Throwback to some of the starry plants and fungi I painted a year ago⭐🌟✨
Peter Solarz
let's talk about Bridgerton tea, my ask is open

Andulka
noise dept.
we're not kids anymore.
cherry valley forever

@theartofmadeline
Cosimo Galluzzi
RMH
Stranger Things
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay
No title available
Show & Tell
Three Goblin Art

JBB: An Artblog!
hello vonnie

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@rosepoet85
Throwback to some of the starry plants and fungi I painted a year ago⭐🌟✨
I’m very excited for my latest craft experiment, where I rhythmically slap sale rank oil paint onto a canvas and I see how long it takes to dry so that I can finally touch the paint textures I stare at so longingly in museums. 12 hours in, still wet. I am beginning to think this might take longer than I thought which you can imagine is quite a burden, as I am absolutely horned up to rub this paint.
You guys sound like you know what you’re talking about but I’m gonna touch it every twenty minutes just to be sure
I’ve put this canvas to age in the basement like a fine wine, along another recent masterpiece of mine “I put the paint on me hand and I slap the canvas like a bongo”
Paint slapped on 6/9, as of 6/22 (I mean actually it was a couple days ago but I didn’t fully check the dryness then so I can’t be sure):
It is rubbery feeling and the peaks of paint move when you flick them. The texture is not at ALL what I expected tbh and it makes me excited to try a different experiment, thick brush strokes, you know, those mad thicc ones that swirl real good
Here’s an additional shot with my coffee cup for a further sense of scale so people will understand that these canvases are small and therefore stop sending me asks about my supposedly gorilla sized hands, you bastards, you rotten bastards scared of the hands your minds gave me
I don’t know shit about art but isn’t this like a great example of art that pushes the boundaries of what art is? Like you’ve got your canvas with paint on it, but your reason for putting the paint there is totally different than why most people put paint on stuff. It’s like a study on texture or something.
Agreed, this is really cool and also I love the fact that you really wanted to touch some paint, so you just went out and bought a bunch of paint and made your own painting for touching purposes. That’s striking me as really really cool right now for reasons I can’t entirely articulate.
For reference: Really thick paint on a piece of art is called impasto. Another really fun way to do it is with a painting knife: you can make each stroke SUPER SMOOTH like cake icing, but with visible, touchable texture between the strokes.
More impasto:
art by Jan Ironside, who does THICK IMPASTO FLOWERS THAT I SO WANT TO TOUCH
You LITERALLY sat down to watch paint dry…
Museums should have stuff like this on display JUST so you can touch it. With a sign like, “Feel me up! I won’t alarm!”
make good art
Only thing about thick impasto is that the paint can get a bit sharp sometimes. Like, I’ve cut my hand on dried impasto paint because the paint stroke was that pointed. -.-;
Every reply on this post is delightful
sorry this is not relevant at all but ive seen this post many times and EVERY SINGLE TIME “ stop sending me asks about my supposedly gorilla sized hands, you bastards, you rotten bastards scared of the hands your minds gave me” makes me spiral ive never laughed so hard thank you
from what i understand dungeon meshi is about hairy man panty shots shirtless blonde women grasping hands and looking into eachothers eyes and middle aged union men who look like twelve year olds
THANK YOU. and the autism knight
you ever heard a lightning fucking scream?
youre about to
no wonder people made up weird gods
@neil-gaiman you're a saint
Angua with big hair and a little bonus Errol.
This is a lupin III episode whose English dub title was “but your brother was such a nice guy”
let’s go back to the vampire twin sister of jesus christ for a second i havent fully processed that part yet
Garden of Hope - James Gurney (detail)
oh my god, but what is this painting without the dinosaur?
why would you crop the dinosaur
Doing away with the lame "character gets fat to indicate that they've become a huge loser" trope and replacing it with a new, cooler "character gets fat to indicate they finally feel fulfilled with life" trope
Doing away with the lame “character loses weight to indicate that they’ve regained control over their life” trope and replacing it with a new, cooler “character gets fat to indicate they’ve found the comfort and stability to look after themselves and are recovering from hardships”
Diane Nguyen my beloved 💖✨
source
Bless the beasts and the children
UNMUTE OMG
he was so scared omg
can anyone think of any other words that use o' to denote "of the?" all i can think of is o'lantern (jack o'lantern), o'clock, and o' the wisp (will o' the wisp)
this is more along the lines of what i was thinking
but this is probably my favorite answer
So I have this headcanon about Larry...
Obviously this is an adorable bit but I'm so struck by how different this is from so many little kid shows today like.......the muted colors. no background noise. no sound effects. you can literally hear Jim Henson breathing between his lines. Ernie is talking very slowly, meandering, letting the kids digest the info. it's a full minute before you get the payoff of it all. man
[video description: a tiktok of a clip from sesame street, of elmo sitting with a muppet that looks like a baby version of him, with curly blond hair, sitting on his lap. she also wears a onesie and bonnet. ernie says, "this is ernstine. she's my little cousin. isn't she cute? and i was trying to find some of the things that are the same about us, since we're cousins and all, but i haven't been able to find a thing. see, look at my hair. it's dark and it sort of sticks up all over the place, and ernestine's is light and it's all curly. and then too i have a striped shirt and ernestine has a plain shirt. and then also ernestine has a hat and i don't have a hat at all. and ernestine is little and i am big, or at least i'm bigger. and of course ernestine is a girl and i am a boy too. so i guess i just can't find anything that's the same about you, ernestine. but it really doesn't matter, 'cause i love you anyway." he laughs with a distinctive, raspy giggle. ernestine turns to the camera and laughs the exact same way.]
THIS is what I mean when I say shit from when I was a kid was not nearly as loud and sensory overload-causing and Zany™ I'm not just an old man yelling at a cloud I literally cannot fucking stand a lot of modern kids' shows because of that shit worse than that though, a lot of kids shows don't have this actual engaging interaction, they're actively mind numbing in a way that is intolerable to adults.
@echofromtheabyss
"worse than that though, a lot of kids shows don't have this actual engaging interaction, they're actively mind numbing in a way that is intolerable to adults." YES THIS. Sesame Street was literally developed to close the interaction gap between kids with socioeconomic disadvantages and kids from higher socioeconomic statuses. Kids, especially poor kids of colour, were at a disadvantage when they went to kindergarten. They hadn't heard as many words, hadn't been read to, hadn't been exposed to letters and numbers by their parents. This wasn't because their parents didn't want to, but because their parents had to work or they only had one parent or their families didn't have housing stability so there was a load of stress. In some cases, this was a longterm intergenerational issue. Their parents weren't able to give intense interactions with them because they were tired and they hadn't had the interactions as a child that would model to them this type of interaction. Sesame Street was entertainment, sure, but entertainment wasn't the primary goal. The primary goal was vocabulary building, social skills modelling, and education. It was about teaching children to be a human, not just entertainment. Now most educational television is about teaching facts and figures. Just like they've removed so much recess from schools that they're damaging children's social development, children's television doesn't develop children's social development. It's too academics forward and without those deep interactions, it needs the zaniness to keep kids' attention. Note the way Ernie's eyes are slightly crossed. This is an art technique to allow a statue or painting to 'make eye contact' with people from a variety of angles. The kids watching this segment would feel like Ernie was making eye contact with them and speaking directly to them. He doesn't need to say their name or 'hey kids' or address them directly. He's talking. To a camera. And through that camera, he's making eye contact with the children watching and he's demonstrating thoughts that people have in their heads, ways people analyse the world, and that there's more to life than just that analysis (love! Even though he thinks he has nothing in common with the baby!!). Then right at the end, there's that raspy little laugh that shows that actually even when you can't see the similarities between two people, they can still be there, hidden. It's a simple, engaging lesson. It's only a minute long, which is the right length for a preschooler's attention span. It's so well done and we need so much more of it, because these gaps are returning, especially with kids who were born during or were toddlers during the height of the pandemic.
Interesting modern kids’ shows that bridge the gaps:
In Bluey / Born Yesterday, the presentation is about as fast-paced as you can get, with a constant stream of information and dialogue to process (with lots of callbacks; Bluey episodes are circular and always repeat a theme.) however, the way Bandit spends time with the leaf expands the time a lot, and it surprising how it works on so many levels. At the end of seven minutes you feel an appreciation for covering topics like dishwashers, wives, NOT TALKING ABOUT THE SUN, and leaves, plus the charming idea that adults could benefit from being born yesterday. Of course, Bluey is famously fast/witty and designed for grownups to watch alongside the children, so in its slick production something is lost; although they do manage to spend time occasionally on long silent nature shots too.
Fans of Flight of the Conchords will feel at home with Kiri and Lou, a 5-minute kids’ show with distinctive Kiwi vibes. It’s the design, the music, the handmade earnest quality, the color palette, the slow humor, the absurdist quality, the way it’s both slowly meandering and quick-witted… Also, Lou is voiced by Jemaine Clement. It’s a thoughtfully made, intentional show with great spotlights on things like ecology, kindness, indigenous voice actors, responsibility; but above all, it’s quite comforting. It feels attentive.
In this episode Kiri and Lou discuss The Indescribable, which is extremely funny in itself, because it is an adorable claymation for toddlers in which two prehistoric animals discuss death. I am firm on the belief that Kiri and Lou is good for you like vitamins - and again, it’s amazing to sit through it and realize that it was only five minutes long. Kiri and Lou’s world is immersive, relaxing and very funny for adults, so it’s worth watching just as a palate cleanser; or to see what today’s kids use for their visual lexicon.
Sarah and Duck is a famously slow TV show for kids. It’s about a girl and her duck. Adults enjoy it because it isn’t blaring and noisy - it’s just gentle and nice. The music is pleasant, and it isn’t disruptive to have on. If you play your cards right, you can program your kid to fall asleep in front of it, implanting Sarah and Duck like a sleeper agent to overcome their resistance to napping.
“I’m NOT tired!”
“Oh? No worries, you can watch some TV. Quiet TV though. Sarah and Duck.”
Sometimes one episode is all it takes.
Jojo and Gran Gran has an extremely good theme tune, doesn’t it? Jojo is a happy preschooler growing up in London, and her grandmother cares for her during the day while her parents work. It’s a nice representation of a normal child’s daily life and activities; the activities are meant to offer watchers some ideas of crafts, outings and activities that they can do with their own kids. Overarching sensibilities include the feelings of place, family, community, village (and international community! Gran Gran was born in St Lucia and her mother still lives there - sometimes they video-call her on a tablet, which again is a realistic and charming depiction of how modern toddlers understand family.) in between the slow plot, a suspiciously adorable selection of real-life children are interviewed to explain what’s going on. It’s highly Worthy and Educational, but cleverly walks the line so it’s juuuuuust about desirable to toddlers and preschoolers.
The other entries on the list are publicly-commissioned Wholesome TV for kids; they’ve been granted funds from various governments to support childhood development. In contrast, I can’t link you to a full episode of Puffin Rock, because it’s commercial.
However, it’s widely acknowledged as one of the prettiest shows for preschoolers of its generation. If you want lovely music, immersive environments and beautiful animation, look it up. The animation studio also produced Secret of Kells and Song of the Sea, and the beautifully stylistic nature scenes show this (especially ones that simultaneously show above and below the sea!) kids tend to love Puffin Rock, so that’s a plus for it, too.
As far as slow shows go, you couldn’t get slower than Old Jack’s Boat, but the problem is that kids don’t actually like it. I’m just including this because Dr Who fans will like two of the actors - but you can see why preschoolers don’t actually go for this show.
It’s unfortunate that my own kids don’t really like anything with puppets! They like Sesame Street, but they don’t generally like other puppet-focused shows. I think the only puppet-adjacent show they like is Clangers (Reboot) which is quiet, surreal, and essentially indistinguishable from the 1960s original version.
Clangers is very quiet. The only thing is that there is NOTHING of educational value to behold here. It’s inoffensive and sometimes charming/sweet, but you are NOT walking away with anything except the vague sense that you have been dreaming. And that’s okay!
Finally, okay, there is ONE puppet making an impact on the psyche of modern kids, and that’s CBeebies Dodge. He’s just a normal man
Level of respect a class of teens I have to teach art to have for me when I walk in: 0%
Level of respect after I draw sasuke from memory on the whiteboard: beyond anything you could possibly imagine
the true reason i rarely teach classes is to keep my ego at bay
*jigsaw voice* hello lock picking lawyer. you've made a name for yourself showing people how to break the law. but today it is you that will be- hey. HEY. KNOCK THAT OFF
You've heard of protagonists who are genre-savvy. Now get ready for protagonists who are outright genre-saboteurs.
Stained Glass Moon Lamp // La Fabrica