hi uh would you please Say More about majoring in television writing (and maybe about then(?) becoming a lawyer)
oh yeah sure. I went to a very fancy undergrad (U.S. News & World Report puts it in the top ten, I think? though it was not in the top ten when I went there; not an Ivy League, yuck). I was entering from a high school film and tv-ish magnet, and I made it into their film major program as a freshman. They had very robust film production, analysis, and screenwriting courses on offer all the time. But there was one special program that started partway into your college career and required even more applications, only took a handful of people out of the whole school, very prestigious, etc.
I was actually genuinely surprised when I made it in, but also really satisfied. It was one of the first times I can think of that I got real external recognition of something I'd worked hard to get good at? By that point I'd practiced writing over and over and over, and I'd written a lot of, like, bad, bad things.
I remember constantly buying notebooks and writing a few pages of feverish imaginative weirdness in them before abandoning them for most of my childhood. Scriptwriting happened later on, when I was in middle school-ish, when I discovered that people always tended to compliment the dialogue I wrote, which I thought at that time meant I was naturally good at it and I should do nothing but that. (I swear to god, it took me SO LONG to realize that practicing the thing you're bad at makes you better at it, and life isn't just a stream of inborn talents that either exist or don't.)
I started by adapting a novel to a screenplay, which was a work of complete top to bottom love on a novel that didn't deserve it even slightly. Shitty old 80s military scifi novel I can almost guarantee you've never heard of, not an award-winner, this one. I streamlined the overcomplex plot and diversified the characters, for a bonus. (I added women. GASP.)
After that, I wrote my own Star Trek show. It was like Firefly set in the Star Trek universe, and it was not particularly original. I wrote about 10-12 episodes, and used to invite my friends over for parties where I would feed them pizza then make them read the scripts out loud. They each had regular roles on the show. Then a spinoff of that, about one of the characters of the first who was a Section 31 agent. Then a Stargate spinoff. Then some original work, and the short film that got me into the program at my university.
I read tons of books on screenwriting. (Only one is worthwhile: Story by Robert McKee.) I practiced all the time, and I practiced by doing. I had no idea what kind of craft I was building. Even the fanfic I wrote was honing craft.
Here's what I learned in school.
Scripts are made to be filmed. Scripts must accomplish a goal, and they must do so in rigid, set ways, but beyond that, they can be anything you want to tell. Structure and story are synonymous in a way that they often are not in other media. If you fail at any given scene, you failed twenty pages ago. You failed at your outline. You didn't have a structure that would support what you wanted to build.
People reading scripts are ruthless. They're looking for a reason to throw it away. (Not always, okay, but still.) If you fail, even if you have something beautiful, you will not get hired.
So screenwriting like that makes a writer who's an engineer and a problem-solver, as well as a creative. You have to be creative, because without a steady stream of ideas, you can't trim them into the right shapes.
Then I learned legal writing, which... is incredibly strict on structure and form, down to the paragraph level, with certain vocabulary, sentences, and signals that tell the reader what to think and how to think it. It can be unimaginably stupid and unimaginably complex. Screenwriting skills are suited to it wonderfully. That kind of structural analysis and understanding makes an incisive legal writer; that kind of ruthlessly culled, hyper-efficient and still poetic prose makes for a readable one.
I don't know why I like both of these things. I can tell stories about why I moved from one path to another (I hated living in LA [true], I needed to be Doing Something [also true], both of these jobs feel like holding secrets [true], both of these jobs are telling stories [true], law school paid me more to go to it than anyone paid me to do actual jobs in los angeles [truuuuuue]) but the fact is I can't articulate the feeling that being a lawyer and being a writer both give me. Maybe I like speaking with many voices.