YAGA TRAILER | Starring Carrie-Anne Moss, Hudson Williams, Noah Reid and Clark Backo. Coming out October 2026.
Today's Document
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Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle

if i look back, i am lost
RMH

blake kathryn

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Stranger Things
The Bowery Presents
Mike Driver
Cosmic Funnies

Product Placement
2025 on Tumblr: Trends That Defined the Year

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official daine visual archive

❣ Chile in a Photography ❣
Cosimo Galluzzi

Discoholic 🪩

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@rosiedeplume
YAGA TRAILER | Starring Carrie-Anne Moss, Hudson Williams, Noah Reid and Clark Backo. Coming out October 2026.
Emily Simmons - Curiosity at the Fountain, 2026 - Aquarelle, watercolour on canvas
Men who talk shit about gold diggers underestimate the grit it takes to put up with an insufferable man, even when money is involved. We should be thanking them for their service like they are veterans.
Can't leave this in the tags..
not to be a gatekeeper or anything but i wholeheartedly believe that if you cannot appreciate the constant planning, effort, and labor of ancient workers (slaves, farmers, weavers, potters, etc) - you genuinely cannot examine or appreciate antiquity in any meaningful way (besides becoming an example for what NOT to do).
Because so much of what survives - the impressive works that people think of when they hear “Greece,” “Rome,” “Egypt,” “Sumer,” etc. is not the result of ‘scholars’ but was built off the labor and skills of laborers who were not ‘scholars’ in the modern sense, were not ‘educated’ in the same manner as someone from fucking middle-class USA or whatever, but who were trained and informed about their particular discipline in a way that most of us cannot even begin to fathom. And their labor was built off the unseen efforts of other workers - slaves, farmers, weavers, potters, quarrymen, smiths, etc - with similarly specialized, period-specific knowledge that I think is impossible to fully appreciate if you do not respect blue-collar work and manual labor.
Like, you can say you “know more” than the average person in antiquity - but you don’t. Maybe in a conceptual manner - yeah, we know about distant planets and galaxies, we’ve got germ theory, we have made a collection of the entire human genome, we have walked on the fucking moon - but from the perspective of someone from 500 BCE (if I may be allowed a dash of speculation here), does that matter?
In our industrialized, globalized world, I think we forget the sheer effort that went into everything. The sheer degree of skill needed to create homes, tools, clothing, ceramics, fine jewelry, statues, and everything in-between. The skill, knowledge, and effort that went into everyday subsistence activities, like farming, herding, and weaving; and into other trades such as shipping and manufacturing. These are not mindless tasks, devoid of calculation and forethought; to pretend they are in even the slightest is disingenuous.
I would even go so far as to say it is extremely classist & sexist, because - shocker - people still work in these fields. The food you eat, the clothes you wear, the streets you walk, the buildings you eat and sleep and live in - these did not spawn out of a vacuum. Constant effort - unending, backbreaking labor, time, and skill has gone into the world we walk through today, so people can go on pretending like they’re somehow ‘smarter’ than those who came before them, when the only difference is that we* are able to concentrate on something besides our own survival. something otherwise ‘useless’ for everyday survival, and i say that as an archaeologist. Excavating a Bronze Age brewery does not provide food, it does not provide you with clothes (it actually damages them), it does not give you shelter, it mostly provides you with broken potsherds and a whole lot of dirt destined for floatation. Yes, it requires practical skills too - but many of these are essentially also used, even more frequently, in manual labor and agriculture.
And - in this broken, frightful world - we are so damn lucky** that people can even spare time for this, to learn more about the ancient world. And we are even more lucky that - when we are born with health complications, are disabled, or are faced with diseases like pneumonia, measles, and COVID - that these are not death sentences. Artificial scarcity, corporate greed, and fearmongering can make them so, but there is still that ability to live. To focus on the past, instead of making it to the next day, the next week, the next month.
But - I want to emphasize here - this is all entirely reliant on the work of people who continue to carry out the same manual labor done by countless individuals - enslaved and free - up through antiquity. People whose calculations were their survival, whose understanding of the natural world and local resources made the difference between life and death.
To pretend like we are somehow more knowledgable, more capable, more “advanced” intellectually than those who laid the foundations for the entire fucking world we live in today, is a lie. A smug, disgusting little lie that spits on all we have done as a species (and all the progress we are trying to make) with the idea that “we’ve done it”, we’re “superior,” this idea that only encourages rotting in self-assured apathy while the world burns.
And you cannot appreciate the past when you approach it with false assumptions which are based on nothing except preconcieved notions of modern superiority and the belief that knowledge is both ‘quantifiable’ and absolute. We are just as capable of joy, wisdom, compassion, and love as the ancients; and we are just as susceptible to fear, anger, and hatred as they were. I’m not saying everyone has to know the ins and outs of every ancient industry ever to appreciate the fucking Parthenon, but if someone cannot approach the ancient world with an open mind, a sense of humility, and self-reflection - then I suspect they cannot appreciate the fucking Parthenon.
*When I use the term 'we,' I am referring to individuals who do not specialize in manual labor/blue-collar industries and/or engage in subsistence agriculture.
**I know that these are all very situational and that the management and medicine available to people is inextricable from their class, identity, and nationality. I am merely trying to stress that it is possible. I would be dead without modern medicine; and I know countless others who are the same way.
a really really really underrated feeling in learning a different language is when you start to hear words. as in it's no longer a string of sounds, you can parse through where words start and stop as you're hearing them. even words that you don't know what they mean yet but you can distinctly hear it as a whole word
i know how to make art……….. i LIKE making art………. making art is fun……………. i feel fulfilled when i make art……………………..
Under Brondesbury Bridge (London)
Tosscraft
There are a lot of people who start creative projects with no business or financial plan, because "who cares, it isn't important, we'll figure that out later". And you can't let yourself become that person. Not because I'm a sneering finance bro who thinks your woke animated youtube series wont make money, but because if you don't you'll wind up financially exploiting your friends for years
Look, it's none of my business if you wanna work yourself to the bone for no money so you can make your dream project a reality. I think you shouldn't, but also let's be real that's basically a rite of passage for young creatives. But as soon as you start involving other people? You need a plan. You need to be able to compensate them for their time, and you need to have it in writing
head in my hands, as someone who does extensive freelance TTRPG work - an industry in which the vast majority of those involved are doing it as a passion project/side hustle, and in which many people are friends with those they work for and with:
if you are doing any creative project with someone else in which money will be involved, make a contract. Doesn't need to be super formal. Get something laid out in writing that very clearly indicates what the person you are asking to do something is responsible for, the timeline in which they're expected to complete it, and the compensation they'll get for doing so.
"oh but we've been best friends since eighth grade" make a fucking contract.
"oh but this probably won't make much money anyway" make a fucking contract.
"oh but I don't know all that legalese" there are tons of pretty accessible templates available online if you research, just make sure it's one that suits your needs and you understand what's in it (it can be written in normal language without legalese, as long as it's clear), and make a fucking contract.
I've heard horror stories about this shit destroying projects, friendships, livelihoods, and in most cases the fallout could have been avoided (or at least mitigated) by having a clear legally binding document about everyone's responsibilities and compensation from the get-go. Do not assign someone work without a contract or some form of written agreement; do not work without a contract or some form of written agreement. please for the love of god.
it’s amazing how women are able to navigate crowded rooms without ever touching a palm to a man’s lower back
The North Sea - Patrick von Kalckreuth , 1955.
German , 1898-1970
Oil on canvas , 70.2 x 100.9 cm. 27 5/8 x 39¾ in.
Here's some more of my paintings and their respective reference photos! murphysletsdraw on inprnt if you want to buy prints!! It's my bday month so if you buy some prints I could maybe buy myself a lil gift hehe
So every year, my aquarium does a captive lobster hatchery project (hence all the loblings). The reason we’re doing it is because in the wild, loblings only have a 1 in 25,000 chance of surviving their larval phase. They’re plankton as babies and everything eats them. Additionally, as the Gulf of Maine warms, they are having even lower survival rates because the blooms of copepods they feed on as babies are happening earlier in the year, and they’re missing it.
Obviously, the goal of this experiment is to grow the lobsters until they’re big enough to settle to the seabed and then release them, because they have a much higher likelihood of surviving to adulthood when they’re able to hide. Ideally, captive lobster hatcheries can boost the wild population and keep things stable, so we don’t have a major crash in a decade or two.
The first year we tried this was pretty bad. We had a lot of eggs, but very few babies. It turned out that the CO2 levels in the building spiked as more guests visited throughout the summer, and that settled into the water and threw off the pH and caused a chemical reaction that prevented a lot of the eggs from hatching. I think we ended up releasing three baby lobsters (which is still better than their wild survival rate but not great).
The second year was a little better. We added a de-gasser to the aquarium and got a ton of larval lobsters, but right as they were settling to the bottom we had a disease outbreak that killed most of them. We ended up releasing four babies at the end of the season.
But this year? Oh boy. We have so many lobsters that we had to release the first round early (usually we wait till September or October so guests can see them). We just released a total of FIVE HUNDRED AND TWENTY FIVE baby lobsters, and we still have over a hundred who haven’t settled to the bottom yet. I genuinely don’t even have words to explain how cool this is. OVER FIVE HUNDRED. We just added hundreds of lobsters to the wild population that wouldn’t have been there otherwise.
Conservation is so fucken sick
We're doing the same in Whitby, England, and there's a little aquarium attached and it ROCKS. Huge recommend to anyone in England looking for a little fun in the town that made Dracula.
They have a bunch of very happy "berried hens" (i.e. mother lobsters covered in eggs), a set of (essentially) aquatic centrifuges that rock the baby lobsters around to help build their strength against the currents, and a GIANT 35-year-old blue lobster named MELVIN who wanders around in a big tank living his best life, with a couple of sharks for room-mates.
It's a MARVELLOUS time and they're on course to release 100,000 lobster babies a year!
Marine conservation charity in Northeast England. Aiming to conserve, educate and research. Home to Whitby Lobster Hatchery. Releasing 100,0
I like to think there's an Ankh-Morpork show (perhaps a live stage show) that's a combination of Great British Bakeoff and Forged in Fire where they bake dwarf bread and then attack a ballistic dummy with it.
"kung pow penis," a phrase commonly used in reblogs to indicate utter disdain for OP, has twelve letters, each of which (traditionally) must be supplied by a different user. the unanimity of disdain indicated by these twelve unrelated users has strong parallels to the requirement of unanimity for a jury—also traditionally of twelve—to arrive at a verdict. in this essay i will
"I'm not posting S and you can't make me!"
Allan O'Marra (Canadian b. 1947), The Bather (La Baigneuse), 2014,. Oil and Acrylic on canvas
Based off this post by @7-inches-of-satanic-panic
George Sand, from a letter to Gustave Flaubert written c. November 1866