Araxia: Listen you damn knights, it's Pride Month. You know what that means.
Dina: What? What do you mean? Do you want us to help gay families? What?
we're not kids anymore.
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Peter Solarz
RMH

⁂
Xuebing Du
will byers stan first human second

Kiana Khansmith
cherry valley forever

Kaledo Art
One Nice Bug Per Day
todays bird
almost home
Cosimo Galluzzi

titsay
ojovivo

Product Placement

izzy's playlists!

No title available
sheepfilms
seen from Ukraine
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@handicappedwriter
Araxia: Listen you damn knights, it's Pride Month. You know what that means.
Dina: What? What do you mean? Do you want us to help gay families? What?
trying to write a fic but i get frustrated bc i dont write like a 50+ years of experience in writing nobel in literature winner writer
"and then they kiss... sloppy style" hmmm but it doesn’t sound as good as gabriel garcia marquez does it?
I'd say my dialogue is pretty Stephen King -esque
lesser known PTSD things in whump
note; these are my personal experiences. i am clinically diagnosed with complex post traumatic stress disorder and also study psychology, and PTSD in general shows up very differently in all people. please be mindful of this information. --- anywho! many a times i see PTSD in whump and in general being represented as flashbacks, nightmares, avoidant behaviour, and so on which isn't wrong or exaggerated, just coming on here with some more symptoms or issues i don't see often, mainly physical manifestations. feel free to give your whumpees an even harder time <3 1. Trauma literally rewires the brain and its no joke. The amygdala is in overdrive constantly. Whumpee's always on edge. The hippocampus reduces in size, and boom, eventually you're losing your mind and your memories of what happened. Now whumpee has little to make sense of why they are the way they are, and whatever they recall is so blurred it's driving them insane. 2. Getting triggered by a smell, sound, even a sensation on the body, like the wind on the skin 'rubbing off' the wrong way and Whumpee's suddenly spiraling. What's worse is the moment itself is so distressing they disassociate before they can help it. It takes hours to come back to their own body and realize that they can't remember anything except feeling lost and terrified that they can't even calm down. And they don't even know or remember why. 3. Following up on the previous prompt, outsiders will have a hard time telling if Whumpee is upset, sleep-deprived or tired (could be!) or simply out of it. Eyes glazed over, expression slack. Maybe their eyebrows are furrowed slightly. They stare into the distance and only hum back responses or a few syllables. Later into the day, somebody asks them what they're angry about. Whumpee stops, and thinks. What are they even upset about? They don't know. 4. Just fucked up hormones in general :/ Effective for female whumpees, intense stress levels interfere with hormone production and can infact halt your menstrual cycle. Additionally, some studies also report that PTSD symptoms worsen during the menstrual phases. Not fun. 5. The immune system of a Victorian child. Falling sick way too often. Headaches that don't go away. Digestive issues that give a Whumpee stomach cramps every time they even try to eat (this varies a lot). AUTOIMMUNE DISEASES OF ANY SORT!! Alot more things that can wrong. LOTS of potential for non-whumper whump. --- all from me for now. based on some unfortunate experiences i've had in the past year :'). hope this helps someone or so
big fan of stories that, while undoubtedly being about the power of friendship, acknowledge that the power of incredible violence is just as important
the love was there. the love changed everything. the crowbar helped also
we need more pathetic female characters written by authors who don't hate women
to be clear since this is making the rounds: she has to be an absolute loser in no way that can be pinned on her gender. no "i'm just a girl tee-hee" stuff. straight up just a loser (nondenominational)
addendum: she must be the most important person in the whole narrative
Realigning this to keep my fires of inspiration lit.
writing smut like
how many synonyms for “penis” do I actually know?
and how many of those synonyms am I actually willing to use
tier 1 (most accepted, considered sexy): cock, dick
tier 2 (generally accepted): length, manhood, member, shaft
tier 3 (clinical, too formal, but not cheesy): groin, penis, phallus
tier 4 (cheesy, barely acceptable): [insert name] Jr., dong, junk, knob, prick, rod, tool, wand, wood
tier 5 (ridiculous, unacceptable, pls don’t): anything to do with beer cans, baby-maker, bishop, choad, donger, dragon, fuck wand, fun stick, hog, johnson, jimmy, lap rocket, little [insert name], love muscle/rod/stick, meat stick, one-eyed [anything], piston, private eye, schlong, trouser snake, wiener, winkie
tier 6 (you’re literally a fourth grader): baby arm, baloney pony, beaver basher, beef whistle, custard launcher, dude piston, flesh flute, heat-seeking moisture missile, krull the warrior king, luigi, mayo shooting hotdog gun, meter long king kong dong, pig skin bus, piss weasle, purple-headed yogurt flinger, purple-helmeted warrior of love, schlong dongadoodle, single barreled pump action bollock, spawn hammer, steamin’ semen truck, tan banana, thundersword, wang doodle, whoopie stick, wing wang doodle, yogurt shotgun
Tier 6 is too much to hold your laugh… Muu wahahahahaha! 😂😂😂😂😂😂😂
Maidgirl spraying a particularly irksome fairy with 1920s pesticides
In my mind fairy spray looks like this and smells like rust and mushrooms mixed with lighter fluid
there’s something wrong with you
can you fucking hold still this shit is expensive
Overused Words in Writing & How to Avoid Them
We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.
1. “Very” and Its Cousins
Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.
Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”
💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.
2. “Looked” and “Saw”
Why It’s Overused: It’s functional but flat, and it often tells instead of shows.
Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”
💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.
3. “Suddenly”
Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.
Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”
💡 Tip: Let the action or pacing create urgency without needing to announce it.
4. “Said” (When Overdone or Misused)
Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.
Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.
💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.
5. “Felt”
Why It’s Overused: It’s a shortcut that tells instead of showing emotions.
Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”
💡 Tip: Let readers infer emotions through sensory details or behavior.
6. “Really” and “Actually”
Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.
Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”
💡 Tip: If a sentence works without these words, cut them.
7. “Walked” or “Ran”
Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.
Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”
💡 Tip: Use verbs that convey mood, speed, or attitude.
8. “Just”
Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.
Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”
💡 Tip: Delete “just” unless it adds essential nuance.
9. “Thought”
Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.
Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”
💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.
10. “Nice” and Other Vague Adjectives
Why It’s Overused: It’s generic and doesn’t give readers a clear picture.
Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”
💡 Tip: Show qualities through actions instead of relying on vague descriptors.
Final Tips for Avoiding Overused Words:
1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.
2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.
3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.
misc tutorials! kinda! ball gags, cleave gags, knotted cleave gags, and chains. hav fun :)
The whumpee’s body was littered with countless scars and bruises, and they refused to tell any of their friends about it. Some injuries kept getting worse, and they had started to affect the whumpee, but they couldn’t bring themselves to speak up, too afraid to draw eyes on themselves again.
List of Random Things For Your Dark Academia Settings | For Writers
The Library 📚
Towering mahogany bookshelves filled with ancient leather-bound tomes
Antique globes and faded maps mounted on the walls
Heavy velvet drapes blocking out the sunlight
Ornate brass reading lamps casting a warm glow
The musty smell of old books permeating the air
The Study 🪶
A large oak desk strewn with papers, quills, and ink bottles
Walls lined with pinned insect specimens and anatomical drawings
An antique typewriter, its keys clacking softly
Stacks of well-worn leather journals and notebooks
A cabinet of curiosities filled with skulls, fossils, and scientific oddities
The Classroom 🎓
Rows of old wooden desks, surfaces scratched with generations of graffiti
A blackboard covered in elaborate chalk diagrams and Latin phrases
Dusty shelves holding jars of formaldehyde-preserved specimens
Antique microscopes and brass telescopes waiting to be used
The tick-tock of a grandfather clock counting down the minutes
The Dormitory 🕯️
A four-poster bed heaped with tattered quilts and faded velvet pillows
Parquet wood floors layered with antique persian rugs
Flickering candles in tarnished silver holders casting dancing shadows
A steamer trunk overflowing with vintage tweeds and wool knits
Tea-stained pages of love letters and poetry scattered on the nightstand
The Secret Society Meeting Room 🗝️
An imposing stone fireplace with Latin phrases carved into the mantel
Worn leather armchairs circled around a low table set with tarnished silver
The air thick with pipe smoke and burning incense
Shelves lined with ancient masks, ceremonial daggers, and dusty alchemical tomes
Shadows dancing on the tapestry-covered walls in the candlelight
Calling all aspiring storytellers with hearts full of whimsy! Get ready to sprinkle a touch of enchantment into your scenes with my Scene Wo
437 members, 339 posts about #creative writing #creative writers #helping writers • Guiding Writers to New Heights
The whumper loved showing off how well they’d conditioned their whumpee, who didn’t fight or even glare at them anymore. At this point the shock collar around the whumpee was just for show, but sometimes the whumper would turn it on just to amuse themselves. The whumpee may be obedient now, but that didn’t make the whumper any less cruel.
Resources for Writing Sensitive Topics
As always, when writing about sensitive topics/injuries/illnesses, we encourage everyone to research and tag works appropriately. This is to ensure that the whump community can remain a safe space for everyone, as well as assist writers in creating well-informed works that avoid offending people and stereotyping, romanticising, or sensationalising hard topics.
We have also added some additional links that may be useful when creating characters.
Below are some links to resources we and others found useful - we'd like to thank the wonderful members of our community for helping us with finding great resources.
Blogs/Tumblr Posts:
@cripplecharacters - A whole blog dedicated to helping people write disabled characters.
^ A Guide to Writing Disabled Characters
@writingwithcolor - A whole blog dedicated to writing and resources centered on racial, ethnic and religious diversity.
^ Stereotypes and Tropes Navigation
@creatingblackcharacters - Creating Black Characters *with intent!
Resources for Writing Injuries (Tumblr Masterpost)
Resources for Writing Sketchy Topics (Tumblr Masterpost - please note that a couple of links are broken due to the post being 7 years old, but many are still working!)
A guide to designing, drawing or writing characters who use mobility aids (Tumblr post)
Writing A Blind or Visually Impaired Character (Tumblr Post)
Independent Websites
Avoiding Stereotypes in Fiction: Characters with Mental Health Issues (WritersHelpingWriters)
How Do I Depict a Disabled Character Respectfully? (Fay Onyx, Mythcreants blog)
Respectfully Depicting a Character Adapting to a Disability (Fay Onyx, Mythcreants blog)
Writing Deaf Characters (T. Frohock, author.)
How to Write Deaf or Hard of Hearing Characters (Melanie Ashford, Science Fiction & Fantasy Writers Association)
How to Write a Blind or Vision Impaired Character (AllWriteAlright)
If anyone has any additional sources, feel free to share them in the reblogs/replies!
POST CONTRIBUTERS - Thank you!
@psychologeek - Thank you for sharing some of the primary resources with us, it helped us a great deal :)
@tabletop-whump
Hey, fellas
This is the cakeverse, my brand new obsession and the trope that I only found out about like an hour ago, but it is peak, trust me.
Here's the basic set-up:
It's a typical omegaverse esque au where there's three types of people; forks, cakes and normies (i usually like calling them plates, for the themes). Normies are just regular people, obviously, but forks and cakes are something else entirely.
Cakes: Normal people who taste delicious. Cake's bodies and bodily fluids (saliva, sweat, tears, etc) all taste amazing, like cake (or other foods, if you do prefer), but they can only be tasted by Forks, otherwise they taste like normal people.
Fork: People who can't taste (and sometimes smell) anything at all outside of Cakes. Forks are unable to identify taste, sometimes they even lose it with time, but they are the only ones that can taste Cakes.
The au is very interesting and has a lot of implications, scenarios, and ways it can be written, but something that stood out to me is how much i feel like this would do numbers in several fandoms.
Like, I'll prolly make an analysis of this au later in a post once I read more works based from it, but for now I just wanna say that PLEASE GOD WRITE SOMETHING BASED ON IT I BEG!!!
(Especially if you're in one of the fandoms in the tags)
Anyways, that's it, that's the post, I'm probably going to go write something based on this, ciao!
Since y'all seemed interested in this last time, lemme actually give some thoughts now that I read a few fics on this:
I neglected to explain a detail in my original pitch; Forks actually tend to FREAK THE FUCK OUT once they meet a Cake out in the wild. You see, they spent their entire life without being able to taste anything, every food is bland, they never get to taste the joys that everyone around them seems to so easily be able to taste, so once they get a little glimpse of it. . . Well, they lose it.
This often leads to either sex, or cannibalism. . . Or both.
So yeah that's why I tagged so many toxic ships and cannibalism adjacent ships guys, it's on brand.
Plates seems to actually be catching on a bit as the names used for the normal people, which makes me beyond happy!! Also, the og creator of this au actually answered some questions so we can run them down here:
There can be, at least theoretically, a hybrid fusion between a cake and a fork. The creator said that since they could always taste their own saliva, they'd be a bit more used to how cakes taste than other forks, and this not freak out as much. BUT they also said that blood and other fluids would still be massively overwhelming and euphoric in comparison.
2. Both types (cakes and forks) would suffer in society in different ways; Cakes would obviously die or get kidnapped really often, easily cannibalized by Forks. But Forks would all be from the jump (if they're found out) be labeled as murders and criminals, ostracized from the get go. Simultaneously, this would mean that Cakes would be more protected by society and seen as fragile, while Forks have a continent excuse for all their crimes based on who they are instead of their actions.
3. Forks don't NEED to eat Cakes, it depends on the individual Forks and Cakes involved, but the temptation is always there.
4. According to the creator, a Fork meeting a Cake can ruin their whole life (someone who's normal and has a bright life ahead of them completely changes once they meet someone else, left by an urge they didn't choose and was cursed to them at birth that can lead them to commit horrid acts and ruin them entirely), but a Cake meeting a Fork is tempting and sinful (the sexy connotations of being eaten paired with the real threat of someone who can just kill you, gaining intimacy with someone that can rip out your neck with their bare teeth).
So that's the most notable stuff, it's all quite interesting and I'll prolly talk about it more in my analysis.
But, here's some fun ideas brought on by the fanfics I read and other miscellaneous sources:
• Hanahaki disease in this au is someone coughing up sprinkles
• Sometimes this can be more well known in society at large, other times it can be a freak exception wonder of biology
• Cakes that want to be eaten and encourage a very antsy and hesitant Fork to do so
• Regeneration, the easy solution if you want to both have gore and sex in the same spot!
• Predator and prey vibes, but also, candy themed
• The possibilities for metaphors are endless, the sheer array of foods you could compare your characters to is insane. Bonus points if you overanalyze a character to find out which kind of Cake they'd be.
That'll be all for now, expect a full analysis and my own fanfiction soon, toodles!
tricky words I always see misspelled in fics: a guide
Viscous/vicious – Viscous is generally used to describe the consistency of blood or other thick liquids. Vicious is used to describe something or someone who is violent.
Piqued/Peaked/Peeked – To pique someone’s interest is to catch or tease their attention. When something peaks, it reaches its total height or intensity. To peek (at) something is to look briefly, or glance.
Discrete/Discreet – this is a tough one. Discrete means to be separate, or distinct, i.e., two discrete theories. Conversely, when someone is discreet, they are being secretive or cautious to avoid attention.
Segue/Segway – one is a transition between things, the other is a thing you can ride at the park and definitely fall off of.
Conscious/Conscience/Conscientious – to be conscious is to be awake, i.e., not unconscious, or to be aware of something. Your conscience is the little voice in your head telling you not to eat the entire pint of ice cream. Finally, to be conscientious is to be good, to do things thoroughly, to be ruled by an inner moral code.
Hope this helped! Please add more if you think of them!
Counsel/Council - counsel is advice, the advice giver, or the verb form of giving said advice. Council is the group of people who come together to discuss and/or make decisions.
Desert/Desert/Dessert - desert is a barren landscape where little precipitation occurs. desert - abandon (a person, cause, or organization) in a way considered disloyal or treacherous. dessert - a usually sweet course or dish (as of pastry or ice cream) usually served at the end of a meal.
OH MY TIME IS HERE! I HAVE MADE A POST I KEEP FOR THIS EXACTLY
Taunt/Taut - Taunt is a jeer or provocation, taut means to be pulled tight, or not slack
Weary/Wary - weary means tired and wary means cautious
Rogue/Rouge - rogue is a person who has unaffiliated themselves from what they were before (is the general understanding); a person or thing that behaves in an aberrant, faulty, or unpredictable way - rouge is red
Wonton/Wanton - a wonton is a dumpling, wanton is (of a cruel or violent action) deliberate and unprovoked and/or sexually unrestrained
Haphazard/Halfhazard - haphazard means to have a lack of plan, order, or direction - the other isn’t a word
Corporal/Corporeal - corporal is a lack of plan, order, or direction and corporeal is to have a physical existence: to be tangible: of a person’s body
Peck/Pec - the first is a kiss (peck) and the second is the shortened version of pectoral (pec)
Virile/Viral - to be virile is to have strength, energy, and a strong sex drive (typically said about men) and then this last year (2020) has personally taught us, is how viral a plague can really be, so of the nature of, caused by, or relating to a virus or viruses
Vulnerable/Venerable - vulnerable means being susceptible to physical or emotional attack or harm, and if a person is venerable they’re accorded a great deal of respect, especially because of age, wisdom, or character (or if you’re religious, holy)
Dyed is something that is colored, and died is deceased
Chalk (it up to something) ; chock (-full of something); choked (to cutoff air).
to affect is the action, the effect is the end result
If something doesn’t bother you then you weren’t fazed by it. If you are between two states of being that is a phase.
Please. For the love of all things holy. I beg you.
Loose: the opposite of tight
Lose: to misplace something or the opposite of win.
I BEG YOU.
breath is the noun, breathe is the verb
infer means “to assume something based on indirect clues”
inter (verb, not the prefix) means “to bury something, usually a human corpse”
Palate is the roof of your mouth, or a sense of taste.
A pallet is a flat carrier, often made of wood, for boxes or other goods. It’s also a type of bed or mattress, typically crude or minimal.
A palette is the board used by artists to mix and hold paint (stereotypically rounded, with a thumb-hole).
Breaks are damages, or time off. Brakes stop a vehicle (or are, occasionally, groups of bushes).
When you reign over something, you rule it. When you rein in something, you slow or halt or limit it. You can rein in something when you reign (such as overzealous barons), but you cannot reign in a horse. Not without a lot of really disgusting prep work, anyway.
Palette is also the one you want to use if you’re referring to makeup
To wonder is to ponder on something. To wander is to travel aimlessly.
Mmm my favorite- a skeptic is a person generally doubtful or critical, who values truth over belief. Sceptic is anything related to sewage treatment.
sceptic is the british spelling of skeptic. sewage treatment is septic.
Cue is a thing said or done that serves as a signal or hint. The verb version is to give a cue to or for.
Queue is a line or sequence of people or vehicles awaiting their turn to be attended to or to proceed or in verb form to take one’s place in a queue. It is also a list of data items or commands in a certain order in computing or in verb form to arrange in a queue.
Bated is the past tense of bate, which means to reduce the force or intensity of, or restrain (ex. with bated breath)
Baited is the past tense of bait, which means to deliberately annoy or taunt, or to prepare a hook or trap with bait to entice fish or animals as prey
Definitely means without doubt or in a definite manner or clearly
Defiantly means in a manner that shows open resistance or bold disobedience
Recirculating the correct spellings of these idioms as well for good measure: Nip it in the bud For all intents and purposes Deep-seated Couldn’t care less One and the same In lieu of Scot free First come, first served Shoo-in Sleight of hand Case in point Moot point Beck and call Fleshed out/Fleshing out Jury-rigged (though jerry is debatable) To pore over (as in, to read carefully)
if youve never physically been in the presence of like, a real live wolf, and you probably wont get the chance to, heres some stuff about them you should know
a wolf’s fur is so unbelievably thick that you can get like, your whole hand into it while petting. and then you can keep going
wolves are a lot bigger than you think they are. think about how big you think a wolf is then just like double that
they dont really smell like dog but they DO smell and youre not going to be able to figure out if its a good smell or not
a wolf really wants to lick the inside of your mouth. he will not stop trying to lick the inside of your mouth at any cost, and generally speaking you need to press your lips together kind of tightly when he approaches your face so that he doesnt worm his damn tongue in there to give you what he thinks is an appropriate greeting
a wolf doesnt really want to look at you while you pet him but he wants you to pet him. hes embarrassed
if a grown ass wolf decides to lay down on you, you just have to deal with it and thats your life now
young wolves, much like young dogs, are overwhelmingly goofy and stupid. a teenage wolf will see your very fragile, very human shoulder and go “i can probably step on that with my full weight” and then he will do it
letting a wolf eat out of your hand is actually not remotely frightening, and youll want to do it all day
I wanna know who did this research.
well, i did!
in the interest of science, have tested & can confirm