pokemon
The legendaries for the next pokemon game look interesting

Andulka

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap
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Keni
cherry valley forever

#extradirty

tannertan36
Sade Olutola
Stranger Things

Product Placement
taylor price
Lint Roller? I Barely Know Her
Cosimo Galluzzi
Show & Tell
The Stonewall Inn
No title available

ellievsbear
YOU ARE THE REASON

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@whatbindsyou
pokemon
The legendaries for the next pokemon game look interesting
Do you miss all your old selves?
no they are inside of me i hug them everyday and say u did such a good job
ITS NOT EVEN HALFWAY THROUGH EP1 I CANT DO THISSSSSS
i'm so glad you all understand. he literally said this out loud:
Strong Winds Causing This Waterfall To
Spray Upwards ..
you know what fuck you *unfalls your water*
So apparently last year the National Park Service in the US dropped an over 1200 page study of LGBTQ American History as part of their Who We Are program which includes studies on African-American history, Latino history, and Indigenous history.
Like. This is awesome. But also it feels very surreal that maybe one of the most comprehensive examinations of LGBTQ history in America (it covers sports! art! race! historical sites! health! cities!) was just casually done by the parks service.
This is really great??
Chapter 1: Prologue: Why LGBTQ Historic Sites Matter by Mark Meinke
Chapter 2: Introduction to the LGBTQ Heritage Initiative Theme Study by Megan E. Springate
Chapter 3: Introduction to Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History in the United States by Leisa Meyer and Helis Sikk
Chapter 4: The History of Queer History: One Hundred Years of the Search for Shared Heritage by Gerard Koskovich
Chapter 5: The Preservation of LGBTQ Heritage by Gail Dubrow
Chapter 6: LGBTQ Archeological Context by Megan E. Springate
Chapter 7: A Note about Intersectionality by Megan E. Springate
Chapter 8: Making Bisexuals Visible by Loraine Hutchins
Chapter 9: Sexual and Gender Diversity in Native America and the Pacific Islands by Will Roscoe
Chapter 10: Transgender History in the US and the Places that Matter by Susan Stryker
Chapter 11: Breathing Fire: Remembering Asian Pacific American Activism in Queer History by Amy Sueyoshi
Chapter 12: Latina/o Gender and Sexuality by Deena J. González and Ellie D. Hernandez
Chapter 13: “Where We Could Be Ourselves”: African American LGBTQ Historic Places and Why They Matter by Jeffrey A. Harris
Chapter 14: LGBTQ Spaces and Places by Jen Jack Gieseking
Chapter 15: Making Community: The Places and Spaces of LGBTQ Collective Identity Formation by Christina B. Hanhardt
Chapter 16: LGBTQ Business and Commerce by David K. Johnson
Chapter 17: Sex, Love, and Relationships by Tracy Baim
Chapter 18: LGBTQ Civil Rights in America by Megan E. Springate
Chapter 19: Historical Landmarks and Landscapes of LGBTQ Law by Marc Stein
Chapter 20: LGBTQ Military Service by Steve Estes
Chapter 21: Struggles in Body and Spirit: Religion and LGBTQ People in US History by Drew Bourn
Chapter 22: LGBTQ and Health by Katie Batza
Chapter 23: LGBTQ Art and Artists by Tara Burk
Chapter 24: LGBTQ Sport and Leisure by Katherine Schweighofer
Chapter 25: San Francisco: Placing LGBTQ Histories in the City by the Bay by Donna J. Graves and Shayne E. Watson
Chapter 26: Preservation of LGBTQ Historic & Cultural Sites – A New York City Perspective by Jay Shockley
Chapter 27: Locating Miami’s Queer History by Julio Capó, Jr.
Chapter 28: Queerest Little City in the World: LGBTQ Reno by John Jeffrey Auer IV
Chapter 29: Chicago: Queer Histories at the Crossroads of America by Jessica Herczeg-Konecny
Chapter 30: Nominating LGBTQ Places to the National Register of Historic Places and as National Historic Landmarks: An Introduction by Megan E. Springate and Caridad de la Vega
Chapter 31: Interpreting LGBTQ Historic Sites by Susan Ferentinos
Chapter 32: Teaching LGBTQ History and Heritage by Leila J. Rupp
We used it in my LGBT history class and it’s SO WONDERFUL I LOVE it PLEASE READ at least some chapters. It has photos and sources and goes into detail in footnotes when it doesn’t have time for a tangent.
Fascinating.
“Looks like he made a new friend”
(Source)
Oil and Water.
SPIDER-MAN: ACROSS THE SPIDER-VERSE PART ONE — 2022 dirs. Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson
…Okay but actually y’all should be aware that the new trend of complicated anime eyes is actually a very serious problem, because it’s literally impossible for the artists to draw those stupid fucking eyes quickly enough to earn a living.
If you don’t want to read the article, the problem is they make production slow to a crawl, so doing three frames with complicated eyes in them will take about two hours. The average pay for one frame is 200 yen, which comes out to about two dollars. These are grown ass adults doing their fulltime job to pay their bills. And these god awful eyes are making them do two hours of work to earn six dollars.
The detailed eyes are not a good thing.
Actually no.
The detailed eyes are not the issue and not what should be criticized.
Japan’s animation industry is *grossly* abusive to it’s employees. Animators are constantly being forced into crunsh for minimal pay.
Animation jobs should be saleryed. The entire concept of “compensation per fram” is absolutely horrible and is what we should focus our energy on.
Like how can you read “These people get paid 6 bucks for 2 hours of work” and blame the thing they produced rather then the industry model that causes them to be so grossly under payed?
My local public library just emailed me this image apropos of absolutely nothing, and I’m not sure what it’s meant to communicate, but I’m listening.
just this image?? with no context????
As far as I can tell, the image is entirely unrelated to the content of the email it accompanied; it doesn’t match anything in the library’s posted list of current or upcoming performing arts exhibitions, it’s not from their photography collection, and a reverse image search on Google turns up nothing. It’s just, here, have a flower wizard!
I can’t tell you why your library chose that picture specifically. I can tell you it’s part of a free-to-use series of stock photographs by a Saint Petersburg photographer, “Cottonbro” on Pexels. All of his stuff is free-to-use. The flowers are not original; none of the pictures from this set have them. So there’s another mystery.
I like how the gallery blandly describes this particular photo as “man in green dress shirt”. Like, I know those titles have to be short and punchy, but that’s the most notable thing about this image?
Does that count as a dress shirt? It looks like it has elastic at the sleeves, it doesn’t open all the way down the front and it looks like a zipper closure as far as it does open, and I don’t know whether that flap thing just under the end of the opening is an unusual pocket or some sort of decoration… I’m not at all a clothing expert, but it kind of looks more like a water-resistant shell to me?
Looks like a neon windbreaker to me. What interests me about the flower editing is that they also clearly edited out the cigarette. On the one hand, this fits for a public library; don’t want to encourage smoking, so remove the cig. On the other hand, increasing the chances it was in fact the library that emailed you this, does not make me any less confused as to the purpose.
Amusingly, if you check out the full photoset, you can see that it’s not even a cigarette – it’s a lollipop:
I think about British Airways Flight 5390 a lot
OKAY STRAP IN because this is one of the WILDEST stories in aviation history.
In 1990, a British Airways BAC One-Eleven, captained by Tim Lancaster and co-piloted by Alastair Atchison, was cruising at 17,000 feet.
Around 15 minutes after take-off, flight attendant Nigel Ogden entered the cockpit to bring the pilots something to drink. One second everything was fine. The next second, the pilot's side window blew out from the force of the pressurized cockpit. Even though he was strapped in, the force of the explosive decompression ripped the captain out of his chair and pulled him though the window.
The flight attendant immediately leapt forward and grasped the captain's belt. The force was so strong - due to the plane's speed - the captain slipped and was pulled almost entirely out of the plane, but the flight attendant caught his leg. The captain laid on the roof, then the side of the fuselage (the above image is an inaccurate recreation - the side window was smashed) and the flight attendant's entire arm was soon outside of the plane, gripping him.
(Recreation from the show Mayday at the point of decompression)
At the same time, the event caused the autopilot to disengage, and the captain's body hitting the flight controls caused the plane to enter into a deep dive. The throttle was set to full power and could not be accessed due to debris, meaning the plane was descending rapidly. The co-pilot, experiencing hypoxia, fought to control the plane's dive while allowing it to continue descending to a level the passengers/crew could breathe at. He attempted to contact air traffic control, but the wind made communication impossible, so he broadcast a mayday signal. Finally, he was able to re-engage the autopilot and level the plane out at a breathable altitude.
Soon, the flight attendant's entire arm was burned from wind shear and frostbite, and his grip began to slip. The other attendants entered the cabin to see what was wrong and took over holding the captain's body. Seeing the blood covering the windows from the captain's severe wind sheer burns and frostbite, the attendants and co-pilot knew he was dead. However, they could not let his body go because it could smash into the wing, horz stabilizer, or engine, and bring the plane down.
For 30+ minutes the co-pilot flew a jet plane with an OPEN WINDOW and his co-worker's body hanging along the side of the plane. Finally, clearance to land from ATC came across over the sound of the wind and the flight attendants were able to dislodge the captain's ankles from the flight controls without letting him go. The co-pilot successfully landed the plane.
(tw below for blood)
(Taken same day as the incident)
BUT HERE'S THE KICKER: when they reached the ground and evacuated, they realized THE CAPTAIN WAS NOT DEAD.
He SURVIVED being outside the fuselage of a jet airplane traveling 550mph at 17,000 feet. His only injuries were extensive - but mostly superficial - frostbite and windshear burns, bruising, fractures in his hand, and shock. He has since stated that he remembers the event and was conscious for much of the time he was outside of the fuselage. The only other injury was the flight attendant's frostbitten/windshorn arm. Captain Tim Lancaster returned to flying five months later.
(Captain Tim Lancaster in bed several weeks after the incident, with flight attendant Ogden (+ Ogden's wife) above him and co-pilot Alastair Atchison to the far left, along with the two other flight attendants)
Why did this occur? Because the plane had received maintenance the day before, and the maintenance supervisor did not check he was using the correct screws in re-installing the windscreen.
(Recreation)
So yeah: you can apparently survive clinging to the side of a jet airliner traveling 500+mph at 17,000 feet.
Wow! Didn't expect this many likes for an aviation post.
Just a note that I was wrong - it was the front pilot's windscreen, not the side-window! I'm used to looking at Boeing windows with different positions :)
If y'all want the full story & more analysis of what exactly went wrong, Mayday: Air Investigations did a pretty decent special on the incident. It's free on YouTube here (and here on dailymotion if you're outside the US).
Carnival of Souls (1962) dir. Herk Harvey
Mermay 2021 by Axel Sauerwald