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This is the money courage, reblog at your leisure for wealth, positivity and good fortune. Add any negativity to this post and a man will appear outside your home yelling âreturn the slabâ over and over.
Yes
Japanese Artist Taku Inoue Turns Tom And Jerryâs Most Unfortunate Moments Into Sculptures.
Artist IG: @inouetable | Twitter: @artwoonz_Â Â Â iphone servis
Shameless 6x12
I want this tattooed on me
A little louder for those in the back.
This THIS THIS THIS.
This is why people keep quiet about their mental illnessesâŠand why we need to speak up.
memeception
WEâVE HIT TERMINAL MEME
@caesarianconfection
Iâve said âI hate thisâ so many times on this website, and never actually meant it, because âI hate thisâ is just shorthand for âthis is an example of a meme given a twist I wasnât expecting with intent to surpriseâ. Which is, in of itself, a meme on this site. God damn it.
But this⊠This is something else.
The rapidity of a memeâs introduction to its zenith to its decline is so rapid that in ten years, youâll need a damn twenty-page manual to explain this. Itâll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeareâs jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind.
For the love of fuck, how do you explain loss.jpg? How do you explain gun?
âŠ.I THOUGHT THIS WAS A YMCA REFERENCE
it is a YMCA reference - thatâs one of the 6 memes being represented here
ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1)
this first lyric replacement (âtake the breadsticks and runâ) is a reference to the tumblr meme âstuffing breadsticks into my purseâ. i think everyone remembers that one so i wont bother to explain it. thatâs meme two (2)
âman door hand hook car doorâ is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic âstuck in a car while hook handed man tries to kill usâ story so the stupid title caught on for memorability. that in and of itself is meme three (3)
âgunâ is⊠yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to âman door hand hook car doorâ for.. some reason? gun is meme four (4)
and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5)
which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6)
(but i need to add that this is the greatest version of loss.jpg i think iâve ever seen. the initial âyoung manâ lines up with the guy bursting through the door, and the shock meme âgunâ matches the shock scene of the woman in the hospital and idk if OP even thought about that but it makes this just so much better)
I wasnât going to reblog this, but @pagesofkennaâs comprehensive meme-by-meme annotation is a thing of beauty and should be shared.
average tumblr post contains one meme, this post, which contains six, is an outlier and should not be counted
it might also just be a coincidence due to loss.jpgâs format but the whole white minimalist four-panel setup is also suspiciously reminiscent of those early 2000âs rage comics
I was getting a political compass vibe too
tag urself im man door hand hook car gun
This works better than I thought it would.
This was in my senior project
Iâm not sorry.
EIGHT MEME COMBO
FATALITY
âIâm only five years old myself, please donât kill meâ đđ„ș But nah the kids are ALL RIGHT
*old man voice* back in my day tik tok was a ke$ha song
Why my parents so old and stupid fuck off
âHonor your father and your motherâ
âGargle my dick and ballsâ
I really donât think that fans of The Office talk enough about the fact that when the documentary was gonna air, The Senator was running for president. Imagine that, like, Paul Ryan was fuckin running for president and during his campaign, a documentary about a paper company in the middle of nowhere, Pennsylvania, came out that outed him as gay, revealed he was having an affair with his wifeâs coworker, and revealed that said wife was ALSO having an affair with ANOTHER coworker who once staged a fake fire and cut the face off a CPR dummy
As a Croat, seeing a meme about my country for the first time ever on Tumblr is an experience
twink of death smskskjs im gonna scream
I have to say I really appreciate how Into the Spider-Verse makes no effort whatsoever to give Dr. Octavius any kind of pathos. Superhero media so often goes out of its way to establish that the main villainâs female sidekick â should one be present â has Suffered Terribly and how itâs totally Not Her Fault that sheâs ended up the way she is, or at least give her a humanising moment of empathy with the protagonist, but nope. Sheâs just a big amoral jerk and no one likes her.
What Iâm saying is that Olivia Octavius is the kind of mad scientist who would unironically respond to a heroâs horrified âwhat in Godâs name?â by exclaiming âGod had nothing to do with it!â, and I respect that.
Sheâs someone who was shown early on to know that snatching people from other universes causes them to painfully disintegrate, but at no point does she bother to tell Fisk this. âCause she has (unspoken within the movie) motives outside of Fisk wanting his family back.
So sheâs totally down with Fisk seeing his family die in front of him again (and again, and again) as long as it fits with her own goals..
I NEVER EVEN THOUGHT OF THAT.Â
He essentially bankrolled her entire project to steal his family from some alternate universe and Liv, knowing damn well theyâd eventually disintegrate in this universe, was like âYep, Iâll do my best, thank so much for your contributionâ
cold fucking blooded.
Anemone runs from starfish
Anemone song is NOT shitty, delete this đĄđĄđĄ
It's a good song
its one line repeated over and over
amazing
Itâs literally not one line repeated over and over lmao educate yourself
https://youtu.be/93wE-2E0b4Q
you know this one: https://youtu.be/YMcGLQ-RZ44
Nothing but bangers
Is thisâŠÂ grand theft alto?
How did this get 176 notes?
I guess music puns just might be my forte.
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
âwe didnât know any better,â the crewman says, and swallows, presenting the chest to the captain. âwhat do we do now?â
âkill it,â the captain says, but the ice is melting in his eyes.
âwe canât,â the first mate says desperately, praying she wonât have to fight her captain on this. âwe canât. we - i wonât. we wonât.â
âi know.â
x
âdaddy,â she says, floating in a tub of seawater in the hold, âdaddy, la-la, la-la-la.â
her voice rings like bells. her accent is strange; her mouth isnât made for human words. it mesmerises even the hardiest amongst them and she wasnât even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
âdaddy,â she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
âdonât worry,â he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
âfather,â she says, one day, as she leans on the edge of the dock and the captain sits next to her, âwhy am I here?â
âyour mother abandoned you,â he says, as he always has. âwe found you adrift, and couldnât bear to leave you there.â
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. âalright,â she says.
x
âwhy am I really here?â she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
âwe didnât know any better,â the first mate says, staring into the water. âwe didnât know- we didnât know anything. we didnât understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.â
she wants to be furious, but she canât. she already knew the answer, from reading the guilt in her fatherâs eyes and the empty space in her own history. and she canât hate her family.
âitâs alright,â she says. âi do have a family, anyways. i donât think i would have liked my other life near as much.â
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. âi donât mind,â she says, when the captain fusses over her, ânow i match all of you.â
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. âwe shouldnât fight him,â she says, peering through the spyglass.
âwhy not?â the mermaid asks.
âheâll win,â the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. âare you sure?â she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
âdonât worry,â she says, with a bright laugh, âit was fun.â
x
the second time, they are pushed by a storm into a royal fleet. they canât possibly fight them, and they donât have the time to escape.
âlet me up,â the mermaid urges, surfacing starboard and shouting to the crew. âbring me up, quickly, quickly.â
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but sheâs so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
âyou know we are dying,â the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
âi know,â she says, âi can feel it coming.â
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaidâs deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
âwe love you,â the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
âi love you too,â the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
âguard the ship,â the captain says. âyou always have but you know theyâre lost without you.â
âwithout you,â the mermaid corrects, with a shrug that makes waves. âwhat will we do?â
âi donât know,â the captain says. âbut youâll help them, wonât you?â
âof course i will,â she scoffs, rolling her eyes. âi will always protect my family.â
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
âyou know, i heard stories about you when i was a little girl,â she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. âis that so?â she hums, smirking with teeth sharper than the swords of the entire navy.
âthey said you could sink an entire fleet and that you had skin tougher than dragon scales,â the new captain says, grinning right back at the monster who could eat her without a momentâs hesitation. âi always thought they were telling tall tales.â
âand now?â
âthey were right,â the new captain says. âhow did they ever befriend you?â
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. âthey didnât know any better.â
Everytime someone says that being trans is just a phase because there are no old trans people, I think of situations like this. So many people hid who they were because the world wasnât as accepting.