHTENING = to make something less dark in color or to lessen its weight

LIGHTNING = bright flash of light during electrical storms

[obervation-subject-753]

{This is quite helpful. Thank you Rebloggers.}

[ask-the-dancingdreamer-archive]

((adm: I just want to add-

Loose- untight

Lose- opposite of winning))

[ask-the-awesome]

((ALSO: A fun trick -  Affect = Action  Effect = End Result ))

[ed-edward-blackbeard]

There = In that place

Their = belonging to them

can’t = a contraction for cannot

cant = a tilt or lean at an angle, usually to accommodate accessibility

[gossip-girl-of-middleearth]

Me thinking that this is child’s play and that I know it all already:

Me realising there are some things I didn’t already know:

[inthememetime]

TO- GOING ONE PLACE TOWARDS ANOTHER

TWO- 2, A NUMBER BETWEEN 1 AND 3

TOO- A DESCRIPTIVE WORD, THE MUSIC IS TOO LOUD, THE SHIRT IS TOO LOOSE.

[the-haiku-bot]

TOO- A DESCRIPTIVE

WORD, THE MUSIC IS TOO LOUD,

THE SHIRT IS TOO LOOSE.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

[ms-mazarin]

Words to replace said, except this actually helps

I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.

IN RESPONSE TO Acknowledged Answered Protested

INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified

GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed

FOR SOMEONE ELSE Advised Criticized Suggested

JUST CHECKING Affirmed Agreed Alleged Confirmed

LOUD Announced Chanted Crowed

LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned

ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore

SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized

ASSHOLE Bellowed Boasted Bragged

NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered

SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted

FIRST OFF Began

LASTLY Concluded Concurred

WEAK PUSY Begged Blurted Complained Cried Faltered Fretted

HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed

WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved

BRUH, CHILL Cautioned Warned

ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted

CHILL SAVAGE Commented Continued Observed Surmised

LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed

BRUH I NEED U AND U NEED ME Confided Offered Urged

FINE Consented Decided

TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered

JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched

WASN’T ME Denied Lied

EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened

BORED Droned Sighed

SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered

DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached

OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled

ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered

ANNOYING Nagged

I DON’T REALLY CARE BUT WHATEVER Guessed Ventured

I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled

I WONDER Pondered Voiced Wondered

OH, YEAH, WHOOPS Recalled Recited Remembered

SURPRISE BITCH Revealed

IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted

BITCHY Tattled Taunted Teased

[writing-reigns-deactivated20200]

reblog to save a writer 

[whispersandwhiskerburn]

Reblog because the titles for each category are comedy gold.