my cat's post-vet-visit dramatics are always very shortlived
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@whydoievenbotherwiththat
my cat's post-vet-visit dramatics are always very shortlived
”we’ve been trying to reach you”
GET in line
didn't realize this post got any notes because you know what i'm also not checking? my activity feed.
the more i watch star trek tos, the more it becomes abundantly clear that the reason why modern trek doesnt get kirk at all is because they dont utilise mccoy nearly as much anymore
in modern trek, they always present the idea of logic vs emotion, with spock being logic and kirk being emotion, but thats not how tos has it. in tos, the logic vs emption debate is spock vs mccoy. kirk is supposed to be the mediator between the two, sometimes siding with one side over the other, sometimes finding a middle ground between the two. thats why hes the captain, hes able to see all angles and pick the best course
when you make kirk the emotional one, it completely breaks the format, because 9 time out of 10, it means kirk has to be correct. theres no more balance
mccoy is just as important to tos as spock is, and while i do understand why spock is as popular as he is, without mccoy, the show doesnt work. you need them both. kirk spock and mccoy are the three leads of the show, and removing one requires you to change the others, which is whats happened to kirk
I have been saying this for approximately 400 years, thank you.
When I teach rhetoric in my college essay writing/analysis course, it's always with the example of Kirk, Spock, AND McCoy. Ethos, Logos, Pathos--you need all three. Kirk isn't the counterweight to Spock; he's the fulcrum that balances Spock and McCoy.
Kirk isn't emotion. Kirk is ethos: credibility, authority. Spock and McCoy are there to stop him from damaging that credibility by falling back on an authority he doesn't actually have in the situation, to remind him of the logic or compassion that's lacking when an abuse of power would be the easy or basely satisfying thing to do.
What keeps Kirk credible is that he usually chooses the most ethical thing to do based on the information he has; what makes him a good leader, outside of his own innate abilities, is his understanding that he requires these two trusted advisors to keep him on an even keel. When Kirk says "I need you" to both Spock AND Bones, he means it.
Okay it's a funny skit but I'm gonna be serious about this for a moment because I think it's interesting - the thing about this is it does actually make sense if you go back to the source material.
A lot of stuff that's considered canon in star wars is actually kind of ascended fanon. Like, if you really dig into it, it's remarkable how much of the lightsaber-juggling, movie-retreading atmosphere of pop culture/the expanded universe Lucas incorporated into the prequel trilogy, likely without realising.
Example: Strictly according to the original trilogy, does Master Yoda possess a lightsaber? I would say no. It is significant that in a film, where every shot is deliberately planned, we never see a lightsaber in relation to Yoda, and the one time he acknowledges Luke's it is dismissively; "Your weapons, you will not need them." By implication, Yoda is a Buddha to Obi-Wan's warrior monk. Yoda is a teacher and a mystic, but he is not a warrior.
Force lightning is another of these things. You go back to the original trilogy, and there's a sense that the Force and what you can do with it is very personalised. Nobody but Palpatine throws lightning, not even his apprentice, and in turn nobody but Vader chokes people to death. Luke does learn the mind trick introduced by Obi-Wan, but that's part and parcel with Luke's growth into a compassionate warrior-philosopher who tries to solve conflicts nonviolently. Force Choke is not 'a dark side force power', it is Vader's power, a manifestation of his crushing authority and smothering presence.
Likewise, Force Lightning is not 'a dark side power', and it is not generic lightning. It is the Emperor's power, characteristic of his cruelty, his sadistic delight in corrupting and hurting other people. We can see this in how it is used. Force Lightning does not split steel or blast people off their feet or blow things up, like a real bolt of lightning - it transfixes Luke in agony, sends him reeling to the floor with torturous pain until he screams for his father's help.
Force Lightning is not a power of clean, straightforward energy blasts. It's a torture power. It's the power of wielding your hate and cruelty against someone with the deliberate goal of setting fire to their nerves and killing them slowly and painfully. Shit yeah it's evil as all get out, way more than the power to convince guards to look the other way rather than have to fight them.
Andrea Joyce Heimer (US-American, 1981) - A Bear Sighting Was The Most Coveted Sighting Of All, For Its Danger And Hulk, And For Its Rarity. One Night While We Slept In My Grandmother's Tin Can Trailer, A Bear Got Tangled In The Brush Pit For A Time And We Listened To It Grumble In The Dead Of Night. It Occurred To Me The Bear Was Having An Off Day. My Grandmother Slept With A Loaded Gun, But She Always Pointed Out It Was For The Two-Legged Animals, Not The Four-Legged Ones. I Used To Have A Dream Where Bears Clambered Through My Stables. Now, I Have Two Bears Who Come To My Yard. I Tell Them Things And They Go On Their Way, And I Go On Mine. These Are Just Some Thoughts I Have On Bears. (2026)
remade one of my old collages from eons ago,, i love u fall out boy
rat a tat / fall out boy
Work isn't vibing with me today. Does anyone have pictures of small wild animals being gently grisped by human hands, unharmed but looking very displeased about it. Like little birds and small mammals being held like this.
I'm glad that this was the post where everyone understood the assignment. Great work from everyone in the reblogs, but you get a bonus for having two!
i love when characters get Married but the “”wedding”” is unofficial at the very least or, ideally, entirely metaphorical . this isn’t the same as looking at two characters and saying “wow they’re married fr” there has to be a dedicated Scene with Imagery. bonus points for if one or more major factor of a standard wedding is absent (rings, kiss, witnesses,) but the Implication is still obvious. instant A if blood is involved in any capacity
HOBBES vs. TIGGER cage match TO THE DEATH say goodbye to your childhood because ONE! WILL!! DIE!!!!
Picturing two tiger plushies just kind of sitting there facing each other in Thunderdome
i am picturing it
Hobbes and Tigger would find some aspect of tigerhood to bond over, but Calvin would put Christopher Robin in the ground.
I'm calling this one Stolen Revenge
I'm not exaggerating when I say I had this piece in my head for two months (ever since I read the 2000 Darth Maul comic). I can't believe I actually pulled it off.
me: haha oh god this is so bad im making so many unsupported claims and pulling all this analysis out of my ass
my prof in the margins: excellent analysis!
me:
when i was in high school i used to write my papers thinking wow i’m just bullshitting all of this. then like a week before my senior year ended after all the grades were set, i was talking to my english teacher and told him you know i just bullshitted every paper i wrote. he told me that while i may have thought i was just pulling it all out of my ass, i genuinely knew what i was talking about and made well-supported analyses. i only thought i was bullshitting because it didn’t take much effort and it all seemed obvious to me. if you do well on your essays even though you think you’re just making it up as you go, chances are you’re not pulling it out of your ass. you’re just a genuinely talented analyst, even if the analysis that you’re making comes from a subconscious understanding of the material rather than a conscious effort to study it. give yourself some credit.
anything you pull out of your ass had to get there somehow
Anything you pull out of your ass had to get there somehow
Real darkness has love for a face. The first death is in the heart, Harry.
if i had seen the transition from sepia to color in wizard of oz in 1939 i would have lost my shit i would've started screaming in the theater
Okay no but like, I am still SO ENAMORED by this transition y’all, ‘cause when Dorothy opens the door of the house onto the colors of Oz, the inside of the house is still sepia toned. And they did that by literally making the interior and the costume and everything SEPIA TONED. You had a double for Judy Garland in a specifically-created sepia-toned dress, in a sepia-toned set, opening the door, backing out of frame, and then the Dorothy that steps back into frame is Judy Garland in her full color costume and makeup, stepping out into the color set.
It’s just
Y’all it’s such a GREAT EFFECT, and this was before computer effects and green screen, it was all practical and yeah it feels like nothing now, but at the time, man, not only was technicolor new, but I’m pretty sure no other movie had done a transition out of b/w or sepia into color, and even knowing it was a technicolor film, that must have just been fucking wild to see! It still is wild to see!! It’s so good.
The technique of switching between double and main actor without an edit is called a Texas Switch and it's still used today, it's very neat to have something so simple yet tricky persist pretty much just because it genuinely looks better to do it with timing than with editing.
Star Wars: Return of the Jedi | illustrated by Nicoletta Baldari
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new patches are now up on my etsy at:
etsy.com/shop/izziillustrates
They're 14cm square, 100% cotton drill, and only £6 + postage 👁️👁️
Pals. 🥰 Photo from my collection, no date/info.