(backseating you at the mortar and pestle) man you aint even squarshing it
Jules of Nature
Mike Driver
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

@theartofmadeline
Cosimo Galluzzi

PR's Tumblrdome
ojovivo

⁂

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we're not kids anymore.

★

oozey mess

Andulka

titsay

ellievsbear

Janaina Medeiros
art blog(derogatory)
YOU ARE THE REASON

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@vocalfries
(backseating you at the mortar and pestle) man you aint even squarshing it
Girl whose most frequent mistake is inaction voice: wow I keep making mistakes I better not do anything
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!
Let America Be America Again
by Langston Hughes
Let America be America again. Let it be the dream it used to be. Let it be the pioneer on the plain Seeking a home where he himself is free.
(America never was America to me.)
Let America be the dream the dreamers dreamed– Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above.
(It never was America to me.)
O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
(There’s never been equality for me, Nor freedom in this “homeland of the free.”)
Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars?
I am the poor white, fooled and pushed apart, I am the Negro bearing slavery’s scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek– And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one’s own greed!
I am the farmer, bondsman to the soil. I am the worker sold to the machine. I am the Negro, servant to you all. I am the people, humble, hungry, mean– Hungry yet today despite the dream. Beaten yet today–O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years.
Yet I’m the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That’s made America the land it has become. O, I’m the man who sailed those early seas In search of what I meant to be my home– For I’m the one who left dark Ireland’s shore, And Poland’s plain, and England’s grassy lea, And torn from Black Africa’s strand I came To build a “homeland of the free.”
The free?
Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we’ve dreamed And all the songs we’ve sung And all the hopes we’ve held And all the flags we’ve hung, The millions who have nothing for our pay– Except the dream that’s almost dead today.
O, let America be America again– The land that never has been yet– And yet must be–the land where every man is free. The land that’s mine–the poor man’s, Indian’s, Negro’s, ME– Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again.
Sure, call me any ugly name you choose– The steel of freedom does not stain. From those who live like leeches on the people’s lives, We must take back our land again, America!
O, yes, I say it plain, America never was America to me, And yet I swear this oath– America will be!
Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain– All, all the stretch of these great green states– And make America again!
if i was in the world cup well i would just score a goal Lol then if the other team scored one i'd score another
Male loneliness this, male loneliness that. Have they tried lobotomies? Tranquilizers? Being fingered by medical professionals? Tearing the yellow wallpaper off the walls of the attic room where your husband keeps you locked up?
You've seen Self Diagnosis Is Bad, now let me introduce you to Diagnosis Is Bad. You've seen Diagnosis Is Bad, now let me introduce you to Classification Is Bad. You've seen Classification Is Bad, now let me introduce you to Language Is Bad. You've seen Language Is Bad, now let me introduce you to the Gong of Eternal Peace
OMMMMMM
Tumblr I need everyone to log in rn because the most important, quotable, instantly iconic celebrity post of the century just dropped
A ship — a magnificent ship — full of gay men. And me.
I am furious, but I am sailing.
And what is the charge?! A ship??? A magnificent ship full of gay men and me?!
light of other lives
i dont care if monday sucks... tuesday cost me sixty bucks... wednesday thursday give no fucks. it's friday im a duck
classic example of a pig egg
"from the world of Legally Blonde" what the hell are you talking about
British Museum colludes with pro-Israel lobby to erase Palestine from historical exhibits —— An investigation by Middle East Eye has exposed the British Museum for covertly removing the terms “Palestine,” “Palestinian,” and “Israeli occupation” from its historical displays following intensive lobbying by pro-Israel activists. Internal emails obtained via a freedom of information request reveal that the London institution rapidly altered descriptions of artifacts dating back to 7,500 BCE to appease political pressure groups, including the Board of Deputies of British Jews and high-profile figures. While museum director Nick Cullinan publicly claimed the changes were part of a standard curation refresh and backed by audience testing, the newly released disclosures confirm that no visitor research regarding the term "Palestine" was ever conducted. The internal correspondence details a frantic effort by museum staff to pacify complaints lodged between October and December 2024, with one directive explicitly ordering curators to remain hyper-conscious of the anniversary of 7 October. In one instance, a panel describing ancient rulers of “Palestinian descent” was scrubbed and changed to “Canaanite origin” within five hours of receiving a complaint from the Board of Deputies. Middle East Eye cross-referenced the redacted emails to identify key lobbyists, including right-wing commentators and historians who weaponized access to the museum's leadership to argue that historical references to an ancient Israelite occupation would stoke modern antisemitism. The targeted erasure has sparked a severe diplomatic and cultural backlash, with Palestinian Ambassador to the UK Husam Zumlot accusing the public institution of betraying its historical integrity to serve political ends. Cultural figures and human rights defenders have condemned the museum for complicity in what the United Nations classifies as an ongoing genocide in Gaza, noting that the bureaucratic deletion of Palestinian history in London directly mirrors the physical destruction of heritage sites on the ground. Despite photographic evidence showing that references to "modern Palestine" were replaced with "Gaza and the West Bank" at gallery entrances, the British Museum has refused to answer specific inquiries, issuing a blanket denial to Middle East Eye that any erasure took place.
istheveilbetweenworldsthinrightnow.com
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controversial stance but i do wish i could live forever. i certainly live like i'm going to live forever. i take my time. realistically however my lifespan is dreadfully limited and there are things i've "been meaning to do" that i will never get around to. the Emoji Movie came out almost 10 years ago. in all that time on any random day i could've decided to sit down and watch it, and i did not. how many more decades will slip by like this? conceivably, it could be all the decades i have left. watching the Emoji Movie would not be, after all, a crucial use of my time. much better things to do. i could easily postpone it over and over and over until my final breath where it may not even register to me that i never did watch the Emoji Movie. no great loss, certainly; and yet i find myself intrigued by Patrick Stewart's involvement
this is my impression of what it would look like if the toddlers at my job could make traumacore edits about me