suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time
Sade Olutola

blake kathryn
todays bird
NASA
Not today Justin
No title available

pixel skylines

@theartofmadeline
The Stonewall Inn
No title available
almost home
taylor price
Fai_Ryy

Product Placement
official daine visual archive

oozey mess
★
RMH

Game Changer & Make Some Noise

roma★

seen from Malaysia
seen from United States
seen from North Macedonia
seen from Brazil

seen from Bangladesh
seen from Colombia

seen from Mexico
seen from United States
seen from United States

seen from United States

seen from United Kingdom

seen from Canada
seen from Vietnam

seen from United States
seen from United States

seen from United States
seen from United States

seen from Australia
seen from United States
seen from Canada
@starcrossed-cinnamon-rolls
suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time
Star Wars: A New Hope - unlikely heroes in a galaxy far, far away
05/08/26 - Day 271
"Today is August 5th, 2026."
(Forgot to do this yesterday but it still kinda works today)
Ohh this image has haunted me since I first read this story. Nice rendition!
Congrats on everyone making it to August 5, 2026!
At ten o'clock the house began to die.
The wind blew. A failing tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant!
"Fire!" screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door, while the voices took it up in chorus: "Fire, fire, fire!"
The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire.
The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.
Now the fire lay in beds, stood in windows, changed the colors of drapes!
And then, reinforcements.
From attic trapdoors, blind robot faces peered down with faucet mouths gushing green chemical.
The fire backed off, as even an elephant must at the sight of a dead snake. Now there were twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.
But the fire was clever. It had sent flames outside the house, up through the attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze shrapnel on the beams.
The fire rushed back into every closet and felt of the clothes hung there.
The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the brittle winter ice. And the voices wailed Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high, low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their sheathings like hot chestnuts. One, two, three, four, five voices died.
In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in circles, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river….
Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked.
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
today’s the only day you can reblog this
“There Will Come Soft Rains”, Ray Bradbury
Seven-nine, breakfast time, seven-nine! In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk. "Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of Allendale, California." It repeated the date three times for memory's sake. "Today is Mr. Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are the water, gas, and light bills." Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
There Will Come Soft Rains
by Ray Bradbury
I don’t know if I can properly express in a single post what this story means to me. The word ‘formative’ comes to mind though.
Also the above post is from an automated blog posting this story in real time today which is just… so perfect. I think Bradbury would approve.
Ok but I also feel like if Din Djarin saw Jimothy he’d adopt him immediately…
Normal people: "I'm working on a little project"
Me: "I am constructing an elaborate tragedy spanning three timelines in which every character is doomed by the specific way they love"
it is actually so important to me to be alone at my house
A lot of adulthood is shouting “AUGH MY LAUNDRY” hours after you put it in the washer/dryer and running to go fetch it
oh shit my laundry
reblog to save someone’s laundry
Episode IV: A New Hope
important that you never forgive ice agents, ever. even years after all this is over (and I do believe we will make it out on the other side, alive and for the better,) they live in shame and disgrace forever. no excuses, no forgiveness. they ruined their own lives when they decided that human freedom and liberty was an acceptable sacrifice for a paycheck
Your protagonist's flaw isn't supposed to be charming. If readers find the flaw endearing, it's not actually costing the character anything, which means it's not a flaw, it's a personality quirk wearing a flaw's clothes. A real flaw should make the reader wince a little, should make them go "please don't do that" and then watch the character do it anyway. That wince is the whole point of writing one.
(Yoinked this from LinkedIn, genuinely interested in seeing how responses align with demographics) (so far it’s those of us over 35 being indignant but I wanna see how those fully plays out) (it’s cultural and technological history/memory, bruh)
18
I am an old bitch - 20/20.
Full 20 for this elder millennial. Whoop-whoop!
It's the Care Bones! ⭐🌈
Hopeless lesbians