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sashacoki

blackfitnessrocks

I’m

brunhiddensmusings

endangered-justice-seeker

If you put half a potato in each sock and sleep with them on, the potato turns black.

This is due to oxidation of the potato.

It is claimed that it is sucking the bad vibes out of the body.

Anti-vaxxers are a danger to public health and should be regarded as murderers. The families of these unvaccinated children are more likely to be wealthier on average, with annual incomes more than four times the poverty level. On average, they are non-Hispanic white, educated, and married couples covered by private health insurance. White people are danger to society.

tonysopranobignaturals-deactiva

I feel like getting rid of Facebook would have a legitimate impact on antivaxxers

Like I’ve yet to see another site where they have such strong community

the-a-j-universe

Down with fucking Facebook, the place where bad ideas fester and reproduce.

This post isn’t written in any known human language

patheticperipatetic

Is this what understanding a newspaper political cartoon is like?

whitepeopletwitter

vibalent

I blow on it but underestimate how hot it is and hashafashasha anyway

why-ask-why

fuckyeah2000s

thezakthatsmilesback

It’s called the omnitrix get your Ben 10 lore in order

ultrafacts

Source More Facts

foxfairy5

Yes this could have to do with the fact that Freya the Norse Goddess of love, beauty and fertility drove a chariot pulled by cats.

bryarly

So, if I ever get married, I fully expect a catmobile.

ultrafacts

One of the other reasons why they gave cats to each other was for their valuable skills as mousers. Cats were able to control rodent populations around their properties.

Also, Norse myths are thought to have the earliest literary descriptions of the Norwegian Forest Cat. They were described as large, strong cats that drew Freya’s chariot and were so heavy that not even Thor, God of Thunder, could lift them from the floor. (Source)

prokopetz

They kinda live up to the legend, too. Your average Norwegian Forest Cat is twenty pounds of solid muscle, with claws large and strong enough to climb solid rock. They’ve been known to attack bears when defending their territory. And yet they’re one of the cuddliest breeds out there, particularly noted for being patient with small children.

nekoama

I have a Norwegian mix, and can attest that she is the cuddliest cat but also insane enough to try and fight a bear.

roguetelemetry

Viking cats “FIGHT ME”

ninety6tears

Whosoever holds this hammer, if he be worthy, still could not lift this cat.

howdidthisevenhappenanyway

I always love it when this post comes round because a) giant kitties who Thor can’t lift and b) that picture omg boar riding and flower throwing is a good thing

william-snekspeare

"When you're in your bee suit and you feel sweat running down your back, that's fine. If you feel sweat running up your back, that's a bee"

-Some beekeeping advice my mom gave me today

lumpawaroospaceprincess-moved-d

I thought “bee suit” meant like a bee costume until I read the word beekeeping

theartsyproject

Hugo Simberg, The Garden of Death, 1896.

citizen-zero

Every time I see this I always wonder what the painter’s intended message was. It looks so pleasant, that middle skeleton looks so happy with its work.

Maybe it’s supposed to be a memento mori, but a comforting and encouraging one.

spookyloop

This is one of the most famous paintings in Finland. There are multiple interpretations of it but they all share the same base idea:

“According to Simberg, the flowers represent people’s souls, the skeletons are aids to Death, and the Garden of Death is a purgatory of sorts for souls waiting for entrance into heaven. This artwork invites the viewer to consider the afterlife, to take comfort in his or her own passing, and to not fear what happens after the body fails to function.”

“It depicts Simberg’s thoughts on afterlife, which is not run by angels but skeletons who take care of the heavenly garden with a gentle hand, while waiting for more “gardeners” to arrive. It is derived from the medieval belief that the dead sleep in a blooming garden.”

“In Simberg’s garden the humble Death-like figures struggle against harsh conditions; the landscape around the garden has burnt yellow, it is dry and barren. The cherished flowers grow in exotic shapes, slowly, requiring constant care. The black-clad figures love their nurslings. The garden is a place where Death is allowed to realize its feelings of affection. The Garden of Death can be seen depicting the impossibility of this love; maybe the flowers are tender and fragile because they can not handle the love of Death. Love has two faces: one of them is the face of devastation.”