If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
hello vonnie

Game Changer & Make Some Noise

ellievsbear
todays bird
Color Me Curious
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let's talk about Bridgerton tea, my ask is open
ojovivo
art blog(derogatory)
macklin celebrini has autism
Doug Jones

#extradirty
RMH

pixel skylines

tannertan36
untitled

Discoholic 🪩

titsay
TMBGareOK. The Official They Might Be Giants tumblr
Today's Document
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@mazecver2
If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
And now, a comic about experiencing trans joy through creation. Take it away, Mettaton!
Spread the love! Even a spammy long nosed doll deserves a chance to feel like himself.
Edit: I wrote an afterwards in the reblogs. There’s also a silly bonus drawing!
You can reverse the flow of Mako if you concentrate
Really obsessed with this exchange
For those curious, they're talking about The Legend of Khiimori.
Watching the new Folding Ideas video and I can't stop thinking that Mr Beast is unsatisfied because he doesn't have a fandom. He is dying to understand where to throw money to make fandom happen. It gives me great pleasure to know that we hold the power to keep mr. Beast miserable
When Dan Olson said that Mr Beast's people asked him and a bunch of other youtubers "How do you create fandom", I experienced a moment of terror so visceral that my heart jumped into my throat. But luckily what followed was a thorough reassurance that he would never be able to understand the answer to that question.
The reason WHY Team Beast wants to "create fandom" is because they have an awareness that fandom is something that makes Number Go Up, and they want to have access that sort of loyalty and attention. But fandom isn't really something you create intentionally, it's more of a natural side effect of caring about something a lot, and going about the business of expressing how much you care, and finding community that cares in a similar way. But Mr Beast and his team do not actually care about anything at all, except Number Go Up. Everything Team Beast does is just a random exercise in throwing money at different ideas to see which makes Number Increase More.
Team Beast made chocolate bars because they know their audience of kids likes and buys candy, not because they liked candy or were interested in the process of making good candy. This is how they ended up making a chocolate bar that lacked the pre-sectioned bar shape that any other reputable candy maker has known and utilized for decades.
Team Beast made a reality show, because they know that reality shows are popular, and that Squid Game was a massive cross-cultural phenomenon, not because they care about reality shows, or are interested in telling stories about the limits of human cooperation and integrity in high stress, high rewards situations. This is how they ended up making a reality show with too many people to focus on any sort of interesting individual narratives, filled with elimination challenges that didn't work.
Team Beast is basically going down a checklist of "what activities that have the highest profits/highest level of public awareness associated with them" because they want that Simple Numerical Supremacy that comes from them, not because they care about the actual activities themselves. This also explains why Dan Olson was invited to Team Beast's studios to begin with. They probably only have a vague awareness of him as a guy on youtube with a million subscribers, and a 2 hour documentary about NFTs that is apocryphally regarded as the Film That Ended The Business. They don't actually care about what he or other youtubers consider important. They just want their fandoms.
Everyone reblog this. Mandatory.
(back into the ink)
A redraw of a redraw of my Splatoon 3 poster illustration. It's funny how each redraw was in 2-year intervals, coinciding with Splatoon 3's release, Final Fest, and Raiders' release. Available as a print at Lightbox Expo this year!
Little Menaces - Queen (Deltarune)
Set of OOAK handmade art dolls
If I see one more person saying they don’t think Pink deserved to be a shadow crystal boss or didn’t deserve the freedom motif, I’m going to explode.
Her whole THING is freedom. She’s in the dark world in the first place to find her freedom in the body she just KNEW was her.
Plus, she directly parallels our relationship with Kris. She presents a solution to the problem we have with Kris, where the body and soul want something different. She presents the idea of working together and compromising, learning to love both sides of yourself. She is the freedom that we and Kris could potentially have.
Not to mention, Pink and Ralsei are parallels too! Pink knows who she is and what she wants, and Ralsei does not. Ralsei speaks directly to Pink’s problems like her dysphoria like they know what she’s going through. Ralsei is, at their core, envious of people who know what they want and are confident enough to take it. They NEED Pink’s fight, in a way, because it might help them become more secure.
Just because Pink doesn’t fit the “creepy” or “dark” themes of the other secret bosses, doesn’t mean she doesn’t belong there. Trans joy is freedom. Self acceptance is freedom. She deserves this.
Life Could Be Nightmare
Life Could Be Dream
(with the intonation of a 45 year old detective who's picked up cigarettes after the fourth time he said he'd quit) so there's this annoying fictional blonde man.
Deltarune art repost :]
Someone remind me in like a week to talk about some of my favorite animated short films, because as a medium it's often overlooked and underappreciated
Thank you!
We regularly bemoan the loss of the 24 episode TV season, but we should also appreciate the conciseness of a novel idea executed with clear precision and intent. Animated shorts are like poetry in that way. And because of that, you can do some pretty wild things.
Star Wars Visions is a collection of shorts where Disney threw money at at bunch of different animation studios and told them to make Star Wars stuff. Screecher's Reach is the best of the bunch. Cartoon Saloon knocked it out of the park, and it makes me deeply regret I haven't found the time to watch more of their stuff. The vibes and tone are similar to something like Over the Garden Wall, but I like this better if you can believe it. 11/10
One Piece Fan Letter requires you to have experienced the first third of its story to appreciate it, and because of that I don't recommend it to folks who aren't into it. I think the pathos simply wont land. But that's the beauty of shorts; you can make stuff catered to a specific audience. This is animated One Piece at its best. If you are a One Piece fan and you haven't seen it yet... what- what are you doing. Go watch it.
You've probably heard of Little Witch Academia, but you might not be aware that the series started as a pair of OVAs, the first one premiering in 2013 and the other two years later. I am incredibly fond of both. The animation is typically excellent for Trigger, and the stories are simple but really heartfelt. It is my opinion that the material works far better in this condensed format, and while I'm glad we got a TV series, for my money I would rather they had continued to develop it as a series of short films.
I'm not gonna talk too much about Angel's Egg because the film has been enjoying a bit of a resurgence recently. Hugely influential, other people have talked about it better than I will, you should watch it
World of Tomorrow is a trilogy of films made by Don Hertzfeldt, who also made Rejected. You know, this thing:
so that's the kind of pedigree we're talking about here. World of Tomorrow is great. It's absurd, hilarious, dark, and often all three at once. Watch these on a discord call with friends. You'll laugh your asses off and the company will help stave off the existential dread.
Gobelins Paris is an art school best known for their animation department. Every year they upload a bevy of student films, and every once in awhile I like to go through a batch just to see what the kids are up to these days. There are so many of these now and I have not seen all of them, so here's just a quick sampling of my personal favorites:
Dix-huit kilomètres trois is a perfect little snapshot of what it was like to be a kid grabbing what freedom you could away from the prying eyes of adults. Deeply nostalgic
QUAND J'AI REMPLACÉ CAMILLE is about a swimmer pushing herself to the breaking point in order to compete. Subtle it is not, but the ending manages to hit such a specific uncomfortable note that it's stuck with me forever
CHILDERIC, LES NERFS DE LA GUERRE is about a young commander in the middle ages getting ready for battle, shot mockumentary style. Great concept, great execution. No notes
Caldeira is about a volcanologist struggling with her inferiority complex toward her sister, and baby that's what being a student filmmaker is all about
Many student films are about as subtle as a sack of bricks, but Protocole Sandwich is executed with such confidence it feels like it done by seasoned professionals. While one could read it as criticism of the very necessary safety measures put in place during covid, we are fortunately spared that interpretation by virtue of it premiering in 2019
"History's greatest thinkers… with AI"