Gilbert et al. (2025)
No you don’t understand. This is the actual graphical abstract for an actual paper published in the journal Cell, one of the top three journals for all life science (at the same level as Nature and Science). Incredible.

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@machine-elf-paladin
Gilbert et al. (2025)
No you don’t understand. This is the actual graphical abstract for an actual paper published in the journal Cell, one of the top three journals for all life science (at the same level as Nature and Science). Incredible.
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this thread on twitter is fucking killing me
IT GETS BETTER
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lmao prev
maarten inghels
@sherbertilluminated there's a line somewhere in Ursula Vernon's Digger that goes something like "it is difficult to be metaphysical around the truly geologically minded"
my humor 2016
10 years
This one’s for @withercat22 😂
"Scarab Teapot" 2012 by Yuri Tozuka
It's a very skilled execution, you have to give it that much. The concept is a bit crap, though.
Woman murders man in broad daylight
beautiful like to reblog ratio on this
That's because people are reblogging it every time they see it. Like I'm doing right now lmao
Why is is specifically called the Waluigi effect and not the Wario effect?
it's just a more fun name I think
I think it's because Waluigi is as close as any recognizable, multiple-media-entry character gets to being an Evil Counterpart and nothing more. Wario has stuff going on! He's got (or had) his own platformer spinoff series with some notable mechanical divergences from typical Mario games, he has WarioWare, he's doing things. Waluigi exists because they needed a teamup partner for Wario, they went 'you know what why don't we just give Wario his own Luigi', so now Luigi has his own Wario. And he only shows up either in that capacity or as part of ensemble games.
Item: A Stunning Frame Rarity: ⏶ Common
What game has the best art style?
Feed your dashboard by answering my question, blogger.
I'm going to make an off the wall pick and go for Baba Is You. The "child's drawing" aesthetic is maybe not to everyone's taste, but it's good for clarity in some frankly mind-boggling puzzles, it's very recognizable, and the wobbly-animated lines are... I don't know, there's just something about it that works.
clown event still possible
A while ago while I was in tumblr jail, you posted that you had a masters in science fiction literature (unless you didn't, I have been known to be mistaken), and I am wondering, what do you consider 'important' works of science fiction? Like the science fiction literary canon? I am so curious. Feel free to ignore, I will not harass you.
Yes! I do. I can tell you the ones that I was assigned (I'm afraid that the list skews extremely male and (especially) white).
Mary Shelley, Frankenstein (1818)
Olaf Stapledon, Last and First Men (1930) and Star Maker (1937) [You can probably add Odd John (1935) to this list]
Jules Verne, Journey to the Centre of the Earth (1864) and 20,000 Leagues Under the Sea (1870) [You can probably add From the Earth to the Moon (1865)]
H.G. Wells, The Time Machine (1895) and War of the Worlds (1897) [Though you can probably go ahead and add The Island of Doctor Moreau (1896), The Invisible Man (1897) and The First Men in the Moon (1901)]
Charlotte Perkins Gilman, Herland (1915)
Catherine Burdekin (writing as Murray Constantine), Swastika Night (1937)
Karel Čapek, R.U.R. (1920)
Isaac Asimov, I, Robot (1950) [You can probably add the first three Foundation novels here as well]
Yevgeny Zamyatin, We (1921)
George Orwell, Nineteen Eighty-Four (1949)
Arthur C. Clarke, 2001: A Space Odyssey (1967) and Rendezvous with Rama (1973) [Add: Childhood's End (1953) and The Fountains of Paradise (1979)
John Wyndham, Day of the Triffids (1951) [add: The Chrysalids (1955) and The Midwich Cuckoos (1957)]
H.P. Lovecraft, "The Call of Cthulhu" (1926) [add The Shadow over Innsmouth (1931)]
Richard Matheson, I Am Legend (1954)
Alfred Bester, The Stars My Destination (1956)
Robert Heinlein, Starship Troopers (1959) [Probably Stranger in a Strange Land (1961) and The Moon is a Harsh Mistress (1966) too, depending on, you know, how much of Heinlein's bullshit you can take]
J.G. Ballard, The Drowned World (1962) [Also, The Burning World (1964) and The Crystal World (1966)]
Phillip K. Dick, The Man in the High Castle (1962) [Also Do Androids Dream of Electric Sheep? (1968) and several of his short stories]
Frank Herbert, Dune (1965)
Michael Moorcock, Behold the Man (1969)
Kurt Vonnegut, Slaughterhouse-5 (1969)
Ursula Le Guin, The Dispossessed (1974) [Also The Lathe of Heaven (1971) and The Left Hand of Darkness (1969)]
Brian Aldiss, Supertoys series
William Gibson, Neuromancer (1984)
Kim Stanley Robinson, Red Mars (1992) [Also Green Mars and Blue Mars]
They also included Iain M. Banks's The Algebraist (2004), but I personally think you'd be better off reading some of his Culture novels
Other ones that I might add (not necessarily my favourite, just what I would consider the most influential):
Joe Haldeman, The Forever War (1974)
Matsamune Shiro, Ghost in the Shell (1989-91)
Katsuhiro Otomo, Akira (1982-1990)
Octavia Butler, Lilith's Brood (1987-89) and Parable of the Sower (1993)
Poul Anderson, Operation Chaos (1971)
Hector Garman Oesterheld & Francisco Solano Lopez, The Eternaut (1957-59)
Liu Cixin, The Three-Body Problem (2008)
Robert Shea and Robert Anton Wilson, The Illuminatus! Trilogy (1975)
William Hope Hodgson, The House on the Borderland (1908)
Neal Stephenson, Snow Crash (1992)
Joanna Russ, The Female Man (1975)
Orson Scott Card, Ender's Game (1985) [Please take this one from a library]
Edgar Rice Burroughs, A Princess of Mars (1912)
Margaret Atwood, The Handmaid's Tale (1985) and Oryx and Crake (2003)
Aldous Huxley, Brave New World (1932)
Osamu Tezuka, Astro Boy (1952-68)
Ray Bradbury, Fahrenheit 451 (1953)
Madeleine L'Engle, A Wrinkle in Time (1962)
Walter M. Miller, A Canticle for Leibowitz (1959)
Douglas Adams, Hitchhiker's Guide to the Galaxy (1979)
“Let’s Battle” by rubiarts (Jan 24, 2013)
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Lmaoo
*slides this across the table* you're going to want to read this
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