THE BIG VRISKA/DIRK/CHERUBS POST
The narrative axis on which all of Homestuck pivots when you boil it down to its bare essentials is this: Vriska:Caliborn = Dirk:Calliope
(i think i formatted that correctly at least?)
And it is not a coincidence that the very ending of Homestuck proper devotes half of the runtime of its final [S] to Vriska vs. Lord English as a climactic, central final showdown left in a cliffhanger… nor is it a coincidence that the epilogues IMMEDIATELY kill of Lord English and dispose of his usefulness as a big monster you have to fight, and have Vriska literally tossed to the Pointless Noncanon Dimension before the final fight even really kicks off, while Ultimate Dirk and Alt!Calliope take the reigns of a story that is beginning the final process of detaching from Hussie as auteur for good.
Notably Caliborn is defined in no small part by premature, 'incorrect' predomination; rather than absorbing and assimilating the parts of his psyche that Calliope represents and subsuming her entirely into his own dominating personality, as it is all but stated PROPER cherub predomination involves, Caliborn cheats and skips his way through that process, refusing to swallow and assimilate things he finds pointless and cringe, the artist and the thinker and the strategist and the storyteller.
And he is immediately punished by a dead session that cannot be solved normally, and thrust into a role that leads him straight down the role to supplanting authorship, which he is forced to learn to do by brute force, developing his own weird artistic and storytelling and musical methods and styles along the way, which fucking suck and make for a bad story, but he would rather brute force his way through drawing a circle made of thousands of straight lines until it actually somehow WORKS as a circle, than consider he maybe would have been better off if he HAD the part of himself that knew how to draw a fucking circle.
Similarly, Vriska is ultimately spared without any real effort or change of her own. After her death, Pre-scratch Vriska- the one that will in time become (Vriska)- spends the rest of the story clawing her way back to narrative relevance in whatever way she can, as the big hero of the dreambubbles, as part of a team with the only two alpha trolls that are actual characters, via her big pirate quest, anything and everything, only to ultimately be faced with Aranea as a reflection of herself, doing smething vriska would do, HAS tone a hundred tiems before, and for the first time she can't avoid seeing it for what it is: a doomed, desperate, dumbass move to try to claw relevance that she is not going to get. She briefly relaxes and adapts to Meenah's positive nihilism-adjacent worldview, and it works for her for a bit, but almost immediately she's faced with the reality that without her tough bad bitch constant hero drive that constantly drives her to claw and nail and the limelight without stopping, it is suddenly impossible to keep the vulnerability that has always been just under the surface at bay; by the time Post-scratch, 'classic flavor' Vriska arrives to shove her dead alt self into the (Vriska) distinction, (Vriska) has become both visually and behaviorally unrecognizable from her starting point, but every bit as crucial to understanding Vriska Serket as an overall character.
Post-scratch Vriska does not actually avoid her narrative fate. She 'is saved from dying', but her entire period among the living is fast-forwarded through in a cute animation; she is not getting a reward or an absolution at all, she exists purely for Terezi and John to fulfill the apotheosis and culmination of their own arcs which involve undoing the mistake Terezi most regrets.It has nothing to do with Vriska's own status as narratively relevant or irrelevant, and indeed she almost immediately goes right into the dreambubbles, never to return or to cross the final door into the epilogue with everyone else. But of couse, Vriska, doesn't understadn that just yet. So when she encounters (Vriska), she reacts with disgust and a complete unwillingness to accept that THEY ARE THE SAME PERSON. She reacts with more vitriol than she has shown to ANY CHARACTER IN THE ENTIRE COMIC, INCLUDING TAVROS! And shits all over (Vriska), casting her off to wander the dreambubbles alone and get her own tragic happy ending reuniting with post-scratch Terezi, the closest any version of Vriska will ever come to being truly, actually at peace.
And instead, post-scratch Vriska, without udnerstanding it, dooms herself to continued narrative irrelevance despite her nominally crucial narrative role. It's the final showdown, the biggest bad and the huge hero stopping him, but by the time Act 7's final notes fade, they really don't matter at all.
Dirk, on the other hand, ends Homestuck itself by accepting that Bro Strider is just a mirror of him, a version of himself, a splinter, just as much himself as the Autoresponder had been. This allows him the potential to become a truly better person, as the ending seems to indicate he will; by accepting the worst parts of the character as, indeed, part of him, he can truly engage with them.
Of course, the version of Dirk in the Epilogues takes his synthesis into a very different direction. As does Alt!Calliope, who not only predominated the 'proper' way and thus is capable of both Callie's storytelling but also Caliborn's ruthless narrative control, but also literally devours the corpse of Lord English during the epilogues.
There is something there. Autophagy as both the only way to truly cease to be a character playing at relevance and become a narrator, as necessary to avoid eating shit to your own myopic inability to accept your mistakes, but at the same time, you are synthesizing EVERY part of yourself, the good and the bad and all in between.