Sending love to anyone who feels... drained.
Not just in your body, but in your mind, your relationships, your work, your environment, your pockets.
Youâre not weak. Youâre holding a lot all at once.
Move gently today.
d e v o n

if i look back, i am lost

@theartofmadeline

pixel skylines
đ
he wasn't even looking at me and he found me

#extradirty
official daine visual archive
Claire Keane
𩵠avery cochrane đŠľ
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
cherry valley forever
taylor price
let's talk about Bridgerton tea, my ask is open

izzy's playlists!

ellievsbear
Game of Thrones Daily
One Nice Bug Per Day

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@themadmaiden
Sending love to anyone who feels... drained.
Not just in your body, but in your mind, your relationships, your work, your environment, your pockets.
Youâre not weak. Youâre holding a lot all at once.
Move gently today.
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(via bsky)
In case anyone hasn't heard, the cyclospora outbreak affecting tons of people in the US right now is coming from Taylor Farms produce. Best to stay away from bagged lettuce and prepared salads completely right now, but especially the ones mentioned in the screenshot:
Taylor Farms Earthbound Farms Little Salad Bar (Aldi) Marketside (Walmart) Kroger House Brand Target private label greens Costco salads and greens etc Trader Joe's chopped salad kits and fresh produce Fast food: McDonalds, Taco Bell, (Yum! Brands), Chipotle, Subway, Pizza Hut, KFC, Olive Garden, Top Golf, Red Lobster, Burger King, etc.
This is not the first time I've heard about a Taylor Farms foodborne illness outbreak. I stopped eating their salads after reading a description of the conditions in their facilities. Doesn't sound like they've improved anything.
We need a fully funded and staffed FDA, and regulations with teeth - and that's exactly what we don't have under Trump. To make things worse, the CDC is no longer tracking these outbreaks. We're on our own.
a thing that was so interesting about the vampires in Sinners is genuinely what huge losers they are. get bit and immediately start talking like the most annoying youth pastor you know.
which is a really cool choice because it emphasizes how deeply Off they are. there are obviously the big tells in their behavior, like Bo not reacting to a man getting mauled five feet away or Cornbread getting weird at the door, but the way they speak is also really off with the cadence of the movie the audience has gotten accustomed to. the characters are friends, family, they know each other enough to make jokes, trade barbs, argue, swear. they talk in an informal, natural way with each other. one bite later and it's "excuse me my brothers and sisters in the one race, the human race, won't you pretty please let me come inside to rejoice in your company đĽş"
the kkkouple that remmick turns first are a really effective storytelling shorthand. we know basically nothing about them pre-vampening except that they're trigger happy racists, so when you see them turn up all smiles at a Black juke joint parroting everything remmick says you immediately get a pretty solid grasp of what getting bit does to a motherfucker
obviously I'm arriving to this party really late and I've already seen almost every bit of this movie dissected down to the minutia, but I've not seen anyone talk about klanwife's line about how the vampires are "starting a new klan, built on love." crazy good line, made me figuratively need to take a seat. really cuts right to the heart of the dissonance between what mr. o'vampire says he believes and the nightmare bullshit that he's actually doing.
I keep thinking about the big vampire group song because it's like. god this scene is good. it circles back to my point about remmick being a loser, because getting a couple dozen new vampire thralls and using them to do an elaborately choreographed song and dance is peak loser shit.
but it's also horrifying, absolutely horrifying, for the living characters who are looking on because a.) they're watching their dead family and friends and neighbors, most of whom are covered in blood and visibly injured, get danced around like puppets and b.) it's the first time the characters are really getting a taste of the hivemind bullshit the audience has already been clued in on and c.) sure, they're just dancing for now, but they're realizing just how many hungry vampires are waiting outside to kill them at the first opportunity and take Sammie. so that's a nightmare for them.
so you could read that as a deliberate intimidation tactic on remmick's part, trying to overwhelm the survivors into giving up, but then you're like, okay, maybe in his mind this is a display of how good it is to be a vampire. isn't it good? doesn't it look fun? look how much fun we're having! you could come have fun too if you want! just let me in :3 I don't think that's impossible, that he'd be totally oblivious to how he comes across. the newly-turned vampires seem pretty bad at faking their interpersonal skills; all memory of how to act human beyond the most superficial level seems to really go out the window pretty immediately. remmick seems a little cannier than that, since we see him try to play on people's emotions more than once--appealing to the kkkouple's fear of the Choctaw to gain their shelter when he realizes they're klan, trying to lower Mary's guard by sympathizing with her over her dead mother, pressuring Grace by threatening her daughter. obviously some of those efforts are more successful than others, but he at least seems to have an ability to read the room that other vampires lack.
but it's also not a stretch at all to think he might sincerely be that clueless, because that whole song and dance number is remmick's whole thesis statement, which is that when he says he believes in "equality" he means that he'll kill anyone and turn them into one of his tools regardless of who they are. like sure, whatever, I'm willing to believe that he does sincerely find the klan objectionable, but he's also just packed full of shit. his version of equality is one where everyone's equal under him, acting out his own culture and history for his pleasure. thinks he's not racist because he doesn't care that Sammie's Black but still wants to take away everything that makes Sammie an individual and just keep the musical talent to perform a crude facsimile of being Irish.
and this is getting so long but that scene of all the vampires dancing in step in the dark, cold and washed out, is contrasted so well with the earlier scene inside the juke where everyone is warmly lit, revolving around Sammie but not beholden to him, dancing in their own styles side by side with spirits of the past and future blending different styles and cultures. that scene is such a gorgeous visualization of musical traditions persisting through time and place, connecting people across generations, growing and changing fluidly as people take inspiration from the past, while all of remmick's songs show people being very forcibly trapped in the past, unable to grow or move on. when he encounters something beautiful in the present all he can think to do is own it, destroy it, bend it into the shape of history. pathetic!
all the rights that come with marriage you should be able to have without marriage btw. you should be able to designate a person who can visit you in the hospital regardless of your relationship to that person.
People in the notes are saying "You can!" referring just to the hospital visitation part, and sure (depending). But people should have access to ALL of the benefits of marriage without needing to be married.
You should be able to add anyone you want on your health insurance plan.
You should be able to sponsor the visa of anyone you choose to move to your home country.
You should be able to name anyone you choose as the legal-from-birth legal coparent of any child you give birth to.
You should be able to apply for student aid on your own at any age.
And yes, yes, ideally healthcare and college should be free, international migration should be unrestricted, and the entire concept of legal parenthood should be rewritten from the ground up. But right now we're talking about marriage benefits.
Fandom shit is just straight up not fun when everyone interprets everything in the worst possible faith and acts deliberately obtuse for the sole purpose of getting mad online
all the rights that come with marriage you should be able to have without marriage btw. you should be able to designate a person who can visit you in the hospital regardless of your relationship to that person.
@ fic authors what do you personally consider a successful fic? Whatâs the bar?
actually writing the fic down
âThe axe forgets, but the tree remembersâ is typically a very true statement. Unless, of course, you have moral ocd, in which case the axe has been haunted for weeks and the tree does not remember or care. In fact, many sources report that the axe, which is actually a plastic butter knife, has never been anywhere near a forest. And also there is no tree.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
⡠Falconry Hoods âˇ
You know on this most joyous of days , I know people will come with the usual âWe shouldnât celebrate someoneâs deathâ and I say we ABSOLUTELY should
Letâs all remember that the man , and others like him wake up every day and decide theyâre going to harm your friends , your family , innocents who have no way to defend themselves against the power they all wield . And they gladly do so to get a little more powerful than the day before
They donât get to expect humanity when theyâve spent their miserable lives depriving us of our own
So by all means , be tasteless. Decide what dance to do on his grave .He may be replaced by another viper , but for now the worlds a somewhat better place for him being gone
Dealing with burnout is sooooooooooooooo easy all you need to do is operate at 40% indefinitely and be kind of mad at yourself the whole time.
We love a good bookstore â¨
actually hate that the bodys response to anything is nausea. ate too much? nauseous. ate too little? nauseous. an imaginary threat got you scared? be nauseous. on your period? you guessed it. sawed into your hand and need to go to the emergency room? perhaps throwing up into your open wound will be of help
it is this 4ever everywhere u look