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Discoholic 🪩
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
Three Goblin Art
No title available
JBB: An Artblog!
Aqua Utopia｜海の底で記憶を紡ぐ
ojovivo
wallacepolsom
Origami Around
Acquired Stardust
dirt enthusiast
i don't do bad sauce passes
PUT YOUR BEARD IN MY MOUTH
Kaledo Art
hello vonnie
⁂
will byers stan first human second
seen from United States
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seen from United Kingdom
seen from Kazakhstan
seen from T1
seen from Germany
seen from Japan
seen from Spain
seen from United Kingdom
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@happiestpenguin
i think something a lot of people don't get is that years of mocking your child, even in jest, does in fact tend to get under their skin
a decade or two of even light verbal harassment is very much accentuated when it's an authority figure you are in every meaningful way subservient to
Official graveyard post
favorite bits of the cast interviews in the LOTR special features:
Dominic Monaghan, Billy Boyd, Elijah Wood and Viggo Mortensen all taking the piss out of Orlando Bloom for going on about a cracked rib too much, while Orlando Bloom desperately tries to wriggle out of talking about it (special mention to Elijah Wood’s “oh it hurts, babes, and I can’t ride the horse, babes” and Viggo Mortensen’s “they can be very fragile, elves, especially the…Mirkwood strain…”)
Ian McKellen commenting that “they never did find any suitable underwear for Gandalf…”
Dominic Monaghan going on and on about how Viggo Mortensen apparently had a crush on one of the Rohirrim extras (who like a lot of the Rohirrim extras was a woman in a fake beard) while Vigoo Mortensen just mutters “one could perhaps say something about Mr. Monaghan’s…proclivities…”
Dominic Monaghan’s imitation of John Rhys-Davies ordering food at a restaurant for the whole cast. “You have partridge? BRING THE PARTRIDGE!”
John Rhys-Davies talking about an incident with the Lothlorian boats and saying “if an elf and a dwarf are in a boat…and…the boat goes under…let us say that the blame was not placed on the elf” while Orlando Bloom splutters “he’s a big guy, man!”
Elijah Wood talking about how the hobbit actors shared a trailer with Ian McKellen and sometimes they would hear inarticulate bellows of protest from his side when they played loud music in the mornings
Viggo Mortensen talking about how, while filming with those same boats, Kirin Shaw (Elijah Wood’s scale double) started telling him “if the boat tips over…save yourself…I can’t swim.”
Elijah Wood describing how Sean Astin would try to direct the helicopters to land while they were on location, while the other three hobbits were screwing around and throwing pinecones at each other
Christopher Lee recounting how he had so much trouble going up some steps in Orthanc with his long robe that he stopped in the middle of the scene and said, “I cannot get up these goddamn steps, Peter.”
Viggo Mortensen mentioning that he left a weekend rehearsal and went walking down the street still swinging his sword around, and promptly got the cops called on him
Reblogging because I haven’t seen the screen grabs from above in over a decade and they make my heart happy.
'large tree in front of a mountain range with a stormy sky,' california by wilson davis ellis, american c. november 1949.
Carl Frederik Sørensen (Danish, 1818–1879), "Danish Ships in Rough Seas" (details), 1877
”potentially mature content” what the hell, sure
Thomas W. Schaller.
Actual roman epitaph for a dog
humans are the same
I’ve seen this one doing the rounds a few times (and it makes me cry every time I see it), but was curious about the original Latin text, so I did some digging: it’s a shortened version of CIL 10, 00659, a tombstone from Salernum (modern Salerno, Italy). (source; CIL is the Corpus Inscriptionum Latinarum).
Portaui lacrimis madidus te, nostra catella,
Quod feci lustris laetior ante tribus.
Ergo mihi, Patrice, iam non dabis oscula mille
Nec poteris collo grata cubare meo.
Tristis marmorea posui te sede merentem
Et iunxi semper manib(us) ipse meis
Morib(us) argutis hominem simulare paratam,
Perdidimus quales hei mihi delicias.
Tu, dulcis Patrice, nostras attingere mensas
Consueras, gremio poscere blanda cibos,
Lambere tu calicem lingua rapiente solebas,
Quem tibi saepe meae sustinuere manus,
Accipere et lassum cauda gaudente frequenter
And here’s my translation:
Wet with tears I have carried you, our little (female) dog, just as I did in happier times fifteen years earlier (lit. “three periods of five years). For myself, Patrice, now you will not give me a thousand kisses nor will you be able to lie lovingly around/against my neck. I have sorrowfully placed you, merit-worthy, in a marble tomb and I have joined you always to myself in death, as by your cleverness you matched a human. Alas, we lost such pleasures for myself! You, sweet Patrice, were accustomed to join us at our table, to beg charmingly for food (while sitting in our) laps. You were in the habit of greedily licking our cups with your tongue, which my hands often held for you. Frequently and joyfully (you) receive a weary one with your (wagging) tail...
tl;dr: this dog was named Patrice and was very, very loved. (another translation with some glossing of the text.)
It's the fact she's joined to them in death, it's the fact that she sat in her owner's arms and ate their food. That he held the cups down for her to drink from....
Hundreds of years and we still know she was loved. We still know how she liked to sleep. All these years!! Loving dogs is the same!!!!
gonna point out too that 15 years is an INSANELY long lifespan for a dog in ancient Rome. This dog was both well loved and well cared for to have lived so long. Obvs there's going to be some statistical overlap with ancient dogs with loving epitaphs having longer lifespans, but in a world without modern vetrinary science or medicine, no canine vaccines, and no nutritionally formulated dog food, this Roman's beloved pooch exceeded even the average pet dog lifespan today.
Humpback whales singing off the leeward coast of O’ahu
(sound on 🔉)
<— to answer these tags on main, since it’s a fun question, our guide lowered a hydrophone and so my phone is leaning on the railing right next to the hydrophone
the thing that bewilders me about a lot of fantasy readers is that they read about settings and plots featuring imperialism, war, and slavery and then call the inclusion of violence, abuse, and sexual exploitation "edgy" and "gratuitous" and it's like what did you think was happening. why were you under the impression that you were going to get a cozy story about fascism or something. far be it from me to criticize anyone for not wanting to read about torture in their spare time, and there are certainly cases where heavy subjects are poorly executed, but is it not equally insulting to sanitize them for a feel-good adventure.. like no one put a gun to your head and forced you to give your fantasy novel an enslaved protagonist. sometimes writing is supposed to make you feel bad
09/04/2026 • every time @softinvasions writes a villanelle about how sonnets suck i write another suckful sonnet*. metrical malpractice!
*sonnets do not even have to have 14 lines if you are pure of heart and sonnetpilled enough
new organs coming out soon
medium intestine
gallkidneys
inferior vena cava
table of contents
semi-colon
die-r (opposite of liver)
pancreas 2
regenbogenblicke-archiv
baldige Organneuerscheinungen:
Mitteldarm
Gallenniere
Hohlvene (schlecht in der Schule)
Inhaltsverzeichnis
Semikolon
Sterber (Gegenteil von Leber)
Bauchzweicheldrüse
did perfectionism ever truly protect you from harm or neglect as a child though. ultimately. Lol
[REALLY NORMAL AND WELL-ADJUSTED VOICE] well you never know maybe it COULD have saved me. if i ever actually achieved perfection. it could have happened then. if i was actually ever enough. Which i was not
I feel like I need to share this because idk if Europeans are familiar with the presence of Aldi in the US, but at least especially in my area they’ve been growing a lot recently. Like Aldi bought out some local failing grocery chains where I live (Louisiana) and have opened Aldis in all these somewhat rural communities and small towns, which for the record I’m fine with
But as a result of this they are advertising a lot more in my area and also in many cases, the people in these areas have never been confronted with Aldi or any European grocery store. So the ads that Aldi is pushing out to its new US customer base feature a cowboy shopping at Aldi who is explaining to new Aldi customers how Aldi works. Like this cowboy is explaining you gotta put a quarter in the shopping cart and why there are very little name brands. A cowboy is how they want to reach their American customer base. They gave us a cowboy
Here he is, the Aldi Cowboy
How to Write When You Don't Feel Like Yourself
There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.
They didn't. They're just tired. Here's how to keep writing anyway:
Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.
Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.
Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.
Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.
Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.
You are still a writer, even on the days it feels distant. Especially then.
Reblogging for the writers who need to hear it, but also for the readers who have no idea how much work and courage it takes to write and post the stories they love to read.
All of this. One more that I may humbly add that works for me is retype the chapter.
For me, opening a new doc and placing it side-by-side against what I've written, and then transcribing what's already been done (and editing in the process) helps ground me in the scene/chapter/voice/characters and helps me discover ways to get unstuck (maybe I didn't explore an emotion earlier that needed to be dug into. Maybe they should not have left that room when they did and lingered longer. Maybe the conversation needed to get cut off before the character made the statement that derails everything). Starting from the beginning is like re-tracing your steps and editing at the same time, and most times it really helps get the brain closer to where it needs to be.
And yeah, I've done it multiple times on the same chapter. How many? You'll have to buy me a drink before I tell you that.
I feel like a lot of people get "All Art is Political" confused with "All Art is made with Political Intentions" which is not the same.
