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Cookie Run:Kingdom Official!
Fai_Ryy
Today's Document

Andulka
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣

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cherry valley forever
2025 on Tumblr: Trends That Defined the Year
Claire Keane

bliss lane

#extradirty
Mike Driver
hello vonnie
d e v o n

titsay

Jar Jar Binks Fan Club
Cosmic Funnies

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@what-the-buckybarnes
queue this post when it’s your birthday and be surprise
Marvel || Human • It’s unfair how well the transitions are done in this edit smh
Disaster era Seb with a terrible head cold who keeps working and when Chris comes home from a project and sees his baby really unwell, he takes charge, even when seb tries to still work:)
He enters the small brownstone, tired but happy to be home. He’d been in LA recording some lines for the upcoming dog documentary, and he hasn’t seen Sebastian in almost five days. They’ve talked of course, but talking on the phone and face timing isn’t the same as being in person.
Sebastian himself had been home only since yesterday, having done the con in Rhode Island, and by how tired he’d sounded last night, Chris is sure today will be a lazy, slow, relaxing day for the both of them.
Dodger greets him at the door, tail wagging and enthusiasm almost overwhelming.
“Hey buddy! Oh, I know, I know. I missed you too. But I’m home now…okay, okay! Yes, I love you too.”
He pets and rubs at Dodger, sitting on the floor with a lap full of dog, then finally stands and brushes the hair off of his sweater and jeans, taking his hat off. He’s putting his jacket up when he hears a couple of stifled sneezes come from what sounds like their bedroom.
“ghtsch! hkktch!”
“Bless you!” Chris calls, closing the closet door shut. He thinks back to the previous nights video call session. Seb had seen worn down, drawn a bit thin, and Chris decides maybe he should see if they need to go get some medicine.
Walking down to their room, he can hear the soft, frequent sniffles that sound unhelpful and itchy. Something tugs at Chris’s heart. He expects to see Sebastian in bed, maybe scrolling through instagram or texting Mackie, but instead, he’s greeted to Sebastian’s back, sitting in the small office chair they have sitting with the oak wood desk in the corner of their room.
They used to have an office, but had decided to convert it into a guest bedroom, getting more use out of it when Chris’s sisters or their friends stayed over.
“Hey….I’m home. What’re you doing?” Chris asks, bending down to press a kiss to Seb’s cheek. The man sniffles again, left hand holding a crumpled tissue to his nose, and then looks up. He’s pale, but dark circles are blooming under his eyes, rims pink with exhaustion. His nose is pink, like it’s been rubbed at far too much and yet not enough today, and his over all stature is starting to look depleted.
“Uhm….snfsnf! I’m trying to write out th-snfsnf-this thing for the I, Tonya screening tomorrow,” Sebastian says, and Chris winces. His voice sounds wrecked, and has a nasally quality that’s starting to make his n’s sound like d’s.
“Babe….why didn’t you tell me you were this sick?” Chris frowns, but Sebasitan shakes his head, rolling his eyes in the process.
“I’m fine Chris. Just let me finish this then I’ll talk to you,” he says, annoyed that his concentration has been broken. Eyebrow raised a little, Chris huffs and nods.
“Alright. I’m going to shower.”
**************
While Chris is showering, Seb’s able to get more of his semi-speech done. He’s sure he’d be able to be properly finished, but his whole damn head won’t leave him alone. His throat’s killing him, every time he swallows his ears throb, and his nose is so itchy and runny and stuffy, at this point he’s not sure anything will really help him.
As he’s typing, his nose gives a precarious twitch around his nostrils, once, twice, and then three times, and he snaps the tissues he’s had for the past hour once against against his nose, though they don’t help much.
“h’nGXT! khsTSCh’uh! gtshh’eww!” His whole head feels like it’s going to implode, and he can’t do anything but grab another tissue, rubbing at his nose that’s now starting to get a little sore. Even rubbing at it makes it twitch again.
“Jesus fuhhck- itschh’uh! htSSHew! hh’hH…hKSTcHuh!”
The last one hurts his throat enough that he tears his eyes away from the laptop screen to get his cup of water. When he takes a sip, he’s welcomed to nothing but air. Right. He’d finished it off an hour or so ago.
Sighing, Sebastian scrubs at his face a little then turns his attention back to his laptop. He’s so close to being done, when Chris returns, freshly showered, and puts his arms around him from above.
“Come on babe. Take a break.”
“I’m almost fin-”
“No. Now. It can wait for a bit. I want to see my husband,” Chris frowns, shutting the laptop screen down. Sebastian whips his face up to glare at him.
“Chris, are you serious?! I was almost done..” He wants to argue more, but there’s an itch right at the tip of his nose, and when he swipes at it, still upset, it does nothing but blossom so he can’t ignore it.
Letting the tissues stay in his hoodie pocket, Sebastian brings the cuff of his sleeve up, pressing his nose and a little bit of his mouth into hit, breath hitching a few times before he finally sneezes.
“ghhtschh’uh! hihtSCHHew! Ishh! Ishhhuh! snfsnfsnf! ikstchhuh!”
The sneezes leave him fuzzy headed and a little dizzy, and he’s not fully aware of Chis putting his arms around him and leading him to bed, until he’s sitting down on the plush blankets.
“God bless you sweetheart. You’re staying in bed. No arguing.”
All the fight leaves Seb, and Chris watches as he physically deflates.
“Sorry….I don’t mbean to be such a mbess,” he croaks out, coughing a little. Chris presses a kiss to his forehead, then replaces his lips with his hand.
“You feel warm….babe…” Chris rubs his husbands back when the little cough turns into a bigger, more substantial cough, effectively rendering Seb speechless as he tries to smother the coughs into the crook of his arm.
“Okay, okay. You’re alright,” Chris says softly, trying to soothe his guy, who is so incredibly sick it makes Chris feel awful.
“I’m going to see if Scott can bring some soup and meds. That way I can stay here and watch over you,” he gets them both under the covers, grabbing his phone to text his brother.
“I love you…” Sebastian says, raspy and congested.
“I love you too, even if you could give Steve Rogers a run for his money in stubbornness.”
Sergeant James Buchanan Barnes // The Winter Soldier
“I’m with you ‘til the end of the line.”
Bucky Barnes’ five expressions after Steve Rogers said the nine words.
Alexander Pierce + healthy villainous emotions
#I KNOW IF TUMBLR COULD IT WOULD GIVE ME NEGATIVE NOTES FOR THIS POST BECAUSE EVERYONE HATES THIS GUY SO MUCH #BUT IDK HE’S MARVELLOUS DEFINITELY THE BEST MARVEL VILLAIN YET #REALLY SHITSCARY #NO PATHOS OR BROKEN PSYCHE LIKE RONAN OR MALEKITH #NO DADDY ISSUES OR JEALOUSY OR A FACE THAT COMES OFF??? #A COLD MIND COMPLETELY IN THE GAME #LIKE IN THE THIRD GIF #THAT’S HOW YOU REACT TO AN UNEXPECTED MOVE ON THE CHESSBOARD #BUT IT’S OKAY #HE’S A MANAGER HE’S GONNA MANAGE IT HE’S GOT HIS MBA #HE KNOWS HOW THIS WORLD WORKS BECAUSE HE SHAPED IT AND YOU CAN’T OUTPLAY HIM #UNLESS YOU GIVE HIM LEAD POISONING #FROM YOUR GUN TO HIS CHEST #THAT WASN’T IT HIS MBA PROGRAM #HAHAH
And here I thought we could go without romanticizing one more white male villain smh
I would argue there is a difference between acknowledging that a character is a fantastic, multifaceted villain and romanticizing them.
Pierce is cold. He is calculating. He knows how to manipulate people into doing what he wants. He’s not afraid to use pawns and sacrifice them accordingly. God, he is an awful person. A terrible one. He’s an abuser and unapologetic and willing to take out millions of people for his vision, however fucked up that vision is, of the greater good.
Recognizing that he is one of the most terrifying villains that marvel has rolled out with does not equal romanticizing him. He’s the kind of evil that creeps up without you noticing and by the time you do it’s too late. He’s smiling as he stabs you in the back. Pierce is important because he’s the bad guy who can actually exist in the world today. There aren’t people building giant robots, there aren’t Norse gods or nazis peeling their faces off. What there are in this world are politicians in positions of power who abuse that power and nothing is more dangerous than that.
Those tags are great because if you go against Pierce in a battle of wits you WILL NOT WIN. Plain and simple. Literally the only way to stop him was pure force.
TLDR - pierce is a despicable human being but recognizing why and how he is an excellent villain for this day and age does not equal romanticizing him.
I actually just used the wrong word, I meant glorifying not romanticizing
I’d still argue though that he’s not being glorified? Everything within the post is canon.
I think everything you need to know about Pierce is in the line “the man turned down a Nobel Peace Prize.” He had literally everyone so fooled that not even NICK FURY suspected him until far too late. I’m not trying to put Pierce on a pedestal or anything like that, but he was winning at a game that no one else even knew they were playing.
Like I hate Pierce. I HATE him. Like I said, he is an abuser and a terrorist and a terrible person. But Talking about his effectiveness as a villain in context of a movie still doesn’t equal glorifying him.
For a villain to be effective, they must be the hero of their own story.
THAT’s what makes a good villain. THAT’s what makes a villain terrifying. THAT’s what makes Pierce terrifying. Because Pierce is the best villain Marvel has given us because he is real. He’s in congress; he’s leading our troops; he’s in the Senate; he’s sitting in the UN; he’s at the head of a multi-billion dollar corporation and he’s drafting laws and hey, did we forget that we already have a project insight? Because what’s the difference between the helicarriers and drones?
What makes CA: TWS such an amazing piece of storytelling is that it is absolutely a sociopolitical thriller disguised as a superhero movie. And if Pierce wasn’t the cold, smart, dispassionate, well-spoken, insidious bastard that he is, he wouldn’t be nowhere as effective. Even after Steve gives his passionate speech at the Triskelion, even when the World Security Council turns against him, Pierce still thinks he can win by spinning things his way. He absolutely believes he’s doing this for the greater good. No villain worth his screen time ever looks at the things they do and thinks ‘ah yes I am such a terrible person, doing these evil, awful and morally wrong things.’ Every single villain must absolutely think they are absolutely in the right, and the hero is their villain. Or they become stereotypes and caricatures.
Discussing the type of villain Pierce is has nothing to do with glorifying him or romanticizing him. It has everything to do with recognizing the Russos’ clever, brilliant writing, which shows us that real, true evil doesn’t need to have a red skull or an army of chitauri. Real evil exists, we are steeped in it, and we don’t even fucking know it until it’s too late.
also, don’t think for ONE INSTANT that casting Robert motherfucking Redford — All-American roguish Good (white, blond, CLONE OF CAPTAIN AMERICA) Guy Robert Redford — wasn’t possibly the most deliberate casting choice made in this movie. Robert Redford is a Good Guy, and you know it. How do you know? Why, just look at him! Look at his blond good looks! Look at his nice suit! Look how perfectly uber-American and…and…and he just LOOKS like he should be in charge, um, because he’s so. White. And Perfect. And. Rich. And uber-American and…we let those kinds of people get anything they want…oh.
whoops.
Reblogging for commentary.
Alexander Pierce really is the absolute best villain Marvel’s done to date, and could well be the best they’ll every do, because of this. He’s utterly terrifying, and hits far too close to home.
All of this — I love Alexander Pierce, in the sense that I fear and loathe him: He is the real deal; he is the kind of person you do find in glass-and-steel high-rises, in backrooms of clubs with panels of dark wood, in all the exclusive places where powerful people gather. Because these people, these people are still mostly older white men with the “right” kind of origin story and, yes, looks. Not to mention the whole meta commentary of casting Robert freakin’ Redford: this idea of, beyond the sheer acting, of what he can evoke in others. Someone else commented that had Captain America been made almost fifty years ago, this would have been Steve Rogers.
The thing that works about him, really, is that he’s like the villains we have in real life America. Slick and wealthy and powerful and white.
Making Robert Redford the villain was possibly the most terrifying casting choice because he is usually Mister Hero, or at least not a bad guy. And You can’t really go into this movie without knowing at least a little who he is (or like me both on & off screen) and that plays into your expectations of his character. And then his villainous aspects just hit that much harder, and you realize that (to quote above) it is absolutely a sociopolitical thriller disguised as a superhero movie.
I think Pierce is terrible, he is clearly irredeemable, and I think his ending was the only way to take him out of play. I love how he was portrayed, but not him.
upthread we see a tumblr commenter basically failing to understand that it’s possible to talk about why part of a story works really well without automatically having some kind of boner for the character i didn’t want that part to get lost in the discussion
Stories should have good villains. Villains you can like/admire for their villainy. A hero needs a foil and a story can be made or broken by how effective its villain is.
A film/story is only as good as its villian and Pierce is why TWS is by far the best film that Marvel has ever put out.
This is what I’m here for.
I double checked, this is true. It was in the NY Times.
(Source)
Oh my gosh.
“Each of the sisters renounced their vocation and left the church. In the intervening time, they have been outspoken about the church’s hardline stance against homosexuality. “God wants people happy, to live the love in the light of the sun,” Isabel reportedly told Italy’s La Stampa newspaper.”
To live the love in the light of the sun is the new go to wlw phrase of choice
And they were pewmates
i only post when i respect women
but you’re always posting
Once again, The Onion is not even in the general vicinity of fucking around
Disney princess 😍
If you start playing Roaring 20s by Panic! At The Disco on December 31st 2019 at 11:59:15, at exactly midnight Brendon will say “This is my roaring 20s”. A perfect way to start the roaring 20s!
It’s time to bring an end to the Rape Anthem Masquerading As Christmas Carol
Hi there! Former English nerd/teacher here. Also a big fan of jazz of the 30s and 40s.
So. Here’s the thing. Given a cursory glance and applying today’s worldview to the song, yes, you’re right, it absolutely *sounds* like a rape anthem.
BUT! Let’s look closer!
“Hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.
See, this woman is staying late, unchaperoned, at a dude’s house. In the 1940’s, that’s the kind of thing Good Girls aren’t supposed to do — and she wants people to think she’s a good girl. The woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.” But she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink — unaware that the drink is actually really weak, maybe not even alcoholic at all. That’s the joke. That is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?” It is not a joke about how she’s drunk and about to be raped. It’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren’t supposed to have sexual agency.
Basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “I’m staying because I want to.” (That’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) In this particular case, he’s pretty clearly right, because the woman has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. She states explicitly that she’s resisting because she’s supposed to, not because she wants to: “I ought to say no no no…” She states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least I’m gonna say that I tried.” And at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along.
So it’s not actually a song about rape - in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. But it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. It’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no.
remember loves: context is everything. and personal opinion matters. If you still find this song to be a problem, that’s fine. But please don’t make it into something it’s not because it’s been stripped of cultural context.
This is actually really interesting. I’ve never known a lot of the background to this song.
Making its annual rounds
1k Follow-Forever!
Thank you so much for 1k followers! Here are the list of some of my faves! Some new and some from waaaaaaay back!
@justanothershelby My FOREVER FOREVER follow.
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I love you 🥺
broke: alleen je goede vrienden irl toevoegen aan je lijst van ‘beste vrienden’ op ig
woke: iedereen toevoegen aan je lijst van ‘beste vrienden’ op ig zodat iedereen zich speciaal voelt
I love this moment. Like, they’ve been “back together” in their right minds for, what, five minutes? since 1945 and the dynamic is already coming back.
Steve: Come on, man, fuck’s sake, try harder.
Bucky’s face: Shut the FUCK up Rogers, don’t start with me, I was FINE but NO you show up and bring a FIGHT with you WHY AM I NOT SURPRISED.