call me a patron of the ass library the way I'm checking out that butt
hello vonnie
ojovivo
noise dept.

Product Placement
RMH
cherry valley forever

if i look back, i am lost
Not today Justin
🪼

titsay
wallacepolsom

No title available
he wasn't even looking at me and he found me

izzy's playlists!
$LAYYYTER
occasionally subtle

Origami Around

Kaledo Art
will byers stan first human second
Keni

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@shoe-mug
call me a patron of the ass library the way I'm checking out that butt
on the balcony with his carrot
salt is here too btw
good morning to the beaten and the damned only
A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
THE TRUTH: art is inherently manipulative and artists are wicked evildoers who like to power trip off of controlling other people's emotions
Today’s fish thing is this set of fish glass cups!
watching massive franchises bomb at the box office while Backrooms has made $212 million on a $10 million initial budget has brought me hope for the future of cinema
audiences do NOT want Star Wars slop, audiences want a movie made by a guy who really wanted to make a movie
there's always something you have to pay for
You’re completely correct. Out of my way, able-bodied losers. Fuck you.
sounds very similar to a radio story i heard in 2014 ago about credit card debt. the debt got sold to a collection company and a couple received a court summons. they knew they had taken on debt, but they were confused about who this new company was and where specifically the number they were supposed to owe came from.
they show up in court and just ask the lawyer for the collection company: can you prove where this number comes from? Do you have a contract showing that you purchased our debt? probably luckily for them, a reporter researching a book on the topic showed up and asked the same questions.
10 minutes later they get in front of the judge and the collection company drops the whole case and theyre free to go. story is below, it has a transcript in the link too
Ira talks to reporter Jake Halpern about a scene he saw take place in a Georgia courtroom where a couple uttered some magic words that seeme
https://twitter.com/BrianManookian/status/1674963884703088642
Link to the twitter thread for accessibility!
An abandoned theater in Rochester, New York. Formerly a pornographic theater, then just a facade after the Walgreens next door gutted it to use as a warehouse. The Walgreens with it's shampoo and baby formula and half of the store locked in cages; the contradictions stare into you. You go because it is the nearest pharmacy, close in walking distance for you and your disabled loved ones.
The Walgreens shuts down and it too, is now just a vacant facade, next to a vacant facade. You stare into the large windows meant to advertise it's contents, now only showcasing absence. A wide open space with torn up floors. You think about how perfect the location could be for low income housing, for squatting, for anything other than standing as a constant reminder of the city's failures to her people. The parking lot is empty, save for the occasional cop car, to ensure no one uses the lot or the building for anything at all. The cop ensures the space will stay as useless as himself.
They add letters to the theater's marquee; a reminder and encouragement of surveillance. "If you see something, say something. In progress call 911, over and done call 311." They board up the doors, ensuring that the space will stay in it's intended form: empty, useless, an eyesore that reminds everyone of their place. The freshly boarded up door has been emblazoned with a message from those who lack.
"A man would shelter, if he could / in the nook behind this new plywood / the building, abandoned / the man is too / how I wish you'd imagine / that it were you."
This is so silly but I'm watching a short video essay on sincerity in cinema and the creator is talking about how he watched Lord of the Rings for the first time at 17. He explains that he'd grown so used to the 'ironic' meta style commentary in the movies of the 2010's that as he was watching the opening narration of LotR, he spent the entire time waiting for the joke to come. For someone to take it all back with a zinger line. He listened to Blanchett describe and explain the backstory, and he waited for the other comedic shoe to drop.
And he kept doing it. Scene after scene.
He spent the film expecting someone to make a joke about how unserious things were or to break the fourth wall or do some other self referential type thing.
Now, maybe I'm just at that point in my cycle or maybe I'm too delicate in general, but I literally teared up hearing that. Straight up cried a bit. It is so fucking sad that sincerity and genuineness is being bred out of people.
People say all the time 'this generation can't take anything seriously!' and really, is it any wonder? Younger people have been trained out of it. You are no longer encouraged to be genuine or show emotion or be honest. You are actively punished for it. In fact, you are almost guaranteed to suffer for it.
That is so fucked up. I'm sorry to go on a bit of a random ramble rant but it's so fucking gut wrenching to see younger people lose that element of themselves. You can't express your passion without being told you're 'crashing out' or 'cringe'. You have to live in this neutral state of fear of perception, and god forbid anybody step outside of it!
You're told you should only consume and succumb and be ironic and emotionless and cool.
Listen, if you're following me and you're like.... 25 or under, let's say. Please. I beg of you. Do not fall for this rhetoric. Please, for the love of all things, feel. Feel and create and be honest with yourself. Indulge in things that make you happy. Be sincere. Wear your heart on your sleeve. Do not let this hyper-capitalistic, hyper-consumerist, self-centred, individualist culture take that from you.
Bleed yourself into the work you create. Live. Don't fucking let anyone tell you different.
This is a fucking new one