Be yourself as best you can whenever you can.
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if i look back, i am lost

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@theultimatespidey-petey
Be yourself as best you can whenever you can.
Finding out AI companies are chewing through - literally, they’re pulping and burning them as they go - millions of books often including 1/1s and old texts that cannot be reprinted
Meanwhile there’s always some dipshit telling me AI is the future and we’ve got to just let companies erase human history and literature so they can train their abomination machines to pretend to think like people because a judge said it’s fine
AI companies are buying and scanning printed books for training data, raising copyright and cultural preservation concerns as rare volumes a
"Trans people were invented by doctors in the 1950s"
@thatlittleegyptologist Something about this "hot take" seems sus to me, but I don't know enough to say what
okay, so I'm gonna tread lightly here because, well, this site doesn't take well to discussions of nuance, especially on topics such as this. I'm of the very firm belief that trans people have existed for all of history, but the way we approach things like this has to be considerate of the entire context.
So, the individual we're dealing with here is a Roman period mummy that was CT scanned in 2014 as part of the Ancient Lives and the skeleton was determined to be a male, but was originally brough to the British Museum in a coffin that was named and styled as female. The mummy is accession number EA 6704 and the coffin is EA 6703. (Concurrent accession numbers mean they were brought in together and EA stands for 'Egyptian Antiquities' and please be aware that the link for EA 6704 contains images of the mummy for those of you wish to avoid more images of the deceased)
Now a lot of people, in both the comments, the OP, and the book this is taken from are...assuming a lot of things. First of all the tweet and the book it's taken from (no idea which one) say 1960s, and the tumblr comment says 1950s. If we check the museum catalogue entry in the 'Bibliographic References' section it says 'Dawson and Grey, 1968' and is their survey and research of mummies in the collection. It was then further CT scanned in 2014 which confirmed the 1968 analysis. The skeleton, at least, is male.
So why is the above a hot take, and, unfortunately, deeply incorrect?
This mummy, and the coffin it was in, were bought by Henry Salt in the 1820s from an Egyptian seller, which he later sold to the museum in 1835. Given the nature of its arrival, and the complete lack of x-ray ability or Egyptological knowledge (the field of study really only got going in the 1820s when we deciphered hieroglyphs) it was assumed that the coffin, belonging to a woman named Mutemmenu, and the mummy were the same burial.
That's not accurate.
The coffin, styled female and lists her occupation as 'Chantress of Amun' dates to the New Kingdom (c.1200 BCE) and the mummy found within it dates to the Roman Period (anywhere from 30 BCE to 646 CE). This makes the mummy *at least* 1200 years younger than the coffin they were brought in with and therefore doesn't not belong to the mummy. Occurrences like this are relatively common. This is mostly because when these coffins were excavated antiquities dealers just shoved random mummies into random decent looking coffins so they could be sold as one lot. The other option is for the Romans to have reused (again not uncommon) a coffin from an older period and since Hieroglyphs had fallen out of use...no one could read it to say 'hey that coffin belongs to a woman.'
So that's the coffin issue sorted.
Lets move onto the 'breasts', tattoos, and jewellery. I fully understand why people think they're breasts. They look like them, I won't lie to you. Unfortunately, that's not what they are. The 2014 CT scans showed that this individual had a lot of excess skin that before mummification would have meant that the individual was fat. They also had significant tooth decay on one side of their face. Where do you think the embamlers packed out the mummy with extra padding to make them seem more like they did while they were alive? The face, the stomach, and the chest. They're not 'breasts' they're fat rolls. In Ancient Egypt, being fat was a sign of wealth and good fortune. It meant that you had an abundance of food, so officials would often depict themselves with fat rolls and the men with what look like breasts to indicate to people that they were well off. It does not indicate an individual's gender. As the book says, this practice stems right from the Old Kingdom through to the Roman period. It's more common in the Roman period, but I would also state that this is likely a bias in the record as we have more Roman mummies survive than most other periods. It cannot be taken as absolute fact because we're missing data.
Tattoos and jewellery? Well, those, it appears, were taken by the 1830s museum staff, the 1960s scan, and apparently most people in the notes of this post as being exclusively female. Even the OP of the tweet this is taken from seems to take this as a given. Which is deeply strange, because in what world are you guys expecting gender progressiveness from academics in the 1960s? Seriously. You're not even praticing it yourselves because you've defaulted 'male sexed body with jewellery and flower tattoos cannot be male because those things are for girls.' Can you hear yourselves? You rag on archeologists and museums for 'omg they were roommates' and here you are defaulting to 'jewellery and flowers are for girls.' Please.
The 1830s academics did the same thing. They saw the jewellery, 'breasts', 'tattoos' and female coffin and presumed (not being able to read the coffin which said 'Chantress') that the person inside was a woman, and a dancer. In the 1960s, when they x-rayed the body and determined the skeleton was sexed male, they didn't really update any other information so the 'dancer' part was left in. Truth is, we simply don't know who this person was or their occupation. The strapping has been found on some dancers, but it's not exclusive to dancers since it's found on other mummies too. Dancer has simply been assigned to this person based on that and the 'tattoos'. This individual is also covered in gold leaf, marking them out as a high status individual. Dancers were not high status individuals and were certainly not buried with their skin covered in gold leaf. It is important to understand that while the strapping may appear to match dancers from earlier periods, we're talking about 1200 years between those depictions and this mummy. That's like saying someone today wearing something similar to someone from 825 CE have the same occupation despite the fact that there is a huge amount of cultural and societal change between the two. It's not enough to identify anything other than 'might be the fashion of this period', and certainly not enough to pinpoint someone's gender identity. They may have been a dancer, but we cannot prove this and dancing is not a female only occupation.
Tattoos and jewellery were not a female only items. Men wore jewellery in Ancient Egypt and this practice didn't end with Roman occupation. Tattoos were also for both genders (Egyptian definion of gender not modern) and the lotus flower is a symbol of rebirth, it's not consigned to one gender but an extremely important symbol connected with Egyptian mythology. A lot of early research, I won't lie, was extremely biased. It labelled tattoos as for dancers and sex workers only, which reflected the views of tattoos in wider society. A lot of people even today believe that tattoos mean you should be shunned. Thus it was assumed that only women had tattoos. In fact, I can find a paper from 2003 that boldly claims that no male mummies have tattoos (citing a 1988 paper)...then cites several examples of male mummies having tattoos. That's a level of head/desk someone should have caught, because the paper I link for 'tattoos for both genders' shows them from the Pre-Dynastic period (c.6210 BCE - 3100 BCE) on both genders. We also have very few mummies from the Old Kingdom through to the New Kingdom because mummification was still developing, so we don't exactly have a wide data set to say 'men don't have tattoos' thus, I'd take this claim with an extreme pinch of salt since we have examples. I would also state that the caveat is that most tattoos are found on Nubian dancers in one Meroitic cemetery. Something something, sample size.
Fun thing, after that little segue, the mummy doesn't have tattoos. The 'tattoos' are the painted lotus flowers on the linen above the knees that's covering the mummy. Which, at this point, if they're solely on the mummy coverings (we can't check the physical body without unwrapping and we're not doing that) they're more likely to be rebirth symbols and not literal tattoos. Thus taking us even further away from the 'only dancers have tattoos' assumption. The face is painted on too, including side burns and a beard which are what those dark marks are along the side of the cheeks.
That's a beard. It's not the best beard, but it's a very artistic interpretation of side burns.
Likely immitating something like this, which is backed up by the CT scan showing the mummy has short hair on the head and face. It also shows one of their teeth has fallen out and is resting at the front of their mouth, which is pretty cool.
The final thing I want to address is the 'pink' skirt or kilt that was found on the mummy at the time it was accessioned into the BM catalogue. It's not mentioned above, I know that, but it is mentioned in other articles about this mummy. This hasn't survived, so I can't look at it and say what type of garment it was. I don't even want to take 'pink' as the definite colour as we're talking about a c.2000 year old piece of clothing that absolutely will have faded with that amount of time having passed. I would also discourage 'oh they're wearing pink they must be...' because no we're not doing that c'mon people.
So, in summary: this mummy is likely male. I won't say for definite because, we genuinely can never say for certain how someone's gender was presented and new information could become apparrent in the future that changes this, but as of right now there is nothing to say this person had changed their gender presentation. As far as I'm aware with current research, we have no clear way of identifying individuals who transgressed Egyptian gender roles. Their gender roles are much different to ours, and we simply don't have the language or understanding to find them yet. We will, I'm sure of it, but as of right now we just don't have enough information on what the Egyptians classed as 'going against gender roles' to make these calls. In the case of this individual, they have facial hair painted on the mummy and seemingly still on the face of the mummy itself that is in the style men wore at the time. They have fat rolls that have been formed after death that are culturally like those depicted on high status male individuals, and since the mummy has gold leaf on the skin we know this individual is high status. Jewellery is gender neutral in the ancient world, so I'm absolutely not assigning a female gender just because this person has faux bangles. Tattoos? Well the mummy doesn't have them, they're merely painted on the knees and are a known symbol of rebirth not a female only thing. In all, there is nothing to suggest that this individual wanted to be presented as having a different gender. Assuming so based on your modern understanding of what constitutes markers of gender is damaging, and you could be assigning a lived experience to this person without ever understanding how gender was constructed in the time they lived. Based on my knowledge of Egyptian gender presentation, and the evidence I've presented above, this person didn't do anything out of the ordinary for 'male' presentation, thus the skeleton sex identification does not contradict this.
the year is 2035. the new beauty standard is for women to cut their ears off, as ears are a masculine trait which make the face look too big and hearing isnt necessary as it doesnt align with being demure. evil feminists say perhaps this is unnecessary and ears are natural. women are agressively proclaiming they are cutting their ears off due to sensory issues
I feel so insane about ai. I've had face-to-face conversations with people who use it for therapy, who use it to calculate the safety of pill interactions, who use it for all their emails and grant applications and legal documents and academic papers and finance sheets and for every single question they have about the world, and if you tell them about the ecological costs they just laugh and say "I guess I've used a lot of water." and I've been in multiple gatherings of 10+ people where I'm THE ONLY PERSON who doesn't use chatgpt. it's turning me into a ranting raving pariah, because how don't you people see??? why don't you understand??????? this bullshit didn't exist five years ago, you absolutely do not need it, and it is destroying everything
my friend just had an art show and they were communicating with the gallerist over email. They could clearly tell that the gallerist was using AI to respond to their emails, but just rolled their eyes and moved on.
and then on the day of the show, my friend asks, "where is the camera I requested?"
gallerist: "you didn't request a camera"
my friend: "I did, and you confirmed that you would have one here."
gallerist: "that isn't true."
and then she proceeded to pull up the email thread, and my friend could see that every single email they had sent had been summarized by AI, and that the gallerist had then had AI write a response to them based on the AI summary, and that the AI had detected that they needed a camera, and confirmed on behalf of the gallerist that they would bring a camera, but because the gallerist had offloaded the work of actually reading and responding, she simply hadn't actually made any note of it herself, therefore didn't bring it, nor did she even know one was needed.
so my friend had done all of this communication about their needs and expectations to be able to make the show possible, and the person whose job it was to read that information and get it done had simply.... not read the information and not done it. because AI.
For all that the 1800s etiquette guides are--obviously--derangedly sexist from a modern perspective? They're also mindblowing in how casually they will assert things that MODERN DAY CONSERVATIVES would scream and cry and shit their pants about.
"People back then always married young it's natural!!!" Every single 1800s guide I've ever met casually mentions that, of course, you really shouldn't get married before you're at least 20, and waiting until 25 is usually better.
Or, like. Okay here's a long segment:
Just firmly going "it is crazy sexist to blame The Wife for overspending when thirty seconds of asking questions will immediately establish that her husband was outright lying to her about how much money they had. Talk to your wife like a normal person."
Or--okay, here. A section on being honest and not writing love letters in secret, because that's usually a good sign that there's something untoward going on....
....except that he then immediately acknowledges that sometimes, the reason you're hiding this from your parents is that your parents suck. That there are parents who frankly have not earned the right to approve or disapprove of your partner.
(I realize the phrasing there sounds a lot less strong than my summary, but--trust me on this. When you're familiar with the narrative voice of these kinds of books, this passage is downright radical. The mere acknowledgement that if you treat your kids badly, it's your own damn fault when they don't talk to you? I've genuinely never seen that before in this genre. Don't freak out over "properly trained", either. It's just a linguistic shift--at the time, "training" was used the way we would say "raising" a child today. )
I’ve got a lot of Thoughts(tm) about The Odyssey at the moment, but damnit Blum I’m an archer, not a film critic, so here’s something in my lane!
Never Learned - Gator Days
...the alt text?
READ THE ALT TEXT
forget everything anyone has ever told you on the matter the truest marker of adulthood is starting to hear the siren call of high quality kitchenware
to be clear you SHOULD buy that cast iron pan and you SHOULD buy that knife set and you SHOULD buy that fancy rice cooker and you SHOULD buy that novelty mug. high quality kitchenware is always worth it you’re literally gonna be using that almost every day
This seems like a good post to include this link on:
One buyout firm quietly collected Pyrex, Corelle, Instant Pot, and Oneida. Farberware is a name on a 200-year lease. And the pans still wort
Talking about popular kitchenware companies undergoing enshittification, and gives you a list of brands towards the end that are more reliable.
The first rule of fandom is have fun. The second rule of fandom is find an enabler and become an enabler. Yes you should write that fic. What if it was even hornier? What if it was angstier? What if you wrote it just for me?
This deserves not to rot on a Reddit comment section
You never know what color pallette someone's Tumblr is till ppl are screenshotting posts and tags
do u like mine
Oh wow.
Some people on tumblr are reading ancient scrolls and you'd never know
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
YESSSSSSSSSSSSSSSSSSSSSSSSS
for context:
“Beep Beep Bitch, You’re Gay!”
Updated the lesbian flag and added nonbinary, pan, ace, and aro for all your tacky LBGTQ+ barcode needs.
Hope yall like my abomination
That last one is fucking moving istg
at last. the gaydar
The only pride flag I care about anymore
Gap moe the comic