me: sorry i’ve been busy
me for the last hours:

gracie abrams
TVSTRANGERTHINGS
cherry valley forever

Love Begins
Fai_Ryy
todays bird
Cosimo Galluzzi
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year
Misplaced Lens Cap

Kiana Khansmith
Cosmic Funnies
Lint Roller? I Barely Know Her

Origami Around
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YOU ARE THE REASON
RMH
Sweet Seals For You, Always
Aqua Utopia|海の底で記憶を紡ぐ
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@may-shepard
me: sorry i’ve been busy
me for the last hours:
On Saturday I said to my partner, as I have said for months, "A ten thousand dollar a year raise would solve so many of my problems."
As of this morning I was reluctantly looking for jobs because I love my job and don't want to leave it, but see: $10k raise problem solver.
As of noon today this was no longer an issue, because my boss called me with the news that I was getting a $10K merit raise.
I feel like a huge weight has been lifted off my shoulders. This is roughly $200 extra per paycheck. Enough to pay off debt faster, rebuild my savings, and spend a weekend a month in Milwaukee getting obscenely laid. The sex I'm going to have on $200 extra per paycheck. You can't even.
May all of you get the $10K raise your soul has yearned for. And whatever level of sex you can be satisfied with for $200.
hey bestie i think ur post might be charmed 'cause you aren't gonna fuckin believe what happened today
God I have been struggling so much to explain my irritation with a certain trend I keep running across in LGBTQ+ "cozy fantasy books"
Because everytime I try to verbalize it, it just comes out as sounding like I'm trying to say there's like. An upper limit on how daydreamy an author can be about worlds in which their every fantasy is fulfilled (entire farming village based on mutual aid; where also everyone is queer and/or gender-conforming! And there is little to no conflict! And everyone knows therapy speak and is unfailingly kind and generous and good!)
Because like--there's not, really, an upper limit on these things.
But there is an invisible line of tolerance for me where it turns from "cozy fantasy" to "oh my god grow the fuck up; this is so saccharine it's become one-note and boring and dull that I can't actually ENJOY the low-stakes cozy vibes"
But it sounds like I'm complaining about "there's too many gender queers and not enough homophobia in this book" and it's Not That
Ugh idk take your 2 stars and let me delete this book off my Kobo, I finished it and that's honestly more than I think it deserved.
(a 4.07 average star rating are you FUCKING kidding me)
The problem you're trying to pinpoint is TENSION ISSUES, and cozy fantasy is fuckin RIFE with them. Major chronic problem with the genre, and editors just keep letting authors get away with it instead of developing the story.
Low stakes are fine, utopian settings are fine, even low-conflict is fine -- but you gotta have a source of tension SOMEWHERE, or it pisses people off. If everyone's cooperating together and an amazing team and there's no interpersonal drama, ok great, but hit them with a tornado or a famine or heavy rains that wash out the fields right after planting.
The following have been called the "7 types of conflict" but people always think conflict means fighting or angry feelings, so i do think that "7 types of tension" might be a better wording:
Person vs Person (this is the one that cozy fantasy is most allergic to, and that's ok!)
Person vs Society (cozy fantasy also allergic to this one, we're still fine!)
Person vs Self (inexplicably underutilized, it rules, highly recommend)
Person vs Supernatural
Person vs Fate
Person vs Technology
Person vs Nature
And here is a list of free cozy fantasy tension points for each one of those. Feel free to steal these, adapt them, tweak them, etc -- as long as you promise to commit to the bit and actually make your protagonist face their problems head-on and have feelings about them and actually DO SOME HARD WORK to resolve them instead of conveniently handwaving it all away. (Your protagonist's name is Blue.)
Person vs Person: Blue's neighbor has a longstanding grudge and is trying to get Blue's bakery shut down by any means necessary, including reporting Blue to the health inspectors, who threaten to shut the whole operation down. (If you are writing for adults, then the grudge is bad enough that it CANNOT be solved with the power of friendship or by offering said neighbor free daily croissants. C'mon, don't wimp out. Imagine the Worst coworker you've ever had. Imagine the pettiest HOA lady ever.)
Person vs Society: There is a war in the neighboring kingdom which has impacted the chocolate chip import market. Blue's bakery is struggling financially, and the bank is making ominous noises about Blue's fantasy student loans.
Person vs Self: Blue is having a crisis of faith. They inherited the bakery and they hate running it, but they feel an obligation to their beloved dead relative. They don't know how to balance this against their own dreams, and they feel a ton of guilt about it.
Person vs Supernatural. Blue boasted that they're a better baker than the local hearth goddess. Blue now has a curse that fucks up every loaf, danish, cookie, and sticky-bun they touch. They can't even go into other people's bakeries without jinxing them.
Person vs Fate: Several generations ago, a fortune-teller spoke a prophecy that says the bakery will fail if someone matching Blue's description takes over. Blue doesn't give a shit about that, Blue is determined to make it work, Blue spits in the face of Fate.
Person vs Technology. A new bakery opens just a block away from Blue's, with newfangled magical ovens and staffed entirely by magic robots. Can Blue compete against this? We explore the upsides and downsides between artisanship and mass manufacturing.
Person vs Nature. A really bad winter strangles the town, trapping people in their homes. Blue doggedly wades through waist-deep snow on their daily bread deliveries to the old folks of the town, but they slip on ice and twist their ankle really bad.
(Anyway read my book Yield Under Great Persuasion, which is an M/M cozy romantasy with lots of different tension points -- we've got a lil bit of #1 and #2, a WHOLE LOT of #3, and a smidge of #4 and #5)
it’s the no notes blanket fort! climb on in
I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
The person who wrote these tags is really saying that because authors' labour is tragically underpaid, they shouldn't mind getting ripped off more? YIKES, person. Yikes.
Hey friends, don't pirate books if you can at all help it. No one is going to be harmed if you pirate the latest Marvel movie. Everyone who worked on it has already been paid. But pirating a book means you're taking future opportunity away from the writer, and also taking money away from the publisher who supports them.
we are witnessing the gentrification of the term "tumblr sexyman" in real time and it is extremely disappointing. like no, live-action white boy #265 played by ryan gosling isn't a tumblr sexyman. i can't believe i have to say this but if it wouldn't get you shoved into a locker it probably isn't a sexyman
THIS IS WHAT I’VE BEEN SAYINGGGG
Reading the Wikipedia pages for 1910s films is like
"Made on a budget of $75, the film was an unexpected smash hit, selling out theaters across the country. Thought lost after a vault fire in Paris in 1954, a full print was discovered in a Brazilian nursing home in 2013, where it was being used as a doorstop."
What helped me write trauma better is remembering that the nervous system learns predictions. If danger used to come after quiet, calm can feel threatening. If kindness used to come with a price, kindness can feel suspicious. So healing is not just “they know they’re safe now.” Healing is the slow, annoying, deeply unfair process of teaching the body that the old prediction is not always the present truth.
how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
———
1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
Heard a car horn today that was tuned to a fifth. Fucked up, kinda delightful
I want people to understand how jarring this was. Most car horns are either a single tone or two tones somewhere in the neighborhood of a minor third apart:
Pretty normal rush hour sounds, yeah? But this thing sounded something like this:
Fucked up! Didn't even realize it was a car horn at first, I didn't know what the fuck it was! It was weird as hell!
unexpected sounds can really shift your whole perception of a space.
[ID: A captioned TikTok video by user @stixywixy of a bearded man wearing a sweatshirt that reads "Sorry". He is speaking against a background that is a screenshot of a Tumblr exchange. The exchange starts with user victini posting "You can control white people by giving them cheese". User 0ndo replies "cheese is so good tho". Victini replies "I got one".
Stixywixy indicates the exchange as he lectures: "I've seen this circulating a lot, and as the veil between the worlds grows thinner this time of year, we need to talk about it for everyone's safety. Summoning, binding, warding, and dismissal are four distinct disciplines. They don't overlap. Cheese will summon white people; it will give you no command over them. Now you've got a swarm of uncontrollable cheese eating white people. Congratulations, you just made France. Now what? Conjure responsibly." Stixywixy looks away and drinks from an insulated tumbler. /end ID]
SIMPLE GUIDE:
Body Horror: Things that cannot happen in real life. EX: The Thing, stomach mouths, eyes on hands, etc
Gore: Fresh injuries, often severe. EX: Severed leg, gutspill, deep gashes, etc
NEITHER: Healed injuries and burns, congenital differences, missing appendages, etc. If I could theoretically go to the store and see that character browsing the isles- It isn't body horror or gore. That's just a person. *AND the amount of people that tag, not just fictional characters, but real human beings as body horror is staggering. Its not solely a fandom issue, ableism and bigotry against anyone that looks sufficiently "different" is prevalent in real life and has devastating consequences.
(Modified) from my comment left on this post.
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
everyone stop reblogging this I hate to be reminded of my own good advice
damaged tintype of 2 women at a studio, circa 1880s