How do you write like you're running out of time?

✒ •Writing blog•✒

[deepwaterfiction]

Deep Water Prompt #1874

The grandfather clock showed three extra hours. If you owned it, legally, they were yours to spend as you pleased.

[deepwaterfiction]

Deep Water Prompt #1832

He made the paper figures, and I brought them to life. We survived like that, for a while.

[deepwaterfiction]

Text: A goddess in exile moved into our barn. When she cried, the water in the house ran black. 

[esioteric]

You slowly unclench your hand

and realize,

you’ve been screaming crying sobbing

up at the canopies above For so long

that your ears

won’t stop ringing.

The golden mass of roots around you

won’t

stop

ringing.

And your face won’t stop dissolving.

*****

What happens after that,

Well,

That is something

you keep between you and yourself.

That is something

you purposefully drag behind you

as your molten footsteps

Leave the evidences of whoever you hoped you were,

forever struck across the distance

of the forest-not-to-be.

This is not a happy history of the self, not quite yet.

So,

What are you going to do with this?

[ijustreallylovedaredevil]

Looking for a random cause of death for a character? Click here.

Looking for a random city? Click here.

Looking for a random city that people have actually heard of? Click here.

Need a random surname for a character? Click here. (They also give prevalence by race, which is very helpful.)

Helpful writing tips for my friends.

[imtootiredtothinkofaname]

smallirishpotato

[nyokoko]

OH SHIT.

[justdrinktea]

A couple more resources I have open constantly:

Random motivations for your characters here!

Need some character quirks? Here and here! 

Having trouble with backstory? Here! (They have an option for fortunate and unfortunate backstories)

[lizard-is-writing]

Too Many  Projects, Too Many Character - Let's Get Them Organized!

Now it’s one thing to have a lot of characters on on particular project, but if you’re working on say… 2, 3, 4 projects? This gets a lot more complicated. If you can manage to keep your plots straight, that’s good, but what’s tougher - characters! If you’ve been stuck in the heads of 2 or 3 characters in one project, it’s going to be seriously difficult to jump right into the next. So, what do we do about this? We compartmentalize! (It’s easier to do this on paper.) Whether or not you like to plan your novels, you should take some notes for this. We’re making a character cheat sheet: 

List out each project. Each and every one of them. If it involves characters with real, live personalities, then you list it. If it involve narrators with the same sense of humor, list it. 

List out each character and which project they belong to. Anyone and everyone of any importance. Write out their full names. Flip through your work if you have to. You want these details right. 

Name each character’s role in the story they are in. Down to even the minor characters. If they have a role. They need to be listed. If a character does not have a roll, do they have a purpose in the story? They must. It’s nearly a rule. 

Jot down notes on what the character is like. You want to get a sense of personality, quirks, general important things to know. This can be a bullet list, a series of words, anything. It’s for you. Just so long as you read that and can say, oh yeah! That’s how they are supposed to act! 

Note similar characters. Characters with similar roles in different stories or similar personalities in different stories. Make an additional note of how each is separate from the ‘similar’ character. What is it about them that makes them slightly different. You don’t want two of the same characters running around and if you’re writing multiple projects at once, this is a risk you run. Noting them will keep you alert to this and wary of writing them as the same person. 

[deepwaterfiction]

Text: The monster was slimy and hulking, with tiny glasslike wings. I wondered what they were for. 

[ghostlysea]

aww nasa has a page for space technology terms you can use in science fiction

nerds

[frognonbinary-deactivated202412]

i’ve been doing my homework on how to break into a writing career and honestly. there’s a Lot that i didn’t know about thats critical to a writing career in this day and age, and on the one hand, its understandable because we’re experiencing a massive cultural shift, but on the other hand, writers who do not have formal training in school or don’t have the connections to learn more via social osmosis end up extremely out of loop and working at a disadvantage. 

[frognonbinary-deactivated202412]

like, i didnt know about twitter pitch parties!! i didnt know about literary agents and publishers tweeting their manuscript wishlist, in hopes that some poor soul out there has written the book they really want to read and publish!! this isnt some shit you learn about in school! you really need to know the ins and outs of the writing community to be successful! 

[frognonbinary-deactivated202412]

for anyone interested, here’s what i’ve learned so far in my quest for more writing knowledge:

1. Writer’s Market 2019 is a great place to start– it gives you a list of magazines and journals that you can send your work to depending on the genre as well as lists a shit ton of literary agents that specify what genres they represent, how you can get in contact with them and how they accept query letters. this is a book that updates every year and tbh i only bought it this year so i dont know how critical it is to have an updated version  

2. do your research. mostly on literary agents because if you listed on your site that you like to represent fluffy YA novels and some asshole sends you a 80k manuscript about like…gritty viking culture, you will be severely pissed off. always go in finding someone who you know will actually like your work because they’re the ones who will try to advocate for you in getting published.

3. learn how to write a query letter. there are slightly varying formulas to how you can write an effective query letter. you’re also going to want to get feedback on your query letter because its the first thing the literary agent will read and based on how well you do it, it could be the difference between them rejecting you outright and giving your manuscript a quick read

4. unfortunately, you’re gonna want to get a twitter. Twitter is where a lot of literary agents are nowadays, and they host things like twitter pitch parties, where you pitch your manuscript in a few sentences and hashtag it with #Pitmad #Pitdark, some version of pit. a lot of literary agents and publishers will ALSO post their manuscript wishlists, which is just the kind of books they’d like to represent/publish, and they hashtag this with #MSWL (it is NOT for writers to use, only for agents/publishers)

5. connect with other writers, literary agents, publishers at book events. you will absolutely need the connections if you want to get ahead as a writer. thats just kind of the state of the world.

[promptsforthesoul]

[deepwaterfiction]

Deep Water Prompt #1626

My daughter was a robot. She showed up at the door, shivering and nearly out of power, craving a mother’s touch.

[lhzthepoet]

“In the dark, she can be fooled that God will be kind.”

—

Excerpt from Eden // L.H.Z 

[thatwritergirlsblog]

Testing out popular (FREE) writing hacks

There are a lot of writing hacks floating around, tips that are supposed to increase your writing productivity. Well, I tested them, and here are my thoughts:

1. Use Comic Sans

Let’s be honest. When we were in primary school, we typed EVERYTHING in Comic Sans. However, as we got older and more professional, Comic Sans appeared childish and we stopped using it.

Ask anyone what the most unprofessional font is and they’ll probably answer: Comic Sans MS

However, earlier this year the idea of using Comic Sans when writing your first draft started popping up and now, a lot of writers are swearing by it.

So, did it increase my productivity?

YES

I started writing a scene in Comic Sans and I wrote about five pages in like 30 minutes. The words just flowed. I don’t know why this font increases writing productivity, but if it works, I don’t really care why.

So, I would 100% recommend trying Comic Sans for your first draft. Remember, no one’s going to see it. And it’s pretty easy to change back to something like Times New Roman once you’ve finished a scene.

2. Dictation

I’ve heard a lot of professional authors rave about how much time they save by dictating their first drafts. However, a lot of dictation software and microphones are quite expensive. So, I tried the free alternatives at my disposal.

The latest version of OneNote, which comes included in a lot of Microsoft Office packages, now has a dictation feature. I know this isn’t technically free, but it was for me, since I already have Office installed. The OneNote mobile app is free, but I don’t know it is has this feature. And I just used the built-in microphone on my laptop. Google Docs also has a dictation feature, I think, but I haven’t tried it yet.

So, does it work?

The accuracy is surprisingly good. I dictated about three paragraphs this morning and only one or two words were incorrect. Also, OneNote’s dictation doesn’t allow for speaking punctuation, which means you’ll have to add these after the fact. Additionally, few people actually write in OneNote, so you’ll have to paste the text into your document.

Overall, this could be great for someone whose hands are tired of typing or who cannot sit at a desk any longer than their job already requires. However, it doesn’t really increase productivity. This may just be me, but I take longer to think up good sentences when I have to speak them. Then, I have to go back and add punctuation marks and correct some words. And then paste it into my draft document. It’s easier to just write it from the get-go.

However, some authors say that it just takes getting used to. So, maybe if you’re more of a verbal/audio thinker and don’t have your hands available at all times, this is a good hack for you. I just don’t think I’ll be using it much. 

3. Writing sprints

This has been around for quite some time, but I only really started using it when I attempted Camp Nanowrimo during my test month. Essentially, writing sprints entail setting a timer for somewhere under an hour and then just focusing on getting as many words written as possible before the timer goes off. There are many published authors who swear by this.

So, does it increase productivity?

Yes. Firstly, it pushes you to write when you wouldn’t have in other circumstances, since it allows you to utilise even the smallest free periods. Have an hour between classes? Find a flat surface and do a writing sprint. Have to study all evening? Do a 25-minute sprint before you start. Secondly, it also helps you get more words down in that time, because you don’t have to worry about what you have to do next or whether your writing is any good. All you focus on is producing as many words as possible before that timer goes off.

So, if you’re a busy person, try using writing sprints here and there to increase your productivity.

4. Writing groups

Many authors enjoy the camaraderie and accountability that comes with writing with a lot of other people, whether it be in a physical space or an online group. There’s a set time everyone in the group will be writing and you keep one another company, checking up on one another’s progress and sharing motivation.

Does it increase productivity?

Not for me. This is largely a personal thing, but I actually get less writing done in the presence of other people. I’m more anxious. I get distracted by other people’s comments. And I constantly find myself wondering when the session will end. To me, writing is a solitary thing. I work best holed up in my room with no one around and no one leaving online comments about their own writing. Yes, I love checking in on others’ progress and sharing my own on Instagram, but only after my writing session has finished.

However, you may find that writing groups work for you. Maybe not being alone is just nicer for you, regardless of whether you get more words down or not. So, this one is definitely dependent on the individual.

5. Background noise

Some writers create signature playlists for each of their WIPs. Some write specific scenes to specific songs. Others use white noise or instrumentals. But it’s clear that writing with some form of background sound works for a lot of authors.

Let me start by saying that I cannot get any work done when listening to music with lyrics. So, I didn’t even try this. Instead, I tried fantasy instrumental playlists on YouTube, rainymood.com and ambient-mixer.com 

Does it work?

Sometimes.

If I’m writing a fight scene, listening to epic battle music will help me write it faster. I write at my best during thunderstorms, so rainymood.com definitely increases my productivity. Ambient mixer offers a huge variety of ambient sounds to listen to, ranging from scary woods to driving with the Winchesters. “Quiet library” on ambient mixer helps a lot when I have to study, but not really when I have to write. So, yes, in certain instances, background noise helps me write faster. But, mostly, I enjoy writing in silence or with natural, real-life sounds around me.

Once again, this is purely personal. Regardless, I can definitely recommend the two websites I mentioned above.

So, that’s all I have for you today. I hope that these “reviews” can help you decide which writing hacks will work for you. Remember that my asks are always open for creative writing questions, and that post submissions are always welcome!

Reblog if you found this post useful. Comment if there are any writing hacks you’d like me to try out in the future. Follow me for similar content.

[inky-duchess]

Fantasy Guide: Common battle wounds and how to fix them

Arrow wounds: Now if the lung, heart, kidney, other major organ is hit, there may be little to do. The kidney has a back up, so maybe a skilled surgeon could save him, not exactly sure however. If hit by an arrow and not hit dangerously in an organ or artery, we can help. Firstly, DO NOT REMOVE arrow by yanking. Arrow must be worked from the skin by skilled hands. Once arrow is out, wash would with clean water/alchohol/herbal remedies. To heal slow, sew up wound and wrap in bandages. To speed it up, cauterise the wound with fire. It will hurt and patient pay pass out but now the arrow wound can heal faster. This works for crossbow bolts as well. On the gross side, arrows may be smeared with dirt or shit, so sepsis is a danger. This is how the great Richard the Lionheart died. Sometimes the mighty lion is killed by a shit arrow. But hey, shit happens. Arrow wounds take a couple of weeks to heal.

Sword slashes: if shallow, wash and bind up. May require stitches. If deeper, repeat process with more stitches and more bandages. Even if shallow, the cut must be washed using alcohol or clean water. May take a few days to weeks to heal depending on wound depth and severity.

Stab wound: Again don’t remove knife or object. If already removed, wash would and sew it up. You may need to cauterise. If guts, organs, brain, is falling out, there is nothing to do. This may take a couple of weeks to months to heal depending on wound.

Broken Bones: A break must be splinted with a board of wood and bandages. Slings can support arms and wrists. If your character breaks a leg, it may be worse. Breaks don’t heal great without modern medicine. Your character may have a limp or leg pain. In you’re are living in a hot climate, you’re pretty much fucked because infection sets in fast. These may take months to heal.

For @maslovianwench

[slightlyfrumiousbandersnatch-de]

Minor Map-Making Tips

I’m super not an expert, but here’s some stuff I bear in mind while designing maps for our RPG setting.

Rivers run away from the nearest high ground/mountain range towards the ocean. As they approach the ocean they usually (but not always) get wider and slower.

Deserts are usually not near large bodies of water unless something (possibly divine or human intervention) has catastrophically affected the soil or there is a mountain range in between keeping the clouds away

Ocean currents can justify some pretty weird temperature effects, e.g. why Hawaii is very close to the equator but is not miserably hot; it’s surrounded by hundreds of miles of cool open ocean that sucks up the heat.

Colder temps = coniferous forests (pine and fir), not deciduous (leafy green boys). They handle the cold better. Forest takes more humidity than grassland to survive, but also creates humidity once it’s established, so an area can lose its forest and be unable to bounce back.

Cities are usually built near sources of transportation or freshwater. A big river is both, even inland, a place where two rivers meet is even better (e.g. Pittsburgh), and the place where a large river meets the ocean is everyone’s first choice for a city even to some extent in modern times and definitely in pre-industrial times.

That said, Tolkien’s maps make no sense and Lord of the Rings was still wildly popular anyway, so… don’t stress too much.

[thatwritergirlsblog]

Dealing with time in your writing

This is going to be quite an eclectic post, but I’ve received a few questions relating to time in creative writing. So, I thought I’d just make a post to address a few things.

1. Keeping track of narrated time

You as a writer need to keep track of the time that passes in your story and what happens when. Inconsistencies and incontinuities will pop up if you don’t have a good knowledge of your WIP’s time-line.

The easiest way to do this is to keep track via a visual time-line. If you outline, you can use that to make a rough time-line ahead of time. If you’re a pantser, then you can fill in the time-line as you go along.

Use this time-line to keep track of holidays, seasons, lunar cycles, healing time, travel time etc.

This is especially crucial for parallel storylines, where you might want to draw separate time-lines that you can hold up next to each other to ensure that everything matches up.

In certain instances it might also be necessary for the reader to keep track of the passing of time. You can either ensure this subtly within the writing (by sprinkling in little references to the season/date/time) or expressly by getting creative. Maybe each chapter starts with the date or the phase of the moon. Maybe your book is divided into seasons etc. If you do something like this, though, you have to be sure that the information plays a crucial role in your story.

2. Time-lapses between scenes

Time will inevitably pass in-between your scenes. But how do you communicate that time to your readers?

Firstly, you have to ask whether it’s relevant. If all your character did in the in-between time was brush her teeth and put on a nightgown, you don’t have to tell the reader that. You can use a simple sentence at the start of the next scene to familiarize your reader with the time of that scene e. g. “The next morning” or “After a night of tossing and turning”. This way the reader knows that time passed, but that nothing particularly important happened during that time.

If there are important points that you don’t want to dedicate an entire scene to, you can use the technique of telling. This should be used with circumspection, but can be a great way of relaying lots of information in a few sentences. E. g. “That morning after breakfast she had decided to head to the library to continue her research. She’d combed through shelves upon shelves of manuscripts only to end up back at square one.” Then, you can truly start the scene with the character sitting in the library, despondent. This way, the reader gets a quick catch-up as to where the story is at that moment, but you don’t have to spend too many words on it. You can also use this technique for deeply emotional events that the character may not want to spend a lot of time talking about e. g. “Lorna did not wake up that afternoon. She would never wake up again. And all Nancy had done all evening was weep.”

Comment if you guys want me to do a post about showing vs telling.

3. Flashbacks

I love flashbacks, but they have to be done well and they have to be necessary.

Flashbacks are a great way of telling a long, complex story in less words. It’s also a very valuable tool for revealing plot twists and character backstory.

Ensure that your flashbacks are adequately separated from the rest of your scenes. I don’t mean that they have to exist in a separate chapter (although this is an option), but at least use a different formatting style so that it’s clear to the reader when they’re dealing with a flashback.

Make it as easy as possible for the reader. Achronology can be disorienting and confusing. So, if you’re working with different timelines, make sure the reader knows which timeline they’re reading at the moment. You can do this by clearly indicating the time of the flashback at the beginning or woven into the writing of the scene.

Remember that these flashbacks should be relevant to your story/character arc. Don’t just throw in flashbacks for the hell of it. These scenes should reveal something important about the character or the plot.

4. How do the characters tell the time?

This is a bit of a weird one, but it should be taken into account nonetheless.

If you write contemporary fiction or historical fiction set in recent(ish) history, you don’t have to worry about this. However, those of us writing in made-up worlds or ancient/futuristic times have to think about this shit.

Have wathes/clocks been invented? Do your characters have micro chips in their brains that have them knowing the time automatically? Do they use a sundial? Are there calendars (and do they differ from the contemporary one) etc.

If your characters live in a Stone Age world, but they know when it’s 13:45, you’re gonna have to explain how the hell they know that.

Keep historical accuracy in mind if you’re not writing your own world e. g. if you’re writing a book set in Ancient Rome, you should do some research to figure out how they told time.

5. Consistency in time periods

This cannot be stressed enough. Keep healing time, travel time, seasonal changes etc consistent and realistic.

If you’re writing something set in the real world, you should research how long it takes to heal from certain wounds or how long it takes to travel between places etc.

Even if you made up your own world, own creatures and own laws of physics, you should keep the times consistent throughout the work.

That’s all I have for you on time. I hope that this very random post can be helpful.

Reblog if you found these tips useful. Comment with your own questions/ideas around time in writing. Follow me for similar content.

[sweetiepie08]

Trying to find the perfect name for a character, but you only have a vague idea of what you want, like “he feels like a 2-syllable kind of guy” or “It need a hard consonant at the end.”   

[ofvisitorsthefairest]

May I recommend nameberry.com? I’ve sung its praises before, but you can search for specific lists of like “three syllable girls names” or “names ending in a.” You can also input names with a similar vibe to what you want and it’ll give you suggestions.

[bifrostiron]

I have been looking for this site since I first started plotting out my novel, god bless you

[tacticaltaxonomist]

I also like behindthename.com there you can filter too!

[xleafyheartx]

100 Random Character Development Questions

001. When is their birthday? 002. Do they do anything to celebrate their birthday? 003. Does your character like coffee better, or tea? 004. Do they prefer being alone or with others? 005. Are they in good health? 006. What sense do they most rely on? 007. Is your character an optimist or a pessimist? 008. What is their favorite fairy tale? 009. Do they believe in happy endings? 010. Do they believe in love at first sight? 011. How would your character court the person of their dreams? 012. What makes your character embarrassed? 013. Have they ever been bullied or teased? 014. Detail one secret shame your character feels. 015. Are they most likely to fight with their fists or their tongue? 016. What is their choice of weapon? 017. When does your character think that violence is justified or deserved? 018. Your character wakes up to find that war has been declared. What do they do? 019. If they could have a superpower, what would they choose? 020. What are their hobbies? 021. How do they display affection? 022. What is the most beautiful thing they’ve ever seen? 023. What do they consider beautiful in others physically? 024. What do they consider ugly in others physically? 025. What do they consider beautiful in others personality-wise? 026. What do they consider ugly in others personality-wise? 027. What is their idea of perfect happiness? 028. What makes them laugh out loud? 029. What sort of sense of humor does your character have? 030. Do they believe in the afterlife? 031. Are they superstitious about anything? 032. Does your character believe in ghosts? 033. Do they keep their promises? 034. What’s their view of lying? 035. What is the most important rule your character lives by? 036. How honorable is your character? 037. If your character saw someone drop a large sum of money and knew that they could probably take it without anyone noticing, what would they do? 038. What bad habits do they have? 039. What do they think is the worst thing that can be done to a person? 040. What is their obsession? 041. Are they comfortable with technology? 042. What is their greatest achievement? 043. What will they stand up for? 044. What disgusts them? 045. Does your character have any chronic medical conditions? 046. How do they handle getting sick? 047. What was the last medical problem your character had? 048. Do they have any allergies? 049. How does your character feel about growing old? 050. How does your character feel about their own mortality? 051. If they knew they would die tomorrow, what would they do today? 052. What is your character’s worst flaw? 053. What is your character’s greatest strength? 054. Does your character want power or authority of any kind? 055. Is your character an introvert or an extrovert? 056. Has your character ever struck someone in anger? 057. Has your character ever killed anyone? 058. What is your character’s idea of a perfect day? 059. List several phrases your character is fond of uttering. Where did they pick them up? 060. What is your character’s attitude toward education and learning? 061. Does your character prefer adventure or safety and security? 062. What sort of legacy does your character wish to leave behind? 063. How well does your character handle difficult people? 064. In what ways does your character annoy others? 065. Is your character better at leading or following? Which do they prefer? 066. Does your character prefer city life or being out in nature? 067. Does your character believe in fate or destiny? 068. How strong is your character’s sense of responsibility? What kinds of things trigger it? 069. What about your character is heroic? 070. What about your character is cowardly? 071. How kind is your character? 072. In a Dungeons & Dragons game, which class would your character be? (wizard, fighter, bard, priest, ranger, etc.) 073. In a novel, what plot role would your character fill? (hero, anti-hero, sidekick, villain, etc.) 074. What is your character’s favorite game? 075. Is your character ticklish? 076. How do they express anger? 077. How often do they cry? Over what? 078. How emotionally stable is your character? 079. How easy is it for them to read the emotions of others? 080. How easy is it for others to read your character’s emotions? 081. Is your character religious? 082. What are your character’s sleeping preferences? 083. What is the first thing they say and/or do when they wake up? 084. Describe your character in one word. 085. Describe your character in three words. 086. How would your character describe themself in one word? 087. How would your character describe themself in three words? 088. Is your character quiet or loud? 089. How vocally expressive is your character? 090. How bodily expressive is your character? 091. What type of music does your character like? 092. What emotion does your character evoke in others? 093. What is your character’s goal in life? 094. Name three things most would not expect your character to be able to know. 095. Name three things most would not expect your character to be able to do. 096. How do they move and carry themselves? What energy do they project? 097. How well do they adapt to change? 098. Does your character like animals? 099. Do they talk to inanimate objects? 100. Does your character dream? If so, what do they dream about?