I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
So Rocky has a bunch of permanent carvings along his carapace like family crest, rulers and protractors, marriage symbol, etc. I assume thats normal for Eridians, but the possibility that it's socially equivalent to getting full body tattoos for humans is funny. Imagine seeing this super inked out dude, but you look closer and its just a bunch of tattoos like.
"I LOVE MY HUSBAND," "FAMILY MAN," "ENGINEERING4LYFE."
Apologies if this is all stuff you already know and you were being rhetorical but he definitely was not called Ötzi!
Ötzi is a 5300-ish year old mummy, found in the Ötztal Alps in Italy (hence his name). While the earliest form of writing was emerging from Sumer at the time, Ötzi likely came from a civilisation with no writing system.
Ötzi has a fanbase because frankly he's absolutely fascinating. For a long time he was the oldest tattooed person ever discovered (in 2018 older Egyptian mummies were discovered), with 61 tattoos, a series of lines and crosses, primarily on his joints. These tattoos were likely an early form of acupuncture since he had worn joints that likely caused him pain.
The amount we've been able to study and understand about Ötzi is incredible, and he has offered us an incredible view of the European Copper Age. He was 45. He was 5"3. He was around 50kgs. We know what his final meal was, how he dressed, where he came from and how he travelled to the Ötztal region (through pollen in his lungs). We know he was involved in copper smelting (high levels of copper and arsenic in his hair). He could still have 19 descendants alive today. We know he was sick three times in the last six months before he died. We know he had whipworms. We know he was lactose intolerant.
We know he was murdered. Not killed by a stranger, or robbed. He was murdered by someone, and it was probably personal, and he did not know it was coming. He bled out, from an arrow to the back, and nobody helped him.
His last meal was elaborate. He was not on the run, or in a hurry to get away. He was not chased up those mountains. Where was he going? Why was he being followed? His body was not looted. He was a wealthy man, for his time. He had good quality clothes, shoes that people have reconstructed and hiked up the mountain in (and found surprisingly comfortable, apparently).
Weapons, too. He was found with a copper axe, a knife, arrows and an unfinished bow, baskets and medicines. These were all valuable possessions. People were not so rich back then that they could easily discard items like this- so why were they left to rot on the mountain with him? Was the fact they'd been touched by Ötzi really so repugnant to whoever was on that mountain?
There are at least 4 other people's blood on his gear. On the knife. On the arrows. The arrow that they shot him with was left in his back but the shaft was removed.
We know so much about Ötzi. We know everything about his finals hours- except for everything about Ötzi. We do not know who he was, we do not know his name, and we do not know why he was killed. His murderers stand in the shadows and will never come out into the light.
one thing I love about the magnus archives fandom is every once in a while we jump super high in the trending list and everybody says woah wait what's happening. and it's always nothing. we're just insane
