LISTEN MARVEL ITS A GOOD JOKE ITS A GREAT JOKE EVEN BUT I NEED U TO STOP
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@leapinglisa
LISTEN MARVEL ITS A GOOD JOKE ITS A GREAT JOKE EVEN BUT I NEED U TO STOP
IS THAT A SHARK?
if you watch any video today it needs to be this one
I LOVE THIS NEWSCAST AND IM NOT EVEN FROM AUSTRALIA.
#like that little cage is gonna help ya
Theyre so. Honest
idc what anyone says, that was a megalodon
As a person from australia that dude always has the best reactions to things. like always. I’m pretty sure it’s the only reason he was hired.
You non-Aussies are missing out on quality television
This clip got them a cameo in Sharknado 5 lmao
@yeahitsak
Pitch: Muppet Lord of the Rings. Miss Piggy as Eowyn. Imagine her just throwing herself at a human man playing Aragorn. Imagine her defeating the Witch-King of Angmar by going “HI-YA!” and karate chopping him.
Throwing herself at Aragorn
Then Kermit arrives as Faramir and she just bodily pitches Aragorn offscreen
Aragorn is, of course, played by Viggo Mortensen reprising his role
(Gollum falls into the lava of Mount Doom)
Statler: If you ask me Gollum’s the lucky one
Waldorf: The lucky one?
Statler: He doesn’t have to be in the movie any more!
Both: DO-HO-HO-HO-HO-HO!
What should've happened (insp)
I simply cannot feel sorry for multi-millionaire Scarlett Johansson only earning $20 million instead of $30 million or what the fuck ever because Disney recognised that large parts of the world still can't safely go to the cinema on account of the deadly pandemic and released Black Widow on Disney+ at the same time as in theatres. But then I also support anyone suing Disney for any reason, so you see my dilemma
The case isn’t really about Scarlett Johansson. It’s about setting precedent for the way actors are paid when content is released on screening services going forward, and Scarlett Johansson is pretty unique in her position of both having a valid case for breach of contract and having a large enough platform, following and wealth that suing Disney won’t completely destroy her and her career.
She offered to renegotiate her contract at the point the decision to release on Disney+ was made, and Disney refused, that is what lead to the case.
The overwhelming majority of actors, even actor’s working for Disney are not millionaires, I know that because I am a jobbing actor, and I earn less in a year then either of my siblings, both of whom have office jobs.
When you get a film or television job, in addition to what you’re paid at the time you also get something that in the UK is called royalty fees, and in the US is called residuals. This occurs when the show or film is shown or licensed on another channel or network, almost always for a set period of time, although Netflix has started buying the rights to small indie films outright.
Royalty checks can be hilariously small. A friend I trained with once got one for £2.07 because their show had just been licensed to be shown on a Thai TV network, but more often they are a lifeline for actors. Most actors work minimum wage jobs in between acting gigs, and when you also have the cost of Headshots, Self Tape equipment, travel to auditions and lost wages whenever you have to take time off to prep and travel to auditions, you understand why equity wages are so high for individual jobs, because that one episode in a soap you got paid £800-£1200 for (minus 10-20% for your agent), could be your wage for 2 months and you would be considered a fairly successful working actor, even if it was your only acting job in that time period.
The case isn’t about a multimillionaire quibbling over how many millions she is being paid, although it’s likely that had Black Widow had a prepandemic release Scarlett Johansson would have been paid closer to 200 million than the 20 million she is being paid. Although Disney is pushing that angle hard so I fully understand why you’ve fallen into their propaganda trap. It is one of the very few opportunities for actors, screenwriters, cinematographers, directors, and all the other hundreds of creatives involved in the filmmaking process to challenge some of the status quo with streaming services and really ask questions about how royalties will work in the future.
There is a reason that the unions are backing the case and that’s because the other way around, breach of contract is a huge deal, there can be penalties of hundreds of thousands of dollars for contract breaches, often on jobs where you are paid a fraction of that, and believe me, Netflix, Disney, Amazon, Universal all persue those payments, and in certain circumstances even go out of their way to blacklist the artist.
If breach of contract is a big deal when actors and other creatives do it, it should be just as big a deal when studios do it, but it isn’t because Capitalism is rarely about rewarding artists and all about bottom line profit.
This case has the potential to really change things and help millions of ordinary, jobbing actors and creatives. I am 100% on Scarlett Johansson’s side with this and any reasonable person who cares about the well-being of artists should be too.
^^^^^^^^ this. this right here
And, to add, Scarlett Johansson is already doing it backwards and in heels in Hollywood, where studios NOTORIOUSLY underpay female actors compared to their male co-stars, even in the same damn movie. Remember when it was news that she was paid the same as Chris Evans and Chris Hemsworth in the first Avengers movie? I absolutely guarantee you that Disney would have agreed to renegotiate RDJ’s contract if this situation had come up for a hypothetical Iron Man 4.
Also, Disney is pushing the covid angle to get public opinion on their side, saying in their statement reacting to the filing: “The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.” which is pretty rich coming from a company that reopened Disney World last July during a spike of cases in Florida. Source
Like people before me said, Johansson wasn’t against the release on Disney+, she just wanted her contract amended accordingly.
I feel like more people need to understand that acting is a job like any other, and the fact that a small number of people who do it get famous and highly paid doesn’t negate that. If you’d get mad about, say, a publisher reusing a series of illustrations without paying anything to the original artist, you should take cases like the above seriously instead of saying “lol actors are greedy.”
can you imagine how freaky shark mermaids would be like unlike sharks, shark mermaids would have actual arms/hands and could rely on touching things with their hands to see if they’re prey rather than having to bite like sharks do. like youre just swimming in the ocean and suddenly you feel a strong grip on your leg, you freak the FUCK out because uh what????? the fuck??? youre swimming alone in the ocean??
a head pops out of the water, dorsal fin pointed from its back and it just points at you and says in a low whisper: “i thought you were a seal. please dont swim alone like this, im sorry i scared you i just wanted to see what you are” and then disappears back into the depth. what the fuck.
no come back ma’am
*under my breath* underwater girlfriend
underwater wife
Underwater love of my underwater life
no you dont understand, i’m obsessed with him
no you dont understand i’m obsessed with him
ngl, this song slaps way harder than it has any earthly right to
Everyone may *think* they hate country music, but when Jolene, Before He Cheats, Take Me Home Country Roads, or Life is a Highway comes on, everyone is suddenly a liar.
I know this is a funny post but
There are a few major points in Country Music’s history that got the entire genre labeled as ‘annoying’
Post 9/11 nationalism
A term that I couldn’t make up “Bro-Country” which intensifies themes of booze, objectifying women, and partying that were present in past decades but not to such an extent
This is Gospel Music But With an Accent
Now looking at the songs op listed there is
A woman pleading to another woman
A woman wrecking a shitheads life
A guy loving the scenery of where he lived
A song that could easily be mistaken for a number of other genres
But it is easier to say that one hates country while privately enjoying select songs than explain why one doesn’t like the current market oversaturated with our nation’s problems of nationalism, sexism, and so on
see also jhonny cash/willie nelson era songs which were deeply emotional stories often about painful and deep subjects. prison, loss of loved ones, hard labor, facing despair, passion. ‘ghost riders in the sky’ and the like are also deeply satisfying as they bridge more into folklore then ‘murica fuck yeah im sponsored by bud light yall’ another example- ‘midnight in montgomery’ where hank williams junior sings about the ghost of his father
“ … And felt the wind die down, And a drunk man in a cowboy hat, Took me by surprise, Wearin’ shiny boots, a nudie suit, and haunted, haunted eyes, He said: “Friend, it’s good to see you, It’s nice to know you care” Then the wind picked up and he was gone, Was he ever really there? ‘Cause when the wind is right, You’ll hear his song, Smell whisky in the air, Midnight in Montgomery, He’s always singin’ there, “ the reason we ‘hate country’ is because we know its supposed to have FEELING and its infuriatingly absent now
70s country - bluegrass traditional
80s country - power ballads
90s country - pop crossover
00s country - white supremacy
‘The world almost seemed to be giving us its blessing…’
Very excited
this is bird loving energy we need
This footage of Elmo after messing up a take on Sesame Street is peak relatable
In Elmo’s voice: “I only had three lines!”
Okay but please watch the whole video. It’s just over a minute.
1. Robin Williams making off-the-cuff jokes that are definitely not Sesame Street appropriate.
2. The slow zoom in on Elmo’s face at the end.
3. Robin Williams
[working link]
Robins Williams’ laughter in the background is the most heartwarming, mood lifting thing I have ever heard.
This is literally the best thing to see first thing after I wake up 😊
I still think that my favorite urban legend/folklore fact is that there are certain areas in New Orleans where you cannot get a taxi late at night not because it isn’t safe, but because taxi companies have had recurring problems of picking up ghosts in those areas who are not aware that they are dead and disappearing from the cab before reaching the destination and therefore stiffing the driver on the fare causing a loss for the company.
An occupational hazard of cab driving I had not previously considered
I love that the nola problem here is not “ghosts in my taxi cab,” but “ghosts are FUCKING BROKE DEAD BASTARDS & I GOT BILLS”
Horror is when ghosts get into cabs and scare drivers Magical realism is when cab companies have to develop policies to prevent ghastly fare-theft
In a book about the tsunami in Japan in 2011, the writer talked about how there was a huge increase in reports of ghostly activity. Apparently in Japan treating ghosts rudely is basically considered the stupidest thing you could possibly do. For months after the tsunami, taxi drivers would pick up a passenger only to have them give an address in one of the devastated areas. The cab driver often looked up halfway to the destination to find their fare had disappeared. Not wanting to be impolite to the person (even if they were dead) they’d drive to the address, open the door to let them out, then drive away.
Yeah this all checks out
purge of 2002? of 2012? what ARE those?
Oh, how quickly the past is forgotten.
They are part of the reason A03 is a thing now. Not the whole reason, but part of it.
The Great Purges of 2002 and 2012 are when ff.net got a wild hair up their ass about THINK OF THE CHILDREN and nuked any fic posted on there that was explicit. Thousands upon thousands of nc-17 smutfics were lost.
It’s what led to the creation of alternate hosting sites for smutty fic…AdultFanfiction was the one I went to…but thousands of fics would never be recovered.
Shit like the Great Purges and the Strikethrough of Livejournal eventually led to fans banding together to create A03, which I would have absolutely KILLED for when I was 15.
Back up ao3 was created by fans?
It’s…right on the main page.
I love this because I will bet you that persefv has read that bit we are all so inundated with hyperbole and advertising that says that the consumer is somehow in charge of whatever product they are shilling that we all just assumed this was another sales tactic.
But we’re not even… selling anything… *quiet sobs*
No ads. No subscriptions. No data selling.
We are the definition of “what it says on the tin.”
Is there any way to spread this info?
THE OTW WAS CREATED BY FANS SO WE’D HAVE AN ARCHIVE THAT WASN’T SUBJECT TO CORPORATE REVIEW.
Nonprofit, so that nobody could ever say, “this isn’t making enough money; it’s getting shut down.” (See: Geocities, Quizilla, Figment, G+.) With lawyers involved and a firm awareness of the legalities of fanfic, so nobody would decide “we’ve gotten a nasty letter from a megacorporation with lawyers, so we’re hiding because we can’t afford to face a lawsuit. (Jedi Hurtaholics, Trevizo’s Millennium site.) With teams, so that an argument between co-mods didn’t result in the destruction of a whole archive. (Gryffindor Tower, Detention.)
AO3 IS OUR SITE.
It is by fans, for fans. Fans do all the coding. All the legal paperwork. All the abuse/tos violation complaints. Fans make all the choices about policies. Fans decide how to run the fundraisers. Fans write the blog posts. All the volunteer staff are fans; all the people who train them are fans. Fans wrangle all the tags.
(And the other OTW projects, too. Fans manage the entries at Fanlore. Fans run the Open Doors project. Fans publish Transformative Works and Cultures.)
EVERYONE WORKING FOR THE OTW LOVES FANDOM. Wants it to survive. Wants it to be awesome for everyone.
(Knows that it can’t be awesome for everyone; some approaches to fandom just clash hard. But they strive to minimize those clashes as much as possible, because they love fandom.)
AO3 is not some company that decided, “we’ll make a site for fanfic and then…” I don’t know what people are thinking is the reason. Money? Data harvesting? Tax shelter? Amusement and pity?
Nope; AO3 was fans saying, “Livejournal sucks; we’re tired of this fucked-up ‘rebuild every three years’ garbage; WE NEED TO OWN THE DAMN SERVERS.”
That’s the “of our own” part of the name. OTW isn’t a “them” running the site “for us.” It’s “us” making places for “us” to share what we love with others of “us.”
This this this.
I was there for all of that shit, and AO3 is a godsend. If you enjoy or create fanworks, support AO3, donate if you can, and remember why it’s there in the first place!!
Fandom history really does get lost quickly. For current 20-something fans, AO3 has always been there.
Signal Boost
How do you explain to someone that this is your sense of humor
I was wondering where this was going and lemme tell you I fell out of my chair