MessyLatte

Some strong coffee and a random content! Sometimes in english, sometimes in portuguese, and a little of nonsense. Welcome!

[messylatte]

And... Ta-dah! Omg it was so fun to draw! Hope you like it <3 ! . . . #redrawsailormoon #sailormoon #watercolor #procreate #digitalart #fanart https://www.instagram.com/p/CAc-bHlnD4K/?igshid=1d4rdogbg50e6

[el-cheung]

[agxntkeen]

I was tagged by @apicturewithasmile to do the before & after gif process meme

on the left you have the original unsharpened and unedited gifs, and on the right is the result after I sharpen and color them. for these I chose the coloring that I would normally pick for the type of scene. I always use the same psd for each set of course, adjusting it for each gif if needed to make sure that the colors match. I do unsaturated/low contrast gifs sometimes but bright and vibrant gifs are my favorite, tho not always possible due to horrible lighting (looking at you, TBL)

tagging some fellow gifmakers @elizabethkween @lxvause @whimsyandsomething @strawberry-pills @youcantmakeme and anyone else who wants to do it

[carodoodles]

A little PSA about ASL for ‘Thank you’! I’ve had all of these signed to me accidentally hahaha. And whenever I sign thank you to non signers, sometimes they thought I was blowing a kiss to them. T_T ✩ Twitter ✩ Tapastic ✩ Facebook ✩ Patreon ✩

[calligraphypage]

THANK YOU KIND OP

[radical-eve]

[kasaron]

Guessing it uses ultrasound?

[officialmacgyver2-deactivated20]

Ultrasonic background noise, yes.

[kasaron]

Ye, that’s what I’d use.

[jooshthepunished-deactivated202]

The real question is whether they’re gonna hold the patent close to their chest so they can sell it, or if they’ll open the patent so homegamers can take a crack at building their own.

[boomalope-pope]

They’ve already put the code and 3D printing models up on github!

[jooshthepunished-deactivated202]

God bless ‘em

[vaporwavevocap]

Heroes.

[smoosie]

Softy Genderfluid Snek Chronicles

Part 4 / 5 !  ( Part 1 - Part 2 - Part 3 )

Pffiuu one more part to go ! Satan give me strength…

A lot of liquor and poor sleep habits were involved for our snek and with this one I figured out the 3 magic Bs to draw Crowley : Bon(n)y, Bendy, Broody :p

I couldn’t resist to bring back the gran’pa long underwear too ! haha (the sleep mask was a gift from Aziraphale and so was the (now) rusty alarm clock ofc)

The one in Marlene Dietrich’s style has been suggested by @nemophilistwithin

[dongiovannitriumphant]

A selection of very heterosexual sock ads by J. C. Leyendecker

[pample-maus]

His💖💖

[selene-yoshi-chan]

Ineffable mess with pencils.

[hiyoratory-deactivated20250410]

snowy owl

[junkandstuff]

[mayflyinspace]

[vint-agge-xx]

Vintage victorian mens neck ties

[pinkpiggy93]

The ineffable plan chap 12

Aint nothing else matters

Chap 11

Nekocat

The Ineffable Plan, chapter 11 Too little too late Chap 10 The Ineffable plan, chap 10 Chapter 9 The Ineffable Plan - chapter 9 Here comes t

[shutyourmoustache]

Imagine your tiny ass receiving one of these bomb ass cash gifts.

[it-is-ineffable]

We all know this scene, right?

I decided to dig up my dusty photoshop skills to fix it :)

[falllingthroughspace]

[mizgnomer]

Behind the Scenes of Aziraphale’s Bookshop (as it burns down)

Excerpt from The Nice and Accurate Good Omens TV Companion:

Responsibility for the bookshop blaze fell to the special effects supervisor, Danny Hargreaves. Like everyone else in the cast and crew as filming at Bovingdon [Airfield - where the bookshop set was built] progressed, he had come to appreciate the scale and detail invested in the set by Michael Ralph [production designer].

“I went from being just a guy on set to being the bad guy,” he laughs, as the man appointed to set fire to it. “It also broke my heart a little bit as there were thousands of books, tapestries, and beautiful grandfather clocks inside the shop that were real.”

“Everything is under control,” Danny points out, “but there is a limit as to where that fire can go, and we took it right to that limit. The burn time inside the bookshop was quite long, because David Tennant had to do a whole scene in there. Now, as Crowley is from Hell that means fire is his thing. So David had to be very cool about being in there, and he did it so well. The radial heat coming out was incredible, and there were moments where I shut off the gas lines sooner rather than later. One time Douglas [Mackinnon, director] came out and questioned why I’d cut it. I had to point out that the roof was about to catch fire.”

As the individual responsible for creating such a magical set, Michael Ralph considers the burn to be just another purpose for its existence.

“What we’re doing is supporting the actor,” he says, “and the emotion around that actor. The set is monstrous, huge, but it isn’t the show.”