I love a lesbian built like an instrument of war who loves with the exact same intensity they’ve been hurt.
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@madigail
I love a lesbian built like an instrument of war who loves with the exact same intensity they’ve been hurt.
batman voice THENYOU'REGONNALOVEME
finished redrawing my band, might have to put them all together now
new drawing tablet is very fun
me to the accursed whispering amulet: hey can you speak up please i have an audio processing disorder
(via @cuunos)
Warlock: Can I get some privacy for a minute? I gotta perform an exclusive ritual for my patrons.
Paladin: Patrons, plural? How many patron deities do you have?
Warlock: Let me check...
Paladin: You don't know???
Warlock: ...894 patrons as of right now. 30 new ones in the last month, nice.
Paladin: I didn't know that many gods even existed!
Warlock: Yeah, but most of them are on the basic spell tier, so it's not all that much.
Being a little too cold: brrrr i’m a little too cold !!!
Being a little too warm: i am going to kill the next person who makes eye contact with me.
"Brennan is the best game changer contestant" this "Brennan is so competitive" that
Okay well I've never watched in fear as Brennan hit a bong full of whisky for a game changer now have I
Brennan plays the game to win and be funny doing it.
Ally plays the game like a jester who is trying to see how strong the protections against being executed are.
"i look forward to hearing back" implies a beautiful world that runs on sense-direction combinations. i smell sideways to tasting up. i palpate inwards to listening diagonal, so that i can hunger clockwise
this is just like my favorite sentence, "I feel straight-up, downright left out".
Jenny Slate, Stage Fright (2019)
Ugly, Bitter, and True by Suzanne Rivecca
John Mulaney on The Late Show with Stephen Colbert (2020)
“Robin Williams and Why Funny People Kill Themselves” by David Wong
letters from Medea, salma deera
the supreme irony of orson scorson corson's virulent transmisogyny is that ender from enders game is like one of the most chillingly and accurately transmisogynized characters in all of science fiction
ohhhh yup. yeah. so that's why I liked that book so much as a kid. it was very easy to immerse myself in ender's world
if you take the explicit notion that is in the text that peter represents masculine power and aggression and valentine represents feminine love and nurturing, which the two of them discuss when making their decision to argue one another's viewpoints in the public sphere so as to temper each of their extremities, and you read that onto the notion that is again explicit in the text that ender, a "third" child who is illegal by birth and has only been permitted to be born in hopes that he can be the goldilocks child between his siblings' poles, is somehow the fusion of both of their natures, a quality which best qualifies ender out of anyone on earth to be sent to The Child Abuse Institute for Making Boys Into Weapons and trained through homosocial abuse to view genocidal violence toward an alien other as a game to be won, an experience which breaks him completely, it kinda just is like. bruh
fuck would estrogen have saved him, would estrogen have saved the buggers??? (what a name)
he is constantly wishing he was valentine and hating any part of himself that is peter. the most haunting line in the book, to me, which i can quote to this day from memory, was always after the brain implant which lets the military scientists monitor him is removed and he's ambushed (!) by a group of older boys (!!!) and he explicitly breaks the masculine code of fair fighting (!!!!!) by cheap shotting the ringleader and then stomping him on the ground, and once the fight is won and he gets away and he's completely sick with guilt and self hatred at having lashed out in violence, in his despair he says "I am just like Peter. Take my monitor away, and I am just like Peter."
my explicit goal in writing this post is to get it reblogged and spread so widely that orson scott card sees it and finally cracks her poisonous self hating little egg. it's never too late you wack bitch
everybody wants to fuck my run-on sentence that has like 8 clauses and is a 4 full inches tall on a screen
As a Greek, in response to the current controversy about Matt Damon being cast as Odysseus, I'd just like to share that one of the moments that changed my brain chemistry as a kid was reading a novelized version of the Odyssey and coming across the following description of Odysseus when Circe sees him for the first time and thinks he's hot: "his hair curled like a clematis and his eyes were very brown".
So may I present my own casting choice for Odysseus:
Excuse me???
you are right and you should say it.
Is this the face of a man who would put his own infant in front of a plow to avoid going to war?
Absolutely not
You know who would try that shit?
Is this the face of a man who would defy the very gods to get home to his wife?
You know who would defy the gods just to show he could get away with it?
The last thing Penelope's suitors ever see:
Headcanon that Luke and Obi Wan got the money to pay Han Solo by selling the moisture farm at bargain-basement prices in Anchorhead without telling anyone that it was totally torched, and by the time anyone find out they were well off planet. Luke now has a reputation as one of Tattooine’s most famous con men despite the fact that it was Obi Wan who ran the con.
#I don’t know if you meant it this way but I totally interpreted this as them selling the farm multiple times to different people#luke: *wrestling over selling the wreck of the farm to someone he knows is a complete scumbag*#obi-wan: hello are you interested in buying a farm#complete scumbucket: *interested noises*#luke: wait didn’t we already-? *gets zapped by R2* ow!#luke: oh#luke: ohhhh#luke: >:)
i haven’t cared about star wars ‘canon’ since i was 3 years old- I LOVE the idea that the reason Luke had to dramatically speeder in and out of Jabba’s without hitting up any of his local connections is he is like, wanted by a bunch of scum in Mos Eisley. Can you- can you imagine Vader or whoever doing a recon in town on ‘the last son of the Jedi who blew up the death star.’ His close friends and family have all a) died b) moved off planet or c) both.
So the only reputation he has is ‘that bastard con artist who banked 19 years of aw-shucks-wormie-ness and used it to outrageously fleece everyone who’s almost anybody.’ Vader reading the report like…damn you Kenobi did you get HONDO to raise my son??
Jabba’s reaction to Luke’s message is INFINITELY funnier if we consider the idea that ‘Skywalker’ amongst the wretched local villainy (who mostly ignore imperial and rebel propaganda) is actually synonymous with TWO things - that brat who totally messed up the podrace bookies 25 years ago, and the infamous Anchorhead Con. Jabba gets this message about ‘Jedi’ and is like LOL i think the other Skywalker tried to pull some hotshit with that too before wimping out.
Everyone openly laughs like sure you’re a Jedi and I’ve got a bargain vaporator farm I want to sell you.
AND THEN HE WRECKS THE JOINT WITH A DEBT-RIDDEN HALF-BLIND SMUGGLER A RANDOM SLAVE GIRL ONE GUARD AND TWO BEAT UP DROIDS WHAAAT
I’m imagining some random palace guard telling Vader this, afterwards.
“So this fucking—SKYWALKER, dude, have you ever heard the name Skywalker? You know what it means? A FUCKING ASSHOLE, that’s what it means. Like. The first one was bad enough, this little shit named Anakin who was fuckin’ NINE YEARS OLD and he just WON THE FUCKING BOONTA EVE PODRACE and set SIXTEEN bookies out of business and if I ever meet him I’m gonna set him on fire for it—
“And then this new one, Luke? Fuckin’ nobody, raised by his aunt and uncle out in the Wastes, little aw-shucks hick farm kid, the kind you could give him a five-credit piece and a ten-credit piece and he keeps taking the fiver because it’s BIGGER, that kind of simple, and then he comes into Mos Eisley one afternoon and sells his aunt and uncle’s moisture farm, right, I’ve been out there a few times, several of us have, and it’s a nice place as far as moisture farms go, mildly profitable, and the kid is fucking happy to get like two-thirds its value, so he sells the farm, right? TO NINETEEN DIFFERENT PEOPLE! Do you have any idea how much Jabba’s finance people had to do to get that sorted out? Nineteen fucking mortgages on ONE fucking property, puts every real estate con Jabba the Hutt’s entire CLAN ever pulled and we were on the WRONG SIDE OF IT! We had every pirate and smuggler from here to Corellia laughing at us! And THEN! And THEN—!
“So he pops up via hologram message acting like a DIPLOMAT from the REPUBLIC, claiming a title and rank from an extinct, defunct, ILLEGAL order and wanting to bargain with Jabba—are you fucking kidding me, BARGAIN WITH JABBA for a smuggler who’s up to his ass in debt when he’s responsible for that farm scheme, acting like he doesn’t even fucking REMEMBER it and expects that Jabba’s forgotten it too. Like. Absolute fucking idiot, and anticipating that Jabba’s just as stupid. And he offers a pair of droids as a gift. Like, built-in-the-Republic-era, random-ass droids that he probably picked up from the Jawas that morning for a few hundred credits and a junked ‘vaporator.
“I mean, Jabba’s seething here, but hey, free droids is free droids. Whatever. He takes the droids, throws things, orders a fight to the death between two gamblers who owed him money, killed one of his dancers at some point … and then Boushh shows up with fucking Chewbacca in chains—he’s Solo’s first mate, so Jabba was all happy about that, but not happy enough to pay the full bounty—and what’s Boushh do? Pull some gonads out from somewhere after all these years, and also pull out a fucking THERMAL DETONATOR! Going to blow us all to fuck if he doesn’t get his measley fifty thousand, and, well, there’s no arguing with crazy like that.
“So now, if you’re keeping score, Jabba’s lost an absolute SHITLOAD of money and had his bookmaking industry fucked all to hell for like three years after the stunt from Skywalker the First, got screwed out of ANOTHER shitload of money in the farm scam by Skywalker the Sequel, got all but called an idiot to his face and insulted six times over by the same dude who’s apparently scammed so many people he’s forgotten who he has and hasn’t scammed, and got threatened out of fifty thousand credits by a second-tier bounty hunter IN FRONT OF HIS ENTIRE COURT.
“And then the next morning, what the fuck? Jabba’s favorite sculpture is gone, the one with Solo as its main ingredient that Boba Fett brought him. And Boushh is gone. And Jabba’s got a brand-new dancer chained up next to him. Night duty guy tells me Boushh unfroze Solo, and the new dancer girl IS Boushh, which, okay, you’re dealing with people like that and you look like that? You definitely need a helmet, but I feel like pretending she didn’t breathe oxygen was overkill. Anyway, then Skywalker shows up. All alone, no weapons, nothing, like he really believes in this Jedi shit. Arrogant little bastard, and we’re all laying bets on how Jabba’s going to kill him.
“So he talks a little, and fwoop! goes the trapdoor, and okay, everybody who bet on “Rancor” is doing a little happy dance, but then! BUT THEN! He fucking KILLS THE RANCOR! Drops its own cage door on its head and punches right through its skull! And—fucking NOBODY bet on that, which is a damn shame because everybody else would’ve just torn the winner apart out of sheer rage at that point and we coulda used some good bloodshed then, y’know? I mean, I dunno if you’ve ever met Jabba the Hutt, but he’s the kind of boss that’ll just go off and kill you for failing him or just because he’s angry at something. Just complete fucking asshole. I mean, he was pissed enough that everybody was worried for their safety, and so somebody dying messily right then would’ve calmed him down a bit.
“So Jabba’s big mad, and he gathers Skywalker and Solo and Chewbacca all together and says he’s gonna feed them to the Sarlacc, which is a nasty tentacled carnivorous plant out in the desert, so we all board the sail barge and have a nice little pleasure cruise—have you ever been to Tattoine? I’m fuckin’ kidding, it’s brutal. But hey, we get to see Skywalker executed, right? Wrong.
“Jabba offers them the chance to beg for their lives, and Solo calls him a slimy piece of worm-ridden filth, which, I mean, I could do better, y’know? If I’m about to die? Anyway, Skywalker goes up first, gets prodded to the edge, flips a salute off to who-knows-where, and does this little twist in midair, catches the fucking plank, and fucking SPRINGBOARDS himself back onboard, CATCHES HIS LIGHTSABER FROM MIDAIR where the one DROID shot it to him, and starts sending guards over the side, usually in pieces.
“So more guards rush forward to help, and there’s this huge fight, and fuckin’ BOBA FETT falls in, and while that’s going on? The fucking dancing girl has grabbed her chain and is FUCKING STRANGLING JABBA WITH IT! Like, I look over and he’s bucking and struggling and she’s pulling on that chain like anything, and then somebody hits me over the head with a bottle of Corellian brandy, and by the time I look again he’s pitched over dead! And nobody freaking bet on that!
“And then? Off they fucking go, Skywalker and Solo and Chewbacca and the dancing girl and the droids and one of the guards who I played sabacc with the other night and he owes me twenty credits! And that fucking Skywalker just cost me my job, and if I see him again I’m going to burn him to cinders myself!”
The man subsides, eyeing the gigantic ebony figure in front of him who, except for a couple of momentary starts as though he might say something, has been silently listening to him all this time.
Size-wise, Darth Vader has nothing on Jabba the Hutt, but somehow, he is scarier.
Finally, the dark form speaks. “You said you could do better.” A moment’s silence, and he clarifies. “If you were about to die.” He gets the impression that whatever monster lurks behind the helmet is smiling. “You are about to die now. Because you are a criminal, and because of what you have said about my son, Luke Skywalker. You have an opportunity to do better. Use it.”
The so-condemned criminal, late of Jabba’s palace guard, lets his jaw hang open unflatteringly for a moment while his brain catches up with events. HIS SON, which means …
“YOU’RE Anakin Skywalker’s HUSBAND?”
The steady, hissing rhythm of Darth Vader’s rebreather actually stops dead as the Dark Lord straightens up as if stabbed with an electroprod.
In the instant before the man’s brains, blood, and spinal fluid coat the far wall, he has the momentary satisfaction of having, indeed, done much better than Solo.
i feel like i boarded a ride thinking it was one of those ‘boat slowly past the animatronic characters’ deals but it was actually space mountain
Reblogging this gem because it is unfeasibly funny and deserves to do the rounds again
I'm a big fan of wizards-as-programmers, but I think it's so much better when you lean into programming tropes.
A spell the wizard uses to light the group's campfire has an error somewhere in its depths, and sometimes it doesn't work at all. The wizard spends a lot of his time trying to track down the exact conditions that cause the failure.
The wizard is attempting to create a new spell that marries two older spells together, but while they were both written within the context of Zephyrus the Starweaver's foundational work, they each used a slightly different version, and untangling the collisions make a short project take months of work.
The wizard has grown too comfortable reusing old spells, and in particular, his teleportation spell keeps finding its components rearranged and remixed, its parts copied into a dozen different places in the spellbook. This is overall not actually a problem per se, but the party's rogue grows a bit concerned when the wizard's "drying spell" seems to just be a special case of teleportation where you teleport five feet to the left and leave the wetness behind.
A wizard is constantly fiddling with his spells, making minor tweaks and changes, getting them easier to cast, with better effects, adding bells and whistles. The "shelter for the night" spell includes a tea kettle that brings itself to a boil at dawn, which the wizard is inordinately pleased with. He reports on efficiency improvements to the indifference of anyone listening.
A different wizard immediately forgets all details of his spells after he's written them. He could not begin to tell you how any of it works, at least not without sitting down for a few hours or days to figure out how he set things up. The point is that it works, and once it does, the wizard can safely stop thinking about it.
Wizards enjoy each other's company, but you must be circumspect about spellwork. Having another wizard look through your spellbook makes you aware of every minor flaw, and you might not be able to answer questions about why a spell was written in a certain way, if you remember at all.
Wizards all have their own preferences as far as which scripts they write in, the formatting of their spellbook, its dimensions and material quality, and of course which famous wizards they've taken the most foundational knowledge from. The enlightened view is that all approaches have their strengths and weaknesses, but this has never stopped anyone from getting into a protracted argument.
Sometimes a wizard will sit down with an ancient tome attempting to find answers to a complicated problem, and finally find someone from across time who was trying to do the same thing, only for the final note to be "nevermind, fixed it".
"This spell causes the hair to fall off cats." "It works with my tome"
"This spell causes the hair to fall off cats." "That's fixed in Xaranthius' latest publication, you just have to rewrite your entire spellbook for compatibility."
"This spell causes the hair to fall of cats." "Magister Olaus of Writhington uses it to help with his allergies. WORKING AS INTENDED."
I want to see wizards snarking at each other over different magical languages/scripts, the same way programmers do it over different languages.
Sure, "High Tower is a powerful language, but it's such a pain to write. I just use Unity* as it's simple to write and can do nearly everything I need" "cranky because you can't memorize all the conjugations and declensions, aren't you?" "LOOK MAN, I CAN MEMORIZE ANYTHING, INCLUDING THE FACE OF YOUR MOTHER IN ECSTASY. IN FACT, BEHOLD!" *a little time window appears between them, demonstrating exactly that. The first wizard (seen through the window) turns around and winks at the "camera".
"you kids today with your lizardman. How can you get anything done in a language without gendered pronouns? It's like fingerpainting. Sure you can learn on it but once you've got the basics you should switch over to a REAL language"
"the Kalic have been here already. We better get out before the rest of their army marches in." "how can you be sure?" "you see that teleport?" "no" "well, if you COULD see it, you'd see it's written in Adevic Yevi. That's the Kalic magic language." "couldn't it be someone else? We saw those Monon traders, maybe one of them..." "no. No one writes Adevic Yevi unless they're being paid to. It's a language written by committee."
Wizards going on a quest to get the spellbooks for a lost spell, only to find out that it was written in skydove cant. No one can read that shit! The creator must have been one of those weird "functional wizards". (They're obsessed with making sure their spells have no side effects)
There's a small library on the outskirts of Freeport which tries to collect versions of basic spells in every language. The Adevic Yevi version of "fireball" takes up 7 pages, mostly boilerplate setting up the interfaces with fire and explosions and ExplodingMagicalBallFactorySingletons. The Lizardman version is basically "AHAHAHA, YOU GO BOOM!"
There's a bunch of wizard apprentices working on porting an old "Summon Bread and Fishes" spell from the absolutely archaic language it was written in. Once it's in Unity, it'll be easy to modify and teach to more wizards, which'll obviously be good for disaster areas. It's just too expensive to keep paying the ancient guys who can still do magic in TRAN-FOR.
Eccentric wizards keep inventing new languages for spells. You look at them and they're neat, but it'll never catch on. And either you're right, or the next time you're applying to be a court wizard, the advisors want to know if you have at least 5 years experience in Tilted Runic and you're like "it only came out 2 years ago!" "aren't you a chronomancer?" "oh good point. Yeah I've been using it for 20-30 years."
There's wizards who will spend incredible amounts of time doing silly things with spells in strange ways. There's this guy (Vorth) who made his own language where there's only one basic spell: fireball. Everything else is basic magic glue tying multiple fireballs together. So like, he's got a breakfast spell. Stand back (good advice for all his spells), and you'll see a fish get knocked out of the local pond, flung through the air by successive explosions, and eventually it lands on his plate, nicely cooked and deboned, if slightly charred (the glass of milk is harder to explain). His magical door locks involve a quicksilver sphere and molten lead changing shape when heated... It's tricky but it seems to work. He's working on a teleport spell, but so far it's mainly just killed test subjects (primarily sheep from a nearby farm).
* so the funny thing here is that this isn't a reference to the unity game engine. The main country in my One Hundred and One Magical Pistols setting is called "the union" and their language is called "unity".
It's wands vs staves vs bare hands.
Wanders are like "they're available everywhere and once you learn how to do it it's so powerful!"
Staffguys always talk about how you can do ANYTHING with a staff. Wanders claim it's a pain to carry around an overpowered device that can do ANYTHING when you just need to cast fireball or a simple one man teleport.
Meanwhile the bare wizards are showing off how they don't need any magical tools and can just do hand motions.
Wanders and staffguys retort that when a spell goes wrong, THEY need to go to store for a new magical tool. YOU need new hands.
i think something a lot of people don't get is that years of mocking your child, even in jest, does in fact tend to get under their skin
a decade or two of even light verbal harassment is very much accentuated when it's an authority figure you are in every meaningful way subservient to
Why do they even make apps for ADHD. You want me to use my 24/7 handheld immediate distraction device? To manage my 'gets distracted too easily' disorder? Ooooh we developed the perfect tool for managing your anemia. Its hosted in Dracula's castle. 👍
Picked up my phone to consult my task list for today and now I'm reblogging this instead, case in point
uh oh
"etymologynerd" is at it again and this time i do feel i have to say something. the disability advocates have it covered on addressing the impact, but there's also a serious problem with the linguistics.
in a video shared on may 16, adam aleksic begins by saying: "i think we have to accept the fact that the 'r-word' [retard/retarded] is permanently coming back and it's functionally changed meanings to no longer directly refer to disabled people."
this first sentence alone betrays a fundamental misunderstanding of language change in several points.
this word never went away. what we're seeing now is an attempt at re-normalization by people who sense that they will not be socially punished by openly using this term.
we actually don't have to "accept" its return to mainstream use. for decades, disability advocates have worked to inform the public of the harm caused by casual use of this term. the harm has not disappeared, and neither will this advocacy and its impacts.
now i'm just mad. how tf does it NOT refer to disabled people? the entire point of a pejorative term is that it negatively invokes comparison to a person, group, etc. the assertion that the r-word has changed meanings is categorically false. at most, its primary context has changed from clinical to casually pejorative, but the insult fundamentally rests upon the original reference.
he goes on to refer to the "euphemism treadmill," another concept he misrepresents by extending the metaphor to say that terms which have been sufficiently distanced from their original reference are no longer pejorative. to quote: "...once we sufficiently distance a word from its historical usage, it stops taking on the same offensive power and just becomes colloquial instead."
which... what? what the fuck is he talking about? the words he uses as examples – idiot, imbecile, and moron – are definitely still offensive, if perhaps less impactful. "just becomes colloquial instead" is a nonsense phrase. are offensive words not colloquial? the only english word that comes to mind as having changed so much in definition as to no longer be offensive is "nice," which has been shifting in meaning for more than 700 years and was never a weaponized clinical term.
he ends by saying, "it is undeniably true that the people who are afraid to say the r-word right now are going to get old and die out, while younger generations keep saying it with no knowledge of where it came from." again, fundamentally misunderstanding language change in society over time. it rests on the assumption that we're all going to start or re-start using this slur and never have a conversation about its harms, which just completely ignores both the abovementioned disability advocacy and the fact that people tell each other not to use offensive words. you think i'm just not gonna teach my kids that using slurs is bad??
the whole video is devoid of both empathy and an understanding of long-term semantic change.
tl;dr etymologynerd is wrong, we do NOT "have to accept that the 'r-word' is coming back," and we all need to read more crip linguistics.
after continuing to stew about this during my lunch break, i'd also like to point out that framing this sort of thing as "inevitable" is some fascist bullshit.
don't fall for it.
Wei Weaving is a Chinese artist