Absolutely awful idea I just had: game mode where you can queue up to play just the boss fight segment of a raid, dungeon, strike, etc. But YOU play the boss. It's PvP and other players fight against you. Basically Dead By Daylight but it's Destiny

❣ Chile in a Photography ❣
Not today Justin
i don't do bad sauce passes
h
I'd rather be in outer space 🛸
DEAR READER
noise dept.
dirt enthusiast

祝日 / Permanent Vacation

Kiana Khansmith
Stranger Things
we're not kids anymore.
Jules of Nature
taylor price
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Monterey Bay Aquarium

tannertan36
he wasn't even looking at me and he found me
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@rite-reblogs
Absolutely awful idea I just had: game mode where you can queue up to play just the boss fight segment of a raid, dungeon, strike, etc. But YOU play the boss. It's PvP and other players fight against you. Basically Dead By Daylight but it's Destiny
Every day I handle more money than I will ever make. Every day.
At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and it’s not to watch the shoppers. See, we can’t actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.
At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didn’t exist in my household. It’s normal now. Here is something that is not for me.
“What the hell, I’ll take another,” says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.
The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.
I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. He’s not the only sale they make today, but I am the reason they made it. He’s not the only one spending 600 dollars, but if I hadn’t spent two hours with him telling me about his life, he wouldn’t have spent any. I go home. I don’t own a watch.
I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.
I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht.
I’m not worth the cost of a watch.
i wrote this while i was working at orlando’s walt disney world parks.
i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.
as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.
disney admits publicly that a good portion of their success is because the employees (“cast members”) are dedicated, passionate, and selfless. this is never reflected in pay. even “face” characters (ie those that are princesses etc) make barely above a minimum wage.
at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.
i now work a very cushy office job. i have bought the salmon and cooked it all four ways.
i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.
we are both worth more than the watch, anyway.
roald dahl was antisemitic and misogynistic. george orwell was openly homophobic. edgar allan poe married his 13 year old cousin. dr seuss cheated on his wife (and was racist as well as antisemitic!). hp lovecraft was racist as fuck. anyways they’re fucking dead it’s not like you’re enabling their behaviors in the afterlife or something. then again I think they bleed into the books so uh keep an eye out for that
the difference between these old white guys and jk rowling is that the former group is all dead. jk rowling is alive and using your money to oppress trans people
Repost, now do your honors.
Trans people just existing is no more sexual than when cis people just exist.
oh so some people can just listen to a song and understand the lyrics
what if you’re all lying
not even an exaggeration
[Image ID: Tumblr tag reading: #lyrics are an easter egg you decode on your 30th listen /End ID]
reblog to give your headache to elon musk instead
Knowing that trans women of color started the movement in the united states and were literally immediately erased and excluded from what they started is the most deeply jading knowledge.
It is the original sin of the so-called queer community and it damns it from the cradle.
no white gay boy will ever reblog this, watch:
no white gay will reblog this
no white lgb person will reblog this
Without Stonewall, without the efforts of Marsha P. Johnson and Sylvia Rivera, the LGBTQ Community wouldn’t be where it is today. Don’t forget the roots, don’t forget the catalyst.
and then TERFs wanna be like, “hmm well the LGBT community existed before Stonewall!”
but like…Becky, of course LGBTQ+ people existed before Stonewall. We’ve all existed since the beginning of time. But the movement got a shock to its senses, a jump-start, a rocket-into-space when that glass shattered via Marsha P. Johnson, and when Sylvia Rivera was up on-stage protesting guess who was on the sidelines heckling her?
The same fuckers who won’t ever reblog or acknowledge this
My apologies to the original poster as I photo captured this post to add to the thread-I reposted this last year for pride and expect to repost it every year I have left-it’s our history people.
Marsha P. Johnson allegedly died of suicide in 1992, and her death was never investigated. Even I, a mere prole, could catch the “she was murdered” vibes from the circumstances surrounding the discovery of her body.
Without a trans black woman, LGBT+ rights would not exist. Never forget. Never “pay it no mind”.
R E M E M B E R
And whatever you do, don’t watch that awful movie Stonewall. Go watch a documentary on Marsha P. Johnson instead.
there’s a wonderful documentary on netflix called the death and life of marsha p. johnson! very powerful watch.
every white person ever should reblog this
Official graveyard post. +Bonus
✊🏿🏳️🌈🏳️⚧️
why do we never hear about this?
The POC members of our community are the foundation!!!!!!!!
Always up for helping spread some important history
Same, especially when it’s about one of my favorite historical figures
Sometimes I think about how and why some people had such a *bad* reaction to the end of Steven Universe, specifically in regards to the Diamonds living.
Even though they no longer are causing harm to others and are able to actually undo some of their previous harm by living, some folks reacted as though this ending was somehow morally suspect. Morally bankrupt, even.
And I think it might be because so many of us were raised on a very specific kind of kids media trope:
They all fall to their deaths.
Disney loves chucking their bad guys off cliffs. And it makes sense- in a moral framework where villains *must* be punished (regardless of whether their death will actually prevent further harm or not), but killing of any kind is morally bad for the hero, the narrative must find a way to kill the villain without the protagonists doing a murder.
It's a moral assumption that a person can *deserve* to die, that it is cosmically just for them to die, that them dying is evidence that the story itself is morally good and correct. Scar *deserves* to die, but it would be bad for Simba to kill him. So....cliff.
Steven Universe, whatever else it's faults, took at step back and said "but if killing people is bad, then people dying is bad", and instead of dropping White Diamond off a cliff, asked "what would actual *restorative*, not punitive, justice look like? What would actual reparations mean here? If the goal is to heal, not just to punish, how do we handle those who have done harm?" And then did that.
Which I think is interesting, and that there was pushback against it is interesting.
It also reminds me of the folks who get very weird about Aang not killing Ozai at the end of Avatar. And like, Ozai still gets chucked in prison, so it doesn't even push back on our cultural ideas of punitive justice *that much.* and still, I've seen people get real mad that the child monk who is the last survivor of a genocide that wiped out his entire pacifist culture didn't do a murder.
Quick question: how do you do "restorative justice" for a man like Frollo who actively tries to commit a genocide?
Hitlers exist. They need killing.
There are other ways to remove a person's ability to wield political and social power to commit genocide than dropping them off the side of a burning building that are all just as effective.
I'd also like to point out that the idea that you can prevent a wholesale genocide by like, killing the RIGHT individual, is a rather...simplistic understanding of what causes genocide.
Frollo, to use him as the example, is a priest (in the book), and a judge (in the Disney movie.) He's not just a bad guy. He's an extention of the Catholic Church/The State (depending on which version you want to lean on here.) His power to do harm comes from his position within those institutions and the power of those institutions themselves. The persecution of the Roma people within France isn't because there was a bad guy, but because of those systems of power being used to kill the people that the church and the government wanted dead. Frollo getting dropped off a building wouldn't stop the persecution of the Roma in any world that isn't, maybe, a Disney film.
In the real world, it's very easy to hold up Hitler as the boogeyman. But if Hitler had died, but the war machine of Third Reich Germany hadn't lost the Battle of Berlin/the War as a whole, the Holocaust wouldn't have magically stopped just because 1 guy died.
Look. I'm not saying that there's never been a situation in the world where killing 1 guy wasn't the objectively best option in a high stakes, immediately dangerous situation. The world is full of Trolley problems and self defense situations and nuance and context.
But this post is about Restorative vs Punitive Justice *systems*, and about how many people, in general, start and end their analysis of Justice with "did the bad guy get killed?"
I would even argue that this mentality, where as long as you are sure in your heart that it will SAVE LIVES, killing people is just and good and shouldn't be questioned because some people are just bad- that mentality? Forms the core of Police killings in our culture. Justifies shooting first and asking questions never. Because once you decide that someone has done harm, they need to die for there to be Justice?
I dunno. I just think maybe as a society, we should be open to...other ideas on the matter.
i havent seen the lion king in years but im pretty sure scar doesnt fall off a cliff, he gets set upon by the pack of hyenas
1. The specificity of it being a death by falling isn't meant to be super literal. My point is more broadly about Disney villains getting deaths that leave the main hero essentially blameless for their deaths, while still feeling like justice was done because the bad guy dies.
Many Disney villain deaths ARE specifically by falling ( Gaston and Frollo are the most obvious examples, but theres more- Snow Whites Queen, Ratigan from the Great Mouse Detective, etc), or falling with a twist (Gothel from Tangled and Clayton from Tarzan come to mind). But sometimes it's a little more abstract- still a death that leaves the hero blameless, but not specifically a fall (Hades, Dr. Falcifer) Technically, it's not falling that kills them, but it fulfills the same trope.
2.
Scar absolutely fits category 2. He very dramatically falls off a cliff, in a parallel to Mufasa, and THEN gets eaten by hyenas. The fall is absolutely part of it.
The fact that *so many people* felt like this comment was the most interesting or relevant comment they could add to this discussion is....a little tiring.
Don't focus so hard on one tree that you miss the entire forest, people.
reblog to tell your mutual you’re proud of them and it’ll all work out
quick what’s ur opinion on tea. everyone who sees this is obligated to answer in some way
There’s a realistically nonzero chance that this will be a conceptually novel and thought-provoking reinterpretation of the themes and symbolism of a tragic casualty of vengeance and circumstance within a complex classic but I’m scared
This Woman Has Not Read Hamlet
Okay so again I don’t know what I was expecting and I’m not surprised so this feels a little unfair but it seems I’m actually a little mad about this actually
Ophelia as a character is shown to be restricted as women were in her environment to her relationships with men. Her father, her brother, and her romantic interest. She isn’t just The Girl in this story- she can easily be interpreted as any woman of her standing at this time.
And because of this- as women were, and still often are- her personhood was reduced to the context in which she served others: a daughter, a sister, a lover. She is nothing else because all she is allowed to be, all she CAN be, is what she can offer, what she can PROVIDE, the esteem in which she is held by those men.
So we see a person whose personhood is, in effect, a shadow cast by the relationships in which she belongs. “Belongs” in the possessive sense, because she has no agency, no worth or value beyond those relationships, and it doesn’t matter if she is happy or not because she couldn’t live any sort of meaningful life apart from them.
In this circumstance in which Ophelia has been raised, in this society, in this position, the Existence of Ophelia is a shadow cast in the light of three candles. Her father, her brother, her lover, who can shine their lights and cast as many shadows as they wish while she cannot.
Her brother is leaving. He is no steady pillar. If she is not sistered, she is not a sister.
And then her lover, he loses his mind. He goes hot and cold, loving and then cruel and then kind and then completely nonsensical. If she is not loved, she is not a lover.
And then her father is killed. And if she is not daughtered, she is not a daughter.
Physically, emotionally, spiritually, the context she exists within is taken away, and so she is nothing. Just the shape of a girl left adrift in a vacuum.
She is a construction of other’s perceptions, and when she is no longer perceived in a way that is stable, she loses her stability. She’s never been truly alone in herself- never seen herself outside the eyes of those who see her, patronize her, value her, and so her fate is tied to their perceptions. Her value is what they find her value to be; her personhood is what they find her personhood to be.
Ophelia dies covered in flowers, singing in a river. A nonsensical caricature of what a girl should be- beautiful, whimsical, lighthearted, young, left literally and figuratively adrift. Desperately grasping to fulfill the role she was shaped into despite no longer possessing the context in which it has function. Like post-traumatic stress, all that’s left of her is the flinch-and-run response to the bang of a gun you hear on the radio a hundred miles from the battlefield. A reaction to an action that is no longer happening.
She is reduced to Madness as Madness truly is- the rational, logical, straightforward actions of a hero suddenly dropped into the wrong story, giving the right answers to the wrong questions.
I’m not an academic, so my interpretation might be way off, but I love Ophelia because broadly speaking she is an answer to the question of what makes us who we are. If a tree falls in the forest, and nobody is around to hear it, does it make a sound? If a tree is not perceived, is it even a tree? If your only value is to others, what are you when there are no longer others to value you? What happens when their value of you wavers? Fluctuates madly without reason? What are you then?
But yeah, Taylor, girls should stay slay. Hashtag girl power
Sorry to reblog this again but l've been thinking about it all day and managed to boil it down and figure out WHY it was making me so angry
When you read the text and then the lyrics, what the song is essentially saying is "Ophelia died because in her society, a woman without a man was as good as dead. Fortunately I have a man, so / don't *need* to be a fully actualized person in my own life. Hashtag girlboss". Which so wildly misses the point that it’s sort of amazing that the construction of the song itself betrays absolutely no rational reasonable shred of a clue that it’s anything less that 100% sincere in this interpretation.
Unfortunately, "I don't need to be a self-actualized person to survive because I will never run out of people who need me to fulfill the role I play for them in society" would have been a far more powerful statement, especially given the “showgirl” theme, and if I believed for even half a second that this super secret deeply encoded confessional communiqué was even slightly conscious or deliberate then l'd be far more willing to overlook the fart ass doodoo peepee rhyme scheme
anyway it’s been six months and do you want to guess what’s on the radio every 90 minutes everywhere I go like fucking clockwork
Some of our favorite quotes from Artemis ii so far:
"Copy. Moon joy."
"I have two Microsoft Outlooks, and neither one of those are working."
"Houston, if you could give me about 20 new superlatives in the mission summary for tomorrow that will help out my vocabulary a little bit, that would be great. Thank you."
“If you’ve ever seen the top of the spotlight of the top of the Luxor at night in Vegas, this looks like what it wants to be when it grows up.”
"To all of you down there on Earth... we love you, from the moon."
"We just went sci fi."
"It is so great to see Earth again. To Asia, Africa, and Oceania: we are looking back at you. We hear you can look up and see the moon right now. We see you too."
"We will always choose Earth. We will always choose each other."
“It’s a bright spot on the moon, and we would like to call it Carroll.”
"Amaze amaze amaze."
"I said that we do not leave Earth, but we choose it. And that is true."
"Christina has been sleeping head down in the middle of the vehicle, kind of like a bat"
"It's really fun to be floatin' around, it just makes me feel like a little kid."
"Trust us, you look amazing, you look beautiful."
"'Homo Sapiens' is all of us, no matter where you're from or what you look like. We're all one people."
"I'm proud to call myself the Space Plumber."
"We were all eagerly awaiting the chorus."
"Copy heart. Copy bracelet."
“Welcome back. We are still here. They are in space.”
"Copy. Bubble wrap nominal."
"We have rediscovered the chocolate snacks."
men took my little pony away from us girls so us teen girls are takin pro wrestling fuck yall just try n stop us
have fun fetishizing the shit out of *real life* celebrities. it actually makes the people who sexualize the shit out of children’s cartoons seem normal.
did you just imply being attracted to actual real human males isn’t normal but wanting to fuck cartoon horses is
I need to reblog this again because it still makes me laugh
some of y’all will be engaging in witch hunt, accusing writers left and right and then wondering why more and more writers take their works down and don’t share them with you ungrateful losers anymore.
“this fic looks like it was created by ai” yeah that’s because ai was trained on human-made works and it was trained to mimic human-made works.
you claim you hate ai because ai harms real artists, yet you are out there accusing and harassing artists because “their vibes just aren’t right”. at this point, you are the ones who cause more harm — to art and the writing community — than ai does.
you are the ones killing art and writing community, the community you want to “protect against ai”.
so at this point, you’re killing the community faster than ai does. good luck when the community you want to protect has no human-made work left because you accused and harassed genuine artists/writers away and the only things that are left for you to read are actually ai-generated fics.
And if you're and author and someone accuses you of using AI in your writing, the appropriate course of action is not to engage with them.
Delete the comment and block the user.
My interpretation of the last few days.
Original comic by @adamtots