I need this.
Reblogged last year, hoping it comes this year
Fingers crossed!
NASA
Today's Document

blake kathryn
Color Me Curious

No title available
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH

Jar Jar Binks Fan Club

Origami Around
Sade Olutola
todays bird
Not today Justin
No title available

pixel skylines

@theartofmadeline
The Stonewall Inn
No title available
almost home
taylor price
Fai_Ryy

seen from United States
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@kaz221blog
I need this.
Reblogged last year, hoping it comes this year
Fingers crossed!
you're laughing. charles dickens had a son named plorn and you're laughing
HE HAD A SON NAMED
WHAT
NICK I LOOKED IT UP AND SAW NOTHING OF THE SORT IS THIS A PRANK
technically his name was edward but everyone called him plorn
Edward “Plorn” Dickens. my god.
I have something worse
imagine getting stuck with the nickname Plorn
imagine getting sent to live in the Australian outback when you were sixteen
WHY WERE THEY SO CRUEL TO MY BOY PLORN
I have an answer to that one too
The face of a man whose father nicknamed him Plorn.
Born without a groove 😔
Sure, but every single person here would absolutely give that name to their cat.
“The entire British museum is an active crime scene” - John Oliver
[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.
image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it
/end id]
For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.
Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“
Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.
Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.
There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.
By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.
One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.
I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.
With some changes to techniques, a careful selection of kitchen tools, and tips from fellow bakers, the joy of baking can live on.
I luckily haven't had to deal with much chronic pain or hand pain yet, especially with regards to baking (crochet is another story). That said, these look like some pretty solid tips! There's also some in the comments section.
As this link nears five hundred notes, I'm just... very quietly touched at how many people are sharing it. Whether they need it themselves (or think they will someday), or know someone else who might need it, the fact that all of them are sharing the sentiment of "I want the people who love doing this thing to be able to keep doing the thing that they love" is... yeah. It makes me happy.
some examples of wabi-sabi
this reminds me of the time I visited Canterbury Cathedral and a nice old volunteer told me all about the grooves worn in the floor from pilgrims kneeling there
Things like this don’t just reflect the past, they also shape the future. When Rome was building its network of roads, it was also using war chariots with wheels a standard size and distance apart. The chariots wore deep grooves into the roads that were essentially the same everywhere. Because of these ruts, everyone pretty much always made wagons and other wheeled vehicles with wheels that fit into them so they didn’t have one wheel slip into one and crack the axle. This just sort of became The Size Vehicles Are, so train tracks have their rails match these dimensions too. A lot of train lines pass through tunnels, and these tunnels are of course built just large enough to accomodate the trains. These train lines, with the tunnels, are pretty much the only reasonable way to move very very large cargo overland. When we build space ships, we didn’t build everything at the launch pad. Parts had to be constructed all over the place. These parts then had to be moved for assembly. That means that had to be put on trains. That means they had to fit in the tunnels, which were sized based on trains, which were sized based on their rails, which were sized based on the exact dimensions of war chariots of the Roman Empire. And that’s how the grooves worn into roads by Roman soldiers two thousand years ago determined real physical properties of space craft.
Secret society meeting
Just after the induction of the most junior member.
Unmute !
The amount of serotonin it gave me to watch this grandma react to her new galaxy light 🥺
It’s dark in here- *gasps in excitement* OHH SARAH!
OHH SARAH! *giggles like a little kid* OHhHhH!!
My ceiling is filled with blue lights… and stars and everything!!
OH Sarah! I can go to bed at night looking at this. OHHHH it’s beautiful!
ppl forget the innocence of the elderly… if there was ever a glimpse of them as a child, this is it
“I can go to bed at night looking at this!” 🥺✨
I love grandmothers. I miss mine every single day. This is beautiful.
I have one! I’ll deadass be in my room with it on listening to music and disassociating for hours 😂
It has a buncha colors but these are my faves
Purple bc insanely gorgeous 100/10 just beautiful
Then the light blue/green makes me feel like I’m underwater, 11/10 love to imagine I’m drowning
And then dark blue bc it feels like I’m in space, 10/10 would love to go there and stop breathing
@haileyhurts where did you get it?
I would love to cry my eyes out in a room this pretty
@yanderrre you can just go to galaxylight.com or if you dont feel like typing: shorturl.link/galaxy
My cat trips balls when I use mine 😂 the stars are lasers so she goes nuts thinking it’s a 1000 laser light toys!! Still cracks me up every time
Same energy
this so precious
She reminds me of the grandpa that was so proud of how big his cauliflower grew !!! lemme find it
always reblog galaxy grandma and cauliflower granddad
➤ 🌵 Bienvenidos a la tienda online de mochilas colombianas 🌵 Te contamos la historia, tradición y cultura que hay detrás de estas mochilas w
https://t.co/tQNM37KsB0
Tienda de artesanias Wayúu, Artesanias Colombianas, Bolsos Wayúu, Mochilas Wayúu, Venta de Mochilas Wayúu, Pulseras Wayúu, Tobilleras Wayúu,
I…..
literally cannot stop laughing at this
#and remember maryland (unhinges jaw as black smoke pours from my ears and mouth)
The “take place tonight” in the middle of the elder god monologue is the most ominous part.
Oh my god I have it in my 1946 Lily Wallace New American Cookbook too I’m screaming
This is it! This is the white culture we’ve been looking for!
I’m sorry are we just not gonna mention “Beef Tea” “Raw Beef Tea” and “Cooked Raw Beef Tea” one after the other
#WHY
Because the majority of human existence has not been to the knowledge and supply level we are at now. You can’t just give someone electrolytes in the 19th century, you have no idea what the fuck they are. Someone is sick, and can only keep weak liquids down, but you know enough at this point to realise that man cannot live on water alone. So you work out really weird ways to infuse foodstuffs into liquids they can handle to try and keep food into them. A lot of these also come from a way to stretch nutrient sources in times of poverty and scarcity.
Thank you for this addition. People are curiously comfortable assuming everyone in the past was stupid and illogical, and it’s always struck me as showing a sad lack of empathy for fellow human beings. It’s like people in the past aren’t seen as, you know, people
Your local 19th century PhD researcher popping in here to add to this. Toast water is 100% a drink for treating illness. It turns up listed in several household medicine guides in the 19th century, and is listed as for treating people with fever, diarrhoea and vomiting, who can’t keep anything down. It’s essentially oral rehydration therapy.
It interestingly starts turning up in literature in the period covering five major cholera outbreaks in the UK and US (this was obviously an English language Ngram search).
And peaks several times at epidemic peak points (1830s, 1850, 1880s), including its first peak in 1831/2, which corresponds with the first cholera epidemic in the UK.
It also corresponds with the year William Brooke O’Shaughnessy discovered that a lot of people who were dying of cholera were severely lacking water and salts in their blood and urine. Dehydration was found to be a major cause of death in cholera patients. “Toast water” was suggested in the Lancet medical journal in 1832 as an initial treatment for cholera patients.
Most of the recipes in household medicine guides I found suggest sweetening or flavouring the toast water with something if the patient could keep it down in order to cover the terrible taste.
People in the past were just people. And in this particular case, they were trying to keep their loved ones from dying of cholera.
got taken to axe throwing tonight. i may not have impressed anyone with my technical axe throwing skills but my sheer brute animal strength is unparalleled
Vladimir Nabokov’s note card, c. 1969.
“[March 21 1951]
Student explaining to me (after getting 55) that when reading a novel (‘Ulysses’ ^ in this case) he likes to skip ‘passages and pages’ so as ‘to get his own idea, you know, about the book and not be influenced by the author’.”
O ye of little face
The last set of moves spoke to my very soul as a contact center employee